Sebile, alternatively written as Sedile, Sebille, Sibilla, Sibyl, Sybilla, and other similar names, is a mythical medieval queen or princess who is frequently portrayed as a fairy or an enchantress in the Arthurian legend and Italian folklore. She appears in a variety of roles, from the most faithful and noble lady to a wicked seductress, often in relation with or substituting for the character of Morgan le Fay. Some tales feature her as a wife of either King Charlemagne or Prince Lancelot, and even as an ancestor of King Arthur.
The character of Sebile has her earliest roots in the Ancient Greek figure of the virgin priestess and prophetess known as the Cumaean Sibyl. This Classic motif was later transmuted into a Christianized character named Sibyl featured in the Christian mythology of the Early Middle Ages. [1] [2] A further transformation during the Late Middle Ages eventually turned her (as summed up by Alfred Foulet) from
...the sibyl of antiquity, a god-possessed human prophetess, into the fay of mediaeval, particularly Arthurian romance, a queen and enchantress, only rarely virginal and prophetic, usually a lustful magician who entices heroes to her otherworld lair for prodigiously prolonged sessions of love-making. In the late mediaeval legend Sybil/Sybilla/Sebille comes to resemble Morgan le Fay so closely as to be conflated with her in those places in which she is not Morgan's rival or companion. [3]
Queen Sebile first appears in text in the Matter of France's Chanson des Saisnes (Song of the Saxons, written c. 1200) as the young and beautiful second [4] wife (a daughter in later versions) of the Saxon king named Guiteclin or Geteclin (representing the historical Widukind), who fights against the Franks. Queen Sebile falls in love with the Frankish king Charlemagne's nephew and Roland's brother, Baudoin, for whom she betrays her husband. After Guiteclin is killed, she marries Baudoin, who thus becomes the King of Saxony. [5] [6] [7]
Later versions from various countries present her instead as a daughter of either King Desiderius of Lombardy in Macaire ou la Reine Sebile, the Emperor of Constantinople in La Chanson de la Reine Sibile and Willem Vorsterman's Historie vander coninghinnen Sibilla, or the pagan king Agolant in La Reine Sebile. [8] This Sebile marries not Baudoin, but Charlemagne himself. [9] [10]
In the early 13th-century French epic poem Huon de Bordeaux , Sebile is a cousin of the story's eponymous hero, the Frankish knight Huon of Bordeaux. She uses her magical abilities to aid Huon in slaying her captor: a monstrous, 17-foot-tall giant named Pride (l'Orgueilleux), whom Huon defeats and beheads after a terrible duel. [1] [11] [12] [13] In La Chanson d'Esclarmonde, one of the continuations of Huon, Sebile is one of the three fay mentioned by name when summoned by the fairy queen Morgue (Morgan), Lady of the Hidden Isle (Avalon), to welcome Huon and Esclarmonde, his lover and daughter of the Emir of Babylon. [14] [15]
Sebile makes her first known appearance in an Arthurian legend in Ulrich von Zatzikhoven's late 12th-century German poem Lanzelet , in which the loving fairy mistress of Prince Lancelot is named Iblis (or Yblis), an anagram for Sibil/Sybil. [16] [17] There, she is the only daughter of Iweret of the Beautiful Forest (Beforet), an enemy of the family of Lancelot's foster mother, the sea fairy Queen of the Maidenland. Iblis is the most virtuous woman, as proven by a magic cloak test (an arguably central motif of the entire tale [18] ), who falls in love with Lancelot in a prophetic dream before even meeting him. After Lancelot slays her father in combat (she faints when he fights and instantly forgives him after his victory [19] ) and he learns his name and real identity, Princess Iblis marries him as the new king of this realm. Lancelot later leaves to defeat a hundred knights and marry the Queen of Pluris (marrying for the fourth time), but eventually escapes from her and returns to the faithful Iblis and their kingdom. Ruling their combined lands together, they have four children, and later they both die on the same day. [20] [21] [22] [23] [24] [25] [26]
In the early 13th-century French Lancelot-Grail prose cycle, Queen Sebile (Sedile le roine) or Sebile the enchantress (Sebile l'enchanteresse) [27] becomes a villainous character. She takes part in the kidnapping of Lancelot by her, Morgan le Fay (Morgue la fee), and the Queen of Sorestan. This story was made well known through Thomas Malory's retelling in his popular Le Morte d'Arthur , where the three queens became four: Queen Morgan of Gorre (Rheged), and the unnamed trio of the Queen of Norgales (North Galys, meaning North Wales), the Queen of Eastland, and the Queen of the Outer Isles (identified by Malory as the Hebrides). The queens of Eastland and Sorestan appear identical in both versions, so Sebile seems to be the Queen either of North Galys or the Outer Isles in Malory's tale. [28] They all are described as the most powerful female mages in the world after the Lady of the Lake. [29] Sebile, the youngest of them, is noted as so expert at sorcery that she had managed to render Cerberus harmless during her visit to Hell. [27] In a well-known episode from Lancelot-Grail, found largely unchanged in Malory's compilation, the queens are riding together when they find the young Lancelot asleep by an apple tree (apples being a symbol of enchantment in the legends [30] ). Amazed by how fairylike handsome Lancelot is, they argue over who among them would be the most deserving of his love for reasons other than their equal social rank and magical powers (at least in the French original version, as Malory turns Morgan into a clearly dominant leader of the group [31] ). Each of them states different reasons to be chosen, with Sebile emphasizing her merry character, youth and beauty. [27] The Queens consider waking up Lancelot to ask him to choose among them, but Morgan advises that they take him still asleep to their castle, [note 1] where they can hold him in their power. The next day, the Queens appear before the awoken Lancelot in their finest clothes and ask him to choose one of them as a lover; if he refuses, he will never leave his prison. Despite this threat, Lancelot, faithful to his secret beloved, Queen Guinevere, categorically and with contempt refuses all three. Humiliated by his response, the angry queens throw Lancelot into a dungeon, but he is soon freed by the daughter of the King of Norgales' enemy (either King Bagdemagus of Gorre or the Duke of Rochedon) who asks him to fight for her father in an upcoming tournament.
In the Venician Les Prophéties de Merlin (written c. 1276), [27] Sebile is part of a quartet of enchantresses: besides Sebile and Morgan (Morgain), here being her only lover among all the women, they include also the Queen of Norgales and the Lady of Avalon (Dame d'Avalon). They all are former students of Merlin, who had received dark magic powers through his demonic origin, [32] and are also in good relations with the extremely villainous knight Brehus without Mercy (Brehus sans Pitié). Sebile remains a powerful sorceress, whose special skills include invisibility, but is clearly inferior to the Lady; this is evidenced in the episode where Sebile and the Queen of the Norgales together attack the Lady's castle with their magic (in Sebile's case, trying to set it on fire) without any real effect, while the Lady retaliates by effortlessly taking their clothes off and making the naked Sebile visible for all. [27] [33] Morgan too is greater in her magic [32] and seems to be in a master-to-disciple relationship with the younger Sebile, [27] but they are equal in their lust. [32] The two are usually inseparable companions, but this is tested when they become rivals to seduce the widowed knight known as Berengier of Gomeret or Bielengier the Handsome (Bielengiers li Biaus), who first spends a night with Sebile but then leaves to marry one of Morgan's ladies, the virgin Lily Flower (Flour de Lis), who had kidnapped his child for Morgan. This results in a quarrel that goes from an exchange of worst insults to a physical brawl that leaves Morgan battered half to death by the younger Sebile; [27] [33] the Queen of Norgales then saves the remorseful and terrified Sebile from Morgan's revenge by reminding Morgan how they both stole Lancelot's brother Ector de Maris from her but she had forgiven them, and Morgan and Sebile soon fully reconcile. There are also other knights that Sebile is known to desire, especially Lamorak. [1] [33]
In the French text known as the Livre d'Artus (Book of Arthur, written c. 1280), Sebile (Sebille) is a beautiful pagan queen of the Fairy Realm (la Terre Fae) Sarmenie, [note 2] who has just lost her husband. Queen Sebile has an affair with Arthur's knight Sagramore (Sagremor), who is at first her prisoner until he seduces her. Sagramore converts Sebile to Christianity when she hastily baptizes herself after he refuses to sleep with a heathen. An evil knight known as the Faery Black Knight (Le Noir Chevalier Faé, Cheualiers Faez) or Baruc the Black (Baruc li Noirs) is revealed as the one who had killed her previous husband in order to marry her himself. The villain is then defeated in great battle and captured after a personal duel against Sagramore with Sebile's help. [1] [27] [36] [37] [38] [39] [40] After that, Sebile marries Sagramore, who stays with her for 15 days before leaving to resume his quest. [11] [35]
In the anonymous French prose romance Perceforest , a massive quasi-prequel to the Arthurian legend written c. 1330, the most beautiful, wise and honorable enchantress Sebile is known variably as Sebile of the Lake (Sebile du Lac) or the Lady of the Lake, Sebile of the Red Castle (Dame du Lac, Sebile du Chastel Vermei). It is a different character yet a symbolic namesake, which is a recurring theme in Perceforest. [41] In this tale, King Arthur is the descendant from the union of Sebile and Alexander the Great. [42] Alexander is at first a young knight before becoming King Alexander of England and then battling to conquer the world. Sebile falls in love with Alexander on sight; she incites him into her mist-concealed Castle of the Lake (later the Red Castle) by magic and keeps him there through seduction. Their mutual love then grows, especially after Sebile nurses him back to health from a grave wound and Alexander lifts a siege of her castle by defeating her enemies. In one episode, travelling Sebile is attacked by four evil knights who want to rape her, but the Scottish knight Tor of Pedrac arrives at the last moment and slays the villains (their severed heads are then preserved with a spell and given to him as a memorial of this deed). After Alexander dies, Sebile marries Vestige of Joy, also known as the Knight of the Black Eagle, and gives him a daughter named Alexandre, also known as the Maiden of the Two Dragons. Other characters include her cousin Gloriane, the lady of Castle Darnant. [1] [2] [11] [43] [44]
Another Sebile later appears at the end of the 14th century in the French Le Roman d'Eledus et Serene as a maidservant of the heroine Serene, "versed in the science of love". [45] Serene and Sebile are considered doublets. [46]
In central Italy, Sebile features in a local version of the Venusberg motif from Germanic mythology. [47] In The Paradise of Queen Sebile (Le Paradis de la Reine Sebile, Il paradise della regina Sibilla), Antoine de la Sale records a folk legend that he heard from locals at the aptly-named mountain Monte Sibilla in 1420: Sebile/Sibilla is depicted as a demonic fay sorceress who lives with an entourage of amorous nymphs in magnificent palaces and lush gardens within a subterranean, paradise-like enchanted realm (inspired by Morgan's Avalon). She welcomes guests to her kingdom of carnal pleasure (voluttà), but, if, entangled in the delights, they spend more than a year there, the guests are trapped forever in sinful bliss, waiting for the Last Judgment with the fairies. [48] [47]
In de la Sale's La Salade (written c. 1440), a German knight and his squire enter Queen Sebile's kingdom out of curiosity and revel for a year in its forbidden pleasures. Before it is too late for him, the knight realizes the sinfulness of this by witnessing how the fair ladies transform each week into adders and scorpions for a night, so he escapes and hurries to Rome to confess to the Pope just in time. The squire, who regrets having left the pleasures of the fairy realm, flees him and returns to the Sebile's earthly paradise; the Pope sends out messengers with the news of his absolution, but they arrive too late. [48] [49] Sibilla is gifted with her famed prophetic powers, but tells only bad news, never good. [47] In a similar story included within Andrea da Barberino's prose chivalric romance Il Guerrin Meschino (the part written c. 1391), a pious knight, advised to seek out the fay Sebile (fée Sébile) in her abode in the mountain near Norcia, goes through a cave to her realm; he stays there for a year, but refuses all temptation and only attempts to learn about his parentage, without success. He boldly resists the flattering advances of the fay and her damsels, whose sinister nature he suspects, but later too receives an absolution after confessing to the Pope in any case. [48]
Sebile is also a recurring character in Italian works of the 16th century, such as in Gian Giorgio Trissino's L'Italia liberata dai Goti (1547). [48] [50] The names and characters of Sebile (Sibilla), Morgan le Fay (Fata Morgana) and the fairy queen Alcina are often interchangeable in Italian tales of fairies; for example, Morgan substitutes for Sebile in P.A. Caracciolo's 15th-century Magico. [47] Pietro Aretino's 16th-century Ragionamenti mentions a certain "sister of Sibilla of Norcia and aunt of Morgan the Fairy (Fata Morgana)". [47] [51]
Guinevere, also often written in Modern English as Guenevere or Guenever, was, according to Arthurian legend, an early-medieval queen of Great Britain and the wife of King Arthur. First mentioned in popular literature in the early 12th century, nearly 700 years after the purported times of Arthur, Guinevere has since been portrayed as everything from a fatally flawed, villainous and opportunistic traitor to a noble and virtuous lady. Many records of the legend also feature the variably recounted story of her abduction and rescue as a major part of the tale.
Gawain, also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and one of the premier Knights of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian tales in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the Middle English poem Sir Gawain and the Green Knight. Other works featuring Gawain as their central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, Le Livre d'Artus, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.
Avalon is a mythical island featured in the Arthurian legend. It first appeared in Geoffrey of Monmouth's 1136 Historia Regum Britanniae as a place of magic where King Arthur's sword Excalibur was made and later where Arthur was taken to recover from being gravely wounded at the Battle of Camlann. Since then, the island has become a symbol of Arthurian mythology, similar to Arthur's castle of Camelot.
Lancelot du Lac, alternatively written as Launcelot and other variants, is a popular character in Arthurian legend's chivalric romance tradition. He is typically depicted as King Arthur's close companion and one of the greatest Knights of the Round Table, as well as a secret lover of Arthur's wife, Guinevere.
Mordred or Modred is a major figure in the legend of King Arthur. The earliest known mention of a possibly historical Medraut is in the Welsh chronicle Annales Cambriae, wherein he and Arthur are ambiguously associated with the Battle of Camlann in a brief entry for the year 537. Medraut's figure seemed to have been regarded positively in the early Welsh tradition and may have been related to that of Arthur's son. As Modredus, Mordred was depicted as Arthur's traitorous nephew and a legitimate son of King Lot in the pseudo-historical work Historia Regum Britanniae, which then served as the basis for the following evolution of the legend from the 12th century. Later variants most often characterised Mordred as Arthur's villainous bastard son, born of an incestuous relationship with his half-sister, the queen of Lothian or Orkney named either Anna, Orcades, or Morgause. The accounts presented in the Historia and most other versions include Mordred's death at Camlann, typically in a final duel, during which he manages to mortally wound his own slayer, Arthur. Mordred is usually a brother or half-brother to Gawain; however, his other family relations, as well as his relationships with Arthur's wife Guinevere, vary greatly.
The Lady of the Lake is a name or a title used by several either fairy or fairy-like but human enchantresses in the Matter of Britain, the body of medieval literature and mythology associated with the legend of King Arthur. She plays several important roles in many stories, including providing Arthur with the sword Excalibur, eliminating Merlin, raising Lancelot after the death of his father, and helping to take the dying Arthur to Avalon. Different sorceresses known as the Lady of the Lake appear concurrently as separate characters in some versions of the legend since at least the Post-Vulgate Cycle and consequently the seminal Le Morte d'Arthur, with the latter describing them as a hierarchical group, while some texts also give this title to either Morgan or her sister.
The Knights of the Round Table are the legendary knights of the fellowship of King Arthur that first appeared in the Matter of Britain literature in the mid-12th century. The Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.
Morgan le Fay, alternatively known as Morgan[n]a, Morgain[a/e], Morg[a]ne, Morgant[e], Morge[i]n, and Morgue[in] among other names and spellings, is a powerful and ambiguous enchantress from the legend of King Arthur, in which most often she and he are siblings. Early appearances of Morgan in Arthurian literature do not elaborate her character beyond her role as a goddess, a fay, a witch, or a sorceress, generally benevolent and connected to Arthur as his magical saviour and protector. Her prominence increased as the legend of Arthur developed over time, as did her moral ambivalence, and in some texts there is an evolutionary transformation of her to an antagonist, particularly as portrayed in cyclical prose such as the Lancelot-Grail and the Post-Vulgate Cycle. A significant aspect in many of Morgan's medieval and later iterations is the unpredictable duality of her nature, with potential for both good and evil.
Le Morte d'Arthur is a 15th-century Middle English prose reworking by Sir Thomas Malory of tales about the legendary King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table, along with their respective folklore. In order to tell a "complete" story of Arthur from his conception to his death, Malory compiled, rearranged, interpreted and modified material from various French and English sources. Today, this is one of the best-known works of Arthurian literature. Many authors since the 19th-century revival of the legend have used Malory as their principal source.
Morgause is a popular variant of the figure of the Queen of Orkney, an Arthurian legend character also known by various other names and appearing in different forms of her archetype. She is notably the mother of Gawain and often also of Mordred, both key players in the story of her brother King Arthur and his downfall. Her other children may include Agravain, Gareth and Gaheris.
Elaine is a name shared by several female characters in Arthurian legend, where they can also appear under different names depending on the source. They include Elaine of Astolat and Elaine of Corbenic among others.
Gaheris is a Knight of the Round Table in the chivalric romance tradition of Arthurian legend. A nephew of King Arthur, Gaheris is the third son of Arthur's sister or half-sister Morgause and her husband Lot, King of Orkney and Lothian. He is the younger brother of Gawain and Agravain, the older brother of Gareth, and half-brother of Mordred. His figure may have been originally derived from that of a brother of Gawain in the early Welsh tradition, and then later split into a separate character of another brother, today best known as Gareth. German poetry also described him as Gawain's cousin instead of brother.
Accolon is a character in Arthurian legends where he is a lover of Morgan le Fay who is killed by King Arthur in a duel during the plot involving the sword Excalibur. He appears in Arthurian prose romances since the Post-Vulgate Cycle, including as Accalon in the French original Huth Merlin and Acalón in the Spanish adaptation El Baladro del Sabe Merlin.
In Arthurian legend, Ywain, also known as Yvain and Owain among other spellings, is a Knight of the Round Table. Tradition often portrays him as the son of King Urien of Gorre and of either the enchantress Modron or the sorceress Morgan le Fay. The historical Owain mab Urien, the basis of the literary character, ruled as the king of Rheged in Britain during the late-6th century.
The Idylls of the Queen: A Tale of Queen Guenevere is a 1982 fantasy mystery novel set in the framework of the King Arthur myths written by American author Phyllis Ann Karr. It was first published in paperback by Ace Books in June 1982, and reprinted by Berkley Books in 1985. A trade paperback edition was published by Wildside Press in 1999. The novel's title is inspired by Alfred, Lord Tennyson's Arthurian poetry collection Idylls of the King.
Merlin is a partly lost French epic poem written by Robert de Boron in Old French and dating from either the end of the 12th or beginning of the 13th century. The author reworked Geoffrey of Monmouth's material on the legendary Merlin, emphasising Merlin's power to prophesy and linking him to the Holy Grail. The poem tells of his origin and early life as a redeemed Antichrist, his role in the birth of Arthur, and how Arthur became King of Britain. Merlin's story relates to Robert's two other reputed Grail poems, Joseph d'Arimathie and Perceval. Its motifs became popular in medieval and later Arthuriana, notably the introduction of the sword in the stone, the redefinition of the Grail, and turning the previously peripheral Merlin into a key character in the legend of King Arthur.
Elaine or Elizabeth, also known as Amite, and identified as the "Grail Maiden" or the "Grail Bearer", is a character from Arthurian legend. In the Arthurian chivalric romance tradition from the Vulgate Cycle, she is the daughter of the Fisher King, King Pelles of Corbenic, and the mother of Galahad by Lancelot, whose repeated rape by her results in his descent into madness. She should not be confused with Elaine of Astolat, a different woman who too fell in love with Lancelot.
The Matter of Britain character Morgan le Fay has been featured many times in various works of modern culture, often but not always appearing in villainous roles. Some modern stories merge Morgana's character with her sister Morgause or with aspects of Nimue. Her manifestations and the roles given to her by modern authors vary greatly, but typically she is being portrayed as a villainess associated with Mordred.
The Land of Maidens is a motif in Irish mythology and medieval literature, especially in the chivalric romance genre. The latter often also features a castle instead of an island, sometimes known as the Castle of Maidens.
Guiomar is the best known name of a character appearing in many medieval texts relating to the Arthurian legend, often in relationship with Morgan le Fay or a similar fairy queen type character.