An oracle is a person or thing considered to provide insight, wise counsel or prophetic predictions, most notably including precognition of the future, inspired by deities. If done through occultic means, it is a form of divination.
Publius Vergilius Maro, usually called Virgil or Vergil in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the Eclogues, the Georgics, and the epic Aeneid. A number of minor poems, collected in the Appendix Vergiliana, were attributed to him in ancient times, but modern scholars consider his authorship of these poems to be dubious.
The Aeneid is a Latin epic poem that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans. Written by the Roman poet Virgil between 29 and 19 BC, the Aeneid comprises 9,896 lines in dactylic hexameter. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed.
The Erythraean Sibyl was the prophetess of classical antiquity presiding over the Apollonian oracle at Erythrae, a town in Ionia opposite Chios, which was built by Neleus, the son of Codrus.
Avernus was an ancient name for a volcanic crater near Cumae (Cuma), Italy, in the region of Campania west of Naples. Part of the Phlegraean Fields of volcanoes, Avernus is approximately 3.2 kilometres (2.0 mi) in circumference. Within the crater is Lake Avernus.
Cumae was the first ancient Greek colony of Magna Graecia on the mainland of Italy and was founded by settlers from Euboea in the 8th century BC. It became a rich Roman city, the remains of which lie near the modern village of Cuma, a frazione of the comune Bacoli and Pozzuoli in the Metropolitan City of Naples, Campania, Italy.
The sibyls were prophetesses or oracles in Ancient Greece.
The Sibylline Oracles are a collection of oracular utterances written in Greek hexameters ascribed to the Sibyls, prophetesses who uttered divine revelations in a frenzied state. Fourteen books and eight fragments of Sibylline Oracles survive, in an edition of the 6th or 7th century AD. They are not to be confused with the original Sibylline Books of the ancient Etruscans and Romans which were burned by order of the Roman general Flavius Stilicho in the 4th century AD. Instead, the text is an "odd pastiche" of Hellenistic and Roman mythology interspersed with Jewish, Gnostic and early Christian legend.
The Tiburtine Sibyl or Albunea was a Roman sibyl, whose seat was the ancient Etruscan town of Tibur.
The Sibylline Books were a collection of oracular utterances, set out in Greek hexameter verses, that, according to tradition, were purchased from a sibyl by the last king of Rome, Lucius Tarquinius Superbus, and consulted at momentous crises through the history of the Roman Republic and the Empire.
The Sistine Chapel ceiling, painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissance art.
The Delphic Sibyl was a woman who was a prophet associated with early religious practices in Ancient Greece and is said to have been venerated from before the Trojan Wars as an important oracle. At that time Delphi was a place of worship for Gaia, the mother goddess connected with fertility rituals that are thought to have existed throughout the ancient Mediterranean world. As needed to maintain the religious tradition, the role of sibyl would pass to another priestess at each site.
The Hellespontine Sibyl was the priestess presiding over the Apollonian oracle at Dardania. The Sibyl is sometimes referred to as the Trojan Sibyl. The word Sibyl comes from the Ancient Greek word sibylla, meaning prophetess or oracle. The Hellespontine Sibyl was known, particularly in the late Roman Imperial period and the early Middle Ages, for a claim that she predicted the crucifixion of Jesus Christ. This claim comes from the Sibylline Oracles, which are not to be confused with the Sibylline Books.
The Cimmerian Sibyl, by name Carmentis, was the prophetic priestess presiding over the Apollonian Oracle at Cimmerium in Italy, near Lake Avernus.
In Roman literature, Erichtho is a legendary Thessalian witch who appears in several literary works. She is noted for her horrifying appearance and her impious ways. Her first major role was in the Roman poet Lucan's epic Pharsalia, which details Caesar's Civil War. In the work, Pompey the Great's son, Sextus Pompeius, seeks her, hoping that she will be able to reveal the future concerning the imminent Battle of Pharsalus. In a gruesome scene, she finds a dead body, fills it with potions, and raises it from the dead. The corpse describes a civil war that is plaguing the underworld and delivers a prophecy about what fate lies in store for Pompey and his kin.
The Golden Bough is one of the episodic tales written in the epic Aeneid, book VI, by the Roman poet Virgil, which narrates the adventures of the Trojan hero Aeneas after the Trojan War.
Eclogue4, also known as the FourthEclogue, is a Latin poem by the Roman poet Virgil. The poem is dated to 40 BC by its mention of the consulship of Virgil's patron Gaius Asinius Pollio.
Eclogue 4, also known as the Fourth Eclogue, is the name of a Latin poem by the Roman poet Virgil. Part of his first major work, the Eclogues, the piece was written around 40 BC, during a time of brief stability following the Treaty of Brundisium; it was later published in and around the years 39–38 BC. The work describes the birth of a boy, a supposed savior, who once of age will become divine and eventually rule over the world. During late antiquity and the Middle Ages, a desire emerged to view Virgil as a virtuous pagan, and as such the early Christian theologian Lactantius, and St. Augustine—to varying degrees—reinterpreted the poem to be about the birth of Jesus Christ.
The Sibilla Cumana is an oil painting on canvas by the Italian Baroque painter Domenicho Zampieri (Domenichino) housed in the Capitoline Museum in Rome, Italy.
The Golden Bough is a painting from 1834 by the English painter J. M. W. Turner. It depicts the episode of the golden bough from the Aeneid by Virgil. It is in the collection of the Tate galleries.
