The film takes place in the 22nd century and depicts a dystopian world. Following an unspecified disaster that turned Earth into a "cursed" wasteland, the survivors established a corps of Judges whose role combines that of police, judge, jury and executioner. In Judge Dredd, Dredd, one of the most dedicated Street Judges, has been framed for murder by his own half-brother — the psychotic Rico, who plots to take over Mega-City One with an army of superhuman clones. The film was produced by Charles Lippincott and Beau E. L. Marks, with a screenplay by William Wisher Jr. and Steven E. de Souza.
Reviewers criticized the film for its script and perceived lack of originality and faith to its source material, along with Stallone's acting. The film is often considered to be one of Stallone's worst films,[5][6] but its visual style, effects, music score, stunts and action sequences were praised, and the film was nominated for four Saturn Awards. A reboot film, entitled Dredd, was released in 2012.
Plot
By the 2080s, much of Earth has become an uninhabitable wasteland. While some humans manage to survive in the barren "Cursed Earth", the majority of humanity resides in huge Mega-Cities with populations of tens of millions. To combat crime, the traditional justice system has been replaced by a corps of Judges whose role combines those of police officer, judge, jury, and executioner.
In Mega-City One, 2139, Joseph Dredd, one of the most dedicated "Street Judges", assists first-year Judge Barbara Hershey in ending a block war. Herman "Fergee" Ferguson, a hacker just released from prison, is caught in the firefight and hides inside a food dispensing robot. Dredd arrests Fergee for destruction of city property, and sentences him to five years' imprisonment. Rico, a former Judge, escapes from prison and returns to Mega-City One to reclaim his uniform and "Lawgiver" gun. He also finds and reactivates a decommissioned ABC Warrior combat robot, attuning it to himself.
Vartis Hammond, a news reporter critical of Dredd, is murdered, and Dredd becomes the chief suspect. Dredd is taken to a trial before a tribunal of Council Judges including Griffin and Chief Justice Fargo, his mentor. Dredd is found guilty as his DNA is found on the bullets used to kill Hammond (a feature of the Lawgiver is imprinting the user's DNA on each bullet, a fact apparently unknown to most Judges). To save Dredd, Fargo steps down as Chief Justice and, as his last request, asks the Council to spare Dredd's life. Dredd is sentenced to life imprisonment while Fargo embarks on the "Long Walk", in which a retiring Judge ventures into the Cursed Earth "to bring law to the lawless". Judge Griffin, who freed Rico to frame Dredd for the murder, becomes Chief Justice and instructs Rico to cause chaos in the city.
Dredd is taken to the Aspen penal colony by air shuttle, where he is seated next to Herman. However, the Angel Gang, a family of cannibalistic scavengers and bandits, shoots down the shuttle and brings Dredd and Herman back to their cave. A squad of Judges investigate the crashed ship and infiltrate the cave, intent on killing any survivors, on Griffin's orders. Fargo arrives in time to save Dredd's life, but Mean Machine Angel mortally wounds him. A dying Fargo reveals that Dredd and Rico are the result of the Janus Project, an experiment in genetic engineering intended to create the perfect Judge. Dredd deduces Rico framed him for the reporter's murder, using their identical DNA. Believing Griffin is trying to reactivate the Janus Project, Fargo urges Dredd to stop him.
In Mega-City One, Rico terrorises the city and assassinates Judges in various ways. Chief Justice Griffin, intent on creating an army of Judges from his own DNA, uses the situation to convince the Council Judges to unlock the Janus file. After the Council Judges unlock the file, Griffin has them killed.
Dredd and Fergee sneak back into the city and meet with Hershey, who had discovered the Janus Project independently. They go to the Statue of Liberty under which the Janus laboratories are hidden. They encounter the ABC Warrior, who wounds Fergee and captures Dredd and Hershey. Rico uses his own DNA as the template for the Janus clones, then commands the ABC Warrior to kill Griffin. Fergee, despite his wounds, disables the ABC Warrior as Dredd fights Rico, while Hershey fights his assistant, Dr. Ilsa Hayden. Rico activates his clones prematurely, but they fail to stop Dredd. The premature clone activation results in the destruction of the Janus laboratory. Dredd pursues Rico to the top of the Statue of Liberty, and a final struggle sees Rico fall to his death.
Having recorded the entire event, Central, the city's controlling supercomputer, broadcasts the information, clearing Dredd's name. The remaining Judges ask Dredd to become the new Chief Justice, but he refuses, preferring to remain a Street Judge.
Director Danny Cannon was hired on the strength of his previous film, The Young Americans. Cannon was a long-time fan of the Judge Dredd comics. He created a mock-up poster for a Judge Dredd film that was published in Prog 534 of 2000 A.D. dated August 8, 1987.[8] Cannon described his vision as "the Ben-Hur of comic book movies," and turned down an offer to direct Die Hard with a Vengeance to make the film.[9]
Casting
Early in development, Arnold Schwarzenegger was considered for title role, before Sylvester Stallone was cast, even though Stallone had never heard of the character when he was cast.[10] Cannon initially pursued Joe Pesci for the part of Fergie, but the actor turned it down.
Stallone and his co-star Armand Assante wore blue contact lenses to match von Sydow who plays their genetic 'father'.[11] Assante deliberately mimicked Stallone's speech patterns to better reflect their characters' relationship as siblings.
Jürgen Prochnow, who played Judge Griffin, was coincidentally the longtime German-language dub actor for Stallone.
The film's production designer was Nigel Phelps. Judge Dredd was his first feature film as sole production designer, he had previously worked on several high-profile music videos, and was a concept artist under Anton Furst. He hired Peter Young, with whom he had previously worked on Batman, as set decorator. Leslie Tomkins was the supervising art director.
Stallone personally selected Gianni Versace to design futuristic yet functional attire for the film. Versace created numerous rejected designs for Dredd's outfit, before landing on the final look.[12]
The Statue of Liberty face was built in Lenox, Massachusetts, by a subsidiary of executive producer Andy Vajna's company Cinergi.[13]
Special and visual effects
The visual effects were realized by Douglas Trumbull's company Massive Illusion, with designs by Kiesler-Walczak. Additional effects were provided by Digital FilmWorks, The Magic Camera Company, Amalgamated Pixels, and Atomic Pictures.
The production initially intended to use an actor in a suit to depict the ABC Warrior, but Danny Cannon insisted they build it for real using animatronics. The hydraulics-powered effect was created by Joss Williams and controlled by five remote operators.
Filming
Filming took place at Shepperton Studios in England,[13] with some location filming in Iceland. The producers initially wanted to shoot the film in the United States, but Cannon insisted on keeping production in the United Kingdom, the natural home of the character.
Music
Although film composer David Arnold was originally set to score the film, having collaborated with director Danny Cannon on his previous film The Young Americans, Arnold was replaced by film composing veteran Jerry Goldsmith, but as post-production dates fell further and further behind, Goldsmith was forced to drop out of the project as well, due to prior commitments to score other films (First Knight and Congo). Prior to leaving the project, Goldsmith composed and recorded a short piece of music that would eventually be used for the film's trailers and advertising campaigns. In the end, Alan Silvestri was selected as the new composer and would go on to score the final film. He initially recorded the soundtrack with the Sinfonia of London. But following changes made to the film in post-production, Silvestri had to make extensive adjustments to his score by re-recording segues and cues in Hollywood, though some of the music from the London sessions remains in the finished film.[14]
In 1995, Epic Records released a soundtrack album featuring seven tracks from Silvestri's score (all performed by the Sinfonia of London but most were not versions used in the film) and songs by the Cure, The The, White Zombie, Cocteau Twins, Leftfield. The UK edition also had Ryo Aska and Worldbeaters with Youssou N'Dour (only the first two songs are heard in the film over the end credits).
In 2015, Intrada Records issued a greatly-expanded two-disc, limited-edition album featuring all the music Silvestri recorded for the film. The album also includes the trailer music conducted by Jerry Goldsmith. This had only previously released as a re-recording – conducted by Joel McNeely – on the Varèse Sarabande compilation entitled Hollywood '95.[15]
Release
Re-editing and censorship
Prior to the film's world premiere on 30 June 1995, Judge Dredd had to be re-cut and submitted to the MPAA five times in order to get it down from a NC-17 to a R rating.[16] This was before Stallone and the studio tried to cut the film even further to get a PG-13 rating. Director Danny Cannon was so disheartened over the constant creative disputes with Stallone that he swore he would never again work with another big-name actor. He also stated that the final version was completely different from the script due to the creative changes demanded by Stallone. In later interviews, Stallone said he thought the film was supposed to be an action comedy film so demanded rewrites to make it more comedic. The director and screenwriter had a darker, more satirical vision.[16]
Several entire sequences were deleted from the theatrical release to reduce the violence and darker tone of the film. For example, a scene where Rico kills news reporter Hammond and his wife was originally longer and bloodier because it showed them getting hit by bullets in slow-motion. Likewise the ABC Warrior robot was to kill Judge Griffin by ripping his arms and legs off but this was also changed. Cannon wanted more violence (because it was in keeping with the comic's source material) but the studio and Stallone wanted a PG-13 movie with more focus on humour.[16] Even the film's climax was deleted, scenes showing Dredd fighting and killing clone Judges was removed prior to the theatrical release. Some promotional stills were published in Judge Dredd Megazine showing Dredd shooting one of the clones.[17]
Reception
Box office
The film is considered to be a flop, as it grossed only $34.7 million in North American domestic box office receipts. It did better internationally, with over $78.8 million around the world, reaching a total of $113.5 million worldwide on a $90 million budget.[4]
Critical response
On Rotten Tomatoes the film has an approval rating of 22% based on reviews from 55 critics, with an average rating of 4.00/10; the site's critical consensus is "Judge Dredd wants to be both a legitimate violent action flick and a parody of one but director Danny Cannon fails to find the necessary balance to make it work."[18] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[19]
Gene Siskel named Judge Dredd one of the worst motion pictures of 1995 as part of his 'Worst of 1995' review on Siskel and Ebert.[citation needed]Roger Ebert, in his review for the Chicago Sun-Times, gave the film 2 out of 4 and wrote: "Stallone survives it, but his supporting cast, also including an uninvolved Joan Chen and a tremendously intense Jürgen Prochnow, isn't well used."[20] Todd McCarthy of Variety called it "A thunderous, unoriginal futuristic hardware show for teenage boys."[21]Owen Gleiberman of Entertainment Weekly gave it a grade of C+ and wrote: "The movie, by the end, practically seems intent on destroying itself."[22] Jonathan Rosenbaum of the Chicago Reader gave a negative review: "Directed without inspiration by Danny Cannon from a stupid script by Michael De Luca, William Wisher, and Steven de Souza."[23] Caryn James of The New York Times wrote: "Although it is full of noise and fake firepower, Dredd simply lies there on the screen until the final scenes."[11] Mick LaSalle of the San Francisco Chronicle gave the film 1 out of 4, and wrote: "Usually engaging and sympathetic, Stallone is blank and tongue-tied here, an immovable slab in the midst of 95 minutes of gunfire, explosions and Gothic excess."[24][25] Rita Kempley of The Washington Post wrote: "Aside from the affable Schneider and the able Lane, the cast seems to be in deep shock. Um, make that Dredd lock."[26] James Berardinelli of ReelViews wrote: "Sometimes, it's rather amusing, but it's impossible to decide whether this is accidental or on purpose."[27]
In a 2017 retrospective review Richard Trenholm from CNET wrote that the film "drew more more shrewdly on the comic's abundant history than the 2012 version" and "absolutely nailed the look of Mega City One". Trenholm noted that "sets, costumes and vehicles were fantastic", while "looming ABC warrior and grotesque Angel Gang" were "both triumphs of pre-CGI physical effects".[28] In 2020, on the 25th Anniversary of the film, Drew Dietsch of Giant Freakin Robot praised the surface elements of the film "As a piece of pure production, [Judge Dredd] needs to be heralded as one of the best achievements of the '90s. Everything about the film's texture is a resounding success."[29]
Other response
In 2008 Stallone discussed his feelings about the film in an issue of Uncut magazine:
I loved that property when I read it, because it took a genre that I love, what you could term the 'action morality film' and made it a bit more sophisticated. It had political overtones. It showed how if we don't curb the way we run our judicial system, the police may end up running our lives. It dealt with archaic governments; it dealt with cloning and all kinds of things that could happen in the future. It was also bigger than any film I've done in its physical stature and the way it was designed. All the people were dwarfed by the system and the architecture; it shows how insignificant human beings could be in the future. There's a lot of action in the movie and some great acting, too. It just wasn't balls to the wall. But I do look back on Judge Dredd as a real missed opportunity. It seemed that lots of fans had a problem with Dredd removing his helmet, because he never does in the comic books. But for me it is more about wasting such great potential there was in that idea; just think of all the opportunities there were to do interesting stuff with the Cursed Earth scenes. It didn't live up to what it could have been. It probably should have been much more comic, really humorous, and fun. What I learned out of that experience was that we shouldn't have tried to make it Hamlet; it's more Hamlet and Eggs.[30]
He later elaborated:
From what I recall, the whole project was troubled from the beginning. The philosophy of the film was not set in stone – by that I mean "Is this going to be a serious drama or with comic overtones" like other science fiction films that were successful? So a lotta pieces just didn't fit smoothly. It was sort of like a feathered fish. Some of the design work on it was fantastic and the sets were incredibly real, even standing two feet away, but there was just no communication. I knew we were in for a long shoot when, for no explainable reason Danny Cannon, who's rather diminutive, jumped down from his director's chair and yelled to everyone within earshot, "FEAR me! Everyone should FEAR me!" then jumped back up to his chair as if nothing happened. The British crew was taking bets on his life expectancy.[31]
Stallone admitted in 2010 to regret being involved with the film, calling it his "biggest mistake."[32]
John Wagner, the creator of the comic character on which the film was based, said when interviewed by Empire in 2012: "the story had nothing to do with Judge Dredd, and Judge Dredd wasn't really Judge Dredd."[33]Wagner said it was a pity the way the film turned out, since the production values were great, and they had the budget for it.[34] In an interview with Total Film magazine, he said the film had "told the wrong story" because it "tried to do too much".[35]
In 2012 a reboot starring Karl Urban, entitled Dredd was released. The reboot was considered by many critics to be a far superior film and more faithful to the source material. It has become a cult classic.[39]
Judge Joseph Dredd is a fictional character created by writer John Wagner and artist Carlos Ezquerra. He first appeared in the second issue of the British weekly anthology comic 2000 AD (1977). He is the magazine's longest-running character, and in 1990 he got his own title, the Judge Dredd Megazine. He also appears in a number of film and video game adaptations.
2000 AD is a weekly British science fiction-oriented comic magazine. As a comics anthology it serialises stories in each issue and was first published by IPC Magazines in 1977, the first issue dated 26 February. Since 2000 it has been published by Rebellion Developments.
Mega-City One is a fictional city that features in the Judge Dredd comic book series and related media. A post-nuclear megalopolis covering much of what is now the Eastern United States and some of Canada, the city's exact geography depends on the writer and artist working the story. From its first appearance it has been associated with New York City's urban sprawl; originally presented as a future New York, it was retconned as the centre of a "Mega-City One" in the third issue.
John Wagner is an American-born British comics writer. Alongside Pat Mills, he helped revitalise British comics in the 1970s, and continues to be active in the British comics industry, occasionally also working in American comics. He is the co-creator, with artist Carlos Ezquerra, of the character Judge Dredd.
Jürgen Prochnow is a German actor. His international breakthrough was his portrayal of the good-hearted and sympathetic U-boat Commander "Der Alte" in the 1981 war film Das Boot.
Armand Anthony Assante Jr. is an American actor. He played mobster John Gotti in the 1996 HBO television film Gotti, Odysseus in the 1997 miniseries adaptation of Homer's The Odyssey, Nietzsche in When Nietzsche Wept, and Mickey Spillane's Mike Hammer in 1982's I, the Jury. He has been nominated for two Primetime Emmy Awards, four Golden Globe Awards, and two Screen Actors Guild Awards.
Robbie Morrison is a Scottish comic book writer known for his work in the weekly anthology 2000 AD, where he co-created the long-running serial Nikolai Dante with artist Simon Fraser.
Assassins is a 1995 American action thriller film directed by Richard Donner. It stars Sylvester Stallone, Antonio Banderas, and Julianne Moore. The screenplay was written by The Wachowskis and Brian Helgeland. The Wachowskis stated that their script was completely rewritten by Helgeland and that they tried to remove their names from the film but failed.
Cinergi Pictures Inc. was an American independent film production company founded by Andrew G. Vajna in 1989, after he had sold his interest in his first production company, Carolco International Pictures. The company had a number of major hit films, most notably Tombstone, Die Hard with a Vengeance and Evita. However, the majority of their films lost money. A string of box office bombs – including Super Mario Bros., Renaissance Man, Color of Night, Judge Dredd and Burn Hollywood Burn – ultimately did the company in, and it was dissolved in 1998. Cinergi Pictures' library is now owned by Disney.
Daniel John Cannon is a British film and television producer, director and writer, known for executive producing the 15-season CSI: Crime Scene Investigation series franchise, and simultaneously executive producing the CSI: Miami and CSI: NY spin-offs.
"Origins" is one of the longest Judge Dredd storylines to run in the pages of British comic 2000 AD. Making extensive use of flashbacks, it tells the story of how the Judges of Mega-City One rose to power. It was written by John Wagner and illustrated by Carlos Ezquerra, who between them created Judge Dredd in 1977. The story ran to 23 episodes and was published from 2006 to 2007 to mark thirty years of the Judge Dredd strip. It is set in 2129, Dredd's debut story having been set in 2099.
2000 AD crossovers are crossover stories appearing in British comic 2000 AD, its sister title the Judge Dredd Megazine, and other related output, such as novels, audio plays, films and role-playing games.
Judge Dredd is a side-view action video game released for the Super NES, Mega Drive/Genesis, Game Gear and Game Boy originally released in 1995. The game is based on the 1995 film Judge Dredd, which was itself an adaptation of the Judge Dredd strip from 2000AD.
Paul Neal is a British comics writer. He has worked for Fleetway Publishing on Judge Dredd Megazine and the long running science fiction anthology 2000 AD in the late 1990s. Much of his work was created in collaboration with the artist Marc Wigmore.
Nick Percival is a British graphic artist and graphic novelist primarily known for his published comic book, concept artwork and career in computer animation directing.
Dredd is a 2012 science fiction action film directed by Pete Travis and written and produced by Alex Garland. It is based on the 2000 AD comic strip Judge Dredd and its eponymous character created by John Wagner and Carlos Ezquerra. Karl Urban stars as Judge Dredd, a law enforcer given the power of judge, jury and executioner in a vast, dystopic metropolis called Mega-City One that lies in a post-apocalyptic wasteland. Dredd and his rookie partner, Judge Anderson, are forced to bring order to a 200-storey high-rise block of apartments and deal with its resident drug lord, Ma-Ma.
Dread Dominion (1994) is an original novel written by Stephen Marley and based on the long-running British science fiction comic strip Judge Dredd. It is Marley's second Judge Dredd novel.
"Trifecta" is a Judge Dredd story arc published in British comic 2000 AD in late 2012, following on from the earlier strip Day of Chaos. The story was an unannounced crossover between Judge Dredd and its spinoff strips The Simping Detective and Low Life.
Judge Dredd: Wanted: Dredd or Alive is the first full-cast audio drama produced by Big Finish Productions based on characters from the British comic 2000 AD. Released in March 2002, it features the character Judge Dredd, created for the comic in 1977, and introduces Amy Steel, a BritCit-born Judge living in Mega-City One. The two team up in other subsequent audio dramas, becoming trusted allies. The story stars Toby Longworth as Judge Dredd and Claire Buckfield as Amy Steel and is directed by Nicholas Briggs. As with the standard 2000 AD stories of Judge Dredd, Wanted: Dredd or Alive takes place 122 years in the future of when the story is released.
References
↑ "Stallone Deals Dredded Justice on the Big Screen". GamePro. No.82. IDG. July 1995. p.26.
↑ George Wales (January 20, 2012). "Judge Dredd creator talks new film | GamesRadar". Totalfilm.com. Retrieved February 26, 2020. Perhaps that was one of the failings of the first film. They tried to do too much and ended up with not a lot.
The Making of Judge Dredd (by Jane Killick, David Chute, and Charles M. Lippincott, 192 pages, Hyperion Books, 1995, ISBN0-7868-8106-2)
Knowing Audiences: "Judge Dredd" - Its Friends, Fan and Foes (by Martin Barker and Kate Brooks, 256 pages, University of Luton Press, 1998, ISBN1-86020-549-6)
The Art of Judge Dredd the Movie (by David Chute, 160 pages, Boxtree, 1995, ISBN0-7522-0666-4)
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