Crone

Last updated

In folklore, a crone is an old woman who may be characterized as disagreeable, malicious, or sinister in manner, often with magical or supernatural associations that can make her either helpful or obstructive. The Crone is also an archetypical figure or a Wise Woman. As a character type, the crone shares characteristics with the hag.

Contents

Archetypical appearance of a crone.
Old Woman Seen from Behind,
by Vincent van Gogh. Vincent van Gogh - Old Woman Seen from Behind F913.jpg
Archetypical appearance of a crone.
Old Woman Seen from Behind,
by Vincent van Gogh.

The word became further specialized as the third aspect of the Triple Goddess popularized by Robert Graves and subsequently in some forms of neopaganism. In Wicca, the crone symbolizes the Dark Goddess, the dark side of the Moon, the end of a cycle; together with the Mother (Light Goddess) and the Maiden (Day Goddess), she represents part of the circle of life. The archetype of the Handsome Warlock, good or bad, may change a Crone or Hag to normal looks, if so desired. [1] [2]

In some feminist circles

In feminist spiritual circles, a "Croning" is a ritual rite of passage into an era of wisdom, freedom, and personal power. [3]

According to scholar Clarissa Pinkola Estés, the Crone is "the one who sees far, who looks into the spaces between the worlds and can literally see what is coming, what has been, and what is now and what underlies and stands behind many things. [...] The Crone represents the ability to see, more than just with one’s eyes alone, but to see with the heart’s eyes, with the soul’s eyes, through the eyes of the creative force and the animating force of the psyche." [4]

In folklore

The crone, along with many other female monsters is present in many cultures to warn of the nature of women. The crone highlights the importance of beauty and youth among women, and how older and elderly women often turned bitter and evil in their old age. In media, the crone often acts out of jealousy, luring young pretty women into bad situations, such as seen in the tale Snow White . [5]

Etymology

As a noun, crone entered the English language around the year 1390, deriving from the Anglo-French word carogne (an insult), itself deriving from the Old North French charogne, caroigne, meaning a disagreeable woman (literally meaning "carrion"). Prior to the entrance of the word into English, the surname Hopcrone is recorded (around 1323–1324). [6]

In more modern usage, crone is also defined as a "woman who is venerated for experience, judgment, and wisdom." [7]

Clarissa Pinkola Estes suggests that the word crone may derive from the word crown (or, la corona). While a crown is known as a circlet that goes around the head and establishes one's authority as a leader, "before this understanding, the crown, la corona, was understood to mean the halo of light around a person’s body. La corona was considered to shine more brightly when a person was clear, filled with love and justice." [4] Thus, Estes suggests, the Crone is one who reflects this enhanced degree of clarity and in/sight.

Examples

In Norse myth, Thor wrestles the crone Elli who personifies old age. [8]

In the local folklore of Somerset in South West England, the Woman of the Mist is said to appear sometimes as a crone gathering sticks; sightings of her were reported as late as the 1950s. [9] In the Scottish Highlands tale "The Poor Brother and the Rich", a crone refuses to stay buried, until her son-in-law provides a generous wake, after which he becomes as wealthy as his more fortunate brother. [10]

In Cuban traditional folklore old women often appear as helpful characters, as in the tale of the sick man who cannot get well until he meets an old woman who advises him to wear the tunic of a man who is truly happy. According to writer Alma Flor Ada, "They tend to be the ones who keep the family together, who pass on the traditions, who know the remedies that would cure the different illnesses". [11]

See also

Related Research Articles

<span class="mw-page-title-main">Goddess</span> Feminine or female deity

A goddess is a female deity. In many known cultures, goddesses are often linked with literal or metaphorical pregnancy or imagined feminine roles associated with how women and girls are perceived or expected to behave. This includes themes of spinning, weaving, beauty, love, sexuality, motherhood, domesticity, creativity, and fertility. Many major goddesses are also associated with magic, war, strategy, hunting, farming, wisdom, fate, earth, sky, power, laws, justice, and more. Some themes, such as discord or disease, which are considered negative within their cultural contexts also are found associated with some goddesses. There are as many differently described and understood goddesses as there are male, shapeshifting, or neuter gods.

<span class="mw-page-title-main">Cailleach</span> Gaelic female hag deity

In Gaelic myth, the Cailleach is a divine hag and ancestor, associated with the creation of the landscape and with the weather, especially storms and winter. The word literally means 'old woman, hag', and is found with this meaning in modern Irish and Scottish Gaelic, and has been applied to numerous mythological and folkloric figures in Ireland, Scotland, and the Isle of Man. In modern Irish folklore studies, she is sometimes known as The Hag of Beara, while in Scotland she is known as Beira, Queen of Winter.

<span class="mw-page-title-main">Baba Yaga</span> Slavic mythological figure

Baba Yaga is an enigmatic or ambiguous character from Slavic folklore who has two opposite roles. In some motifs she is described as a repulsive or ferocious-looking old woman who fries and eats children, while in others she is a nice old woman who helps out the hero. She is often associated with forest wildlife. Her distinctive traits are flying around in a wooden mortar, wielding a pestle, and dwelling deep in the forest in a hut standing on chicken legs.

Clarissa Pinkola Estés is an American writer and Jungian psychoanalyst. She is the author of Women Who Run with the Wolves (1992), which remained on the New York Times bestseller list for 145 weeks and has sold over two million copies.

The Triple Goddess is a deity or deity archetype revered in many Neopagan religious and spiritual traditions. In common Neopagan usage, the Triple Goddess is viewed as a triunity of three distinct aspects or figures united in one being. These three figures are often described as the Maiden, the Mother, and the Crone, each of which symbolizes both a separate stage in the female life cycle and a phase of the Moon, and often rules one of the realms of heavens, earth, and underworld. In various forms of Wicca, her masculine consort is the Horned God.

<span class="mw-page-title-main">Textiles in folklore</span>

Mention of textiles in folklore is ancient, and its lost mythic lore probably accompanied the early spread of this art. Textiles have also been associated in several cultures with spiders in mythology.

<span class="mw-page-title-main">Hero's journey</span> Pattern in storytelling

In narratology and comparative mythology, the hero's quest or hero's journey, also known as the monomyth, is the common template of stories that involve a hero who goes on an adventure, is victorious in a decisive crisis, and comes home changed or transformed.

<span class="mw-page-title-main">Fairy godmother</span> Archetype

In fairy tales, a fairy godmother is a fairy with magical powers who acts as a mentor or parent to someone, in the role that an actual godparent was expected to play in many societies. In Perrault's "Cinderella", he concludes the tale with the moral that no personal advantages will suffice without proper connections.

<span class="mw-page-title-main">Goddess movement</span> Modern revival of divine feminine or female-centered spirituality

The Goddess movement is a revivalistic Neopagan religious movement which includes spiritual beliefs and practices that emerged primarily in the United States in the late 1960s and predominantly in the Western world during the 1970s. The movement grew as a reaction both against Abrahamic religions, which exclusively have gods who are referred to using masculine grammatical articles and pronouns, and secularism. It revolves around Goddess worship and the veneration for the divine feminine, and may include a focus on women or on one or more understandings of gender or femininity.

<span class="mw-page-title-main">Scottish mythology</span>

Scottish mythology is the collection of myths that have emerged throughout the history of Scotland, sometimes being elaborated upon by successive generations, and at other times being rejected and replaced by other explanatory narratives.

<span class="mw-page-title-main">Brazilian mythology</span> Mythical myths of the Brazilian culture

Brazilian mythology is a rich and diverse part of Brazilian folklore with cultural elements, comprising folk tales, traditions, characters, and beliefs. The category is representative of Brazil’s greater culture, being a melting pot of Iberic traditions brought by the Portuguese settlers, African traditions brought by Africans during the colonial slave trade, and the traditions and stories of indigenous groups that have occupied Brazil for centuries.

A boo hag is a mythical creature in the folklore of the Gullah culture. It is a locally created unique contribution to the worldwide hag folklore based on the syncretic belief system of Gullah or Hoodoo cultures.

A soucouyant, among other names, is a kind of shape-shifting, blood-sucking hag present in Caribbean folklore.

<span class="mw-page-title-main">Wiccan views of divinity</span>

Wiccan views of divinity are generally theistic, and revolve around a Goddess and a Horned God, thereby being generally dualistic. In traditional Wicca, as expressed in the writings of Gerald Gardner and Doreen Valiente, the emphasis is on the theme of divine gender polarity, and the God and Goddess are regarded as equal and opposite divine cosmic forces. In some newer forms of Wicca, such as feminist or Dianic Wicca, the Goddess is given primacy or even exclusivity. In some forms of traditional witchcraft that share a similar duotheistic theology, the Horned God is given precedence over the Goddess.

<span class="mw-page-title-main">Witch (word)</span>

Witch, from the Old English wiċċe, is a term rooted in European folklore and superstition for a practitioner of witchcraft, magic or sorcery. Traditionally associated with malevolent magic, with those accused of witchcraft being the target of witch-hunts, in the modern era the term has taken on different meanings. In literature, a 'witch' can now simply refer to an alluring women capable of 'bewitching' others. In neopagan religions such as Wicca the term has meanwhile been adopted as the female term for an adherent.

Mythic humanoids are legendary, folkloric, or mythological creatures that are part human, or that resemble humans through appearance or character. Each culture has different mythical creatures that come from many different origins, and many of these creatures are humanoids. They are often able to talk and in many stories they guide the hero on their journey.

<span class="mw-page-title-main">Hag</span> Stock character; a wizened old woman, often a malicious witch

A hag is a wizened old woman, or a kind of fairy, witch, or goddess having the appearance of such a woman, often found in folklore and children's tales such as "Hansel and Gretel". Hags are often seen as malevolent, but may also be one of the chosen forms of shapeshifting deities, such as The Morrígan or Badb, who are seen as neither wholly benevolent nor malevolent. The word hag can also be synonymous for a witch.

<span class="mw-page-title-main">Kijo (folklore)</span> Type of demon in Japanese mythology & folklore

A kijo is an oni woman from Japanese legends.

Sounds True is an American multimedia publishing company founded in 1985 by Tami Simon. The company is based in Louisville, Colorado. The company has published over 800 spoken-word audio and music recordings, books, multimedia learning resources, and online educational programs from figures including Michael A. Singer, Eckhart Tolle, Pema Chödrön, Geneen Roth, and Caroline Myss. The company organizes and hosts an annual event dedicated to personal growth and spiritual transformation called The Wake Up Festival, held in August each year in Estes Park, Colorado.

<i>Women Who Run with the Wolves</i> Book by Clarissa Pinkola Estés

Women Who Run with the Wolves: Myths and Stories of the Wild Woman Archetype is a 1992 book by American psychoanalyst Clarissa Pinkola Estés, published by Ballantine Books. It spent 145 weeks on The New York Times Best Seller list over a three-year span, a record at the time. Estés won a Las Primeras Award from the Mexican American Women's Foundation for being the first Latina on the New York Times Best Seller list. The book also appeared on other best seller lists, including USA Today, Publishers Weekly, and Library Journal.

References

  1. Roberts, Jeanne Addison (2003). "The Crone in English Renaissance Drama". Medieval & Renaissance Drama in England. 15: 116–137. JSTOR   24322658.
  2. Parker, Nancy Ann (2009). The mythical and mortal Crone: Recollecting and reclaiming the sacred regeneratrix (Thesis). ProQuest   858604053.[ page needed ]
  3. Payerle, Margaret (2016). "The Croning Ceremony". The Journal of Traditions & Beliefs. 3 (1).
  4. 1 2 Estes, Clarissa Pinkola (2011). The Power of the Crone: Myths and Stories of the Wise Woman Archetype (Audiobook on CD). Sounds True. ISBN   978-1-60407-432-1. OCLC   800011416.
  5. Santos, Cristina; Allan A., Jonathan (2016). "WOMEN, MONSTROUS". In Weinstock, Jeffrey Andrew (ed.). The Ashgate Encyclopedia of Literary and Cinematic Monsters. Routledge. pp. 612–616. ISBN   978-1-317-04426-0.
  6. Barnhart, Robert K. (1995). Barnhart Concise Dictionary of Etymology. HarperCollins. ISBN   978-0-06-270084-1.[ page needed ]
  7. "crone". The American Heritage® Dictionary of the English Language (5th ed.). HarperCollins Publishers. 2022.
  8. Chance, Jane (2004). Tolkien and the Invention of Myth. University Press of Kentucky. pp.  153–154. ISBN   978-0-8131-2963-1.
  9. Briggs, Katharine Mary (2002). "Forgotten Gods and nature spirits". The Fairies in Tradition and Literature. Psychology Press. pp. 48–57. ISBN   978-0-415-28601-5.
  10. Campbell, John Francis, ed. (1890). "The Poor Brother and the Rich". Popular Tales of the West Highlands: Orally Collected. A. Gardner. pp. 237–243. hdl:2027/mdp.39015024662390. OCLC   609004831.
  11. Blair, Elizabeth (28 October 2015). "Why Are Old Women Often The Face Of Evil In Fairy Tales And Folklore?". National Public Radio .