Tyche was the presiding tutelary deity who governed the fortune and prosperity of a city, its destiny. In Classical Greek mythology, she is usually the daughter of the Titans Tethys and Oceanus, or sometimes Zeus, and at this time served to bring positive messages to people, relating to external events outside their control.
In ancient Roman religion, Abundantia, also called Abundita or Copia, was a divine personification of abundance and prosperity. The name Abundantia means plenty or riches. This name is fitting as Abundantia was a goddess of abundance, money-flow, prosperity, fortune, valuables, and success. She would help protect your savings and investments. Abundantia would even assist someone with major purchases. She was among the embodiments of virtues in religious propaganda that cast the emperor as the ensurer of "Golden Age" conditions. Abundantia thus figures in art, cult, and literature, but has little mythology as such. She may have survived in some form in Roman Gaul and medieval France. Abundantia would carry a cornucopia that was filled with grain and coins. She would occasionally leave some of her grain or money at someone's house as a gift.
In classical antiquity, the cornucopia, from Latin cornu (horn) and copia (abundance), also called the horn of plenty, was a symbol of abundance and nourishment, commonly a large horn-shaped container overflowing with produce, flowers, or nuts.
A rudder is a primary control surface used to steer a ship, boat, submarine, hovercraft, airship, or other vehicle that moves through a fluid medium. On an airplane, the rudder is used primarily to counter adverse yaw and p-factor and is not the primary control used to turn the airplane. A rudder operates by redirecting the fluid past the hull or fuselage, thus imparting a turning or yawing motion to the craft. In basic form, a rudder is a flat plane or sheet of material attached with hinges to the craft's stern, tail, or after end. Often rudders are shaped so as to minimize hydrodynamic or aerodynamic drag. On simple watercraft, a tiller—essentially, a stick or pole acting as a lever arm—may be attached to the top of the rudder to allow it to be turned by a helmsman. In larger vessels, cables, pushrods, or hydraulics may be used to link rudders to steering wheels. In typical aircraft, the rudder is operated by pedals via mechanical linkages or hydraulics.
The concept of liberty has frequently been represented by personifications, often loosely shown as a female classical goddess. Examples include Marianne, the national personification of the French Republic and its values of Liberté, Égalité, Fraternité, the female Liberty portrayed on United States coins for well over a century, and many others. These descend from images on ancient Roman coins of the Roman goddess Libertas and from various developments from the Renaissance onwards. The Dutch Maiden was among the first, re-introducing the cap of liberty on a liberty pole featured in many types of image, though not using the Phrygian cap style that became conventional. The 1886 Statue of Liberty by Frédéric Auguste Bartholdi is a well-known example in art, a gift from France to the United States.
The Hunterian is a complex of museums located in and operated by the University of Glasgow in Glasgow, Scotland. It is the oldest museum in Scotland. It covers the Hunterian Museum, the Hunterian Art Gallery, the Mackintosh House, the Zoology Museum and the Anatomy Museum, which are all located in various buildings on the main campus of the university in the west end of Glasgow.
Fortuna is the goddess of fortune and the personification of luck in Roman religion who, largely thanks to the Late Antique author Boethius, remained popular through the Middle Ages until at least the Renaissance. The blindfolded depiction of her is still an important figure in many aspects of today's Italian culture, where the dichotomy fortuna / sfortuna plays a prominent role in everyday social life, also represented by the very common refrain "La [dea] fortuna è cieca".
In ancient Roman religion, Annona is the divine personification of the grain supply to the city of Rome. She is closely connected to the goddess Ceres, with whom she is often depicted in art.
In medieval and ancient philosophy the Wheel of Fortune, or Rota Fortunae, is a symbol of the capricious nature of Fate. The wheel belongs to the goddess Fortuna who spins it at random, changing the positions of those on the wheel: some suffer great misfortune, others gain windfalls. The metaphor was already a cliché in ancient times, complained about by Tacitus, but was greatly popularized for the Middle Ages by its extended treatment in the Consolation of Philosophy by Boethius from around 520. It became a common image in manuscripts of the book, and then other media, where Fortuna, often blindfolded, turns a large wheel of the sort used in watermills, to which kings and other powerful figures are attached.
Castlecary is a small historic village in North Lanarkshire, Scotland, directly adjacent to the border with Falkirk. It has long been associated with infrastructure, being adjacent to a bridged river, a Roman fort and roads, a nationwide canal, a Victorian railway viaduct, and a modern motorway. Castlecary is close to the town of Cumbernauld but like Dullatur and Luggiebank is not officially part of the town. Around 1725, the barony of Castlecary, with a population of just seventeen families, was disjoined from the parish of Falkirk, and annexed to Cumbernauld quoad sacra. Castlecary is also near Allandale which, though in the Falkirk council area, was built for Castlecary fireclay workers.
Westerwood is an area in the north-east of Cumbernauld in North Lanarkshire, Scotland. Historically it was the site of a Roman Fort of which a video reconstruction has been produced. In the past two decades, new housing developments have been built around the Westerwood Hotel and Golf Course. The golf course, which was designed by Seve Ballesteros and Dave Thomas, is located on the north side of the town, close to Cumbernauld Airport. Westerwood Community Council was set up for local residents and a committee has been appointed. Neighbouring villages which are outside of Cumbernauld include Dullatur to the north-west and Castlecary to the east.
Laetitia, deriving from the root word laeta, meaning "happy", "glad", "lucky", "successful", "prosperous", "luxurious", "lush", or "abounding", was a minor Roman goddess of gaiety. Her name was used to mean happiness with prosperity and abundance. She is usually shown with greenery to depict the abundance of seasonal decorations that many sites would include. Wreaths of flowers or leaves are commonly worn at festivals or holy rituals, similarly Laetitia would be shown wearing a garland to mean celebration. She was sometimes depicted on Roman coinage with an anchor, as a representation of stability, or, like Fortuna, a ship's rudder symbolizing her guiding one to good fortune or prosperity.
Fortuna Huiusce Diei was an aspect of the goddess Fortuna, known primarily for her temple in the Area Sacra di Largo Argentina at Rome. Cicero lists her among the deities who should be cultivated in his ideal state, because "she empowers each day". She thus embodies an important aspect of time as it figures in Roman religion: every day of the year had a distinct and potent nature, which the public priests were responsible for knowing and aligning the community with by means of the religious calendar.
Fortuna Redux was a form of the goddess Fortuna in the Roman Empire who oversaw a return, as from a long or perilous journey. Her attributes were Fortuna's typical cornucopia, with her specific function represented by a rudder or steering oar sometimes in conjunction with a globe.
Allegory of Fortune, sometimes also named La Fortuna, is an oil painting on canvas featuring the Roman goddess of fortune, Fortuna, that was created c. 1658 or 1659 by the Italian baroque painter Salvator Rosa. The painting caused uproar when first exhibited publicly and almost got the painter jailed and excommunicated. Bearing initials but undated, it measures 200.7 by 133 centimetres. Rosa was known for his landscape paintings, but also worked in the sphere of mythology, witchcraft, portraits, and satire. Since 1978 it has been in the J. Paul Getty Museum in Malibu, California.
Bar Hill Fort was a Roman fort on the Antonine Wall in Scotland. It was built around the year 142 A.D.. Older maps and documents sometimes spell the name as Barr Hill. A computer generated fly around for the site has been produced. Lidar scans have been done along the length of the wall including Bar Hill. Sir George Macdonald wrote about the excavation of the site. Many other artefacts have also been found at Shirva, about a mile away on the other side of Twechar.
Croy Hill was a Roman fort, fortlet, and probable temporary camp on the Antonine Wall, near Croy, to the north east of the village in Scotland. Two communication platforms known as ‘expansions’ can be seen to the west of the fortlet. Alexander Park excavated the site in 1890-1891. Sir George Macdonald wrote about his excavation of the site which occurred in 1920, 1931, and 1935. At Croy Hill, the ditch in front of the rampart was not excavated by the Romans. It is likely that hard basalt and dolerite of the hill was virtually impossible to shape with Roman tools. This is the only place along the Wall where the ditch wasn't dug. There is a bath house just outside one fort. A video reconstruction of the site has been produced.
Cleddans is the site of a Roman fortlet on the Antonine Wall in Scotland. Its postulated existence was confirmed by trial trenching in 1979. Evidence of building work on Cleddans and on the Wall by units of both the sixth and the twentieth legions has been found in the area.
Balmuildy is the site of a Roman fort on the Antonine Wall in Scotland. It is one of only two forts on the Antonine Wall to have been found with stone ramparts; the other is Castlecary. A digital reconstruction of the fort has been created.
Ardoksho, also Romanised as Ardochsho, Ardokhsho and Ardoxsho, the Iranic goddess of wealth was a female deity of the Kushan Empire, in Central and South Asia during the early part of the 1st millennium CE. She is considered as an east Iranian goddess and alternate name of Lakshmi. She is known in the Avesta as Ashi.
Dupondius Fortuna with gubernaculum
Statuette [15] of the Roman goddess Fortuna, with gubernaculum (ship's rudder), [16] Rota Fortunae (wheel of fortune) and cornucopia (horn of plenty) found near the altar at Castlecary in 1771. [17]
