The Wandjina, also written Wanjina and Wondjina and also known as Gulingi, are cloud and rain spirits from Australian Aboriginal mythology that are depicted prominently in rock art in Australia. Some of the artwork in the Kimberley region of Western Australia dates back to approximately 4,000 years ago. Another closely related spirit entity is the creator being Wunngurr, a being analogous to the Rainbow Serpent in other Aboriginal peoples' belief systems, but with a different interpretation.
The stories of the Wandjina and the artwork depicting them remain important to the Mowanjum Community of Aboriginal people, and are one of the basic cultural elements of the Wanjina Wunggurr cultural bloc, which includes four Aboriginal peoples in the Kimberley.
Some Dreamtime stories say the Wandjina created the landscape and its inhabitants, and continue to have influence over both. When the spirits found the place they would die, they painted their images on cave walls and entered a nearby waterhole. These paintings were then refreshed by Aboriginal people as a method of regenerating life force. [1]
The Wandjina can punish those who break the law with floods, lightning and cyclones. [2]
The Wandjina and Wunggurr spirits are essential elements of the life of the cultural bloc known as the Wanjina Wunggurr, consisting of the Worrorra (and neighbouring Ngardi [3] ), Wunambal and Ngarinyin peoples of the Kimberley. [4] Rock paintings depicting Wanjina, as well as the Gwion Gwion ("Bradshaw") paintings, are evidence of the shared culture. [3] The Wunambal people in the Mitchell Plateau area refer to Wandjina as Gulingi. [5]
Wunggurr is a variant on the Rainbow Serpent creator being belief, while the wandjina are local spirits, attached to places, and associated with particular clans. Although some local expressions use the two terms interchangeably, wungurr is a "more diffuse life force animating and underlying the particular manifestations of its power that find expression in all species of things, including the wandjina". One facet of wungurr is embodied in a rock python known as Wanjad. [6]
The broad-stroke artwork of the Wandjina rock art dates to around 3800–4000 years ago. The emergence of this art style follows the end of a millennium-long drought that gave way to a wetter climate characterised by regular monsoons. [7]
The Wandjina paintings have common colours of black, red and yellow on a white background. The spirits are depicted alone or in groups, vertically or horizontally depending on the dimensions of the rock, and are sometimes depicted with figures and objects like the Rainbow Serpent or yams. Common composition is with large upper bodies and heads that may show eyes and nose, but typically no mouth. Two explanations have been given for this: they are so powerful they do not require speech and if they had mouths, the rain would never cease. Around the heads of Wandjina are lines or blocks of color, depicting lighting coming out of transparent helmets. [2]
Today, the paintings are still believed to possess these powers and therefore are to be approached and treated respectfully. Each site and painting has a name. Indigenous people of the Mowanjum community repaint the images to ensure the continuity of the Wandjina's presence. [8] Annual repainting in December or January also ensures the arrival of the monsoon rains, according to Mowanjum belief. [9]
Repainting has occurred so often that at one site the paint is over 40 layers deep. The painting style has evolved during this process: more recent figures are stockier and some now possess eyelashes. [10]
In the late 1960s and early 1970s several Mowanjum artists depicted traditional Wandjina on pieces of string bark. [11] These bark paintings were sold mainly through the mission at Kalumbaru. Some of the important artists from this region include Alec Mingelmanganu, [12] Charlie Numbelmoore [13] and Jack Karedada. [14] These artworks are now in major museum collections around the world.
Wandjina were the inspiration for a 1966 children's fantasy television series, Wandjina! , produced by ABC Television in 1966.
In 2007, graffiti depictions of Wandjina appeared in Perth, Western Australia. Styles ranged from stencil-work to a spray painted Wandjina driving a pink car. Using Flickr and blogs, several people engaged in "Wandjina watching", documenting the Wandjina graffiti they found. [15] These "wandering Wandjina" angered and upset some Indigenous people who said that only certain artists from their people are permitted to depict the Wandjina, without saying who these people are. [16] A short film, Who Paintin' Dis Wandjina, discussed the Aboriginal reaction. [17]
Images of the Wandjina are displayed on the walls of the Ringwood Magistrates Court in Victoria; these are referenced as produced the National Gallery of Victoria.[ citation needed ]
In 2016, during the Vivid Sydney festival, artwork of Wandjina by artist Donny Woolagoodja was projected onto the Sydney Opera House as part of its Lighting of the Sails celebration. [18]
In 2023, Wandjina was added to the popular mobile game Fate/Grand Order , [19] initially as an antagonist and later as a playable character. [20]
In Australian Aboriginal mythology, Mamaragan or Namarrkon is a lightning Ancestral Being who speaks with thunder as his voice. He rides a storm-cloud and throws lightning bolts to humans and trees. He lives in a puddle.
Indigenous Australian art includes art made by Aboriginal Australians and Torres Strait Islanders, including collaborations with others. It includes works in a wide range of media including painting on leaves, bark painting, wood carving, rock carving, watercolour painting, sculpting, ceremonial clothing and sandpainting; art by Indigenous Australians that pre-dates European colonisation by thousands of years, up to the present day.
The Kimberley is the northernmost of the nine regions of Western Australia. It is bordered on the west by the Indian Ocean, on the north by the Timor Sea, on the south by the Great Sandy and Tanami deserts in the region of the Pilbara, and on the east by the Northern Territory.
The Gwion Gwion rock paintings, Gwion figures, Kiro Kiro or Kujon are one of the two major regional traditions of rock art found in the north-west Kimberley region of Western Australia. Key traditional owners have published their own account of the meaning of the images. However the identity of the artists and the age of the art are contended within archaeology and amongst Australian rock art researchers. A 2020 study estimates that most of the anthropomorphic figures were created 12,000 years ago, based on analysis of painted-over wasps' nests. These aspects have been debated since the works were seen, and recorded, in 1891 by pastoralist Joseph Bradshaw, after whom they were named until recent decades. As the Kimberley is home to many traditional owners, the rock art is referred to and known by many different names in the local languages, the most common of which are Gwion Gwion or Kiro Kiro/Giro Giro. The art consists primarily of human figures ornamented with accessories such as bags, tassels and headdresses.
The Gibb River Road is a road in the Kimberley region of Western Australia.
Kimberley Land Council Aboriginal Corporation, known as Kimberley Land Council (KLC), is an association of Aboriginal people in the Kimberley region of Western Australia. The land council was formed at a meeting at Noonkanbah Station in May 1978. The corporation is registered with the Office of the Registrar of Indigenous Corporations as ICN 21.
Mitchell River National Park is a national park in the Kimberley region of Western Australia, 2,140 kilometres (1,330 mi) northeast of Perth. The park adjoins the northern boundary of the Prince Regent National Park. The nearest towns are Derby, 350 kilometres (217 mi) to the southwest, as well as Wyndham, 270 km (168 mi) to the southeast. Created in 2000, the park covers an area of over 1,150 km2 (440 sq mi) on the Mitchell Plateau (Ngauwudu).
The Carson River is a river in the Kimberley region of Western Australia.
Prince Regent National Park, formerly the Prince Regent Nature Reserve, is a protected area in the Kimberley region of Western Australia. In 1978 the area was nominated as a UNESCO World Biosphere Reserve.
Mowanjum is a medium-sized Aboriginal community, located 10 km (6 mi) south east of Derby in the Kimberley region of Western Australia, within the Shire of Derby-West Kimberley. At the 2016 Australian census, Mowanjum had a population of 311.
Wandjina! was an Australian children's science fantasy television series produced by ABC Television and first aired in 1966. Its story, inspired by Dreamtime mythology of the spirit ancestors of the Kimberley region of north-West Australia, was about three teenagers caught up in an adventure linked to local sacred Aboriginal cave paintings of the Wandjina — the "people from the sky" who visited long ago, in the Dreamtime.
Bardayal "Lofty" Nadjamerrek was a Kunwinjku Aboriginal artist of the Mok clan. He belonged to the Duwa moiety and spoke the Kundedjnjenghmi language. He is currently referred to by his skin and clan as "Wamud Namok", following the Kunwinjku custom of avoiding use of the name of deceased persons.
The Worrorra, also written Worora, are an Aboriginal Australian people of the Kimberley area of north-western Australia.
The Ngarinyin or Ngarinjin are an Aboriginal Australian people of the Kimberley region of Western Australia. Their language, Ngarinyin, is also known as Ungarinyin. When referring to their traditional lands, they refer to themselves as Wilinggin people.
The Wunambal (Unambal), also known as Wunambal Gaambera, Uunguu, and other names, are an Aboriginal Australian people of the northern Kimberley region of Western Australia.
The Ngardi, also spelled Ngarti, are an Aboriginal Australian people of the Northern Territory and Western Australia.
Mick Kubarkku (c.1922-2008) was regarded as a prominent Aboriginal Australian artist most associated with Kuninjku modernism.
Yornadaiyn (Donny) Woolagoodja (1947-2022) was an Aboriginal Australian artist. He was a member of the Worrorra people of the Kimberley area of Western Australia.
Curly Bardkadubbu (1924–1987) was a Kunwinjku artist who was born in the Kamarrang subsection of the Naborn clan of the Marrkolidjban estate on the Liverpool River. He was known for his paintings on eucalyptus bark.