This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
Predecessor | Accademia e compagnia delle arti del disegno (1563–1784) |
---|---|
Formation | 1873 |
Type | academy of artists |
Legal status | Statute dated 17 May 1978 |
Purpose | Promotion and diffusion of the arts, protection and conservation of art and cultural heritage worldwide |
Headquarters | Palazzo dell'Arte dei Beccai |
Location |
|
Coordinates | 43°46′16″N11°15′17″E / 43.77098°N 11.25485°E |
Region served | Italy, whole world |
Main organ | Consiglio di Presidenza (presidential council) |
Website | aadfi |
The Accademia delle Arti del Disegno ("Academy of the Arts of Drawing") is an academy of artists in Florence, in Italy. It was founded on 13 January 1563 by Cosimo I de' Medici, under the influence of Giorgio Vasari. It was initially known as the Accademia e Compagnia delle Arti del Disegno ("Academy and Company of the Arts of Drawing") and consisted of two parts: the company was a kind of guild for all working artists, while the academy was for more eminent artistic figures of the Medici court, and supervised artistic production in the Duchy of Florence.
Among those who have been members are Michelangelo, Lazzaro Donati, Francesco da Sangallo, Bronzino, Benvenuto Cellini, Giorgio Vasari, Bartolomeo Ammannati, and Giambologna. Most members of the Accademia were male; Artemisia Gentileschi was the first woman to be admitted.
In the twenty-first century its declared purposes are the promotion and diffusion of the arts, and the protection and conservation of cultural heritage worldwide. It organises conferences, concerts, book presentations and exhibitions, and elects noted artists from all over the world to honorary membership.
The first Accademia delle Arti del Disegno was founded by Cosimo I de' Medici on 13 January 1563, under the influence of Giorgio Vasari. [1] [2] It was initially named the Accademia e Compagnia delle Arti del Disegno, or "academy and company of the arts of drawing", and was made up of two parts: the company was a kind of guild for all working artists, while the academy was for more eminent artistic personalities of Cosimo's court, and supervised artistic production in Tuscany. It was later called the Accademia delle Arti del Disegno. At first, the academy met in the cloisters of the Santissima Annunziata. [3]
In 1784 Pietro Leopoldo, Grand Duke of Tuscany, combined all the schools of drawing in Florence into one institution, the new Accademia di Belle Arti di Firenze, or academy of fine arts. The Accademia delle Arti del Disegno was thus suppressed and transformed into the Collegio dei Professori dell'Accademia. [4] : 49
In the re-organisation following the Unification of Italy, the Collegio dei Professori dell'Accademia delle Arti del Disegno was again separated from the Regia Accademia di Belle Arti di Firenze in 1873; it became fully independent of it in 1937, and was at the same time divided into three schools or classes, of architecture, of painting, and of sculpture and engraving. Sculpture and painting became separate classes under a new statute of 1953. [1] Since 1971 the Accademia has occupied Palazzo dell'Arte dei Beccai, in via Orsanmichele . [1] The present statute of the organisation was published by decree of the President of the Republic of Italy, and is dated 17 May 1978.[ citation needed ]
Since the statute of 1978 the Accademia delle Arti del Disegno has been divided into five classes: painting, sculpture, architecture, history of art and humanities and sciences. There are four classes of membership: emeritus, ordinary, correspondent and honorary.
Notable members of the Accademia include Sandro Chia, Hans Erni and Anselm Kiefer in painting; [5] Arnaldo Pomodoro, Giuliano Vangi and Dani Karavan in sculpture; [6] Massimo Carmassi and Paolo Portoghesi in architecture; [7] David Whitehouse in history of art; [8] and Salvatore Accardo and Carlo Ginzburg in humanities and sciences. [9]
The Accademia awards the title of Accademico d'Onore, or honorary member, to those it considers notable in culture and the arts. It lists 138 such honorary members. Among them are Andrea Branzi, Daniel Buren, Fernando Caruncho, Andrea Claudio Galluzzo, Herman Hertzberger, Michael Hirst, Jasper Johns, Gina Lollobrigida, Pierre Rosenberg, Edoardo Vesentini, Alessandro Vezzosi, Louis Waldman and the Pritzker Prize winners Robert Venturi and Renzo Piano. [10]
Past Accademici d'Onore include Giulio Andreotti, Alberto Ronchey, the Nobel Prize winner Rita Levi-Montalcini, and Jørn Utzon. [11]
Giovanni Angelo Montorsoli, also known as Giovann'Agnolo Montorsoli, was a Florentine sculptor and Servite friar. He is today as often remembered for his restorations of famous classical works as his original creations.
The Accademia di Belle Arti di Firenze (ABAFI) is a state art school and the oldest public institution for fine arts education in the world. Founded in 1563 by Cosimo I de' Medici under the influence of Giorgio Vasari, it was subsequently reorganized at the initiative of the Grand Duke of Tuscany and separated from the Accademia delle Arti del Disegno in 1784. Michelangelo, Benvenuto Cellini and other significant artists have been associated with it. Like other state art academies in Italy, it became an autonomous degree-awarding institution under law no. 508 dated 21 December 1999, and falls under the administration of the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education and research. The adjacent Galleria dell'Accademia houses the original David by Michelangelo.
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the vaporetto water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili.
The Accademia di Belle Arti di Bologna is a public tertiary academy of fine art in Bologna, in Emilia-Romagna in northern Italy. It has a campus in Cesena.
The Accademia di Belle Arti di Venezia is a public tertiary academy of art in Venice, Italy.
The guilds of Florence were secular corporations that controlled the arts and trades in Florence from the twelfth into the sixteenth century. These Arti included seven major guilds, five middle guilds and nine minor guilds. Their rigorous quality control and the political role in the commune that the Arti Maggiori assumed were formative influences in the history of Florence, which became one of the richest cities of late medieval Europe.
Louis Alexander Waldman is an American art historian and author specializing in the Italian Renaissance.
The Accademia Fiorentina was a philosophical and literary academy established in Florence in the Republic of Florence during the Italian Renaissance. It was active from 1540 to 1783.
Academy of Florence or Accademia di Firenze may refer to:
The Palazzo dell'Arte dei Beccai or Residenza dell'Arte dei Beccai is a fourteenth-century building in Florence, Italy. It faces the Orsanmichele, once a grain market, later the church of the guilds of Florence. It has had many occupants, including the Arte dei Beccai or guild of butchers from which its name derives. Since 1974 it has housed the Accademia Fiorentina delle Arti del Disegno, an academy of the arts.
Accademia often refers to:
The Accademia di Belle Arti di Bari is a public tertiary academy of art in Bari, in Puglia in southern Italy. It was established on 1 October 1970 and was formally approved by presidential decree on 15 March 1973.
The Accademia di Belle Arti di Carrara is a public tertiary academy of art in Carrara, in Tuscany, Italy. It was founded on 26 September 1769 by Maria Teresa Cybo-Malaspina, duchess of Massa and princess of Carrara; but its origins go back to 1757, when, on the advice of the sculptor Giovanni Domenico Olivieri, she founded the Accademia di San Ceccardo in which sculpture, architecture and painting were to be taught. To house it, she commissioned Filippo del Medico to design and build a new building ; in 1807, by order of Elisa Bonaparte Baciocchi, the accademia was moved the Palazzo del Principe. The school of architecture was at first under Filippo del Medico; Giovanni Antonio Cybei was head of the school of sculpture.
The Accademia di Belle Arti di Napoli is a university-level art school in Naples. In the past it has been known as the Reale Istituto di Belle Arti and the Reale Accademia di Belle Arti. Founded by King Charles VII of Naples in 1752, it is one of the oldest art schools in Italy, and offers various levels of study up to and including the equivalent of an Italian laurea. It is located one block south of the church of Santa Maria di Costantinopoli, on the via of the latter church's name.
The Accademia di Belle Arti di Perugia is a private tertiary academy of art in Perugia, in Umbria in central Italy. It is not one of the 20 official Italian state academies of fine art, but is legally recognised by the Ministero dell'Istruzione, dell'Università e della Ricerca, the Italian ministry of education and research, which gives its full name as Accademia di Belle Arti Legalmente Riconosciuta di Perugia "Pietro Vannucci". The academy became an autonomous degree-awarding institution under law no. 508 dated 21 December 1999.
Niccolò Arrighetti was Italian intellectual, pupil and associate of Galileo Galilei.
The Accademia Nazionale Virgiliana di Scienze Lettere ed Arti is an Italian scientific institution.
Biblioteca e Archivio del Risorgimento [Library and Archive of the Risorgimento], located in the Historic Center of Florence, houses regional collections relating to the Italian unification and the mid-18th century.
The Cappella di San Luca, also called dei Pittori is a chapel found in the cloisters of the convent of Santissima Annunziata in Florence, Italy. It was built to serve as the burial chapel for members of the Accademia delle Arti del Disegno, and was donated by the Servites to the Academy in a document from 1565. It contains a collection of terracota statues from a number of prominent Florentine Mannerist sculptors.
Stefano Pieri was an early 17th-century Florentine painter.