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The concept of a mutant is a common trope in comic books and science fiction. The new phenotypes that appear in fictional mutations generally go far beyond what is typically seen in biological mutants and often result in the mutated life form exhibiting superhuman abilities or qualities.
In DC Comics, the term was first used in the 1980s by a fictitious race of extraterrestrials known as the Dominators when they appeared in the Invasion! mini-series. [1]
For instance, Captain Comet manifested his powers at the birth when a comet activated his "metagene", gaining his abilities by the time he was eight.
In Marvel Comics, genetic mutation has been used as an explanation for super-powers since the 1950s. [2] [3] [4] Mutants have played a major role in Marvel Comics, particularly the X-Men and related series. In the Marvel Comics Universe, they are a heavily persecuted minority where most people fear and hate them. Marvel Comics redefines the term to beings who are in a higher stage of evolution known as "Homo superior" and are not yet accepted by the human race.
In the universe of the Teenage Mutant Ninja Turtles , Mutants are essentially creatures with the genetic traits of two different animals. Usually, the mutations are caused by interaction with Mutagen, an alien ooze.
Beneath the Planet of the Apes is a 1970 American science fiction film directed by Ted Post from a screenplay by Paul Dehn, based on a story by Dehn and Mort Abrahams. The film is the sequel to Planet of the Apes (1968) and the second installment in the Planet of the Apes original film series. It stars James Franciscus, Kim Hunter, Maurice Evans, and Linda Harrison, and features Charlton Heston in a supporting role. In the film, another spacecraft arrives on the planet ruled by apes, carrying astronaut Brent (Franciscus), who searches for Taylor (Heston).
Apocalypse is a supervillain appearing in American comic books published by Marvel Comics. He is one of the world's first mutants, and was a principal villain for the original X-Factor team and later the X-Men and related spin-off teams. Created by writer Louise Simonson and artist Jackson Guice, Apocalypse first appeared in X-Factor #5. Apocalypse is one of the most powerful beings in the Marvel Universe where he is the husband of Genesis and the father of the original incarnation of the Horsemen of Apocalypse.
Beast is a superhero appearing in American comic books published by Marvel Comics and is a founding member of the X-Men. Originally called "The Beast", the character was introduced as a mutant possessing ape-like superhuman physical strength and agility, oversized hands and feet, a genius-level intellect, and otherwise normal appearance and speech. Eventually being referred to simply as "Beast", Hank McCoy underwent progressive physiological transformations, gaining animalistic physical characteristics. These include blue fur, both simian and feline facial features, pointed ears, fangs, and claws. Beast's physical strength and senses increased to even greater levels.
Havok is a fictional character appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. He first appears in The X-Men #54, and was created by writer Arnold Drake and penciller Don Heck. Havok generates powerful "plasma blasts", an ability he has had difficulty controlling. One of the sons of Corsair, he is the younger brother of the X-Men's Cyclops, and the older brother of Vulcan. He often resents Cyclops's authoritarian attitude and reputation as a model member of the X-Men.
Toad is a fictional character appearing in American comic books published by Marvel Comics. Created by writer Stan Lee and artist/co-writer Jack Kirby, he first appeared in The X-Men #4.
Mister Sinister is a supervillain appearing in American comic books published by Marvel Comics. Created by writer Chris Claremont, the character was first mentioned as the employer behind the team of assassins known as the Marauders in The Uncanny X-Men #212, and later seen in silhouette in The Uncanny X-Men #213, with both issues serving as chapters of the 1986 "Mutant Massacre" crossover. Mr. Sinister then made his first full appearance in The Uncanny X-Men #221. His appearance was designed by artist Marc Silvestri.
The Legacy Virus is a fictional plague appearing in American comic books featuring the X-Men published by Marvel Comics. It first appeared in an eponymous storyline in Marvel Comics titles, from 1993 to 2001, during which it swept through the mutant population of the Marvel Universe, killing hundreds, as well as mutating so that it affected non-mutant humans as well.
Morlocks are a group of mutant characters appearing in American comic books published by Marvel Comics. The characters are usually depicted as being associated with the X-Men in the Marvel Universe. Created by writer Chris Claremont and artist Paul Smith, they were named after the subterranean race of the same name in H. G. Wells' novel The Time Machine, but unlike in the Wells book, they are not a faceless, threatening mass of villains. They first appeared as a group in The Uncanny X-Men #169. Caliban appeared prior to that, but he was not yet a member of the Morlocks.
In DC Comics' DC Universe, a metahuman is a character with superpowers. The term is roughly synonymous with the terms mutant, inhuman and mutate in the Marvel Universe and posthuman in the Wildstorm and Ultimate Marvel Universes. In DC Comics, the term is used loosely in most instances to refer to any human or human-like being with extranormal powers and abilities, either cosmic, mutant, scientific, mystical, skill or technological in nature. A significant portion of these are normal human beings born with a genetic variant called the "metagene", which causes them to gain powers and abilities during freak accidents or times of intense psychological distress.
The Brood are a fictional race of insectoid, parasitic, extraterrestrial beings appearing in American comic books published by Marvel Comics, especially Uncanny X-Men. Created by writer Chris Claremont and artist Dave Cockrum, they first appeared in The Uncanny X-Men #155.
Cerebro is a fictional device appearing in American comic books published by Marvel Comics. The device is used by the X-Men to detect humans, specifically mutants. It was created by Professor X and Magneto, and was later enhanced by Dr. Hank McCoy.
The Living Monolith is a supervillain appearing in American comic books published by Marvel Comics. He first appeared in The X-Men #54.
The Savage Land Mutates is a supervillain group appearing in American comic books published by Marvel Comics. Their creators were writer Roy Thomas and penciler Neal Adams. Within the comic books, the group is based in an imaginary place called the Savage Land, which is a hidden Antarctic environment of dinosaurs and primitive humans within Marvel Comics' fictional Marvel Universe.
The Reverend William Stryker is a fictional character appearing in American comic books published by Marvel Comics. A minister and former sergeant with a strong hatred for mutants, he is usually depicted as an enemy of the X-Men. He is also the father of Jason Stryker.
Cerebro's X-Men are a team of supervillains appearing in American comic books published by Marvel Comics. They are a nanotechnology version of the X-Men created by Cerebro when the supercomputer briefly goes rogue.
In American comic books published by Marvel Comics, a mutant is a human being that possesses a genetic trait called the X-gene. It causes the mutant to develop superhuman powers that manifest at puberty. Human mutants are sometimes referred to as a human subspecies Homo sapiens superior or simply Homo superior. Mutants are the evolutionary progeny of Homo sapiens, and are generally assumed to be the next stage in human evolution. The accuracy of this is the subject of much debate in the Marvel Universe.
Jason Stryker is a supervillain appearing in American comic books published by Marvel Comics. He is usually depicted as the mutant son of William Stryker and an enemy of the X-Men.
Aspects of genetics including mutation, hybridisation, cloning, genetic engineering, and eugenics have appeared in fiction since the 19th century.