The Vasari Sacristy (Italian - Sacrestia del Vasari) or Old Sacristy (Italian - Sacrestia Vecchia) is a room in Sant'Anna dei Lombardi, Naples, Italy, one of its two sacristies. It was the refectory of the Olivetan monastery of Santa Maria di Monteoliveto [1] until 1688, when it was converted to its current role. The conversion in 1688 revealed 15th century inlays by Fra Giovanni da Verona, also to be seen in the church's Tolosa Chapel. The church was renamed Sant'Anna dei Lombardi in 1805.
An Adoration of the Shepherds by a follower of Vasari was moved to its present position above the door in the counter-facade during the 17th century. The two side lunettes contain sculptures of the archangel Gabriel and the Virgin Mary, attributed to Giovan Battista Cavagna and resting on two marble lavabos leaning against the walls. [2]
The central nave vault is divided into three quadrants, showing personifications of Faith, Religion and Eternity [3] [4] It is accompanied along the walls by 17th century furniture decorated with a cycle of precious wooden inlays by Fra Giovanni da Verona dating to 1506 (the third cycle after those of Santa Maria in Organo in Verona and the Territorial Abbey of Monte Oliveto Maggiore near Asciano) with views of the city and scenes of life in the Olivetan order. Between the inlays are niches with wooden statues showing saints relating to the Olivetans. Behind the altar is a painting of Carlo Borromeo by Girolamo d'Arena, which had hung in the original church of Sant'Anna dei Lombardi (which had also been dedicated to St Carlo Borromeo) but was moved to its present location after that church was destroyed in the 1805 earthquake. Either side are two paintings of Michael the Archangel and the Virgin Mary.
It is named after Giorgio Vasari who in 1545 painted its vault frescoes, whilst it was still a refectory. His fame had reached Naples due to his 1542-44 works in Rome and due to his capacity to complete commissions quickly. His time in Campania from 1544 to 1545 was short but busy and brought Tuscan Mannerism (which had previously only reached as far as Rome) to Naples. He received several commissions from viceroy don Pedro da Toledo, from noblemen and from monasteries, the first of which was to decorate the old refectory of the monastery next to Santa Maria di Monteoliveto.
He almost refused it due to the space's Gothic architecture, which he felt might be too dark to show off his style to best effect. He decided to take it, however, and plastered the vaults, brightening the space and giving him extra space to paint. Some of the figures were painted from Vasari's drawings by Raffaellino del Colle, [3] whilst Stefano Veltroni and others assisted with the purely decorative areas. Whilst painting the frescoes Vasari also produced two triptychs, one for the room's counter-facade and one for its back wall, showing The Manna from Heaven and The Feast in the House of Simon, now in the Museo nazionale di Capodimonte and Museo Diocesano di Napoli.
Federico Zuccaro, also known as Federico Zuccari, was an Italian Mannerist painter and architect, active both in Italy and abroad.
The Basilica di Santa Croce is a minor basilica and the principal Franciscan church of Florence, Italy. It is situated on the Piazza di Santa Croce, about 800 metres southeast of the Duomo, on what was once marshland beyond the city walls. Being the burial place of notable Italians, including those from the Italian Renaissance such as Michelangelo, Galileo, and Machiavelli, as well as the poet Foscolo, political philosopher Gentile and the composer Rossini, it is also known as the Temple of the Italian Glories.
Santa Maria delle Grazie is a church and Dominican convent in Milan, northern Italy, and a UNESCO World Heritage Site. The convent contains the mural of The Last Supper by Leonardo da Vinci, which is in the refectory.
Stefano Pozzi was an Italian painter, designer, draughtsman, and decorator whose career was spent largely in Rome.
Gesù Nuovo is the name of a church and a square in Naples, Italy. It is located just outside the western boundary of the historic center of the city. To the southeast of the spire, one can see a block away the Fountain of Monteoliveto and the piazza of the church of Sant'Anna dei Lombardi. The square is a result of the expansion of the city to the west beginning in the early 16th century under the rule of Spanish viceroy Pedro Alvarez de Toledo. The square of Gesù Nuovo contains three prominent landmarks:
Sant'Anna dei Lombardi,, and also known as Santa Maria di Monte Oliveto, is an ancient church and convent located in piazza Monteoliveto in central Naples, Italy. Across Monteoliveto street from the Fountain in the square is the Renaissance palace of Orsini di Gravina.
Camillo Procaccini was an Italian painter. He has been posthumously referred to as the Vasari of Lombardy, for his prolific Mannerist fresco decoration.
Vincenzo Petagna was an Italian biologist, physician and entomologist. He was appointed as director of the small botanical garden pertaining to the Monastery of Santa Maria di Monte Oliveto in central Naples. He was also the teacher of Antonio Savaresi. The plant Petagnaea gussonei has been named after him.
The Abbey of Monte Oliveto Maggiore is a large Benedictine monastery in the Italian region of Tuscany, 10 km south of Asciano. Its buildings, which are mostly of red brick, are conspicuous against the grey clayey and sandy soil—the Crete senesi which give this area of Tuscany its name.
Sant'Anna may refer to:
Giovanni Battista Cavagna, also known as Cavagni or Gavagni was an Italian architect, engineer, and painter mainly in Naples, but also in Rome and Ascoli Piceno, Italy.
Dono Doni, also known as Adone Doni or Dono dei Doni (1505-1575) was an Italian painter of the Renaissance period active mainly in Umbria.
San Giovanni Evangelista is a Mannerist-style, Roman Catholic church located on Piazzale San Giovanni, located just behind the apse of the Parma Cathedral, in the historic center of Parma, northern Italy. The buildings surrounding the piazza were also part of a former Benedictine convent. The church is notable for its Correggio frescoes.
Santi Nazaro e Celso is a Romanesque-style, Roman Catholic church on the street that leads to the Porta Vescovo, in the Veronetta quartiere of Verona.
The Ospedale degli Incurabili or Complesso degli Incurabili is an ancient and prominent hospital complex located on Via Maria Longo in central Naples, Italy. Part of the complex, including the remarkable pharmacy, are now the Museo delle arti sanitarie of Naples.
The church of Santi Severino e Sossio and the annexed monastery are located on via Bartolommeo Capasso in Naples, Italy.
The Fountain of Monteoliveto is a late-Baroque monumental fountain in central Naples, Italy. It is also called the Fountain of Charles II or of the Small King .
San Carlo dei Lombardi is a Gothic-style, Roman Catholic church located on Via dei Calzaiuoli in central Florence, region of Tuscany, Italy. It has undergone many refurbishments over the year, and was originally dedicated to Sant'Anna e Michele, but since the early 17th century became the church of the local Lombard community and was dedicated to St Charles Borromeo.
The Libro de' Disegni was a collection of drawings gathered, sorted, and grouped by Giorgio Vasari whilst writing his Lives of the Most Excellent Painters, Sculptors, and Architects. By the time of his death in 1574 it is thought to have contained around 526 drawings, of which 162 are now in the Louvre and 83 in the Nationalmuseum, Stockholm. There are also drawings from the Libro in the prints and drawings departments of the Uffizi, the British Museum, the Albertina, the National Gallery of Art and other institutions.
Giulio Cesare Fontana was an Italian architect and engineer, mainly active in Naples and its surroundings.