Related Research Articles
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting that tends to focus on a "combination of lowlife and high tech", featuring futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of drug culture, technology, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction.
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes.
A slasher film is a subgenre of horror films involving a killer stalking and murdering a group of people, usually by use of bladed or sharp tools such as knives, chainsaws, scalpels, etc. Although the term "slasher" may occasionally be used informally as a generic term for any horror film involving murder, film analysts cite an established set of characteristics which set slasher films apart from other horror subgenres, such as monster movies, splatter films, supernatural and psychological horror films.
Science fiction is a film genre that uses speculative, fictional science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, spacecraft, robots, cyborgs, mutants, interstellar travel, time travel, or other technologies. Science fiction films have often been used to focus on political or social issues, and to explore philosophical issues like the human condition.
A scream queen is an actress who is prominent and influential in horror films, either through a notable appearance or recurring roles. A scream king is the male equivalent. Notable examples include Barbara Steele, Sandra Peabody, Linda Blair, Olivia Hussey, Marilyn Burns, Neve Campbell, Daria Nicolodi, Dee Wallace, Jamie Lee Curtis, Heather Langenkamp, Shawnee Smith, Sarah Michelle Gellar and Linnea Quigley.
Robert Lawrence Stine, sometimes known as Jovial Bob Stine and Eric Affabee, is an American novelist, short story writer, television producer, screenwriter, and executive editor.
Charles Lewis Grant was an American novelist and short story writer specializing in what he called "dark fantasy" and "quiet horror". He also wrote under the pseudonyms of Geoffrey Marsh, Lionel Fenn, Simon Lake, Felicia Andrews, Deborah Lewis, Timothy Boggs, Mark Rivers, and Steven Charles.
Japanese horror is horror fiction derived from popular culture in Japan, generally noted for its unique thematic and conventional treatment of the horror genre differing from the traditional Western representation of horror. Japanese horror tends to focus on psychological horror, tension building (suspense), and the supernatural, particularly involving ghosts (yūrei) and poltergeists. Other Japanese horror fiction contains themes of folk religion such as possession, exorcism, shamanism, precognition, and yōkai. Media in which the genre of Japanese horror fiction can be found include artwork, theater, literature, film, anime and video games.
Spy-fi is a subgenre of spy fiction that includes elements of science fiction, and is often associated with the Cold War. Features of spy-fi include the effects of technology on the espionage trade and the technological gadgets used by the characters, even though the technologies and gadgets portrayed are well beyond contemporary scientific reality.
Postmodernist film is a classification for works that articulate the themes and ideas of postmodernism through the medium of cinema. Some of the goals of postmodernist film are to subvert the mainstream conventions of narrative structure and characterization, and to test the audience's suspension of disbelief. Typically, such films also break down the cultural divide between high and low art and often upend typical portrayals of gender, race, class, genre, and time with the goal of creating something that does not abide by traditional narrative expression.
Tech-noir is a hybrid genre of fiction, particularly film, combining film noir and science fiction, epitomized by Ridley Scott's Blade Runner (1982) and James Cameron's The Terminator (1984). The tech-noir presents "technology as a destructive and dystopian force that threatens every aspect of our reality".
Lisa Morton is an American horror author and screenwriter.
A zombie film is a film genre. Zombies are fictional creatures usually portrayed as reanimated corpses or virally infected human beings. They are commonly portrayed as cannibalistic in nature. While zombie films generally fall into the horror genre, some cross over into other genres, such as action, comedy, science fiction, thriller, or romance. Distinct subgenres have evolved, such as the "zombie comedy" or the "zombie apocalypse". Zombies are distinct from ghosts, ghouls, mummies, Frankenstein's monsters or vampires, so this article does not include films devoted to these types of undead.
Body horror, or biological horror, is a subgenre of horror that intentionally showcases grotesque or psychologically disturbing violations of the human body or to any other creature. These violations may manifest through aberrant sex, mutations, mutilation, zombification, gratuitous violence, disease, or unnatural movements of the body. Body horror was a description originally applied to an emerging subgenre of North American horror films, but has roots in early Gothic literature and has expanded to include other media.
A horror game is a video game genre centered on horror fiction and typically designed to scare the player. The term may also be used to describe tabletop games with horror fiction elements.
Postmodern horror is a horror film related to the art and philosophy of postmodernism. Examples of this type of film includes George A. Romero's Night of the Living Dead, Tobe Hooper's The Texas Chainsaw Massacre and John Carpenter's legendary slasher film Halloween.
References
- ↑ 'Everything new will kill you' is the worst trope in horror - Polygon
- ↑ Sonny Bunch, "Techno-Horror in Hollywood. Japanese Anxieties, American Style", The New Atlantis, Number 14, Fall 2006, pp. 137-140.
- 1 2 Tony Magistrale, Abject Terrors: Surveying the Modern and Postmodern Horror Film, 2005 p. 82
- ↑ From Cryptic Calls to Cursed Computers, The Evolution of Techno-Horror in 10 Movies|Collider
- ↑ The 9 Best Techno-Horror Movies You've Probably Never Heard Of - CNET
- ↑ 10 Scariest Techno-Horror Movies|Screen Rant
- ↑ Techno-Horror of the Future - Mystery and Suspense
- ↑ Countdown: 10 Scariest Tech Horror Movies, Ranked | ScreenRant
- ↑ Nightmare-Inducing Horror Movies for Technophobes - Film School Rejects
- ↑ Top ten techno horror films | Dazed
