Masked villain

Last updated
The Hooded Terror in the Pearl White serial The House of Hate, which defined the "masked mystery villain" type Hooded Terror.jpg
The Hooded Terror in the Pearl White serial The House of Hate , which defined the "masked mystery villain" type
Darth Vader, the masked villain from Star Wars Darth Vader - 2007 Disney Weekends.jpg
Darth Vader, the masked villain from Star Wars

A masked villain, also seen as masked mystery villain, [1] [2] is a stock character in genre fiction. It was developed and popularized in movie serials, beginning with The Hooded Terror in The House of Hate , (1918) the first fully-costumed mystery villain of the movies, and frequently used in the adventure stories of pulp magazines and sound-era movie serials in the early twentieth century, [3] [4] as well as postmodern horror films [5] where the character "hides in order to claim unsuspecting victims". [6] They can also appear in crime fiction to add to the atmosphere of suspense and suspicion. It is used to engage the readers or viewers by keeping them guessing just as the characters are, [3] and suspension by drawing on the fear of the unknown. [7] : 135  The "Mask" need not be literal (although it often is), referring more to the subterfuge involved.

Contents

He or she is the often main antagonist of the story, often acting behind the scenes with henchmen confronting the protagonists directly. [3] Usually, the protagonists must discover the villain's true identity before they can be defeated. [8] Often, the villain will turn out to be either one of the protagonists themselves, or a significant supporting character. The author may give the viewer or reader clues, with many red herrings, as to the villain's identity - sometime as the characters find them and sometimes for the audience alone. However, the identity is not usually revealed to the audience before it is revealed to the characters of the story. [8]

Examples

Serials

The following villains were not actually "masked" but remained hidden from view:


Television

Films

Related Research Articles

<i>The Perils of Penelope Pitstop</i> Animated television series

The Perils of Penelope Pitstop is an American animated television series produced by Hanna-Barbera Productions that premiered on CBS on September 13, 1969. The show ran for one season with a total of 17 half-hour episodes, the last first-run episode airing on January 17, 1970. Repeats aired on CBS until September 4, 1971; and in syndication as Fun World of Hanna-Barbera from 1976 to 1982. It is a spin-off of Wacky Races, reprising the characters of Penelope Pitstop and the Ant Hill Mob.

<i>The Crimson Ghost</i> 1946 American film serial directed by Fred C. Brannon and William Witney

The Crimson Ghost is a 1946 American film serial directed by Fred C. Brannon and William Witney. Produced by Republic Pictures and written by Albert DeMond, Basil Dickey, Jesse Duffy, and Sol Shor, it was the last serial directed by Witney. It is divided into twelve chapters and stars Charles Quigley as a criminologist who attempts to thwart the efforts of the eponymous villain to steal a device that can render electrical devices powerless. The serial also stars Linda Stirling, Clayton Moore, and I. Stanford Jolley.

<i>Adventures of Captain Marvel</i> 1941 serial by William Witney, John English

Adventures of Captain Marvel is a 1941 American 12-chapter black-and-white movie serial from Republic Pictures, produced by Hiram S. Brown, Jr., directed by John English and William Witney, that stars Tom Tyler in the title role of Captain Marvel and Frank Coghlan, Jr. as his alter ego, Billy Batson. The serial was adapted from the popular Captain Marvel comic book character, then appearing in the Fawcett Comics publications Whiz Comics and Captain Marvel Adventures. The character is now owned by DC Comics and is known as Shazam.

<i>The Great Alaskan Mystery</i> 1944 film by Ray Taylor, Lewis D. Collins

The Great Alaskan Mystery is a 1944 Universal film serial about government agents trying to stop Nazi spies from getting their hands on futuristic weapons.

<i>The Fighting Devil Dogs</i> 1938 American film

The Fighting Devil Dogs (1938) is a 12-chapter Republic movie serial starring Lee Powell and Herman Brix, the latter better known by his later stage name, Bruce Bennett. It was directed by William Witney and John English. While not often considered a great serial, as it contains much stock footage and two recap chapters, it is famous for its main villain, the Lightning—the first costumed supervillain. There is some speculation that George Lucas used the Lightning as a template for Darth Vader.

<i>Zorro Rides Again</i> 1937 film by John English, William Witney

Zorro Rides Again (1937) is a 12-chapter Republic Pictures film serial. It was the eighth of the sixty-six Republic serials, the third with a Western theme and the last produced in 1937. The serial was directed by William Witney & John English in their first collaboration. The serial starred John Carroll who also sang the title song as a modern descendant of the original Zorro with Carroll stunt doubled by Yakima Canutt. The plot is a fairly standard western storyline about a villain attempting to illicitly take valuable land. The setting is a hybrid of modern (1930s) and western elements that was used occasionally in B-Westerns. It was also the first in a series of five Zorro serials: Zorro's Fighting Legion (1939), Zorro's Black Whip (1944), Son of Zorro (1947) and Ghost of Zorro (1949).

<i>Dick Tracy</i> (serial) 1937 American film

Dick Tracy (1937) is a 15-chapter Republic movie serial starring Ralph Byrd based on the Dick Tracy comic strip by Chester Gould. It was directed by Alan James and Ray Taylor.

<i>Dick Tracy vs. Crime, Inc.</i> 1941 film by John English, William Witney

Dick Tracy vs. Crime, Inc. (1941) is a Republic Movie serial based on the Dick Tracy comic strip. It was directed by the team of William Witney and John English with Ralph Byrd reprising his role from the earlier serials. It was the last of the four Dick Tracy serials produced by Republic, although Ralph Byrd went on to portray the character again in two features and on television.

<i>The Invisible Monster</i> 1950 film by Fred C. Brannon

The Invisible Monster is a 1950 Republic film serial, starring Richard Webb and Aline Towne.

<i>Captain America</i> (serial) 1944 Republic black-and-white serial film

Captain America is a 1944 Republic black-and-white 15-chapter serial film loosely based on the Timely Comics character Captain America. It was the last Republic serial made about a superhero. It also has the distinction of being the most expensive serial that Republic ever made. It stands as the first theatrical release connected to a Marvel character; the next theatrical release featuring a Marvel hero would not occur for more than 40 years. It was the last live-action rendition of a Marvel character in any medium until Spider-Man appeared in the Spidey Super Stories segment of the children's television series The Electric Company in 1974.

<i>Pirate Treasure</i> 1934 American film

Pirate Treasure is a 1934 Universal film serial. It was the twenty-first sound serial released by Universal, of the sixty-nine they released in total. It was a rare example of the swashbuckling genre in the film serial medium.

<i>The Miraculous Blackhawk: Freedoms Champion</i> 1952 film by Spencer Gordon Bennet, Fred F. Sears

Blackhawk is a 1952 American 15-chapter science fiction adventure movie serial from Columbia Pictures, based on the comic book Blackhawk, first published by Quality Comics, but later owned by competitor DC Comics. It was Columbia's forty-ninth serial. The one-sheet poster referred to the serial as The Miraculous Blackhawk: Freedom's Champion. The home video release added the tagline: "Fearless Champion of Freedom".

<i>The Spiders Web</i> (serial) 1938 film by James W. Horne, Ray Taylor

The Spider's Web is a 1938 Columbia Pictures movie serial based on the popular pulp magazine character The Spider. The first episode of this 15-chapter serial was double-length and directed by serial and western specialist Ray Taylor and by comedy and serial veteran James W. Horne; it was the fifth of the 57 serials released by Columbia.

<i>Flying G-Men</i> 1939 film by Ray Taylor, James W. Horne

Flying G-Men is a 15-episode 1939 adventure film Film serial, directed by James W. Horne and Ray Taylor. The serial was the sixth of the 57 serials released by Columbia. Four "Flying G-Men" battle with enemy saboteurs intent on destroying American military defences.

<i>Mandrake the Magician</i> (serial) 1939 film

Mandrake the Magician (1939) is the seventh serial released by Columbia Pictures. It was based upon the King Features comic strip of the same name.

<i>The Shadow</i> (serial) 1940 film by James W. Horne

The Shadow (1940) was the ninth serial released by Columbia Pictures. It was based upon the classic radio series and pulp magazine superhero character of the same name.

<i>The Iron Claw</i> (1941 serial) 1941 film by James W. Horne

The Iron Claw (1941) was the 15th serial released by Columbia Pictures.

<i>The House of Hate</i> 1918 film

The House of Hate is a 1918 American film serial directed by George B. Seitz, produced when many early film studios in America's first motion picture industry were based in Fort Lee, New Jersey.

A serial film,film serial, movie serial, or chapter play, is a motion picture form popular during the first half of the 20th century, consisting of a series of short subjects exhibited in consecutive order at one theater, generally advancing weekly, until the series is completed. Usually, each serial involves a single set of characters, protagonistic and antagonistic, involved in a single story, which has been edited into chapters after the fashion of serial fiction and the episodes cannot be shown out of order or as a single or a random collection of short subjects.

References

  1. ↑ Van Hise, James (1990). Serial Adventures. Pioneer Books. p. 46. ISBN   9781556982361.
  2. 1 2 Lupoff, Richard A.; Thompson, Don, eds. (1970). All in color for a dime. Arlington House. p. 92. ISBN   9780870000621.
  3. 1 2 3 Brasch, Ilka (October 12, 2018). "4. Detectives, Traces, and Repetition in The Exploits of Elaine". Film Serials and the American Cinema, 1910-1940. Amsterdam University Press. pp. 145–182. doi:10.1515/9789048537808-005. ISBN   9789048537808. S2CID   239227958 – via www.degruyter.com.
  4. ↑ Brasch, I., & Mayer, R. (2016). Modernity management: 1920s cinema, mass culture and the film serial. Screen, 57(3), 302-315.
  5. 1 2 Heller-Nicholas, Alexandra (2019). Masks in Horror Cinema: Eyes Without Faces. University of Wales Press. pp. 52, 68, ?. ISBN   978-1-78683-496-6.
  6. ↑ Jess-Cooke, Carolyn (2009). Film Sequels: Theory and Practice from Hollywood to Bollywood. Edingburgh: Edinburgh University Press. p. 56. ISBN   978-0-7486-2603-8.
  7. 1 2 3 4 5 6 7 8 9 10 Cline, William C. (2000). Serials-ly Speaking: Essays on Cliffhangers. McFarland. ISBN   9780786409181.
  8. 1 2 Bah, Aisha (2018). "Cultural Transgression and Subversion: The Abject Slasher Subgenre". The Mall. 2 (1): 72–83. Retrieved 2021-04-19.
  9. 1 2 Benson, Michael (2000). Vintage Science Fiction Films, 1896-1949. McFarland. ISBN   9780786409365.
  10. ↑ Milligan, Cindy Ann (2015). Sonic Vocality: A Theory on the Use of Voice in Character Portrayal (PhD). Georgia State University. p. 5. Retrieved May 10, 2021.
  11. ↑ Rutherford, Paul (1994). "The Cannes Lions, Etc. (1984-92)". The New Icons? - The Art of Television Advertising. University of Toronto Press. p. 142. ISBN   0-8020-2928-0.
  12. ↑ https://news.disney.com/
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.