Sandro Chia | |
|---|---|
| Born | Alessandro Chia [1] 20 April 1946 [lower-alpha 1] Florence, Italy |
| Nationality | Italian |
| Movement | Transavanguardia |
| Website | sandrochia.com (archived) |
Sandro Chia (born 20 April 1946) is an Italian painter and sculptor. [2] In the late 1970s and early 1980s he was, with Francesco Clemente, Enzo Cucchi, Nicola De Maria, and Mimmo Paladino, a principal member of the Italian Neo-Expressionist movement which was baptised Transavanguardia by Achille Bonito Oliva. [3]
Chia was born in Florence, in Tuscany in central Italy, on 20 April 1946. He studied at the Istituto d'Arte di Firenze from 1962 to 1967, [1] and then, until 1969, at the Accademia di Belle Arti di Firenze. [2] He then travelled in Europe, in Turkey and in India. [4] [5] He settled in Rome in 1970, and began to show work in the following year. [4] [5] He spent the winter of 1980–1981 in Mönchengladbach, in Nordrhein-Westfalen in West Germany, on a study grant. [2] Later that year he moved to New York in the United States, where he lived for more than twenty years. [4] [6] In 1984–1985 he taught at the School of Visual Arts in Manhattan. [1]
Chia's early work tended towards Conceptualism, but from the mid-1970s he began to turn towards more a figurative approach. [4] [5] In June 1979 Paul Maenz showed work by Chia, Francesco Clemente, Enzo Cucchi, Nicola De Maria and Mimmo Paladino at his gallery in Cologne, in Germany. [7] In an article in Flash Art in the same year, the critic Achille Bonito Oliva characterised the group as a new art movement, which he called "Transavanguardia". [7]
His work has been exhibited in a solo or group shows in a number of museums, among them: The Solomon R. Guggenheim Museum in New York in 1983; the Metropolitan Museum of Art in 1984; the Nationalgalerie in Berlin in 1992; the Villa Medici in Rome in 1995; the Magazzini del Sale in Siena in 1997; the Galleria Civica di Arte Contemporanea in Trento in 2000; Palazzo Pitti in Florence in 2002; the Duomo of Sant'Agostino in Pietrasanta in 2007; and the Galleria Nazionale d'Arte Moderna in Rome in 2009–2010. [4] He participated in the Biennale di Venezia in 1984 and 1988. [4]
Pietro Cascella was an Italian sculptor. His principal work consisted of large monumental sculptures, including the International Monument to the Victims of Fascism in the Auschwitz II-Birkenau death camp in Poland (1957–1967), and an underground mausoleum for Silvio Berlusconi at his villa in Arcore in the 1980s.
Neo-expressionism is a style of late modernist or early-postmodern painting and sculpture that emerged in the late 1970s. Neo-expressionists were sometimes called Transavantgarde, Junge Wilde or Neue Wilden. It is characterized by intense subjectivity and rough handling of materials.
Achille Bonito Oliva is an Italian art critic and historian of contemporary art. Since 1968 he has taught history of contemporary art at La Sapienza, the university of Rome. He has written extensively on contemporary art and contemporary artists. He originated the term Transavanguardia to describe the new direction taken in the late 1970s by artists such as Sandro Chia, Francesco Clemente, Enzo Cucchi, Nicola De Maria, and Mimmo Paladino. He has organised or curated numerous contemporary art events and exhibitions; in 1993 he was artistic director of the Biennale di Venezia.
Pietro Consagra was an Italian sculptor. In 1947 he was among the founding members of the Forma 1 group of artists, who advocated both Marxism and structured abstraction.
Francesco Clemente is an Italian contemporary artist and book publisher. He has lived and worked at various times in Italy, India and New York City. Some of his work is influenced by the traditional art and culture of India. He has worked in various artistic media including drawing, fresco, graphics, mosaic, oils and sculpture. He was among the principal figures in the Italian Transavanguardia movement of the 1980s, which was characterized by a rejection of Formalism and conceptual art and a return to figurative art and Symbolism. He was the co-publisher of Hanuman Books from 1986 to 1993.
The Frangipani family was a powerful Roman patrician clan in the Middle Ages. The family was firmly Guelph in sympathy. The name has many spellings, which include Frangipane, Freiapane, Fricapane and Fresapane. In his Trattatello in laude di Dante, Boccaccio traces the descent of Dante from the family.
Flash Art is a contemporary art magazine, and an Italian and international publishing house. Originally published bilingually, both in Italian and in English, since 1978 is published in two separate editions, Flash Art Italia (Italian) and Flash Art International (English). Since September 2020, the magazine is seasonal, and said editions are published four times a year.
Charles Coleman was a British landscape and animal painter, born in Pontefract, in Yorkshire, England. He was active principally in Rome, where was an important influence on Nino Costa and made a significant contribution to the formation of the Campagna Romana School of painting.
Enzo Cucchi is an Italian painter. A native of Morro d'Alba, province of Ancona, he was a key member of the Italian Transavanguardia movement, along with his countrymen Francesco Clemente, Mimmo Paladino, Nicola De Maria, and Sandro Chia. The movement was at its peak during the 1980s and was part of the worldwide movement of Neo-Expressionist painters.
Francesco Vecellio was a Venetian painter of the Italian Renaissance. He was the elder brother and close collaborator of the painter Tiziano Vecellio ("Titian").
Mimmo Paladino is an Italian sculptor, painter and printmaker. He is a leading name in the Transvanguardia artistic movement and one of the many European artists to revive Expressionism in the 1980s.
Transavantgarde or Transavanguardia is the Italian version of Neo-expressionism, an art movement that swept through Italy and the rest of Western Europe in the late 1970s and 1980s. The term transavanguardia was coined by Italian art critic Achille Bonito Oliva, originating in the "Aperto '80" at the Venice Biennale, and literally means beyond the avant-garde.
Italian Contemporary art refers to painting and sculpture in Italy from the early 20th century onwards.
Vincenzo Pasquale Angelo Petrocelli was a Neapolitan artist. Petrocelli was born in Cervaro in the Kingdom of the Two Sicilies. He studied under Domenico Morelli, and was active as a painter from about 1850. He was principally a history painter, but also painted portraits and genre scenes. His sons Achille and Arturo were both painters.
The Landi were a noble family from Piacenza, in northern Italy. From 1551 to 1582, they were princes of the Val di Taro, now in the province of Parma, at that time in papal territory. Their principality is sometimes called Lo Stato Landi ; although the term is not well known, there is substantial documentation of it in the Archivio Segreto Vaticano, in the Vatican City.
Artiscope is a Brussels art gallery specialized in contemporary American and European artists. Artiscope Gallery has organized exhibitions in collaboration with many museums in Belgium and Germany.
Paolo De Grandis is an Italian contemporary art curator and president of PDG Arte Communications. He lives currently in Venice.
Leoncillo Leonardi, commonly known as Leoncillo, was an Italian sculptor who worked principally in glazed ceramics, often large-scale, and often using vivid colours. Until the mid-1950s his work was mostly figurative, but became more abstract thereafter. In 1946 he was among the founding members of the Nuova Secessione Artistica Italiana, which soon became the Fronte Nuovo delle Arti. He received the Premio Faenza in 1954 and again in 1964, and won the sculpture prize at the Biennale di Venezia of 1968. His work was also part of the sculpture event in the art competition at the 1948 Summer Olympics.
Nicola De Maria is an Italian painter living and working in Torino, Italy. De Maria is known for his abstract figurative works, which have been characterized as lyrical and colourful.
The Constellation of Leo is a painting made by Carlo Maria Mariani in 1980–1981. It is a group portrait of prominent people from Italy's art world at the time, including Mariani himself, and has the subtitle The School of Rome. It contains visual references to ancient sculptures, early modern paintings and contemporary artworks. It was exhibited in 1981 together with Mariani's comments about the people portrayed. It is in the collection of the Galleria Nazionale d'Arte Moderna in Rome.
| International | |
|---|---|
| National | |
| Academics | |
| Artists | |
| People | |
| Other | |
 | This article about an Italian painter born in the 20th century is a stub. You can help Wikipedia by expanding it. |
