| Simbi | |
|---|---|
Bakongo Water Spirit | |
 West-Central African water spirit MIA | |
| Affiliation | |
| Abode | Sea, River (Nzadi), Forest (Mfinda) |
| Ethnic group | |
| Equivalents | |
| Sawabantu equivalent | Jengu |
| Haitian equivalent | Lwa |
A Simbi (also Cymbee, Sim'bi, pl. Bisimbi) is a water and nature spirit in traditional Kongo spirituality, as well as in Hoodoo.
While there is little written historical record of the word simbi, there is consensus that it originated within Kongo-speaking communities and almost certainly began as a means for the Bakongo people to understand the spiritual nature of the world around them. [1] Some believe the word simbi derives from simba, a Kikongo word that means "to hold, keep, preserve." [1] The similar phrase, isimba ia nsi, which translates to "a distinguished person in the community," was recorded in an early Kikongo dictionary in the seventeenth century. This phrase and others, such as kisímbi kinsí, which translates to "the very old person who does not die" are a few of the earliest evidences of the spiritual connection of bisimbi to the land of the living and the land of the dead. [1] The word basimbi also translates to "guardians" with the phrase isimba ia nsi later becoming "guardians of the land." [1]
The Bakongo people traditionally believe that bisimbi are magically water spirits (in kikongo: nkisi mia mamba) that can appear as a person, a snake, a calabash vine, or Kalûnga, a spark of fire, similar to the spark that begot the universe in Kongo creation mythology. [2] There have also been claims of bisimbi appearing as birds, twisted trees and mermaid-like beings. [1] They are seen as the guardians of nature and the intermediaries who travel the Kalûnga Line between Ku Seke, the physical world of the living, and Ku Mpémba, the spiritual world of the ancestors. Bisimbi are also believed to be spiritual guides, using storytelling and oral tradition to connect the living to the ancestors and their history. [2] The likening of the living elders to the bisimbi in the phrase kisímbi kinsí highlights the importance of Bakongo elders to the spiritual well-being of the community and the passing of their beliefs from one generation to the next. [1]
| Part of a series on |
| Kongo religion |
|---|
 |
 Category |
In Central Africa's Kongo region, "...bisimbi inhabit rocks, gullies, streams, and pools, and are able to influence the fertility and well being of those living in the area." "What are bisimbi? They have other names, too. Some are called python, lightning gourd or calabash, mortar or a sort of pot. The explanation of their names is that they are water spirits (nkisi mia mamba). The names of some of these Nkisi are: Na Kongo, Ma Nzanza, Nkondi and Londa. There is a significant amount of Kongo culture that continues today in the African American community, because 40 percentage of Africans taken during the trans-atlantic slave trade [3] came from Central Africa's Congo Basin. [2] [4]
Bisimbi are also revered in the United States in the African American community in the practice of Hoodoo in the American South. Academic historians conducted research in the Gullah Geechee Nation and have found continued Central African spiritual practices. For example, some African American churches in the Southeast prayed to Kongo-derived simbi spirits during Baptism. "Baptism also had a distinctly African side to it. The nineteenth century Georgia practice of praying to Kongo-derived simbi spirits before immersion demonstrates this aspect of an other wise Christian rite." [5] [6]
Academic research on the Pooshee Plantation and Woodboo Plantation in South Carolina, showed a continued belief of African water spirits among enslaved African Americans. Both plantations are "now under the waters of Lake Moultrie." [2] The earliest known record of simbi spirits was recorded in the nineteenth century by Edmund Ruffin who was a wealthy slaveholder from Virginia, and traveled to South Carolina "to keep the slave economic system viable through agricultural reform." In Ruffin's records he spelled simbi, cymbee, because he did not know the original spelling of the word.
"At Pooshee plantation on the Santee Canal not too far from Woodboo, Ruffin stated that a young slave boy went to a fountain for water late at night and was very frightened by a cymbee (Simbi water spirit) who was running around and around the fountain. Although few witnesses to the appearance of cymbees were found by Ruffin, he stated that they are generally believed by the slaves to be frequent and numerous. Part of the superstition was that it was bad luck for anyone who saw one to 'tell of the occurrence, or refer to it; and that his death would be the certain penalty, if he told of the meeting for some weeks afterwards." Another occurrence from an enslaved man said simbi spirits have long hair. [2]
In African-American folklore, the Gullah Geechee people in the Carolina Lowcountry have a children's story called Sukey and the Mermaid about a girl named Sukey meeting a mermaid named Mama Jo. Mama Jo in the story helps and protects Sukey and financially supported her by giving her gold coins. This story comes from the belief in Simbi spirits in Central Africa that came to the United States during the trans-atlantic slave trade. In Africa, Simbi nature spirits protect and provide riches to their followers. In Central Africa, there are folk stories of people meeting mermaids. [7]
In an Afro-Cuban religion called Palo, bisimbi are called Nkitas. They are deities of all aspects of nature, such as lakes, forests or mountains. [8]
A mojo, in the African-American spiritual practice called Hoodoo, is an amulet consisting of a flannel bag containing one or more magical items. It is a "prayer in a bag", or a spell that can be carried with or on the host's body. Alternative American names for the mojo bag include gris-gris bag, hand, mojo hand, toby, nation sack,conjure hand, lucky hand, conjure bag, juju bag, trick bag, tricken bag, root bag, and jomo. The word mojo also refers to magic and charms. Mojo containers are bags, gourds, bottles, shells, and other containers. The making of mojo bags in Hoodoo is a system of African-American occult magic. The creation of mojo bags is an esoteric system that involves sometimes housing spirits inside of bags for either protection, healing, or harm and to consult with spirits. Other times mojo bags are created to manifest results in a person's life such as good-luck, money or love.
Hoodoo is a set of spiritual practices, traditions, and beliefs that were created by enslaved African Americans in the Southern United States from various traditional African spiritualities and elements of indigenous botanical knowledge. Practitioners of Hoodoo are called rootworkers, conjure doctors, conjure men or conjure women, and root doctors. Regional synonyms for Hoodoo include rootwork and conjure. As a syncretic spiritual system, it also incorporates beliefs from Islam brought over by enslaved West African Muslims, and Spiritualism. Scholars define Hoodoo as a folk religion. It is a syncretic religion between two or more cultural religions, in this case being African indigenous spirituality and Abrahamic religion.
Candomblé Bantu is one of the major branches (nations) of the Candomblé religious belief system. It developed in the Portuguese Empire among Kongo and Mbundu slaves who spoke Kikongo and Kimbundu languages. The supreme and creative god is Nzambi or Nzambi a Mpungu. Below him are the Jinkisi or Minkisi, deities of Bantu mythology. These deities resemble Olorun and the other orishas of the Yoruba religion. Minkisi is a Kongo language term: it is the plural of Nkisi, meaning "receptacle". Akixi comes from the Kimbundu language term Mukixi.
The Kongo people are a Bantu ethnic group primarily defined as the speakers of Kikongo. Subgroups include the Beembe, Bwende, Vili, Sundi, Yombe, Dondo, Lari, and others.
The Gullah are an African American ethnic group who predominantly live in the Lowcountry region of the U.S. states of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands. Their language and culture have preserved a significant influence of Africanisms as a result of their historical geographic isolation and the community's relation to their shared history and identity.
Nkisi or Nkishi are spirits or an object that a spirit inhabits. It is frequently applied to a variety of objects used throughout the Congo Basin in Central Africa, especially in the Territory of Cabinda that are believed to contain spiritual powers or spirits. The term and its concept have passed with the Atlantic slave trade to the Americas.
The Kalûnga Line in Kongo religion is a watery boundary between the land of the living and the spiritual realm of the ancestors. Kalûnga is the Kikongo word "threshold between worlds." It is the point between the physical world and the spiritual world. It represents liminality, or a place literally "neither here nor there." Originally, Kalûnga was seen as a fiery life-force that begot the universe and a symbol for the spiritual nature the sun and change. The line is regarded as an integral element within the Kôngo cosmogram.
African-American folktales are the storytelling and oral history of enslaved African Americans during the 1700s-1900s. Prevalent themes in African-American folktales include tricksters, life lessons, heartwarming tales, and slavery. African Americans created folktales that spoke about the hardships of slavery and told stories of folk spirits that could outwit their slaveholders and defeat their enemies. These folk stories gave hope to enslaved people that folk spirits would liberate them from slavery. One of these heroes that they looked up to was the charming High John the Conqueror, who was a cunning trickster against his slave masters. He often empowered newly freed slaves, saying that if they needed him, his spirit would be in a local root. Other common figures in African-American folktales include Anansi, Brer Rabbit, and Uncle Monday. Many folktales are unique to African-American culture, while others are influenced by African, European, and Native American tales.
Atlantic Creole is a cultural identifier of those with origins in the transatlantic settlement of the Americas via Europe and Africa.
A nganga is a spiritual healer, diviner, and ritual specialist in traditional Kongo religion. These experts also exist across the African diaspora in countries where Kongo and Mbundu people were transported during the Atlantic slave trade, such as Brazil, the southern United States, Haiti and Cuba.
Angolan Americans are an ethnic group of Americans of Angolan descent or Angolan immigrants. According to estimates, by the year 2000 there were 1,642 people descended from Angolan immigrants in the United States. However, the number of Angolan Americans is difficult to determine. Many African-Americans are descendants of Angolan enslaved people. In 1644, most of the 6,900 slaves bought on the African coast to clear the forests, lay roads, build houses and public buildings, and grow food came from the established stations in Angola.
A face jug is a jug pottery that depicts a face. There are examples in the pottery of ancient Greece, and that of Pre-Columbian America. Early European examples date from the 13th century, and the German stoneware Bartmann jug was a popular later medieval and Renaissance form. Later, the British Toby Jug was a popular form, that became mass-produced. Especially in America, a number of modern craft potters make pieces, mostly continuing the 19th-century African-American slave folk art tradition.
Bantu religion is the system of beliefs and legends of the Bantu people of Africa. Although Bantu peoples account for several hundred different ethnic groups, there is a high degree of homogeneity in Bantu cultures and customs, just as in Bantu languages. Many Bantu cultures traditionally believed in a supreme god whose name is a variation of Nyambe/Nzambe.
Nzambi a Mpungu is the Supreme God, eternal Sky Father and God of the Sun (fire) in traditional Kongo spirituality. His female counterpart is Nzambici, the Sky Mother and Goddess of the Moon. Among other Central African Bantu peoples, such as the Chokwe, and in the Kingdom of Ndongo, Nzambi Mpungu was also called Kalunga, the god of fire and change. This may have a connection to an element of Bakongo cosmology called Kalûnga. It was seen as the spark of fire that begot all life in the universe. After Portuguese colonization, Nzambi Mpungu became synonymous with the Christian God and existed chiefly as the Creator God.
The Kongo cosmogram is a core symbol in Bakongo religion that depicts the physical world, the spiritual world, the Kalûnga line that runs between the two worlds, the sacred river that forms a circle through the two worlds, the four moments of the sun, and the four elements.
Haint blue is a collection of pale shades of blue-green that are traditionally used to paint porch ceilings in the Southern United States. Hex #D1EAEB is a popular shade of haint blue.
Kongo religion encompasses the traditional beliefs of the Bakongo people. Due to the highly centralized position of the Kingdom of Kongo, its leaders were able to influence much of the traditional religious practices across the Congo Basin. As a result, many other ethnic groups and kingdoms in West-Central Africa, like the Chokwe and Mbundu, adopted elements of Bakongo spirituality.
The Gullah are African Americans who live in the Lowcountry region of the U.S. states of Georgia, Florida, South Carolina, and North Carolina, in both the coastal plain and the Sea Islands. They developed a creole language, also called Gullah, and a culture with some African influence.
Nzambici is the eternal God of Essence, as well as Moon, Earth and Sky Mother in Bakongo religion. She is also the female counterpart of the Kongo creator god, Nzambi Mpungu.
Mfinda is a spiritual concept of the forest in Kongo religion.
| Religions | | ||||
|---|---|---|---|---|---|
| Deities |
| ||||
| Elements | |||||
| Art | |||||
| Diaspora |
| ||||
Bantu religion and folklore | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| Main topics | |||||||||
| Religion |
| ||||||||
| Culture |
| ||||||||
| Bantu diaspora |
| ||||||||
| Religions |  | |
|---|---|---|
| Practices and concepts | ||
| Diverse roots | ||
| Magic and concepts |  | |
|---|---|---|
| Folklore | ||
| Practices | ||
