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A magical girlfriend, exotic girlfriend, monster girlfriend, nonhuman woman, or supernatural lover, [1] is a female stock character often associated with romantic comedy anime and manga series, [2] and is sometimes considered a genre of its own, [3] or as the leading lady of the "fantastic romance" genre, which combines the fantasy and romance genres. [2]
As Thomas Lamarre states, "Anime fans become familiar with a whole range of female figures that are either not really human (robots, aliens, deities, animals), or that possess extra-human powers of some kind or another (from cyborg enhancements to magical or psychic abilities), which take them beyond the merely human woman." [1]
Magical girlfriends can be one or many in a single series (always attached to the male lead). Because of the tendency for rivals to appear even when there is one female lead and because of the unnatural gender balance among the cast, magical girlfriend comedies are often conflated with harem comedies. A good example of this conflation is Oh My Goddess! [4] which is "one of the prototypical 'harem' titles" [5] despite the short-lived nature of most of the romantic rivalries.
Magical girlfriends initially derived from the US television series Bewitched , which was dubbed for the Japanese market. Sally the Witch was the first anime series inspired by Bewitched, leading to the popularity of magical girls in Japanese anime. [6] [7]
Often series in the genre start with the male lead encountering the female lead either by pure chance or by an unusual event, after which the female lead somehow becomes bound or otherwise dependent upon him, often forcing a situation of cohabitation. In many cases, this situation is repeated with other characters ( Tenchi Muyo! ), overlapping with the harem genre. However, the male lead is often inexperienced with women despite typically being a "nice guy". This situation often prevents the relationship from advancing beyond a platonic level throughout most of the series, as an ideal girlfriend doesn't come on strong herself and is generally passive in the relationship.
In parodies, the character may be "too young" (i.e. Nakahito Kagura in Steel Angel Kurumi ; Negi Springfield in Negima! Magister Negi Magi ) or otherwise have a more rational, ambivalent attitude towards women. A famous early reversal of the cliche occurs with the overtly lecherous Ataru Moroboshi of Urusei Yatsura , who is simply uninterested in monogamous relationships despite the fact few women besides his romantically aggressive alien girlfriend find him attractive.
Another feature is that soon after the male and female leads begin to live together, other (usually female) characters from the female (or male) lead's origin appear (friends, siblings, relatives, rivals or even enemies), either becoming frequent visitors, cohabitors, or generally causing a disruption, or even moving in with the lead couple. Sometimes a character from the male lead's origin will appear. Examples include Ai Yori Aoshi, where Kaoru's half-brother tries to take Aoi for himself, and Omamori Himari, where demonslayer Kuesu Jinguuji appears in volume 3 to claim Yuuto Amakawa as her betrothed.
Even when there is one female lead, various rivals always threaten the relationship between the lead characters, often creating complicated "love polygons". These can vary from being from mundane characters such as men who fight for the affection of the female (and rarely male) lead, or rivals from the female lead's origins.
The romantic relationship(s) in magical girlfriend comedies tend to remain static and platonic throughout the series. Commonly episodes involve some sort of superficial threat to the static nature of the relationship (which could be, and often is, the male lead or the girlfriend's desire to get closer), which is almost always resolved in some way that doesn't fundamentally alter that relationship. Action plotlines are often introduced through some sort of threat from the magical girlfriend's origins or through other means. If the romantic relationship(s) do move, it is very slow.
As stated by Annalee Newitz in 1995, Video Girl Ai , Urusei Yatsura , Tenchi Muyo! , and Oh My Goddess! , magical girlfriends are akin to American television shows such as Bewitched and I Dream of Jeannie as they portray women who are exceptionally powerful as well as traditionally feminine. Newitz again proposes that magical girl romantic comedies are the culmination between worlds of fantasy and reality. For example, in Oh My Goddess! Belldandy is a goddess who is accidentally summoned by college student Keiichi. Similarly, Newitz alleges that the idea that women “should conceal their power” is a common trope. This is because magical girls in the aforementioned shows almost exclusively use their powers in the home or in their private relationship, but not for power at work or influence outside the domestic realm. [8]
Many magical girlfriends are considered by both fans and critics of the genre to be idealizations of woman-kind. This model of the ideal Japanese woman, the yamato nadeshiko , is similar to that found in The Tale of Genji . Ideal girlfriends are not necessarily magical in nature. Some "ideal" magical girlfriends may seem weak and emotionally needy, while others may possess a godly power stemming from their feminine traits.
Ideal women have absolute dedication to whatever work they do and for whomever they have great affection, although depending on the character's actual talents this can make for anything from 'quite capable' to 'well-meaning klutz'. They usually have calm, gentle and demure personalities. They generally suppress selfish desires in favor of desiring good for others.
Ideal women are always naive or innocent, sometimes explained by the girlfriend's origins which do not allow for many experiences with mainstream life. Paradoxically, other characters of the girlfriend's origin tend not to be as naive (e.g. Belldandy of Oh My Goddess! is more naive than even her kid sister). Ideal women are emotionally insightful, seeing the good in others when most wouldn't and forgiving their shortcomings.
Ideal women are examples of moe girls in manga and anime. As such, ideal girlfriends are not overly independent. They are proper Japanese women who typically will not initiate romantic action themselves, except in a delicate or indirect manner. However, numerous characters are so innocent as to not understand the nature of their actions. Independence and aggression (especially in sexual matters) is a trait of parodies of the ideal girlfriend such as Lum in Urusei Yatsura , Kurumi in Steel Angel Kurumi or Hazuki in Tsukuyomi -Moon Phase- .
Parodies of the ideal woman are often selfish and become involved with the male lead because of their own selfish desires which are not (initially) shared by their mate. While the male lead usually has some sort of hold over his girlfriend (as "husband," "fiancé," provider, contract holder, client, creator, master, or even owner) the parody of the ideal girlfriend either succeeds in inverting the power balance of relationship or simply reverses roles.
Shōjo artists have written another sort of parody of magical girlfriends. Shōjo writers put more emphasis on the girl. Examples include Absolute Boyfriend , in which an ordinary girl gets a magical boyfriend, [9] and Ultra Maniac , in which a Middle School girl meets and becomes best friends with a magical girlfriend;[ citation needed ] followed by their misadventures at finding boyfriends.
Susan J. Napier has described the popularity of the ideal magical girlfriend, for example, Belldandy and Ai to be a backlash against the "yellow cab" social phenomenon, where some Japanese women were seeking out sexual relationships with non-Japanese men. [2]
Tiffany White of Pop Matters, in her review of the Mannequin movies, classifies magical girlfriend movies with this template: [17]
A.E. Sparrow of IGN, in reviewing Mamotte Shugogetten , also relates magical girlfriends shows to their western counterparts: [13]
"She's completely devoted to protecting her new "master" from any misfortune, utterly oblivious to the ways of the modern world, and (in cute girl manga terms) a total knockout. If you're not completely immersed in the world of manga yet, think "I Dream of Jeannie". If you are, then think "Oh! My Goddess!". Either one works if you're looking for a comparison."
Examples of magical girlfriend in Western media include: Lisa from Weird Science , "Angel" in Date with an Angel , and Madison from Splash . [17] For science fiction, girlfriends can also be labelled as "algorithm-defined fantasy girl" and range from robots such as Ava in Ex Machina to artificial intelligence systems such as Samantha in Her and Joi in Blade Runner 2049 . [18]
Rumiko Takahashi is a Japanese manga artist. With a career of several commercially successful works, beginning with Urusei Yatsura in 1978, she is one of Japan's best-known and wealthiest manga artists. Her works are known worldwide, where they have been translated into a variety of languages, with over 230 million copies in circulation; making Takahashi one of the best-selling authors of all time. She has won the Shogakukan Manga Award twice, once in 1980 for Urusei Yatsura and again in 2001 for Inuyasha, and the Seiun Award twice, once in 1987 for Urusei Yatsura and again in 1989 for Mermaid Saga. She also received the Grand Prix de la ville d'Angoulême in 2019, becoming the second woman and second Japanese to win the prize. In 2020, the Japanese government awarded Takahashi the Medal with Purple Ribbon for her contributions to the arts.
Skuld is a fictional character in the anime/manga Oh My Goddess! and is the younger sister of Belldandy. Her character design shows influences from shoujo and Art Nouveau.
Shōnen manga is an editorial category of Japanese comics targeting an audience of adolescent boys. It is, along with shōjo manga, seinen manga, and josei manga, one of the primary editorial categories of manga. Shōnen manga is traditionally published in dedicated manga magazines that exclusively target the shōnen demographic group.
Urd is a fictional character in the popular Oh My Goddess! manga and anime, voiced by Toma Yumi (冬馬由美). In the series, her character is only loosely based on the deity Urðr from Norse mythology. Visually, her character design shows influences from shoujo and Art Nouveau.
Oh My Goddess!, or Ah! My Goddess! in some releases, is a Japanese manga series written and illustrated by Kōsuke Fujishima. It was serialized in Kodansha's seinen manga magazine Monthly Afternoon from September 1988 to April 2014, with its chapters collected in 48 tankōbon volumes. The series follows college sophomore Keiichi Morisato and the goddess Belldandy who moves in with him in a Buddhist temple; after Belldandy's sisters Urd and Skuld move in with them, they encounter gods, demons and other supernatural entities as Keiichi develops his relationship with Belldandy. The manga series has been licensed for English-language release by Dark Horse Comics.
Urusei Yatsura (うる星やつら) is a Japanese manga series written and illustrated by Rumiko Takahashi. It was serialized in Shogakukan's Weekly Shōnen Sunday from September 1978 to February 1987. Its 366 individual chapters were collected in 34 tankōbon volumes. It tells the story of Ataru Moroboshi, and the alien Lum, who believes she is Ataru's wife after he accidentally proposes to her. The series makes heavy use of Japanese mythology, culture, and puns. It was adapted into two anime television series that aired on Fuji TV affiliates.
In Japanese popular culture, a bishōjo, also romanized as bishojo or bishoujo, is a cute girl character. Bishōjo characters appear ubiquitously in media including manga, anime, and computerized games, and also appear in advertising and as mascots, such as for maid cafés. An attraction towards bishōjo characters is a key concept in otaku subculture.
Lum the Invader Girl, known in Japan simply as Lum, is a fictional character and the female protagonist of Rumiko Takahashi's manga series Urusei Yatsura. She is often believed to be the main protagonist of the series due to her iconic status. However, Takahashi has stated that Ataru Moroboshi is the main character.
Mamotte Shugogetten is a Japanese manga series written and illustrated by Minene Sakurano which was serialized in the monthly magazine Shōnen GanGan from 1996 to 2000. A continuation was published in Comic Blade titled Mamotte Shugogetten! Retrouvailles from 2002 to 2005. The manga was adapted into a 22-episode anime television series produced by Toei Animation simply titled Shugogetten! (守護月天!) which aired from 1998 throughout 1999. An eight-episode OVA series, Denshin Mamotte Shugogetten was released in 2000.
Keiichi Morisato is a major fictional character in the popular manga Oh My Goddess! and in the anime of the same name and is voiced by Masami Kikuchi. His name is often abbreviated as "K1".
The following is a glossary of terms that are specific to anime and manga. Anime includes animated series, films and videos, while manga includes graphic novels, drawings and related artwork.
Ran is a fictional character appearing in the Japanese manga series Urusei Yatsura, created by Rumiko Takahashi. The character made her first appearance in the 55th chapter of the series, which was first published in Japan in Shogakukan's Weekly Shōnen Sunday magazine on October 22, 1980. In Urusei Yatsura, Ran is portrayed as an alien with a bipolar personality who grew up as childhood friends with the Oni alien Lum, for whom Ran developed a one-sided rivalry after years of resentment towards her.
Momoko is a Japanese name for girls. Momo is usually written with the kanji character 桃 for "peach" or 百 for "one hundred" or 杏 for "apricot", followed by -ko, a common suffix for girls' names. It may refer to:
Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation is a scholarly book which uses techniques of literary criticism on anime by Susan J. Napier published in 2001 by Palgrave Macmillan. It discusses themes of shōjo, hentai, mecha, magical girlfriend and magical girl anime using select titles. It also discusses some aspects of the English-speaking anime fandom. The book has been translated into Japanese, and had four editions, before a revised fifth edition was published in 2005 as Anime from Akira to Howl's Moving Castle: Experiencing Contemporary Japanese Animation.
Belldandy is a fictional character in the popular anime and manga series Oh My Goddess!. She was created by Kōsuke Fujishima as one of three Goddesses who come to Earth to reside with Keiichi Morisato, and she serves as his love interest. She is depicted as a beautiful and powerful young woman, with strong nurturing tendencies, a trusting and innocent character, and an extremely kind heart. Belldandy is accidentally summoned from heaven by Keiichi in order to grant him a wish and stays when Keiichi wishes for "a goddess like you to be by my side forever". The stories follow Belldandy as she builds a relationship with Keiichi, using her powers to help both Keiichi and his friends while keeping her true identity a secret.
Urusei Yatsura is a Japanese anime television series that aired on Fuji Television from October 14, 1981, to March 19, 1986. It is based on the manga series of the same name by Rumiko Takahashi, produced by Kitty Films and Fuji Television and was animated by Studio Pierrot until episode 106, and Studio Deen for the rest of the series. The series was licensed in North America by AnimEigo in 1992, and released the series English subbed on VHS in October that year. Their license expired in 2011, and is currently licensed by Discotek Media.
Magical girl is a subgenre of primarily Japanese fantasy media centered on young girls who possess magical abilities, which they typically use through an ideal alter ego into which they can transform.
The Rose of Versailles, also known as Lady Oscar and La Rose de Versailles, is a Japanese manga series written and illustrated by Riyoko Ikeda. It was originally serialized in the manga magazine Margaret from 1972 to 1973, while a revival of the series was published in the magazine from 2013 to 2018. The series is a historical drama set in the years preceding and during the French Revolution. Using a combination of historical personages and original characters, The Rose of Versailles focuses primarily on the lives of two women: the Queen of France Marie Antoinette, and Oscar François de Jarjayes, who serves as commander of the Royal Guard.