Quadriga

Last updated
The Horses of Saint Mark in Venice Horses of Basilica San Marco bright.jpg
The Horses of Saint Mark in Venice

A quadriga is a car or chariot drawn by four horses abreast and favoured for chariot racing in classical antiquity and the Roman Empire. The word derives from the Latin quadrigae, a contraction of quadriiugae, from quadri- : four, and iugum : yoke. In Latin the word quadrigae is almost always used in the plural [1] and usually refers to the team of four horses rather than the chariot they pull. [2] In Greek, a four-horse chariot was known as τέθριππονtéthrippon. [3]

Contents

The four-horse abreast arrangement in a quadriga is distinct from the more common four-in-hand array of two horses in the front plus two horses behind those.

Quadrigae were raced in the Ancient Olympic Games and other contests. They are represented in profile pulling the chariot of gods and heroes on Greek vases and in bas-relief. During the festival of the Halieia, the ancient Rhodians would sacrifice a quadriga-chariot by throwing it into the sea. [4] The quadriga was adopted in ancient Roman chariot racing.

Quadrigas were emblems of triumph. Victory or Fame are often depicted as the triumphant woman driving it. In classical mythology, the quadriga is the chariot of the gods. The god of the Sun Helios, often identified with Apollo, the god of light, was depicted driving his quadriga across the heavens, delivering daylight and dispersing the night. [5]

Marcus Aurelius celebrating his Roman triumph in 176 AD over the enemies of the Marcomannic Wars, from his now destroyed triumphal arch in Rome, Capitoline Museums, 176-180 AD Rilievo da monumento onorario di Marco Aurelio trionfo, 176-180.JPG
Marcus Aurelius celebrating his Roman triumph in 176 AD over the enemies of the Marcomannic Wars, from his now destroyed triumphal arch in Rome, Capitoline Museums, 176–180 AD

Classical sculpture

Genesis 41:42-43: "And Pharaoh ... made him to ride in the second chariot which he had; and they cried before him, bow the knee: and he made him ruler over all the land of Egypt." Miniature from the Paris Gregory, a 9th-century Greek manuscript, Bibliotheque nationale de France BnF MS Gr510 folio 69 verso - detail - Triumph of Joseph.jpg
Genesis 41:42–43: "And Pharaoh … made him to ride in the second chariot which he had; and they cried before him, bow the knee: and he made him ruler over all the land of Egypt." Miniature from the Paris Gregory , a 9th-century Greek manuscript, Bibliothèque nationale de France

Modern sculptural quadrigas are based on the four bronze Horses of Saint Mark or the "Triumphal Quadriga", a set of equine Roman or Greek sculptures. [6] [ need quotation to verify ] Their age is disputed. Originally erected in the Hippodrome of Constantinople, possibly on a triumphal arch, they are now in St Mark's Basilica in Venice.

Venetian Crusaders looted these sculptures in the Fourth Crusade, which dates them to at least 1204, and placed them on the terrace of St Mark's Basilica. In 1797, Napoleon carried the quadriga off to Paris. They were returned after Napoleon's fall. Due to the effects of atmospheric pollution, the original quadriga was retired to a museum and replaced with a replica in the 1980s.

Quadrigae also appear on the frieze of the Libyco-Punic Mausoleum of Dougga, which dates to the 2nd century BC.

Variations

Though quadrigae were usually drawn by horses, occasionally, other animals or mythological creatures were employed in spectacles and in art. Elephants were sometimes used to draw quadrigae in the Roman imperial period, and more frequently elephant quadrigae were depicted on coins and other official images. In art and sculpture, quadrigae ridden in by the gods were appropriate to their characters; Neptune's quadriga was drawn, for example, by hippocampi (mythological sea-horses).

Modern quadrigas

Some of the most significant full-size free-standing sculptures of quadrigas include, in approximate chronological order:

See also

Related Research Articles

<span class="mw-page-title-main">Roman triumph</span> Ancient Roman ceremony of military success

The Roman triumph was a civil ceremony and religious rite of ancient Rome, held to publicly celebrate and sanctify the success of a military commander who had led Roman forces to victory in the service of the state or, in some historical traditions, one who had successfully completed a foreign war.

<span class="mw-page-title-main">Brandenburg Gate</span> Triumphal arch in Berlin, Germany

The Brandenburg Gate is an 18th-century neoclassical monument in Berlin. One of the best-known landmarks of Germany, it was erected on the site of a former city gate that marked the start of the road from Berlin to Brandenburg an der Havel, the former capital of the Margraviate of Brandenburg. The current structure was built from 1788 to 1791 by orders of King Frederick William II of Prussia, based on designs by the royal architect Carl Gotthard Langhans. The bronze sculpture of the quadriga crowning the gate is a work by the sculptor Johann Gottfried Schadow.

<span class="mw-page-title-main">Tuileries Garden</span> Public garden in France, Paris

The Tuileries Garden is a public garden between the Louvre and the Place de la Concorde in the 1st arrondissement of Paris, France. Created by Catherine de' Medici as the garden of the Tuileries Palace in 1564, it was opened to the public in 1667 and became a public park after the French Revolution. Since the 19th century, it has been a place for Parisians to celebrate, meet, stroll and relax. During the 2024 Summer Olympics and Paralympics, it was the site of the Olympic and Paralympic cauldron.

<span class="mw-page-title-main">Triumphal arch</span> Monumental structure in the form of an archway

A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road, and usually standing alone, unconnected to other buildings. In its simplest form, a triumphal arch consists of two massive piers connected by an arch, typically crowned with a flat entablature or attic on which a statue might be mounted or which bears commemorative inscriptions. The main structure is often decorated with carvings, sculpted reliefs, and dedications. More elaborate triumphal arches may have multiple archways, or in a tetrapylon, passages leading in four directions.

<span class="mw-page-title-main">Edward Clark Potter</span> American sculptor

Edward Clark Potter was an American sculptor best known for his equestrian and animal statues. His most famous works are the marble lions, nicknamed Patience and Fortitude, in front of the New York Public Library Main Branch

<span class="mw-page-title-main">Arc de Triomphe du Carrousel</span> Triumphal arch in Paris, France

The Arc de Triomphe du Carrousel is a triumphal arch in Paris, located in the Place du Carrousel. It is an example of Neoclassical architecture in the Corinthian order. It was built between 1806 and 1808 to commemorate Napoleon's military victories in the Wars of the Third and Fourth Coalitions. The Arc de Triomphe de l'Étoile, at the far end of the Champs-Élysées, is about twice the size; designed in the same year but not completed until 1836.

<i>Progress of the State</i> Sculpture at the Minnesota State Capitol

Progress of the State is the title of a group of sculptural figures that sits above the south portico, at the main entrance to the Minnesota State Capitol in Saint Paul, the state capital of the U.S. state of Minnesota.

<span class="mw-page-title-main">François Joseph Bosio</span> French sculptor

Baron François Joseph Bosio was a Monegasque sculptor who achieved distinction in the first quarter of the nineteenth century with his work for Napoleon and for the restored French monarchy.

<span class="mw-page-title-main">Wellington Arch</span> Triumphal arch in London

The Wellington Arch, also known as the Constitution Arch or (originally) as the Green Park Arch, is a Grade I-listed triumphal arch by Decimus Burton that forms a centrepiece of Hyde Park Corner in central London, between the corner where Hyde Park meets Green Park. The Arch stands on a large green-space traffic island with crossings for pedestrian access. From its construction (1826–1830) the arch stood in a nearby location, slightly to the east, directly across from Burton's Ionic screen entrance to Hyde Park; it was moved a short distance to its current site at the top of the Constitution Hill road in 1882–1883. The triumphal arch originally supported a colossal equestrian statue of the 1st Duke of Wellington by the sculptor Matthew Cotes Wyatt, acquiring its name as a result. Peace descending on the Quadriga of War by sculptor Adrian Jones, a bronze of the Goddess of Victory Nike riding a quadriga, has surmounted the arch since 1912.

<span class="mw-page-title-main">Narva Triumphal Arch</span> Arch in Saint Petersburg, Russia

The Narva Triumphal Arch was erected in the vast Stachek Square, Saint Petersburg, in 1814 to commemorate the Russian victory over Napoleon.

<span class="mw-page-title-main">Victor Emmanuel II Monument</span> Building in Rome, Italy

The Victor Emmanuel II National Monument, also known as the Vittoriano or Altare della Patria, is a large national monument built between 1885 and 1935 to honour Victor Emmanuel II, the first king of a unified Italy, in Rome, Italy. It occupies a site between the Piazza Venezia and the Capitoline Hill. The monument was realized by Giuseppe Sacconi.

<span class="mw-page-title-main">Horses of Saint Mark</span> Ancient bronze horse statues in Venice

The Horses of Saint Mark, also known as the Triumphal Quadriga or Horses of the Hippodrome of Constantinople, is a set of bronze statues of four horses, originally part of a monument depicting a quadriga. The horses were placed on the facade, on the loggia above the porch, of St Mark's Basilica in Venice, northern Italy, after the sack and looting of Constantinople in 1204. They remained there until looted by Napoleon in 1797 but were returned in 1815. The sculptures have been removed from the facade and placed in the interior of St Mark's for conservation purposes, with replicas in their position on the loggia.

<span class="mw-page-title-main">Peter Clodt von Jürgensburg</span> Russian sculptor

Peter Jakob Freiherr Clodt von Jürgensburg, known in Russian as Pyotr Karlovich Klodt, was a favourite sculptor of Nicholas I of Russia.

<span class="mw-page-title-main">J. Massey Rhind</span> Scottish-American sculptor

John Massey Rhind was a Scottish-American sculptor. Among Rhind's better known works is the marble statue of Dr. Crawford W. Long located in the National Statuary Hall Collection in Washington D.C. (1926).

<span class="mw-page-title-main">François-Frédéric Lemot</span> French sculptor

François-Frédéric Lemot was a French sculptor, working in the Neoclassical style.

<span class="mw-page-title-main">Fountains in Paris</span>

The Fountains in Paris originally provided drinking water for city residents, and now are decorative features in the city's squares and parks. Paris has more than two hundred fountains, the oldest dating back to the 16th century. It also has more than one hundred Wallace drinking fountains. Most of the fountains are the property of the municipality.

Quadriga is a Latin word for a chariot drawn by four horses.

<span class="mw-page-title-main">Thomas Vinçotte</span> Belgian medallist, sculptor (1850–1925)

Baron Thomas Jules Vinçotte was a Belgian sculptor and medallist.

<i>Biga</i> (chariot)

The biga is the two-horse chariot as used in ancient Rome for sport, transportation, and ceremonies. Other animals may replace horses in art and occasionally for actual ceremonies. The term biga is also used by modern scholars for the similar chariots of other Indo-European cultures, particularly the two-horse chariot of the ancient Greeks and Celts. The driver of a biga is a bigarius.

<span class="mw-page-title-main">Arch of Septimius Severus (Leptis Magna)</span> Roman triumphal arch in Libya

The Arch of Septimius Severus is a triumphal arch in the ruined Roman city of Leptis Magna, in present-day Libya. It was commissioned by the Roman Emperor Septimius Severus, who was born in the city. The arch was in ruins but was pieced back together by archaeologists after its discovery in 1928.

References

  1. According to Aulus Gellius 19.8, Julius Caesar considered it incorrect to use the word in the singular.
  2. Lewis and Short Latin Dictionary, s.v. quadrigae.
  3. Liddell, Scott, Jones Greek Lexicon, s.v. τέθριππος.
  4. Farnell, Lewis, The Cults of the Greek States Vol. ΙV, Cambridge University Press, 2010, ISBN   978-1-108-01546-2, p. 20, note b.
  5. Smith, s.v. Helios
  6. Annual Report of the American Scenic and Historic Preservation Society to the Legislature of the State of New York, Volume 18, by American Scenic and Historic Preservation Society, 1913, page 344
  7. "A Point of View: The European dream has become a nightmare". BBC News. 18 May 2012.
  8. Brandenburg Gate. Archived February 24, 2008, at the Wayback Machine Berlin – Offizielles Stadtportal der Hauptstadt Deutschlands – Berlin.de.
  9. "World's Columbian Exposition : Photographic Archive : The University of Chicago".
  10. Sprague, Elmer, Brooklyn Public Monuments: Sculpture for Civic Memory and Urban Pride, Dog Ear Publishing, Indianapolis, IN, 2008 p. 76
  11. Rhind, John Massey; Scott, John (31 May 2018). "Victory and Progress" via siris-artinventories.si.edu Library Catalog.
  12. "Historic Adventures". mnhs.org.
  13. "KSU unveils rare replica of Quattro Cavalli statue". State Journal . August 24, 2020.