Antonio Corazzi | |
|---|---|
| Born | 1792 Livorno, Italy |
| Died | 1877 Florence, Italy |
| Nationality | Italian |
| Occupation | Architect |
| Buildings | The Grand Theatre in Warsaw |
Antonio Corazzi (1792-1877) [1] was an Italian architect working in Poland from 1819 to 1847, mainly in Neoclassical style.
Antonio Corazzi was the son of an impresario of the Avalorati Theatre in Livorno. In 1811, after graduating from a Piarist high school, he joined the Reggia Accademia delle Belle Arti del Disegno in Florence, where he probably studied until 1816.
In 1818, the Staszic government of the Congress Poland (under the control of the Russian Empire) asked the government to Tuscany for a referral of an architect so in 1819 he came to Warsaw.
After 27 years in Poland, he returned to Florence. In 1847, he was appointed a member of the Academy of Fine Arts in Florence, where he designed, among other projects: the parliament (c. 1860), the Pantheon di Dante (c. 1865), and theaters in Alexandria and Copenhagen.
His work very quickly adapted to the architectural climate of the Kingdom of Poland, especially in Warsaw, which, in the first decades of the 19th century, was still alive with the traditions of Stanisław's neoclassical era.
Corazzi's architectural creativity from 1819 to 1847 in Poland coincides with two major periods of architectural thought in the Warsaw School. 1815 to 1830 cover the period of the final formation of the neoclassical form, and from 1831 to 1850 the interpretations of these forms in the increasingly burgeoning Romanticism era.
The most characteristic of Corazzi 's work during the first period, were undertaken by him as part of the policy agenda of Minister Lubecki.
Corazzi had 50 projects in Poland, of which 45 were in Warsaw, among them several projects of urban planning work including Theatre Square and Bank Square in Warsaw. Almost all objects of a monumental design were made before 1831, mostly at the request of the government (among them, the Palace of the Sandomierz Commission (Pałac Komisji Województwa Sandomierskiego w Radomiu) in Radom).
Corazzi understood the need to establish an architectural tradition for Warsaw. Its buildings, particularly those that are on the tightly built-up streets merge into a unified whole. They are distinguished by only the elegance of line and decorative moderation, proper architecture of the 19th century, and the scale and proportion of the architecture of the Stanislaus period.
The pinnacle of his creativity and neo-classical architecture in Poland is the Grand Theatre.
In 1829, he became a Knight of the Order of Saint Stanislaus.
Stanisław Wawrzyniec Staszic was a leading figure in the Polish Enlightenment: a Catholic priest, philosopher, geologist, writer, poet, translator and statesman. A physiocrat, monist, pan-Slavist and laissez-fairist, he supported many reforms in Poland. He is particularly remembered for his political writings during the "Great (Four-Year) Sejm" (1788–92) and for his large support towards the Constitution of 3 May 1791, adopted by that Sejm.
Józef Antoni Franciszek Elsner was a Polish composer, music teacher, and music theoretician, active mainly in Warsaw. He was one of the first composers in Poland to weave elements of folk music into his works.
The Düsseldorf School of painting is a term referring to a group of painters who taught or studied at the Düsseldorf Academy roughly between 1819 and 1918, first directed by the painter Wilhelm von Schadow.
Neoclassical architecture, sometimes referred to as Classical Revival architecture, is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy, France and Germany. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer, more complete, and more authentic classical style, adapted to modern purposes.
The ideas of the Age of Enlightenment in Poland were developed later than in Western Europe, as the Polish bourgeoisie was weaker, and szlachta (nobility) culture (Sarmatism) together with the Polish–Lithuanian Commonwealth political system were in deep crisis. The period of Polish Enlightenment began in the 1730s–40s, peaked in the reign of Poland's king, Stanisław August Poniatowski, went into decline with the Third Partition of Poland (1795) – a national tragedy inspiring a short period of sentimental writing – and ended in 1822, replaced by Romanticism.
Neoclassical architecture in Poland was centered on Warsaw under the reign of Stanisław August Poniatowski, while the modern concept of a single capital city was to some extent inapplicable in the decentralized Polish–Lithuanian Commonwealth. Classicism came to Poland in the 18th century as the result of French infiltrations into the Polish millieu. The best-known architects and artists who worked in Poland were Dominik Merlini, Jan Chrystian Kamsetzer, Szymon Bogumił Zug, Stanisław Zawadzki, Efraim Szreger, Antonio Corazzi, Jakub Kubicki, Hilary Szpilowski, Christian Piotr Aigner, Wawrzyniec Gucewicz, Bonifacy Witkowski and Danish Bertel Thorvaldsen.
Karol Podczaszyński was a Polish-Lithuanian leading Vilnius architect, a representative of the neoclassical architecture and a professor of the Vilnius University, as well as one of the pioneers of industrial design.
Staszic Palace is an edifice at ulica Nowy Świat 72, Warsaw, Poland. It is the seat of the Polish Academy of Sciences.
Mostowski Palace is an 18th-century palace in Warsaw, Poland, located at ul. Nowolipie 2 — prior to World War II, at ul. Przejazd 15.
The following is a list of the published works of Mary Martha Sherwood. Because it relies on M. Nancy Cutt's annotated bibliography of Sherwood's books in Mrs. Sherwood and her Books for Children, this list does not include her many periodical articles, such as those she wrote for The Youth's Magazine. The list follows Cutt's generic divisions.
The architecture of Poland includes modern and historical monuments of architectural and historical importance.
Jørgen Hansen Koch was a Neoclassical Danish architect. He was chief of the national Danish building administration from 1835 and director of the Royal Danish Academy of Fine Arts from 1844 to 1849.
Sir Jeffry Wyatville was an English architect and garden designer. Born Jeffry Wyatt into an established dynasty of architects, in 1824 he was allowed by King George IV to change his surname to Wyatville. He is mainly remembered for making alterations and extensions to Chatsworth House and Windsor Castle.
The Palace of the Ministry of Revenues and Treasury is located at 3/5 Bank Square in Warsaw. It is sometimes simply referred to as the Commission Palace. Currently it is not the home to the named ministry, but serves as Warsaw's official city hall, the seat of the President of Warsaw and the provincial office of the Mazovia province.
Louis Charles Achille d'Artois de Bournonville was a French writer, librettist and dramatist.
Armand d'Artois was a 19th-century French playwright and librettist, and also Achille d'Artois's brother.
The French Restoration style was predominantly Neoclassicism, though it also showed the beginnings of Romanticism in music and literature. The term describes the arts, architecture, and decorative arts of the Bourbon Restoration period (1814–1830), during the reign of Louis XVIII and Charles X from the fall of Napoleon to the July Revolution of 1830 and the beginning of the reign of Louis-Philippe.
Marek Marceli Józef Jan Chrzciciel Tarczewski was a Polish lawyer, official and attorney who defended Polish conspirators, as well as publisher and freemason.
| International | |
|---|---|
| National | |
| Artists | |
| People | |
| Other | |
