Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting said to focus on a combination of "low-life and high tech". It features futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of technology, drug culture, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction.
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes.
Richard Burton Matheson was an American author and screenwriter, primarily in the fantasy, horror, and science fiction genres.
Wesley Earl Craven was an American film director, screenwriter and producer. Amongst his prolific filmography, Craven worked primarily in the horror genre, particularly slasher films, where he mixed horror cliches with humor. Craven has been recognized as one of the masters of the horror genre.
Science fiction is a film genre that uses speculative, fictional science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, spacecraft, robots, cyborgs, mutants, interstellar travel, time travel, or other technologies. Science fiction films have often been used to focus on political or social issues, and to explore philosophical issues like the human condition.
Robert Lawrence Stine, known by his pen name R.L. Stine, is an American novelist. He is the writer of Goosebumps, a horror fiction novel series which has sold over 400 million copies globally in 35 languages, becoming the second-best-selling book series in history. The series spawned a media franchise including two television series, a video game series, a comic series, and two feature films. Stine has been referred to as the "Stephen King of children's literature".
Danse Macabre is a 1981 non-fiction book by Stephen King, about horror fiction in print, TV, radio, film and comics, and the influence of contemporary societal fears and anxieties on the genre. When the book was republished King included a new Forenote dated June 1983. And when the book was republished on February 23, 2010, it included an additional new forenote in the form of a longer essay entitled "What's Scary".
Japanese horror is horror fiction derived from popular culture in Japan, generally noted for its unique thematic and conventional treatment of the horror genre differing from the traditional Western representation of horror. Japanese horror tends to focus on psychological horror, tension building (suspense), and the supernatural, particularly involving ghosts (yūrei) and poltergeists. Other Japanese horror fiction contains themes of folk religion such as possession, exorcism, shamanism, precognition, and yōkai. Media in which the genre of Japanese horror fiction can be found include artwork, theater, literature, film, anime and video games.
The final girl or survivor girl is a trope in horror films. It refers to the last girl(s) or woman alive to confront the killer, ostensibly the one left to tell the story. The final girl has been observed in many films, notable examples being Psycho, Voices of Desire, The Texas Chain Saw Massacre, Halloween, Alien, Friday the 13th, A Nightmare on Elm Street, Scream, and Terrifier 2. The term "final girl" was coined by Carol J. Clover in her article "Her Body, Himself: Gender in the Slasher Film" (1987). Clover suggested that in these films, the viewer began by sharing the perspective of the killer, but experienced a shift in identification to the final girl partway through the film.
The history of science fiction films parallels that of the motion picture industry as a whole, although it took several decades before the genre was taken seriously. Since the 1960s, major science fiction films have succeeded in pulling in large audience shares, and films of this genre have become a regular staple of the film industry. Science fiction films have led the way in special effects technology, and have also been used as a vehicle for social commentary.
Radiophobia is an irrational or excessive fear of ionizing radiation, leading to overestimating the health risks of radiation compared to other risks. It can impede rational decision-making and contribute to counter-productive behavior and policies. Radiophobia is primarily a social phenomenon as opposed to a purely psychological dynamic. The term is also used to describe the opposition to the use of nuclear technology arising from concerns disproportionately greater than actual risks would merit.
A monster movie, monster film, creature feature or giant monster film is a film that focuses on one or more characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones. The film may also fall under the horror, comedy, fantasy, or science fiction genres. Monster movies originated with adaptations of horror folklore and literature.
World War III, sometimes abbreviated to WWIII, is a common theme in popular culture. Since the 1940s, countless books, films, and television programmes have used the theme of nuclear weapons and a third global war. The presence of the Soviet Union as an international rival armed with nuclear weapons created persistent fears in the United States and vice versa of a nuclear World War III, and popular culture at the time reflected those fears. The theme was also a way of exploring a range of issues beyond nuclear war in the arts. U.S. historian Spencer R. Weart called nuclear weapons a "symbol for the worst of modernity."
Tech noir is a hybrid genre of fiction, particularly film, combining film noir and science fiction, epitomized by Ridley Scott's Blade Runner (1982) and James Cameron's The Terminator (1984). The tech-noir presents "technology as a destructive and dystopian force that threatens every aspect of our reality".
Clive Barker's A-Z of Horror was a six-part documentary series first broadcast on BBC2 on 4 October 1997. It was written and hosted by Clive Barker and explored the history of horror, from the cinema to art. Subjects included are the influence of the Grand Guignol, the literary works of Edgar Allan Poe and H. P. Lovecraft, the real life serial killer Ed Gein, the horror make-up effects of Tom Savini and director George A. Romero, as well as works of artist Franz Xaver Messerschmidt and the horror film icon Freddy Krueger. A tie-in book was released featuring art work by Barker and film reviews by Stephen Jones.
Death Powder is a 1986 low-budget science fiction/horror film with body horror elements, written and directed by Japanese poet/folk singer Shigeru Izumiya.
Body horror, or biological horror, is a subgenre of horror fiction that intentionally showcases grotesque or psychologically disturbing violations of the human body or of another creature. These violations may manifest through aberrant sex, mutations, mutilation, zombification, gratuitous violence, disease, or unnatural movements of the body. Body horror was a description originally applied to an emerging subgenre of North American horror films, but has roots in early Gothic literature and has expanded to include other media.
Art horror or arthouse horror is a sub-genre of both horror films and art-films. It explores and experiments with the artistic uses of horror.
Postmodern horror is a horror film related to the art and philosophy of postmodernism. Examples of this type of film includes George A. Romero's Night of the Living Dead, Tobe Hooper's The Texas Chainsaw Massacre John Carpenter's slasher film Halloween and Wes Craven's Scream.
