"The Quadroons" | |
---|---|
by Lydia Maria Child | |
Country | United States |
Language | English |
Published in | Liberty Bell |
Publication date | 1842 |
"The Quadroons" is a short story written by American writer Lydia Maria Child (1802-1880) and published in The Liberty Bell in 1842. The influential short story depicts the life and death of a mixed-race woman and her daughter in early nineteenth century America, a slave-owning society.
Child originated the trope of the "tragic mulatta", which became well-known in the anti-slavery literature of the time, was taken up also by many other writers. Years later, Harriet Jacobs's autobiography Incidents in the Life of a Slave Girl (edited by Lydia Maria Child) featured the same theme, but with important changes, effectively giving her an agency Child's main characters never had.
Lydia Maria Child (1802-1880) was an influential writer who advocated for Native Americans, women, and enslaved people. Already an abolitionist, she and her husband joined a group of antislavery reformers under the influence of William Lloyd Garrison in the 1830s. [1]
Scholars credit Child with the invention of the "tragic mulatta", a mixed-race woman in a slave-owning society whose life ends tragically, [2] and being the first to introduce the trope in American Literature. [3] Many legal codes in the United States dealt with miscegenation; mixed-race marriages were forbidden, and the legal doctrine of Partus sequitur ventrem meant that children had to accept the status of the mother, meaning that an enslaved mother's children would automatically "belong" to the person enslaving the mother. [4] The "tragic mulatta", then, is a mixed-race woman who almost passes for white and falls in love with a white man, but is legally (and sometimes psychologically) incapable of living independently from that man. The narrative almost always ends in tragedy, and often suicide. [3]
The setting of the story is a cottage in Augusta, GA, before the Civil War. The two main characters, Rosalie, a "quadroon", and her husband Edward, a "Georgian," are living together in "a marriage sanctioned by Heaven, though unrecognized on earth" [5] Rosalie, as a partly African-American woman, cannot legally marry a White man, but they live together as if they are man and wife, and she makes no legal claim on her common-law husband. They have a daughter named Xarifa, who grows up sheltered.
Edward develops political ambition, and for leverage he marries a wealthy white woman, the daughter of an important politician, essentially destroying the marriage between him and Rosalie. He asks her to be his mistress but she declines, finding it morally repulsive. Rosalie and Xarifa live alone in the cottage until Rosalie died of heart break from losing Edward. Xarifa had been taken care of by teachers including George Elliot, a young man hired by her father, but Edward becomes an alcoholic due to the guilt he feels after Rosalie's death. His drinking becomes his downfall: he falls off his horse when drunk, and dies--without a will, but his wife makes no change and continues to provide for his daughter.
Xarifa and her harp teacher fall in love and plan to move to France together, but Xarifa was sold before this could occur: "Rosalie, though she knew it not, had been the daughter of a slave; whose wealthy master, though he remained attached to her to the end of her days, had carelessly omitted to have papers of manumission recorded". Because Rosalie's mother had never been manumitted, her daughter and her granddaughter are still legally the property of the owner's family. Xarifa was auctioned off to the highest bidder, who is a man who tries to "win her favor, by flattery and presents", but she refuses to become his lover. Xarifa and George plan an escape but are betrayed by another enslaved person who is a double agent, and George is shot and killed in the attempt. Afterward, Xarifa's owner, having lost his patience, rapes her and she takes her own life--for the tragic mulatta, sexual violence and death are the only options. [2]
The detailed description of the landscape in "The Quadroons" was seen as a metaphor for Rosalie and Edward's relationship. [6] The passion flower, which is described as being exotic, represents Rosalie's mixed race, and the magnolia represents Edward as being a southern man. [6] Their love, of course, could not legalized as marriage: "The couple have a genuine love for one another, and because of this love, Rosalie wants to sanctify their marriage to the heavens, even if it cannot be sanctified under law". [3]
Every one of the main characters dies: Rosalie soon dies after she sees Edward and his new wife, Charlotte, a year after their marriage. [3] A year before, Rosalie had refused to be Edward's mistress. [3] Child makes it clear to point out that Rosalie felt inadequate with herself, referring to her blackness or her otherness, that was seen as weak and submissive. This is the reason she ultimately succumbed to her death. [3] Edward takes her death very hard and blames himself, [3] turning to drink--which kills him. George Elliot, their daughter's music teacher, is killed in the attempt to escape, and Xarifa commits suicide after being raped by the man who bought her. Child makes sure that readers know how slavery and this society has caused the destruction of the entire family, and that the tragic mulatta, who was already the product of sexual violence, in turn becomes a victim of sexual violence, with death either as an attendant outcome or as an alternative. [3]
Child's works tackled economical, social, racial and sexual issues that provoked movements inside and outside the literary world. A work that was influenced by "The Quadroons" is Clotel by William Wells Brown. Harriet Jacobs's Incidents in the Life of a Slave Girl , although an autobiography and not a work of fiction, has been interpreted as "a retelling" of "The Quadroons". [3]
The story was first published in 1842 in the Liberty Bell , [3] an annual abolitionist gift book published from 1839 to 1858. [7] It was republished in 1846 in a collection called Fact and Fiction: A Collection of Stories. [3]
"The Quadroons" is a work that is seldom discussed without being pulled into Child's other short works at the time. Most critics at the time of its publishing did not receive her works very well; many would say that Child would add details to her stories to exaggerate issues. [8] In a letter sent to Maria Weston Chapman, Lydia Maria Child said she wanted to get the attention of those that are younger and interested in romantic stories rather than those critiquing her work. [9] This has led to people arguing whether "The Quadroons" would be considered a success or failure. Child could continue to influence other writers with her perspective on slavery, feminism, and even transcendentalism. [8]
The slave narrative is a type of literary genre involving the (written) autobiographical accounts of enslaved Africans, particularly in the Americas. Over six thousand such narratives are estimated to exist; about 150 narratives were published as separate books or pamphlets. In the United States during the Great Depression (1930s), more than 2,300 additional oral histories on life during slavery were collected by writers sponsored and published by the Works Progress Administration, a New Deal program. Most of the 26 audio-recorded interviews are held by the Library of Congress.
Mulatto is a racial classification to refer to people of mixed African and European ancestry. Its use is considered outdated and offensive in several languages, including English and Dutch, whereas in languages such as Spanish and Portuguese is not, and can even be a source of pride. A mulatta is a female mulatto.
Lydia Maria Child was an American abolitionist, women's rights activist, Native American rights activist, novelist, journalist, and opponent of American expansionism.
Harriet Jacobs was an African-American abolitionist and writer whose autobiography, Incidents in the Life of a Slave Girl, published in 1861 under the pseudonym Linda Brent, is now considered an "American classic". Born into slavery in Edenton, North Carolina, she was sexually harassed by her enslaver. When he threatened to sell her children if she did not submit to his desire, she hid in a tiny crawl space under the roof of her grandmother's house, so low she could not stand up in it. After staying there for seven years, she finally managed to escape to the free North, where she was reunited with her children Joseph and Louisa Matilda and her brother John S. Jacobs. She found work as a nanny and got into contact with abolitionist and feminist reformers. Even in New York City, her freedom was in danger until her employer was able to pay off her legal owner.
Maria Weston Chapman was an American abolitionist. She was elected to the executive committee of the American Anti-Slavery Society in 1839 and from 1839 until 1842, she served as editor of the anti-slavery journal The Non-Resistant.
Incidents in the Life of a Slave Girl, written by herself is an autobiography by Harriet Jacobs, a mother and fugitive slave, published in 1861 by L. Maria Child, who edited the book for its author. Jacobs used the pseudonym Linda Brent. The book documents Jacobs's life as a slave and how she gained freedom for herself and for her children. Jacobs contributed to the genre of slave narrative by using the techniques of sentimental novels "to address race and gender issues." She explores the struggles and sexual abuse that female slaves faced as well as their efforts to practice motherhood and protect their children when their children might be sold away.
Sarah Moore Grimké (1792–1873) and Angelina Emily Grimké (1805–1879), known as the Grimké sisters, were the first nationally-known white American female advocates of abolition of slavery and women's rights. They were speakers, writers, and educators.
Clotel; or, The President's Daughter: A Narrative of Slave Life in the United States is an 1853 novel by United States author and playwright William Wells Brown about Clotel and her sister, fictional slave daughters of Thomas Jefferson. Brown, who escaped from slavery in 1834 at the age of 20, published the book in London. He was staying after a lecture tour to evade possible recapture due to the 1850 Fugitive Slave Act. Set in the early nineteenth century, it is considered the first novel published by an African American and is set in the United States. Three additional versions were published through 1867.
Ellen Craft (1826–1891) and William Craft were American abolitionists who were born into slavery in Macon, Georgia. They escaped to the Northern United States in December 1848 by traveling by train and steamboat, arriving in Philadelphia on Christmas Day. Ellen crossed the boundaries of race, class and gender by passing as a white planter with William posing as her personal servant. Their escape was widely publicized, making them among the most famous fugitive slaves in the United States. Abolitionists featured them in public lectures to gain support in the struggle to end the institution.
The tragic mulatto is a stereotypical fictional character that appeared in American literature during the 19th and 20th centuries, starting in 1837. The "tragic mulatto" is a stereotypical mixed-race person, who is assumed to be depressed, or even suicidal, because they fail to completely fit in the "white world" or the "black world". As such, the "tragic mulatto" is depicted as the victim of the society that is divided by race, where there is no place for one who is neither completely "black" nor "white".
Plaçage was a recognized extralegal system in French and Spanish slave colonies of North America by which ethnic European men entered into civil unions with non-Europeans of African, Native American and mixed-race descent. The term comes from the French placer meaning "to place with". The women were not legally recognized as wives but were known as placées; their relationships were recognized among the free people of color as mariages de la main gauche or left-handed marriages. They became institutionalized with contracts or negotiations that settled property on the woman and her children and, in some cases, gave them freedom if they were enslaved. The system flourished throughout the French and Spanish colonial periods, reaching its zenith during the latter, between 1769 and 1803.
Partus sequitur ventrem was a legal doctrine passed in colonial Virginia in 1662 and other English crown colonies in the Americas which defined the legal status of children born there; the doctrine mandated that children of slave mothers would inherit the legal status of their mothers. As such, children of enslaved women would be born into slavery. The legal doctrine of partus sequitur ventrem was derived from Roman civil law, specifically the portions concerning slavery and personal property (chattels), as well as the common law of personal property.
The Octoroon is a play by Dion Boucicault that opened in 1859 at The Winter Garden Theatre, New York City. Extremely popular, the play was kept running continuously for years by seven road companies. Among antebellum melodramas, it was considered second in popularity only to Uncle Tom's Cabin (1852).
Mary Prince was the first black woman to publish an autobiography of her experience as a slave, born in the colony of Bermuda to an enslaved family of African descent. After being sold a number of times and being moved around the Caribbean, she was brought to England as a servant in 1828, and later left her enslaver.
The institution of slavery in North America existed from the earliest years of the colonial history of the United States until 1865 when the Thirteenth Amendment abolished slavery throughout the United States except as punishment for a crime. It was also abolished among the sovereign Indian tribes in Indian Territory by new peace treaties which the US required after the Civil War.
A Sojourn in the City of Amalgamation, in the Year of Our Lord, 19-- is a dystopian novel written by Jerome B. Holgate (1812–93) under the pseudonym of Oliver Bolokitten. It was self-published by the author in New York in February 1835. The novel criticizes abolitionists by describing them as endorsers of "amalgamation", or interracial marriage. The narrator encounters a future city, Amalgamation, where white people and black people have intermarried solely for the sake of racial equality, resulting in "moral degeneration, indolence, and political and economic decline." The work is one of the first uses of a satirical novel, speaking against interracial marriage and for black recolonization. The novel is also one of the earliest pieces of dystopian fiction.
George Bradburn was an American politician and Unitarian minister in Massachusetts known for his support for abolitionism and women's rights. He attended the 1840 conference on Anti-Slavery in London where he made a stand against the exclusion of female delegates. In 1843 he was with Frederick Douglass on a lecture tour in Indiana when they were attacked. Lydia Maria Child wrote with regard to his work on anti-slavery that he had " a high place among the tried and true."
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Ana Gallum, also referred to as Nansi Wiggins, was a Senegalese woman, who was enslaved in Florida, eventually becoming a slave owning planter herself.