The Parabiago plate, also known as the Parabiago patera, [lower-alpha 1] is an ancient Roman circular silver plate depicting mythological figures. It was found in an ancient Roman cemetery at Parabiago, near Milan, in 1907. [1] The plate depicts Cybele with her consort Attis in a "vast cosmic setting" [2] amid "sun, moon, earth and sea, time and the seasons." [3] At the time of its discovery, it was thought to have been used as a lid for a funerary amphora. [4]
The plate is difficult to date. Earlier scholars tended to date it to the 2nd century CE, because of its classicizing style, but stylistic characteristics also permit a later date. Technical analyses, however, support a provenance in the 4th–5th centuries, even though it bears little stylistic resemblance to other silver pieces from that period. [1]
The plate weighs 3555 g and measures 390 mm in diameter. It has a foot-ring of 26 mm in height. The surface is worked with figures in high relief. [1]
Mystery religions, mystery cults, sacred mysteries or simply mysteries, were religious schools of the Greco-Roman world for which participation was reserved to initiates (mystai). The main characterization of this religion is the secrecy associated with the particulars of the initiation and the ritual practice, which may not be revealed to outsiders. The most famous mysteries of Greco-Roman antiquity were the Eleusinian Mysteries, which predated the Greek Dark Ages. The mystery schools flourished in Late Antiquity; Emperor Julian, of the mid 4th century, is believed by some scholars to have been associated with various mystery cults—most notably the mithraists. Due to the secret nature of the school, and because the mystery religions of Late Antiquity were persecuted by the Christian Roman Empire from the 4th century, the details of these religious practices are derived from descriptions, imagery and cross-cultural studies. Much information on the Mysteries comes from Marcus Terentius Varro.
The Ides of March is the 74th day in the Roman calendar, corresponding to 15 March. It was marked by several religious observances and was a deadline for settling debts in Rome. In 44 BC, it became notorious as the date of the assassination of Julius Caesar, which made the Ides of March a turning point in Roman history.
Cybele is an Anatolian mother goddess; she may have a possible forerunner in the earliest neolithic at Çatalhöyük. She is Phrygia's only known goddess, and was probably its national deity. Greek colonists in Asia Minor adopted and adapted her Phrygian cult and spread it to mainland Greece and to the more distant western Greek colonies around the 6th century BC.
In Sabine and ancient Roman religion and myth, Luna is the divine embodiment of the Moon. She is often presented as the female complement of the Sun, Sol, conceived of as a god. Luna is also sometimes represented as an aspect of the Roman triple goddess, along with Diana and either Proserpina or Hecate. Luna is not always a distinct goddess, but sometimes rather an epithet that specializes a goddess, since both Diana and Juno are identified as moon goddesses.
In the material culture of classical antiquity, a patera or phiale is a shallow ceramic or metal libation bowl. It often has a bulbous indentation in the center underside to facilitate holding it, in which case it is sometimes called a mesomphalic phiale. It typically has no handles, and no feet.
Attis was the consort of Cybele, in Phrygian and Greek mythology.
Sabazios is the horseman and sky father god of the Phrygians and Thracians. Though the Greeks interpreted Phrygian Sabazios as both Zeus and Dionysus, representations of him, even into Roman times, show him always on horseback, wielding his characteristic staff of power.
A quadriga is a car or chariot drawn by four horses abreast and favoured for chariot racing in Classical Antiquity and the Roman Empire. The word derives from the Latin quadrigae, a contraction of quadriiugae, from quadri-: four, and iugum: yoke. In Latin the word quadrigae is almost always used in the plural and usually refers to the team of four horses rather than the chariot they pull. In Greek, a four-horse chariot was known as τέθριππον téthrippon.
The hippocampus or hippocamp, also hippokampos, often called a sea-horse in English, is a mythological creature shared by Phoenician, Etruscan, Pictish, Roman and Greek mythology, though its name has a Greek origin. The hippocampus has typically been depicted as having the upper body of a horse with the lower body of a fish.
Sol Invictus was the official sun god of the late Roman Empire and a later version of the god Sol. The emperor Aurelian revived his cult in AD 274 and promoted Sol Invictus as the chief god of the empire. The main festival dedicated to him was the Dies Natalis Solis Invicti on 25 December, the date of the winter solstice in the Roman calendar. From Aurelian onward, Sol was of supreme importance, and often appeared on imperial coinage. He was often shown wearing a sun crown and driving a horse-drawn chariot through the sky. His prominence lasted until the emperor Constantine I established Christianity as the Imperial religion. The last inscription referring to Sol Invictus dates to AD 387, although there were enough devotees in the fifth century that the Christian theologian Augustine found it necessary to preach against them.
Tauroctony is a modern name given to the central cult reliefs of the Mithraic Mysteries in the Roman Empire. The imagery depicts Mithras killing a bull, hence the name tauroctony after the Greek word tauroktonos. A tauroctony is distinct from the sacrifice of a bull in ancient Rome called a taurobolium; the taurobolium was mainly part of the unrelated cult of Cybele.
Aion is a Hellenistic deity associated with time, the orb or circle encompassing the universe, and the zodiac. The "time" which Aion represents is perpetual, unbounded, ritual, and cyclic: The future is a returning version of the past, later called aevum. This kind of time contrasts with empirical, linear, progressive, and historical time that Chronos represented, which divides into past, present, and future.
The Santoni are a collection of statues carved into a rock face near Palazzolo Acreide, the ancient Akrai, in Sicily.
The Baltimore Painter was an Apulian vase painter whose works date to the final quarter of the 4th century BC. He is considered the most important Late Apulian vase painter, and the last Apulian painter of importance. His conventional name is derived from a vase kept at the Walters Art Museum in Baltimore.
In Ancient Greek religion and mythology, the Erotes are a collective of winged gods associated with love and sexual intercourse. They are part of Aphrodite's retinue. Erotes is the plural of Eros, who as a singular deity has a more complex mythology.
In the typology of ancient Greek pottery, the kernos is a pottery ring or stone tray to which are attached several small vessels for holding offerings. Its unusual design is described in literary sources, which also list the ritual ingredients it might contain. The kernos was used primarily in the cults of Demeter and Kore, and of Cybele and Attis.
The Altar of Domitius Ahenobarbus is a series of four sculpted marble plaques that probably decorated a base supporting cult statues in the cella of a Temple of Neptune located in Rome on the Field of Mars.
The biga is the two-horse chariot as used in ancient Rome for sport, transportation, and ceremonies. Other animals may replace horses in art and occasionally for actual ceremonies. The term biga is also used by modern scholars for the similar chariots of other Indo-European cultures, particularly the two-horse chariot of the ancient Greeks and Celts. The driver of a biga is a bigarius.
In the Roman Empire, Rosalia or Rosaria was a festival of roses celebrated on various dates, primarily in May, but scattered through mid-July. The observance is sometimes called a rosatio ("rose-adornment") or the dies rosationis, "day of rose-adornment," and could be celebrated also with violets (violatio, an adorning with violets, also dies violae or dies violationis, "day of the violet[-adornment]"). As a commemoration of the dead, the rosatio developed from the custom of placing flowers at burial sites. It was among the extensive private religious practices by means of which the Romans cared for their dead, reflecting the value placed on tradition (mos maiorum, "the way of the ancestors"), family lineage, and memorials ranging from simple inscriptions to grand public works. Several dates on the Roman calendar were set aside as public holidays or memorial days devoted to the dead.
The House of the Greek Epigrams is a Roman residence in the ancient town of Pompeii that was destroyed by the eruption of Mt. Vesuvius in 79 CE. It is named after wall paintings with inscriptions from Greek epigrams in a small room (y) next to the peristyle.