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The tragic mulatto is a stereotypical fictional character that appeared in American literature during the 19th and 20th centuries, starting in 1837. [1] The "tragic mulatto" is a stereotypical mixed-race person (a "mulatto"), who is assumed to be depressed, or even suicidal, because they fail to completely fit into the "white world" or the "black world". [1] As such, the "tragic mulatto" is depicted as the victim of the society that is divided by race, where there is no place for one who is neither completely "black" nor "white".
The female "tragic octoroon" was a stock character of abolitionist literature: a light-skinned woman raised in her father's household as though she were white, until his bankruptcy or death reduces her to a menial position and she is eventually sold. [2] She may even be unaware of her status before being so reduced. [3] This character allowed abolitionists to draw attention to the sexual exploitation in slavery; and unlike the suffering of the field hands, did not allow slaveholders to retort that the sufferings of Northern mill hands were no easier, since the Northern mill owner would not sell his own children into slavery. [4]
The "tragic mulatta" figure is a woman of biracial heritage who endures the hardships of Africans in the Antebellum South, even though she may look white enough that her ethnicity is not immediately obvious. As the name implies, tragic mulattas almost always meet a bad end. Lydia Maria Child's 1842 short story "The Quadroons" is generally credited as the first work of literature to feature a tragic mulatta, [1] to garner support for emancipation and equal rights. Child followed up "The Quadroons" with the 1843 short story "Slavery's Pleasant Homes", which also features a tragic mulatta character. [1]
Writer Eva Allegra Raimon notes that Child "allowed white readers to identify with the victim by gender while distancing themselves by race and thus to avoid confronting a racial ideology that denies the full humanity of nonwhite women." The passing character, Clare Kendry, in Nella Larsen's Passing has been deemed a "tragic mulatta". [1]
Generally, the tragic mulatta archetype falls into one of three categories:[ citation needed ]
A common objection to this character is that she allows readers to pity the plight of oppressed or enslaved races, but only through a veil of whiteness—that is, instead of sympathizing with a true racial "other", one is sympathizing with a character who is made as much like one's own race as possible.[ citation needed ]
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Mulatto is a racial classification that refers to people of mixed African and European ancestry. Its use is considered to be outdated and offensive in some countries and languages, such as English with the exceptions of some Anglophone Caribbean or West Indian countries and Dutch, but it does not have the same associations in languages such as Spanish and Portuguese. Among Latin Americans in the US, for instance, the term can be a source of pride. A mulatta is a female mulatto.
Charles Waddell Chesnutt was an American author, essayist, political activist, and lawyer, best known for his novels and short stories exploring complex issues of racial and social identity in the post-Civil War South. Two of his books were adapted as silent films in 1926 and 1927 by the African-American director and producer Oscar Micheaux. Following the Civil Rights Movement during the 20th century, interest in the works of Chesnutt was revived. Several of his books were published in new editions, and he received formal recognition. A commemorative stamp was printed in 2008.
In the colonial societies of the Americas and Australia, a quadroon or quarteron was a person with one-quarter African/Aboriginal and three-quarters European ancestry. Similar classifications were octoroon for one-eighth black and quintroon for one-sixteenth black.
Escrava Isaura is a 1976 Brazilian telenovela produced by TV Globo, originally broadcast between 11 October 1976 and 5 February 1977. Based on the 1865 novel of the same name by 19th century abolitionist writer Bernardo Guimarães, it tells the story of the struggles of Isaura, a white-skinned slave, to find happiness during the Brazilian Empire. It starred Lucélia Santos in the title role and Rubens de Falco as slave owner Leôncio Almeida, the main antagonist. It was adapted by Gilberto Braga and directed by Herval Rossano and Milton Gonçalves, running 100 episodes.
Clotel; or, The President's Daughter: A Narrative of Slave Life in the United States is an 1853 novel by United States author and playwright William Wells Brown about Clotel and her sister, fictional slave daughters of Thomas Jefferson. Brown, who escaped from slavery in 1834 at the age of 20, published the book in London. He was staying after a lecture tour to evade possible recapture due to the 1850 Fugitive Slave Act. Set in the early nineteenth century, it is considered the first novel published by an African American and is set in the United States. Three additional versions were published through 1867.
In societies that regard some races or ethnic groups of people as dominant or superior and others as subordinate or inferior, hypodescent refers to the automatic assignment of children of a mixed union to the subordinate group. The opposite practice is hyperdescent, in which children are assigned to the race that is considered dominant or superior.
Plaçage was a recognized extralegal system in French and Spanish slave colonies of North America by which ethnic European men entered into civil unions with non-Europeans of African, Native American and mixed-race descent. The term comes from the French placer meaning "to place with". The women were not legally recognized as wives but were known as placées; their relationships were recognized among the free people of color as mariages de la main gauche or left-handed marriages. They became institutionalized with contracts or negotiations that settled property on the woman and her children and, in some cases, gave them freedom if they were enslaved. The system flourished throughout the French and Spanish colonial periods, reaching its zenith during the latter, between 1769 and 1803.
Partus sequitur ventrem was a legal doctrine passed in colonial Virginia in 1662 and other English crown colonies in the Americas which defined the legal status of children born there; the doctrine mandated that children of enslaved mothers would inherit the legal status of their mothers. As such, children of enslaved women would be born into slavery. The legal doctrine of partus sequitur ventrem was derived from Roman civil law, specifically the portions concerning slavery and personal property (chattels), as well as the common law of personal property; analogous legislation existed in other civilizations including Medieval Egypt in Africa and Korea in Asia.
The Octoroon is a play by Dion Boucicault that opened in 1859 at The Winter Garden Theatre, New York City. Extremely popular, the play was kept running continuously for years by seven road companies. Among antebellum melodramas, it was considered second in popularity only to Uncle Tom's Cabin (1852). Both were anti-slavery works.
Racial passing occurs when a person who is classified as a member of a racial group is accepted or perceived ("passes") as a member of another racial group. Historically, the term has been used primarily in the United States to describe a black or brown person or of multiracial ancestry who assimilated into the white majority to escape the legal and social conventions of racial segregation and discrimination. In the Antebellum South, passing as white was a temporary disguise used as a means of escaping slavery. Other instances include cases of Jews in Nazi Germany attempting to pass as "Aryan" and non-Jewish to escape persecution.
Passing (1929) is a novel by American author Nella Larsen. Set primarily in the Harlem neighborhood of New York City in the 1920s, the story centers on the reunion of two childhood friends—Clare Kendry and Irene Redfield—and their increasing fascination with each other's lives. The title refers to the practice of "racial passing", which is a key element of the novel. Clare Kendry's attempt to pass as white for her husband, John (Jack) Bellew, is significant and is a catalyst for the tragic events.
"The Wife of His Youth" is a short story by American author Charles W. Chesnutt, first published in July 1898. It later served as the title story of the collection The Wife of His Youth and Other Stories of the Color-Line. That book was first published in 1899, the same year Chesnutt published his short story collection The Conjure Woman.
"Le Mulâtre" is a short story by Victor Séjour, a free person of color and Creole of color born and raised in New Orleans, Louisiana. It was written in French, Séjour's first language, and published in the Paris abolitionist journal Revue des Colonies in 1837. It is the earliest extant work of fiction by an African-American author. It was noted as such when it was first translated in English, appearing in the first edition of the Norton Anthology of African American Literature in 1997.
The House Behind the Cedars is the first published novel by American author Charles W. Chesnutt. It was published in 1900 by Houghton, Mifflin and Company. The story occurs in the southern American states of North and South Carolina a few years following the American Civil War. Rena Walden, a young woman of mixed white and black ancestry, leaves home to join her brother, who has migrated to a new city, where he lives as a white man. Following her brother's lead, Rena begins living as a white woman. The secret of her identity leads to conflict when she falls in love with a white aristocrat who learns the truth of her heredity. The ensuing drama emphasizes themes of interracial relations and depicted the intricacies of racial identity in the American south.
An Imperative Duty is a short realist novel by William Dean Howells published in 1891. The novel explores the idea of "passing" through the racially mixed character of Rhoda Aldgate, a young woman whose aunt informs her that she is one-sixteenth African American. Rhoda lived her whole life "passing" as a white person.
The Sins of the Father: A Romance of the South is a 1912 novel by Thomas Dixon Jr.
Sacatra was a term used in the French Colony of Saint-Domingue to describe the descendant of one black and one griffe parent, a person whose ancestry is 7⁄8ths black and 1⁄8th white. It was one of the many terms used in the colony's racial caste system to measure one's black blood.
Mulatto: A Tragedy of the Deep South is a tragic play about race issues in the American south by Langston Hughes. It was produced on Broadway in 1935 by Martin Jones, where it ran for 11 months and 373 performances. It is one of the earliest Broadway plays to combine father-son conflict with race issues.
"The Quadroons" is a short story written by American writer Lydia Maria Child (1802-1880) and published in The Liberty Bell in 1842. The influential short story depicts the life and death of a mixed-race woman and her daughter in early nineteenth century America, a slave-owning society.
Ruth D. Todd (1878–?) was an African-American writer, who contributed short stories and a serialised novella to The Colored American Magazine, but about whom scant biographical information has been discovered. She is noted for providing an 'interesting counterpoint to... the "domestic fictions" written by her more well-known contemporaries.'
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