Larunda (also Larunde, Laranda, Lara) was a naiad nymph, daughter of the river Almo and mother of the Lares Compitalici, guardians of the crossroads and the city of Rome. In Ovid's Fasti she is named Lara. [1]
The only known mythography attached to Larunda is little, late and poetic, in Ovid's Fasti. Ovid names her Lara, an excessively loquacious river-nymph, daughter of the river-god Almo. Ignoring parental advice to curb her tongue, she betrays Jupiter's secret, adulterous affair with the nymph Juturna, wife of Janus, to his own wife, Juno. Jupiter wrenches out Lara's tongue and orders Mercury, psychopomp and god of boundaries and transitions, to conduct her to the "infernal marshes" of Avernus, the gateway to the Underworld, the dismal realm of Pluto. Along the way, Mercury rapes her, despite her pleading glances. Mute (Latin muta) and silent (Latin tacita), she thus conceives the divine Lares, twin guardians of crossroads and the city of Rome. [1]
Larunda's original name, according to Ovid, was "Lala", imitative of her garulous speech. Robbed of the power of speech, she is likely identical with Muta "the mute one" and Tacita "the silent one": nymphs, minor goddesses or aspects of a single deity with semantic connections to the Lares and perhaps the Lemures as darker forms of Lares. [2] [3]
Ovid expounds this myth of Lara and Mercury in the context the festival of Feralia on February 21, [1] and an informal, secretive women's folk-cult at the same festival, invoking Tacita ("the silent goddess"). The rite is led by "an old hag" who holds seven black beans in her mouth; it has similarities to the exorcism of hostile, vagrant spirits at the Lemuria festival, but is completed when a fish-head is sewn up to "bind hostile tongues to silence". Lara/Larunda is also sometimes associated with Acca Larentia whose feast day was the Larentalia on December 23. [4]
In Greek mythology, Callisto was a nymph, or the daughter of King Lycaon; the myth varies in such details. She was believed to be one of the followers of Artemis who attracted Zeus. Many versions of Callisto's story survive. According to some writers, Zeus transformed himself into the figure of Artemis to pursue Callisto, and she slept with him believing Zeus to be Artemis. She became pregnant and when this was eventually discovered, she was expelled from Artemis's group, after which a furious Hera, the wife of Zeus, transformed her into a bear, although in some versions, Artemis is the one to give her an ursine form. Later, just as she was about to be killed by her son when he was hunting, she was set among the stars as Ursa Major by Zeus. She was the bear-mother of the Arcadians, through her son Arcas by Zeus.
Minerva is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. She is also a goddess of warfare, though with a focus on strategic warfare, rather than the violence of gods such as Mars. Beginning in the second century BC, the Romans equated her with the Greek goddess Athena. Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno.
Mercury is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication, travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld and the "messenger of the gods".
Venus is a Roman goddess, whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles.
In ancient Roman religion and mythology, Liber, also known as Liber Pater, was a god of viticulture and wine, male fertility and freedom. He was a patron deity of Rome's plebeians and was part of their Aventine Triad. His festival of Liberalia became associated with free speech and the rights attached to coming of age. His cult and functions were increasingly associated with Romanised forms of the Greek Dionysus/Bacchus, whose mythology he came to share.
Acca Larentia or Acca Larentina was a mythical woman, later a goddess of fertility, in Roman mythology whose festival, the Larentalia, was celebrated on December 23.
Anna Perenna was an old Roman deity of the circle or "ring" of the year, as indicated by the name.
Cardea or Carda was the ancient Roman goddess of the hinge, Roman doors being hung on pivot hinges. The Augustan poet Ovid conflates her with another archaic goddess named Carna, whose festival was celebrated on the Kalends of June and for whom he gives the alternative name Cranê or Cranea, a nymph. Ovid's conflation of the goddesses is likely to have been his poetic invention, but it has also been conjectured that Carna was a contracted form of Cardina, and at minimum Ovid was observing that their traditions were congruent.
In Roman mythology, Dea Tacita also known as Dea Muta or Muta Tacita, was a goddess of the dead. Ovid's Fasti includes a passage describing a rite propitiating Dea Tacita in order to "seal up hostile mouths / and unfriendly tongue" at Feralia on 21 February. Dea Tacita is the same as the naiad Larunda. According to Ovid this occurred because Dea Tacita had her tongue ripped off by Jupiter. Jupiter was angry with her because she told the nymph Juturna to flee from him because he planned to rape her. In this guise, Dea Tacita was worshipped at a festival called Larentalia on 23 December. Goddesses Mutae Tacitae were invoked to destroy a hated person: in an inscription from Cambodunum in Raetia, someone asks "ut mutus sit Quartus" and "erret fugiens ut mus". Plutarch, who describes Tacita as a Muse, states that Numa Pompilius credited Tacita for his oracular insight and taught the Romans to worship her.
In the myth and religion of ancient Rome, Juturna, or Diuturna, was a goddess of fountains, wells and springs, and the mother of Fontus by Janus.
In ancient Roman religion and myth, Janus is the god of beginnings, gates, transitions, time, duality, doorways, passages, frames, and endings. He is usually depicted as having two faces. The month of January is named for Janus (Ianuarius). According to ancient Roman farmers' almanacs, Juno was mistaken as the tutelary deity of the month of January, but Juno is the tutelary deity of the month of June.
Festivals in ancient Rome were a very important part in Roman religious life during both the Republican and Imperial eras, and one of the primary features of the Roman calendar. Feriae were either public (publicae) or private (privatae). State holidays were celebrated by the Roman people and received public funding. Games (ludi), such as the Ludi Apollinares, were not technically feriae, but the days on which they were celebrated were dies festi, holidays in the modern sense of days off work. Although feriae were paid for by the state, ludi were often funded by wealthy individuals. Feriae privatae were holidays celebrated in honor of private individuals or by families. This article deals only with public holidays, including rites celebrated by the state priests of Rome at temples, as well as celebrations by neighborhoods, families, and friends held simultaneously throughout Rome.
Juno was an ancient Roman goddess, the protector and special counsellor of the state. She was equated to Hera, queen of the gods in Greek mythology and a goddess of love and marriage. A daughter of Saturn and Ops, she was the sister and wife of Jupiter and the mother of Mars, Vulcan, Bellona, Lucina and Juventas. Like Hera, her sacred animal was the peacock. Her Etruscan counterpart was Uni, and she was said to also watch over the women of Rome. As the patron goddess of Rome and the Roman Empire, Juno was called Regina ("Queen") and was a member of the Capitoline Triad, centered on the Capitoline Hill in Rome, and also including Jupiter, and Minerva, goddess of wisdom.
Ferālia was an ancient Roman public festival celebrating the Manes which fell on 21 February as recorded by Ovid in Book II of his Fasti. This day marked the end of Parentalia, a nine-day festival honoring the dead ancestors.
Lares were guardian deities in ancient Roman religion. Their origin is uncertain; they may have been hero-ancestors, guardians of the hearth, fields, boundaries, or fruitfulness, or an amalgam of these.
The Fasti, sometimes translated as The Book of Days or On the Roman Calendar, is a six-book Latin poem written by the Roman poet Ovid and published in AD 8. Ovid is believed to have left the Fasti incomplete when he was exiled to Tomis by the emperor Augustus in 8 AD. Written in elegiac couplets and drawing on conventions of Greek and Latin didactic poetry, the Fasti is structured as a series of eye-witness reports and interviews by the first-person vates with Roman deities, who explain the origins of Roman holidays and associated customs—often with multiple aetiologies. The poem is a significant, and in some cases unique, source of fact in studies of religion in ancient Rome; and the influential anthropologist and ritualist J.G. Frazer translated and annotated the work for the Loeb Classical Library series. Each book covers one month, January through June, of the Roman calendar, and was written several years after Julius Caesar replaced the old system of Roman time-keeping with what would come to be known as the Julian calendar.
The Mother of the Lares has been identified with any of several minor Roman deities. She appears twice in the records of the Arval Brethren as Mater Larum, elsewhere as Mania and Larunda. Ovid calls her Lara, Muta and Tacita.
Roman mythology is the body of myths of ancient Rome as represented in the literature and visual arts of the Romans. One of a wide variety of genres of Roman folklore, Roman mythology may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period. Roman mythology draws from the mythology of the Italic peoples and ultimately from Proto-Indo-European mythology.
The di inferi or dii inferi were a shadowy collective of ancient Roman deities associated with death and the underworld. The epithet inferi is also given to the mysterious Manes, a collective of ancestral spirits. The most likely origin of the word Manes is from manus or manis, meaning "good" or "kindly," which was a euphemistic way to speak of the inferi so as to avert their potential to harm or cause fear.