Author | Frances E. W. Harper |
---|---|
Language | English |
Genre | Social novel |
Set in | USA, about 1840-80 |
Publisher | James H. Earle |
Publication date | 1892 |
Publication place | USA |
Pages | iv, 282 |
Text | Iola Leroy, or Shadows Uplifted at Wikisource |
Iola Leroy, or Shadows Uplifted, an 1892 novel by Frances E. W. Harper, is one of the first novels published by an African-American woman. While following what has been termed the "sentimental" conventions of late nineteenth-century writing about women, it also deals with serious social issues of education for women, passing, miscegenation, abolition, reconstruction, temperance, and social responsibility.
Iola Leroy, the principal character of the novel.
Harriet Johnson, Iola Leroy's grandmother. While a slave of Nancy Johnson, she resists a whipping. As a punishment, she is sold.
Robert Johnson. He is still a child when separated from his mother Harriet. His enslaver, Nancy Johnson, sees him as a "pet animal" [1] and teaches him to read. As a young man, he becomes the leader of a group of slaves who decide to seek refuge with the Union army during the Civil War. He enlists in a colored regiment and is promoted to lieutenant. On account of his white skin, his superiors council him to change to a white regiment for better chances of promotion, but he refuses. After the war, he successfully runs a hardware store.
Marie Leroy, Iola's mother. A small child when brutally separated from her mother Harriet Johnson, she finally becomes the slave of wealthy Eugene Leroy. When Eugene becomes seriously ill, she nurses him back to health. He sets her free, has her educated and marries her in a secret ceremony. Although she is so white that "no one would suspect that she has one drop of negro blood in her veins", [2] the marriage results in the Leroy family becoming social outcasts.
Harry Leroy, Iola's brother. Like Iola, he is educated in the North. The African ancestry of their mother is concealed from the children, and they are not allowed to pass their vacations at home, spending that time instead together with the parents in a northern holiday resort. When he learns that his father has died and his mother and sister are enslaved, he becomes seriously ill from the shock. When he recovers, the Civil War has begun and he decides to enlist in a colored regiment, making the recruiting officer wonder why a white man should want to do that.
Dr. Frank Latimer, the man who Iola finally marries. He was born into slavery as the son of an enslaved mother of predominantly European ancestry and a white man. After emancipation, his mother invested her hard earnings to pay for his studies. He graduated as a medical doctor and afterwards met his white grandmother, the rich mother of his deceased father, who offered to "adopt him as her heir, if he would ignore his identity with the colored race". [3] Although no trace of his African ancestry was visible in his appearance, he declined the offer.
Lucille Delany, a black woman with apparently no European ancestry, [4] the founder of a school for "future wives and mothers", and the woman who Harry finally marries.
Tom Anderson, friend of Robert Johnson. He seeks refuge with the Union army together with Johnson, causes the commander to set Iola free, joins the army and dies in Iola's care from wounds he received while knowingly sacrificing himself in order to save his comrades.
Aunt Linda, enslaved cook of Nancy Johnson who has a special liking for Robert. She is illiterate and speaks in black dialect, [5] yet she is among the black female characters of the novel who are intelligent, loyal to each other and of central importance to their community. [6]
Uncle Daniel, elder friend of Robert Johnson. When Robert and his group seek refuge with the Union army, he stays behind because he doesn't want to break his promise to his absent master.
Dr. Gresham, military physician. He falls in love with Iola while he still thinks that she is white. When informed that she is "colored", his love helps him to overcome his prejudice, and he proposes to Iola at two different points of the story. When rejected for the second time, "sympathy, love, and admiration were blended in the parting look he gave her". [7]
Dr. Latrobe, physician from the South. He is mentioned only in chapters 26, Open Questions, and 28, Dr. Latrobe's Mistake. In a discussion, he voices the view of southern white supremacists.
In a North Carolina town which is only identified as "C—", a group of slaves led by Robert Johnson seek refuge with the Union army that is approaching in the course of the Civil War. Robert's friend Tom Anderson then informs the Union commander of a beautiful young woman held as a slave in the neighborhood, who is subsequently set free by the commander.
In a retrospective, the narrative turns to the story of that woman, Iola Leroy. Her father, Eugene Leroy, was a wealthy slaveholder, who had survived a serious illness through the care of a young slave, Marie. He set Marie free, married her and had three children, whose African ancestry was not visible in their outward appearance. The elder children, Iola and Harry, were educated in the North and their African ancestry (called "negro blood" in the book) was hidden from them. When Eugene suddenly died of yellow fever, his cousin, Alfred Lorraine, had a judge declare Marie's manumission void. Hence, Marie and her children were legally considered slaves and the heritage fell to Lorraine and other distant relatives. Lorraine sent his agent to the northern seminary where Iola was preparing for her graduation and defending the institution of slavery in discussions with her fellow students. Deceitfully being told that her father was dying, Iola followed the agent to her home, where she learned that she was a slave and was sold away from her mother.
The narrative then returns to the events following Iola's rescue by the Union army: Robert Johnson and Tom Anderson join the army "to strike a blow for freedom", while Iola becomes a nurse in a military hospital. When Robert is entrusted to her care after being wounded, they tell each other their stories which suggest that Robert might be the brother of Iola's mother--her uncle. After the war, they return to "C—" to search for Robert's mother, whom they recognize when she tells her story during a prayer meeting.
The family is reunited when they locate Harry who had been fighting in the Union army in a Black regiment, and met with his and Iola's mother during the war.
Much space is given to discussions in which the characters talk about themes such as temperance, religion, the position of women in society, alleged white superiority, racism and lynchings, and the color line.
Temperance: The damaging effects of alcohol are often discussed in the book. For example, after the war the black characters tell each other of two former masters who took to drink and ended up in the "pore-house" (chapters 18, 19). After Robert Johnson has found his long-lost mother, Aunt Linda pours three glasses of her home-made wine so they can celebrate the event. Robert refuses the wine stating, "I'm a temperance man", causing the conversion of Aunt Linda to the temperance idea. [8]
Religion: Prayer plays an important role in the life of the black characters: Iola and Robert discover the first clue of their kinship when Iola sings a special hymn at the bedside of the wounded Robert, which he has learned from his mother (chapter 16). Both find Harriet, their lost grandmother and mother, during a prayer meeting (chapter 20).
When Iola's brother Harry learns that his mother and sister have been reduced to slavery, he asks how such a thing is possible in a "Christian country". The principal of his school gives the answer: "Christian in name" (chapter 14). After the war and the abolition of slavery, in a discussion with her uncle Robert and Dr. Gresham, Iola states that a "fuller comprehension of the claims of the Gospel of Jesus Christ and their application to our national life" is the only "remedy by which our nation can recover from the evil entailed upon her by slavery", to which both Robert and Gresham agree (chapter 25).
In the course of their discussions, the characters also mention Islam. The black pastor, Rev. Carmicle, speaks of the "imperfect creed" of "Mohammedanism". [9] In another discussion, Prof. Gradnor, a black professor from North Carolina, sees Islamic countries as "civilized" and compares them favorably to the southern United States, referring to lynchings and stating, "I know of no civilized country on the globe, Catholic, Protestant, or Mohammedan, where life is less secure than it is in the South". [10]
Women in society: The female characters who exert strong influence on the men in their roles as "moral forces owe something to Stowe and the cult of true womanhood", [11] but they are neither "patterned after the white model" [11] nor are they silent or submissive. On the contrary, "Harper shows the necessity for women's voice". [12] In a conversazione among educated blacks, Iola and Lucille, the only female participants "dominate the discussions. ... Their outspoken, sometimes feminist remarks are readily accepted by the men". [12]
After Iola and her uncle Robert have moved to the North, Iola tells her uncle that she wants to apply for a job as saleswoman. Robert earns enough so that she doesn't have "to go out to work", [13] but she tells him,
"I have a theory that every woman ought to know how to earn her own living. I believe that a great amount of sin and misery springs from the weakness and inefficiency of women." [13] [14]
Alleged white superiority: In chapter 17, Iola is teaching black children, when a "gentleman" asks to address the class. He talks about the "achievements of the white race" and then asks "how they did it."
″They've got the money,″ chorused the children.
″But how did they get it ?″
″They took it from us,″ chimed the youngsters. [15]
Positive view of black history: In chapter 30, Lucille Delany says, "Instead of forgetting the past, I would have [our people] hold in everlasting remembrance our great deliverance." [16] Historian David W. Blight quotes this as an example for Harper's work "to forge a positive view of black history", an aim she shared with fellow black writer Pauline Hopkins. [17]
Iola Leroy "may well have [been] influenced" by Harriet Jacobs's 1861 autobiography Incidents in the Life of a Slave Girl . [18]
The novel was "awarded more blame than praise" by literary critics, but "initial readers responded positively", [19] causing the novel to be reprinted until 1895. From then on, however, it was not re-published until 1971. [20]
Iola Leroy was for some time cited as the first novel written by an African-American woman. Professor Henry Louis Gates, Jr.'s 1982 discovery of Harriet Wilson's Our Nig (1859) displaced it from that spot. [19] Still, it remains important as "the first black vision of black women's roles in reshaping post-Civil War America" [20] and as a fictional work dealing with complex issues of race, class, and politics in the United States. Recent scholarship suggests that Harper's novel provides a sophisticated understanding of citizenship, gender, and community, particularly the way that African Americans developed hybrid forms of gemeinschaft and gesellschaft before, during, and after slavery. [21]
The African-American journalist Ida B. Wells took up the pen name "Iola" when she first started writing articles about racism in the South. [22]
According to J. F. Yellin, Iola Leroy "helped shape the writings of Zora Neale Hurston and other foremothers of black women writing today." [18]
Uncle Tom's Cabin; or, Life Among the Lowly is an anti-slavery novel by American author Harriet Beecher Stowe. Published in two volumes in 1852, the novel had a profound effect on attitudes toward African Americans and slavery in the U.S., and is said to have "helped lay the groundwork for the [American] Civil War".
Harriet Jacobs was an African-American abolitionist and writer whose autobiography, Incidents in the Life of a Slave Girl, published in 1861 under the pseudonym Linda Brent, is now considered an "American classic".
Robert Purvis was an American abolitionist in the United States. He was born in Charleston, South Carolina, and was likely educated at Amherst Academy, a secondary school in Amherst, Massachusetts. He spent most of his life in Philadelphia, Pennsylvania. In 1833 he helped found the American Anti-Slavery Society and the Library Company of Colored People. From 1845 to 1850 he served as president of the Pennsylvania Anti-Slavery Society and also traveled to Britain to gain support for the movement.
William Still was an African-American abolitionist based in Philadelphia, Pennsylvania. He was a conductor of the Underground Railroad and was responsible for aiding and assisting at least 649 slaves to freedom towards North. Still was also a businessman, writer, historian and civil rights activist. Before the American Civil War, Still was chairman of the Vigilance Committee of the Pennsylvania Anti-Slavery Society, named the Vigilant Association of Philadelphia. He directly aided fugitive slaves and also kept records of the people served in order to help families reunite.
Frances Ellen Watkins Harper was an American abolitionist, suffragist, poet, temperance activist, teacher, public speaker, and writer. Beginning in 1845, she was one of the first African American women to be published in the United States.
Incidents in the Life of a Slave Girl, written by herself is an autobiography by Harriet Jacobs, a mother and fugitive slave, published in 1861 by L. Maria Child, who edited the book for its author. Jacobs used the pseudonym Linda Brent. The book documents Jacobs's life as a slave and how she gained freedom for herself and for her children. Jacobs contributed to the genre of slave narrative by using the techniques of sentimental novels "to address race and gender issues." She explores the struggles and sexual abuse that female slaves faced as well as their efforts to practice motherhood and protect their children when their children might be sold away.
Harriet E. Wilson was an African-American novelist. She was the first African American to publish a novel in North America.
African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives. The Harlem Renaissance of the 1920s was a great period of flowering in literature and the arts, influenced both by writers who came North in the Great Migration and those who were immigrants from Jamaica and other Caribbean islands. African American writers have been recognized by the highest awards, including the Nobel Prize given to Toni Morrison in 1993. Among the themes and issues explored in this literature are the role of African Americans within the larger American society, African American culture, racism, slavery, and social equality. African-American writing has tended to incorporate oral forms, such as spirituals, sermons, gospel music, blues, or rap.
Clotel; or, The President's Daughter: A Narrative of Slave Life in the United States is an 1853 novel by United States author and playwright William Wells Brown about Clotel and her sister, fictional slave daughters of Thomas Jefferson. Brown, who escaped from slavery in 1834 at the age of 20, published the book in London. He was staying after a lecture tour to evade possible recapture due to the 1850 Fugitive Slave Act. Set in the early nineteenth century, it is considered the first novel published by an African American and is set in the United States. Three additional versions were published through 1867.
The tragic mulatto is a stereotypical fictional character that appeared in American literature during the 19th and 20th centuries, starting in 1837. The "tragic mulatto" is a stereotypical mixed-race person, who is assumed to be depressed, or even suicidal, because they fail to completely fit into the "white world" or the "black world". As such, the "tragic mulatto" is depicted as the victim of the society that is divided by race, where there is no place for one who is neither completely "black" nor "white".
Kindred (1979) is a novel by American writer Octavia E. Butler that incorporates time travel and is modeled on slave narratives. Widely popular, it has frequently been chosen as a text by community-wide reading programs and book organizations, and for high school and college courses.
Living in a wide range of circumstances and possessing the intersecting identity of both black and female, enslaved women of African descent had nuanced experiences of slavery. Historian Deborah Gray White explains that "the uniqueness of the African-American female's situation is that she stands at the crossroads of two of the most well-developed ideologies in America, that regarding women and that regarding the Negro." Beginning as early on in enslavement as the voyage on the Middle Passage, enslaved women received different treatment due to their gender. In regard to physical labor and hardship, enslaved women received similar treatment to their male counterparts, but they also frequently experienced sexual abuse at the hand of their enslavers who used stereotypes of black women's hypersexuality as justification.
The Bondwoman's Narrative is a novel by Hannah Crafts whose plot revolves around an escape from slavery in North Carolina. The manuscript was not authenticated and properly published until 2002. Scholars believe that the novel was written between 1853 and 1861. It is one of the first novels by an African-American woman, another is the novel Our Nig by Harriet Wilson, published in 1859, while an autobiography from the same time period is Incidents in the Life of a Slave Girl by Harriet Jacobs, published in 1861.
Hinds v. Brazealle (1838) was a freedom suit decided by the Supreme Court of Mississippi, which denied the legality in Mississippi of deeds of manumission executed by Elisha Brazealle, a Mississippi resident, in Ohio to free a slave woman and their son. Hinds ruled that Brazealle was trying to evade Mississippi law against manumissions except when authorized by the state legislature, and the actions were invalid. Both the mother and son were declared legally still slaves in Mississippi, and the son was prohibited from inheriting his father's estate, as Brazealle had left it all to him.
The treatment of slaves in the United States often included sexual abuse and rape, the denial of education, and punishments like whippings. Families were often split up by the sale of one or more members, usually never to see or hear of each other again.
White slave propaganda was a kind of publicity, especially photograph and woodcuts, and also novels, articles, and popular lectures, about slaves who were biracial or white in appearance. Their examples were used during and prior to the American Civil War to further the abolitionist cause and to raise money for the education of former slaves.
Harriet Forten Purvis was an African-American abolitionist and first generation suffragist. With her mother and sisters, she formed the first biracial women's abolitionist group, the Philadelphia Female Anti-Slavery Society. She hosted anti-slavery events at her home and with her husband Robert Purvis ran an Underground Railroad station. Robert and Harriet also founded the Gilbert Lyceum. She fought against segregation and for the right for blacks to vote after the Civil War.
Poems on Miscellaneous Subjects is a poetry collection written by Frances Ellen Watkins Harper in 1854. Her non-fiction collection of poems and essays consists of a brief preface followed by a collection of poems and three short writings. Poems on Miscellaneous Subjects sold approximately 12,000 copies in its first four years in print and was reprinted at least twenty times during Harper's lifetime. The work includes several poetic responses to Harriet Beecher Stowe's Uncle Tom's Cabin. Harper's work focuses on the themes Christianity, slavery, and women.
"The Quadroons" is a short story written by American writer Lydia Maria Child (1802-1880) and published in The Liberty Bell in 1842. The influential short story depicts the life and death of a mixed-race woman and her daughter in early nineteenth century America, a slave-owning society.
John Swanson Jacobs was an African-American author and abolitionist. After escaping from slavery, for a time he worked in whaling and other employment that took him around the world. In 1861, an edited autobiography entitled A True Tale of Slavery was published in four consecutive editions of the London weekly The Leisure Hour. He had left the manuscript for the autobiography with acquaintances. However, the unabridged and uncensored version, The United States Governed by Six Hundred Thousand Despots, had already been published by him in a Sydney, Australia newspaper in 1855. The Australian version was rediscovered and subsequently republished in 2024. The full autobiography is described among slave narratives as "unique for its global perspective and its uncensored fury". He castigated both the slave holders and the rest of American society for their complicity. John Jacobs also features prominently, under the pseudonym "William", in the classic Incidents in the Life of a Slave Girl (1861), authored by his sister Harriet Jacobs.
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