Lee Oscar Lawrie was an American architectural sculptor and a key figure in the American art scene preceding World War II. Over his long career of more than 300 commissions Lawrie's style evolved through Modern Gothic, to Beaux-Arts, Classicism, and, finally, into Moderne or Art Deco.
Daniel Chester French was an American sculptor of the late nineteenth and early twentieth centuries. He is best known for his 1874 sculpture The Minute Man in Concord, Massachusetts, and his 1920 monumental statue of Abraham Lincoln in the Lincoln Memorial in Washington, D.C.
A quadriga is a car or chariot drawn by four horses abreast and favoured for chariot racing in Classical Antiquity and the Roman Empire. The word derives from the Latin quadrigae, a contraction of quadriiugae, from quadri-: four, and iugum: yoke. In Latin the word quadrigae is almost always used in the plural and usually refers to the team of four horses rather than the chariot they pull. In Greek, a four-horse chariot was known as τέθριππον téthrippon.
Edward Clark Potter was an American sculptor best known for his equestrian and animal statues. His most famous works are the marble lions, nicknamed Patience and Fortitude, in front of the New York Public Library Main Branch
The Charioteer of Delphi, also known as Heniokhos, is a statue surviving from Ancient Greece, and an example of ancient bronze sculpture. The life-size (1.8m) statue of a chariot driver was found in 1896 at the Sanctuary of Apollo in Delphi. It is now in the Delphi Archaeological Museum.
The Minnesota State Capitol is the seat of government for the U.S. state of Minnesota, in its capital city of Saint Paul. It houses the Minnesota Senate, Minnesota House of Representatives, the office of the Attorney General and the office of the Governor. The building also includes a chamber for the Minnesota Supreme Court, although court activities usually take place in the neighboring Minnesota Judicial Center.
Charles Allan Grafly, Jr. was an American sculptor, and teacher. Instructor of Sculpture at the Pennsylvania Academy of the Fine Arts for 37 years, his students included Paul Manship, Albin Polasek, and Walker Hancock.
Larkin Goldsmith Mead, Jr. was an American sculptor who worked in a neoclassical style.
Isidore Konti was a Vienna-born sculptor. He began formal art studies at the age of 16 when he entered the Imperial Academy in Vienna, where he studied under Edmund von Hellmer. In 1886, he won a scholarship that allowed him to study in Rome for two years. While there he developed a love of Renaissance art that was to affect the nature of his mature sculpture. Upon returning to Austria, Konti worked as an architectural modeler.
The Horses of Saint Mark, also known as the Triumphal Quadriga or Horses of the Hippodrome of Constantinople, is a set of bronze statues of four horses, originally part of a monument depicting a quadriga. The horses were placed on the facade, on the loggia above the porch, of St Mark's Basilica in Venice, northern Italy, after the sack and looting of Constantinople in 1204. They remained there until looted by Napoleon in 1797 but were returned in 1815. The sculptures have been removed from the facade and placed in the interior of St Mark's for conservation purposes, with replicas in their position on the loggia.
Nellie Verne Walker, was an American sculptor best known for her statue of James Harlan formerly in the National Statuary Hall Collection in the United States Capitol, Washington D.C.
Porphyrius the Charioteer, also named Porphyrius Calliopas was a celebrity Byzantine-Roman charioteer in the late 5th and early 6th century, during what Alan Cameron has described as the "golden age" of Byzantium's hippodrome, and of the Byzantine charioteer.
François-Frédéric Lemot was a French sculptor, working in the Neoclassical style.
Baron Thomas Jules Vinçotte was a Belgian sculptor and medallist.
Forward is an 1893 bronze statue by American sculptor Jean Pond Miner Coburn depicting an embodiment of Wisconsin's "Forward" motto. The 1996 replica is located at the Wisconsin State Capitol grounds at the top of State Street. The statue often is misidentified with the Wisconsin statue on top of the Capitol dome.
Stephen F. Austin is a statue of Stephen F. Austin by Elisabet Ney, originally modeled in 1893 and installed in 1905; it is part of the National Statuary Hall Collection in the United States Capitol in Washington, D.C., as one of the two statues from Texas. The other Texas statue, Sam Houston, is also by Ney and was produced in parallel. Another carving of Stephen F. Austin is displayed in the Texas State Capitol, where it was installed in 1903.
Roger Sherman is an 1872 marble sculpture of Roger Sherman by Chauncey Ives, installed in the United States Capitol, in Washington, D.C., as part of the National Statuary Hall Collection. It is one of two statues donated by the state of Connecticut. The sculpture was unveiled by Senator Orris Sanford Ferry of Connecticut on March 8, 1872.
Jonathan Trumbull is an 1872 marble sculpture of Jonathan Trumbull by Chauncey Ives, installed in the United States Capitol, in Washington, D.C., as part of the National Statuary Hall Collection. It is one of two statues donated by the state of Connecticut. The sculpture was unveiled by Senator William Alfred Buckingham of Connecticut on March 8, 1872.
The Minnesota State Capitol Mall includes eighteen acres of green space. Over the years, monuments, and memorials, have been added to the mall. The mall has been called Minnesota's Front lawn and is a place where the public has gathered for celebrations, to party, to demonstrate and protest, and to grieve.
The Minnesota State Capitol opened in 1905 with roughly 60 artworks that totaled $300,000, or 7% of the $4.5-million project budget. Cass Gilbert, the architect of the Capitol building, had envisioned that the artworks would add "educational value" and provide for the "advancement of civilization and intelligence." Over the years, more artworks would be added to the Capitol, totaling nearly 150 by 2017. Much of the Capitol art is allegorical, as expressed through murals and sculptures, while some feature key moments in Minnesota history. While the allegorical symbolism used in the paintings would have been more widely understood during the time they were painted, over time the meanings have been challenged.
