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In Irish mythology, the fear gorta (Irish: Man of hunger / Man of famine; also known as the fear gortach) is a phantom of hunger resembling an emaciated human.
According to Yeats' Fairy and Folk Tales of the Irish Peasantry the fear gorta walks the earth during times of famine, seeking alms from passers-by. In this version, the fear gorta can be a potential source of good luck for generous individuals. [1] Harvey relates a myth that the fear gorta was a harbinger of famine during the Great Irish Famine of the 1840s, and that the spirit originally arises from a patch of hungry grass (féar gortach). [2] In the region of Kiltubbrid, the term is also used to refer to a sudden hunger that can seize people traveling in the mountains, that will become fatal if not quickly satiated. [3]
A banshee is a female spirit in Irish folklore who heralds the death of a family member, usually by screaming, wailing, shrieking, or keening. Her name is connected to the mythologically important tumuli or "mounds" that dot the Irish countryside, which are known as síde in Old Irish.
Aos sí is the Irish name for a supernatural race in Celtic mythology – spelled sìth by the Scots, but pronounced the same – comparable to fairies or elves. They are said to descend from the Tuatha Dé Danann, meaning the "People of Danu", depending on the Abrahamic or pagan tradition.
A leprechaun is a diminutive supernatural being in Irish folklore, classed by some as a type of solitary fairy. They are usually depicted as little bearded men, wearing a coat and hat, who partake in mischief. In later times, they have been depicted as shoe-makers who have a hidden pot of gold at the end of the rainbow.
The púca, pucapwca, pooka, phouka, puck is a creature of Celtic, English, and Channel Islands folklore. Considered to be bringers both of good and bad fortune, they could help or hinder rural and marine communities. Púcaí can have dark or white fur or hair. The creatures were said to be shape-changers that could take the appearance of horses, goats, cats, dogs, and hares. They may also take a human form, which includes various animal features, such as ears or a tail.
Fairies, particularly those of Irish, English, Scottish and Welsh folklore, have been classified in a variety of ways. Classifications – which most often come from scholarly analysis, and may not always accurately reflect local traditions – typically focus on behavior or physical characteristics.
Merrow is a mermaid or merman in Irish folklore. The term is of Hiberno-English origin.
The Dullahan, also called Gan Ceann, is a type of mythological creature in Irish folklore. He is depicted as a headless rider, on a black horse, who carries his own head held high in his hand or under his arm.
Irish folklore refers to the folktales, balladry, music, dance, and so forth, ultimately, all of folk culture.
The Irish Literary Revival was a flowering of Irish literary talent in the late 19th and early 20th century. It includes works of poetry, music, art, and literature.
Thomas Crofton Croker was an Irish antiquary, best known for his Fairy Legends and Traditions of the South of Ireland (1825–1828), and who also showed considerable interest in Irish song and music.
A gancanagh is a male fairy from the mythology of Northern Ireland, known for seducing women.
"The Stolen Child" is an 1889 poem by William Butler Yeats, published in The Wanderings of Oisin and Other Poems.
The leannán sídhe is a figure from Irish Folklore. She is depicted as a beautiful woman of the Aos Sí who takes a human lover. Lovers of the leannán sídhe are said to live brief, though highly inspired, lives. The name comes from the Gaelic words for a sweetheart, lover, or concubine and the term for inhabitants of fairy mounds (fairy). While the leannán sídhe is most often depicted as a female fairy, there is at least one reference to a male leannán sídhe troubling a mortal woman.
A far darrig or fear dearg is a faerie of Irish mythology. The name far darrig is an Anglophone pronunciation of the Irish words fear dearg, meaning Red Man, as the far darrig is said to wear a red coat and cap. They are also sometimes known as Rat Boys as they are said to be rather fat, have dark, hairy skin, long snouts and skinny tails. According to Fairy and Folk Tales of the Irish Peasantry, the far darrig is classified as a solitary fairy along with the leprechaun and the clurichaun, all of whom are "most sluttish, slouching, jeering, mischievous phantoms". The far darrig in particular is described as one who "busies himself with practical joking, especially with gruesome joking". One example of this is replacing babies with changelings. They are also said to have some connection to nightmares.
In Irish mythology, hungry grass is a patch of cursed grass. Anyone walking on it was doomed to perpetual and insatiable hunger.
This is a list of all works by Irish poet and dramatist W. B. Yeats (1865–1939), winner of the 1923 Nobel Prize in Literature and a major figure in 20th-century literature. Works sometimes appear twice if parts of new editions or significantly revised. Posthumous editions are also included if they are the first publication of a new or significantly revised work. Years are linked to corresponding "year in poetry" articles for works of poetry, and "year in literature" articles for other works.
Castle Hackett is a 13th-century tower house at the base of Knockma hill, 10 kilometres (6 mi) south-west of Tuam, County Galway, Ireland.
"The Soul Cages" is a fairy tale invented by Thomas Keightley, originally presented as a genuine Irish folktale in T. Crofton Croker's Fairy Legends and Traditions of the South of Ireland (1825–28). It features a male merrow (merman) inviting a local fisherman to his undersea home. The "soul cages" in the title refer to a collection of human souls that the merman kept in his home.
"The Legend of Knockgrafton" is an Irish folk tale/fairy tale published by T. Crofton Croker in Fairy Legends and Traditions of the South of Ireland (1825).