The evil clown, also known as the creepy clown, scary clown or killer clown (if their character revolves around murder), is a subversion of the traditional comic clown character, in which the playful trope is instead depicted in a more disturbing nature through the use of horror elements and dark humor. The modern archetype of the evil clown was popularized by the DC Comics supervillain Joker starting in 1940, and again in 1980s by Pennywise from Stephen King's It . The character can be seen as playing on the sense of unease felt by sufferers of coulrophobia, the fear of clowns.
The modern archetype of the evil clown has unclear origins; the stock character appeared infrequently during the 19th century, in such works as Edgar Allan Poe's "Hop-Frog", [1] which is believed by Jack Morgan, of the University of Missouri-Rolla, to draw upon an earlier incident "at a masquerade ball", in the 14th century, during which "the King and his frivolous party, costumed—in highly flammable materials—as simian creatures, were ignited by a flambeau and incinerated, the King narrowly escaping in the actual case." [2] Evil clowns also occupied a small niche in drama, appearing in the 1874 work La femme de Tabarin by Catulle Mendès and in Ruggero Leoncavallo's Pagliacci (accused of being a plagiarism of Mendès' piece), both works featuring murderous clowns as central characters. [3] [4]
American serial killer and rapist John Wayne Gacy became known as the Killer Clown when arrested in 1978, after it was discovered he had performed as Pogo the Clown at children's parties and other events; however, Gacy did not actually commit his crimes while wearing his clown costume. [5] During the 1980s, the National Lampoon published a series of mock comic books in the pages of the magazine, entitled "Evil Clown", which featured a malevolent character named Frenchy the Clown.
Evil clown themes were occasionally found in popular music. Zal Cleminson, guitarist with the English rock band The Sensational Alex Harvey Band, wore black and white clown-style makeup and colorful clothes while on stage during the band's 1970s heyday, while his "happy-sad-happy" demeanor helped give their performances an edge of menace. [6]
The evil clown archetype plays strongly off the sense of dislike it caused to inherent elements of coulrophobia; however, it has been suggested by Joseph Durwin [7] that the concept of evil clowns has an independent position in popular culture, arguing that "the concept of evil clowns and the widespread hostility it induces is a cultural phenomenon which transcends just the phobia alone". A study by the University of Sheffield concluded "that clowns are universally disliked by children. Some found them quite frightening and unknowable." [8] [9] This may be because of the nature of clowns' makeup hiding their faces, making them potential threats in disguise; as a psychology professor at California State University, Northridge stated, young children are "very reactive to a familiar body type with an unfamiliar face". [10] This natural dislike of clowns makes them effective in a literary or fictional context, as the antagonistic threat perceived in clowns is desirable in a villainous character.
Researcher Ben Radford, who published Bad Clowns [11] in 2016 and is regarded as an expert on the phenomenon, [12] writes that looking throughout history clowns are seen as tricksters, fools, and more; however, they always are in control, speak their minds, and can get away with doing so. When writing the book Bad Clowns, Radford found that professional clowns are not generally fond of the bad-clown (or evil-clown) persona. They see them as "the rotten apple in the barrel, whose ugly sight and smell casts suspicion on the rest of them," and do not wish to encourage or propagate coulrophobia. Yet, as Radford discovered, bad clowns have existed throughout history: Harlequin, the King's fool, and Mr. Punch. Radford argues that bad clowns have the "ability to change with the times" and that modern bad clowns have evolved into Internet trolls. They may not wear clown costume but, nevertheless, engage with people for their own amusement, abuse, tease and speak what they think of as the "truth" much like the court jester and "dip clowns" do using "human foibles" against their victims. Radford states that, although bad clowns permeate the media in movies, TV, music, comics, and more, the "good clowns" outnumber the bad ones. Research shows that most people do not fear clowns but actually love them and that bad clowns are "the exception, not the rule." [11]
The concept of the evil clown is related to the irrational fear of clowns, known as coulrophobia, a neologism coined in the context of informal "-phobia lists". [13]
The cultural critic Mark Dery has theorized the postmodern archetype of the evil clown in "Cotton Candy Autopsy: Deconstructing Psycho-Killer Clowns" (a chapter in his cultural critique The Pyrotechnic Insanitarium: American Culture on the Brink). [14]
Tracking the image of the demented or deviant clown across popular culture, Dery analyzes the "Pogo the Clown" persona of the serial killer John Wayne Gacy; the obscene clowns of the neo-situationist Cacophony Society; the Joker (of Batman fame); the grotesque art of R.K. Sloane; the sick-funny Bobcat Goldthwait comedy Shakes the Clown ; Scooby-Doo's Ghost Clown from the episode "Bedlam in the Big Top"; Horny the Clown in the 2007 horror-comedy movie Drive-Thru , and Pennywise from Stephen King's It .
Using Mikhail Bakhtin's theory of the carnivalesque, Jungian and historical writings on the images of the fool in myth and history, and ruminations on the mingling of ecstasy and dread in the Information Age, Dery asserts the evil clown is an icon of our times. Clowns are often depicted as murderous psychopaths at many American haunted houses.
Wolfgang M. Zucker points out the similarities between a clown's appearance and the cultural depictions of demons and other infernal creatures, noting "[the clown's] chalk-white face in which the eyes almost disappear, while the mouth is enlarged to a ghoulish bigness, looks like the mask of death". [15]
According to psychology professor Joseph Durwin at California State University, Northridge, young children are "very reactive to a familiar body type with an unfamiliar face". [10] Researchers who have studied the phobia believe there is some correlation to the uncanny valley effect. [16] Additionally, clown behavior is often "transgressive" (anti-social behavior) which can create feelings of unease. [17]
A 2022 survey of 987 adults from 64 countries found that 54% of respondents reported experiencing some degree of coulrophobia. [18]
The related urban legend of evil clown sightings in real life is known as "phantom clowns". [19] First reported in 1981 in Brookline, Massachusetts, children said that men dressed up as clowns had attempted to lure them into a van. [20] The panic spread throughout the US in the Midwest and Northeast. It resurfaced in 1985 in Phoenix, Arizona; in 1991 in West Orange, New Jersey; [21] in 1990 in Brazil, through a story reported by the Brazilian tabloid Notícias Populares ; [22] and 1995 in Honduras. Later sightings included Chicago in Illinois in 2008. [20] Explanations for the phenomenon have ranged from Stephen King's It and the crimes of serial killer John Wayne Gacy, [19] to a moral panic influenced by contemporaneous fears of Satanic ritual abuse. [20] It also shows similarities to the story of the Pied Piper of Hamelin. [21] In most cases the reports were made by children, and no adults or police officers were able to confirm the sightings. [20]
In 2013, a character who became known as "the Northampton Clown" was repeatedly sighted standing silently around the English town. The work of three local filmmakers, Alex Powell, Elliot Simpson and Luke Ubanski, the Northampton clown was similar in appearance to Pennywise from Stephen King's It. [23] Although rumors said that the clown may have a knife, the clown himself denied these rumors through social media. [24] In March 2014, Matteo Moroni from Perugia, Italy, owner of YouTube channel DM Pranks, began dressing up as a killer clown and terrifying unsuspecting passers-by, with his videos racking up hundreds of millions of views. [25] In 2014, further complaints of evil clown pranksters were reported in France, the United States and Germany, possibly inspired by American Horror Story: Freak Show . [26]
In 2014, "the Wasco clown" attracted social media attention in California. Again this clown shared a similar resemblance to Pennywise, and it was revealed that the social media postings were part of a year-long photography project conducted by the artist's wife. [27] In Bakersfield, California "menacing" clowns were reported, some with weapons. [28] In July 2015, a "creepy" clown was seen around a local cemetery in Chicago and terrorizing anyone in the graveyard. [29]
There was another burst of such sightings in 2016, including in South Carolina and New York. [30] [31]
Researcher Ben Radford writes that there have been many surges of evil clown sightings reported, Radford says it is most likely pranksters. The urban legends and panic can cause real danger as "face-painted pranksters and innocent bystanders may be at risk" by interaction of well-intended public or police thinking a threat exists when it does not. [32]
In 2014, Clowns of America International responded to the depiction of Twisty on American Horror Story , and evil clowns in media generally. President Glenn Kohlberger said, "Hollywood makes money sensationalizing the norm. They can take any situation no matter how good or pure and turn it into a nightmare. ... We do not support in any way, shape or form any medium that sensationalizes or adds to coulrophobia or 'clown fear.'" [33]
The Joker character in the Batman franchise was introduced in 1940 and has developed into one of the most recognizable and iconic fictional characters in popular culture, leading Wizard magazine's "100 Greatest Villains of All Time" ranking in 2006. [34] The contemporary "evil clown" archetype developed in the 1980s, notably popularized by Pennywise from Stephen King's It, and perhaps influenced by John Wayne Gacy, a serial killer dubbed the Killer Clown in 1978. Killer Klowns from Outer Space is a 1988 horror comedy dedicated to the topic. [35] Although Krusty the Clown, a cartoon character introduced 1989 in the animated sitcom The Simpsons , is a comical, non-scary clown, the character reveals darker aspects in his personality. In The Simpsons episode "Lisa's First Word" (1992), children's fear of clowns features in the form of a very young Bart being traumatized by an inexpertly built Krusty the Clown themed bed, repeatedly uttering the phrase "can't sleep, clown will eat me...." The phrase inspired an Alice Cooper song in the album Dragontown (2001) [36] and became a popular catchphrase. [37] Evil clowns are also mentioned in a popular song by P!nk. [38]
The American rap duo Insane Clown Posse have exploited this theme since 1989 and have inspired Twiztid and similar acts, many on Psychopathic Records, to do likewise. Websites dedicated to evil clowns and the fear of clowns appeared in the late 1990s. [39]
A clown is a person who performs physical comedy and arts in an open-ended fashion, typically while wearing distinct makeup or costuming and reversing folkway-norms. The art of performing as a clown is known as clowning or buffoonery, and the term "clown" may be used synonymously with predecessors like jester, joker, buffoon, fool, or harlequin. Clowns have a diverse tradition with significant variations in costume and performance. The most recognisable clowns are those that commonly perform in the circus, characterized by colorful wigs, red noses, and oversized shoes. However, clowns have also played roles in theater and folklore, like the court jesters of the Middle Ages and the jesters and ritual clowns of various indigenous cultures. Their performances can elicit a range of emotions, from humor and laughter to fear and discomfort, reflecting complex societal and psychological dimensions. Through the centuries, clowns have continued to play significant roles in society, evolving alongside changing cultural norms and artistic expressions.
It is a 1986 horror novel by American author Stephen King. It was King's 22nd book and the 17th novel written under his own name. The story follows the experiences of seven children as they are terrorized by an evil entity that exploits the fears of its victims to disguise itself while hunting its prey. "It" primarily appears in the form of Pennywise the Dancing Clown to attract its preferred prey of young children.
Robert Lawrence Stine, known by his pen name R.L. Stine, is an American novelist. He is the writer of Goosebumps, a horror fiction novel series which has sold over 400 million copies globally in 35 languages, becoming the second-best-selling book series in history. The series spawned a media franchise including two television series, a video game series, a comic series, and two feature films. Stine has been referred to as the "Stephen King of children's literature".
Scare Tactics is an American comedy horror hidden camera television show created by Scott Hallock and Kevin Healey and aired on Syfy from April 4, 2003, to October 28, 2013. The first season of the show was hosted by Shannen Doherty and then Stephen Baldwin took her place in the middle of the second season. At the beginning of the third season, the show was hosted by Tracy Morgan.
Benjamin Radford is an American writer, investigator, and skeptic. He has authored, coauthored or contributed to over twenty books and written over a thousand articles and columns on a wide variety of topics including urban legends, unexplained mysteries, the paranormal, critical thinking, mass hysteria, and media literacy. His book, Mysterious New Mexico: Miracles, Magic, and Monsters in the Land of Enchantment, was published in the summer of 2014 and is a scientific investigation of famous legends and folklore in the state of New Mexico. In 2016 Radford published Bad Clowns, a 2017 IPPY bronze award winner, and he is regarded as an expert on the bad clowns phenomenon.
It, also known as Pennywise, and Pennywise the Dancing Clown, is the titular antagonist in Stephen King's 1986 horror novel of the same name. The character is an ancient, trans-dimensional malevolent entity who preys upon the children of Derry, Maine, roughly every 27 years, using a variety of powers that include the ability of shapeshifting and manipulation of reality. During the course of the story, It primarily appears in the form of Pennywise the Dancing Clown. "The Losers Club" becomes aware of Pennywise's presence after it kills Bill Denbrough's little brother, Georgie.
100 Tears is a 2007 American independent black comedy slasher film directed by Marcus Koch and written and co-produced by Joe Davison. It follows the story of a circus clown going on a murderous rampage after being wrongfully accused of rape. The film stars Georgia Chris, Joe Davison, Jack Amos, and Raine Brown, and was distributed by Anthum Pictures in 2007. The film was generally well received by independent horror film critics and has since garnered a cult following.
All Hallows' Eve is a 2013 American horror anthology film written, edited, and directed by Damien Leone. The film is presented as a series of shorts that two children and their babysitter discover on an unmarked videotape on Halloween night, all of which feature a homicidal clown named Art the Clown. The film stars Katie Maguire, Catherine Callahan, Marie Maser, and Kayla Lian, with Mike Giannelli as Art the Clown. It incorporates footage from the 2008 short film The 9th Circle, as well as the 2011 short film Terrifier, both of which were also directed by Leone and featured Art the Clown.
31 is a 2016 American horror film written, directed, and produced by Rob Zombie, and starring an ensemble cast featuring Sheri Moon Zombie, Jeff Daniel Phillips, Lawrence Hilton-Jacobs, Meg Foster, Richard Brake, Jane Carr, Judy Geeson, E.G. Daily, and Malcolm McDowell.
Killer Legends is a 2014 American documentary written and directed by Joshua Zeman for Chiller. Zeman and Rachel Mills, a researcher, investigate the real-life origins of several urban legends.
It is a 1990 ABC two-part psychological horror drama miniseries directed by Tommy Lee Wallace and adapted by Lawrence D. Cohen from Stephen King's 1986 novel of the same name. The story revolves around a predatory monster that can transform itself into its prey's worst fears to devour them, allowing it to exploit the phobias of its victims. It mostly takes the humanoid form of Pennywise, a demonic clown. The protagonists are The Lucky Seven, or The Losers Club, a group of outcast kids who discover Pennywise and vow to kill him by any means necessary. The series takes place over two different time periods, the first when the Losers first confront Pennywise as children in 1960, and the second when they return as adults in 1990 to defeat him a second time after he resurfaces.
It is a 2017 American supernatural horror film directed by Andy Muschietti and written by Chase Palmer, Cary Fukunaga, and Gary Dauberman. It is the first of a two-part adaptation of the 1986 novel of the same name by Stephen King, primarily covering the first chronological half of the book. It is the first film in the It film series as well as being the second adaptation following Tommy Lee Wallace's 1990 miniseries. Starring Jaeden Lieberher and Bill Skarsgård, the film was produced by New Line Cinema, KatzSmith Productions, Lin Pictures, and Vertigo Entertainment. The film, set in Derry, Maine, tells the story of The Losers' Club, a group of seven outcast children who are terrorized by the eponymous being which emerges from the sewer and appears in the form of Pennywise the Dancing Clown (Skarsgård), only to face their own personal demons in the process.
It Chapter Two is a 2019 American supernatural horror film directed by Andy Muschietti from a screenplay by Gary Dauberman. It is the sequel to It (2017) and the second of a two-part adaptation of the 1986 novel It by Stephen King. The film stars Jessica Chastain, James McAvoy, Bill Hader, Isaiah Mustafa, Jay Ryan, James Ransone, Andy Bean, and Bill Skarsgård as Pennywise. In addition to the latter, several cast members from the previous film also reprised their roles including Jaeden Lieberher, Jeremy Ray Taylor, Sophia Lillis, Finn Wolfhard, Wyatt Oleff, Chosen Jacobs, Jack Dylan Grazer, Nicholas Hamilton, Molly Atkinson, Stephen Bogaert, Jake Sim, Logan Thompson, Joe Bostick, and Megan Charpentier. Set 27 years after the events of the previous film, the story centers on the Losers Club and their relationships as they reunite to destroy It once and for all.
The 2016 clown sightings were reports of people disguised as evil clowns in incongruous settings, such as near forests and schools. The incidents were reported in the United States, Canada, Australia, the United Kingdom and subsequently in other countries and territories starting during August 2016. The sightings were first reported in Green Bay, Wisconsin, in what turned out to be a marketing stunt for a horror film. The phenomenon later spread to many other cities in the U.S. By mid-October 2016, clown sightings and attacks had been reported in nearly all U.S. states, nine out of 13 provinces and territories of Canada, and 18 other countries.
Behind the Sightings is a 2021 American psychological thriller horror film directed by Tony H. Cadwell and produced by Tommy Vlahopoulos and Tom Sulkowski. The film, shot in a found-footage style, draws inspiration from the 2016 clown sightings. The film was originally scheduled for a theatrical release in the United States in October 2017, but was delayed due to creative differences over the final cut. It was released on July 7, 2021, on video-on-demand (VOD) platforms.
The Telluride Horror Show is a film festival that takes place in the mountain resort town of Telluride, Colorado.
Wrinkles the Clown is a 2019 American documentary comedy horror film directed by Michael Beach Nichols. The film follows a man known as Wrinkles the Clown who lives in Naples, Florida. For a fee of "a few hundred dollars", he will attend birthdays, scare misbehaving kids, and prank people.
Coulrophilia is a paraphilia toward clowns. There is an associated subculture dedicated to it, and coulrophilia may intersect with coulrophobia, the fear of clowns.
Coulrophobia has spread to the Web, where sufferers can vent on sites such as ihateclowns.com and clownz.com.