Subject | Anime and manga studies, Japanese studies, Asian studies, Media studies |
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Language | English |
Edited by | Frenchy Lunning, Sandra Annett |
Publication details | |
Former name(s) | Mechademia: An Annual Forum for Anime, Manga, and the Fan Arts |
History | 2006–present |
Publisher | University of Minnesota Press (United States) |
Frequency | Biannually |
Standard abbreviations | |
ISO 4 | Mechademia |
Indexing | |
ISSN | 1934-2489 (print) 2152-6648 (web) |
LCCN | 2006215646 |
OCLC no. | 72523390 |
Links | |
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Mechademia: Second Arc is a biannual (formerly annual) peer-reviewed academic journal in English about Japanese popular culture products and fan practices. It is published by the University of Minnesota Press and the editor-in-chief is Frenchy Lunning. [1] Mechademia has also held an annual conference since 2001. [2]
Since 2006, ten volumes have been published. [3] Each volume is dedicated to a collection of articles themed around a specific topic, such as shojo manga or anime and manga fandom. It is indexed in Project MUSE [4] and JSTOR. [5] After a break of three years, a new series of Mechademia volumes (Second Arc) was launched beginning in 2018, the first being themed around childhood. The scope of Mechademia will be broadened to include all of Asia in its remit. [6] [7]
No. | Title | Release date | ISBN |
---|---|---|---|
1 | Mechademia 1: Emerging Worlds of Anime and Manga | December 22, 2006 [8] | 978-0-8166-4945-7 |
2 | Mechademia 2: Networks of Desire | December 26, 2007 [9] | 978-0-8166-5266-2 |
3 | Mechademia 3: Limits of the Human | November 5, 2008 [10] | 978-0-8166-5482-6 |
4 | Mechademia 4: War/Time | November 11, 2009 [11] | 978-0-8166-6749-9 |
5 | Mechademia 5: Fanthropologies | November 9, 2010 [12] | 978-0-8166-7387-2 |
6 | Mechademia 6: User Enhanced | November 3, 2011 [13] | 978-0-8166-7734-4 |
7 | Mechademia 7: Lines of Sight | November 7, 2012 [14] | 978-0-8166-8049-8 |
8 | Mechademia 8: Tezuka's Manga Life | January 21, 2014 [15] | 978-0-8166-8955-2 |
9 | Mechademia 9: Origins | December 10, 2014 [16] | 978-0-8166-9535-5 |
10 | Mechademia 10: World Renewal | November 2015 [17] | 978-0-8166-9915-5 |
Steve Raiteri from Library Journal commends Mechademia as a "great first effort [...] bridg[ing] the gap between academics and fans." [18] Christophe Thouny, writing for Animation also thought the writing and tone was accessible by both academics and fans. [19] Ed Sizemore from Comics Worth Reading criticizes the journal for its review and commentary section because they "read like summaries of the works (films and books) discussed with no actual critique of the work". However, Sizemore commends the journal's academic essay section. [20]
By contrast, Raiteri in Library Journal states that fans will find the Review and Commentary section "the most accessible" section of the journal. [18] Kevin Gifford contrasts Mechademia with shallower works on anime, praising its "insightful essays and reviews" and detail, calling it "worthwhile reading for anyone hungry for intelligent writing" about anime. [21] Tomo Hirai of the Nichi Bei Times described the first volume as "an informative and inspiring read for those curious beyond the skin of anime". [22]
A review of the second volume of Mechademia by Comics Worth Reading's Johanna Draper Carlson criticises the journal for its dry tone and "flat statements following after each other separated only by footnote numbers". [23] A later review by Ed Sizemore recommends that Mechademia "should stop trying to develop a theme for each issue". [24] Active Anime's Holly Ellingwood comments that the journal's "strong academic bent may put off some potential readers but give it a chance and peruse through the many varied topics". [25] A later review by Scott Campbell commends the third volume of Mechademia as being "extremely insightful and thought provoking ... [about] anime, manga, and even the future of mankind". [26] D. Harlan Wilson found the third volume to be "as accessible as it was provocative and enlightening". [27]
William McClain criticises the fourth volume for having articles that are "too restrictive" in focus, calling attention to the lack of discussion, in this volume, of how anime and manga culture has spread internationally. McClain also criticises the volume for not including enough visual aids for the general reader, but praises the Mechademia journal as a whole for its experimental approach. [28] Ellen Grabiner feels that War/Time takes the approach that war has become a part of everyday life in post-war Japanese society, and praises the broad range of essays. [29] Timothy Iles feels that the strength of Mechademia is that it provides "theoretically informed, historically grounded, jargon-free research that highlights first and foremost, not the self-serving virtuosity of the researcher, but the interpretive depth of the material under analysis." [30]
According to Ulrichsweb, Mechademia is abstracted and indexed in EBSCOhost, Gale, OCLC, and ProQuest. [31]
According to Google Scholar, the three most-cited papers in Mechademia are: [32]
Hentai is a style of Japanese pornographic anime and manga. In addition to anime and manga, hentai works exist in a variety of media, including artwork and video games.
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Yaoi, also known as boys' love and its abbreviation BL, is a genre of fictional media originating in Japan that features homoerotic relationships between male characters. It is typically created by women for women and is thus distinct from bara, a genre of homoerotic media marketed to gay men, though yaoi does also attract a male audience and can be produced by male creators. Yaoi spans a wide range of media, including manga, anime, drama CDs, novels, video games, television series, films, and fan works. While "yaoi" is commonly used in the west as an umbrella term for Japanese-influenced media with male-male relationships, "boys' love" and "BL" are the generic terms for this kind of media in Japan and much of Asia.
Ryōsuke Takahashi is a Japanese anime director, screenwriter, and producer. He has worked for Sunrise on many anime shows in the real robot genre, including Armored Trooper VOTOMS, Fang of the Sun Dougram, Panzer World Galient, and Blue Comet SPT Layzner.
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Daisuki was a German manga anthology for girls published by Carlsen Verlag. It was the first girl's comics magazine published outside Asia. One edition was about 256 pages long and costs 5.95 Euros in Germany. The chief editor for Daisuki was Anne Berling. Due to declining sales figures, the magazine was discontinued.
Classical Medley is a Japanese manga series written and illustrated by Sanae Kana. It is published in Japan by Softbank.
Haridama Magic Cram School is a one-shot Japanese manga written and illustrated by Atsushi Suzumi. The manga was serialized in Kodansha's shōnen magazine, Monthly Shōnen Sirius, ending the serialization at 5 chapters. The individual chapters were collected by Kodansha into one tankōbon volume which was released on December 22, 2005. The manga is licensed in North America by Del Rey Manga, which published the manga on May 20, 2008. It is also licensed in Taiwan by Sharp Point Press.
Manga: The Complete Guide is a 2007 encyclopedia written by Jason Thompson and published by Del Rey which provides basic details and short reviews of over 1000 Japanese manga titles that have been translated and released in English in North America. Though Thompson is listed as the author on the cover, some titles' entries were initially written by other reviewers, which Thompson later edited.
St. ♥ Dragon Girl is a Japanese manga by Natsumi Matsumoto, who also created Yumeiro Patissiere. It was serialized in Ribon from October 1999 through April 2003. The individual chapters were collected and published in eight volumes by Shueisha. The series focuses on childhood friends Momoka and Ryuga, after Momoka is possessed by a dragon while protecting Ryuga. It is followed by a sequel series titled St. ♥ Dragon Girl Miracle which focuses on Momoko and Ryuga's daughter, Anjuu Sendou.
Peepo Choo is a Japanese manga series written and illustrated by Felipe Smith. It was serialized in Kodansha's manga magazine Monthly Morning Two from June 21, 2008. The individual chapters were collected into three bound volumes by Kodansha, which released them between April 24, 2009, and April 23, 2010. It is licensed in North America by Vertical, which released the three volumes between July 13, 2010, and December 14, 2010.
Onward Towards Our Noble Deaths is a one-shot manga written and illustrated by Shigeru Mizuki. In it, Mizuki describes his experiences as a soldier participating in the New Guinea campaign during World War II. He portrays the final weeks of his infantry service as the soldiers were instructed to die for their country to avoid the dishonor of survival.
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THEM Anime Reviews, otherwise known as THEM or T.H.E.M. Anime Reviews, is an anime review website that writes about current and past anime in any form, including OVAs and ONAs. The website offers reviews, editorial content and hosts forums.
Nanohana is a Japanese manga anthology written and illustrated by Moto Hagio. Published from 2011 to 2012 in the manga magazine Monthly Flowers, the series is a collection of one-shots on nuclear power and the Fukushima Daiichi nuclear disaster. Noted as one of the first works on the incident published in Japan, the series focuses on a message of hope in the face of the disaster, while also being a satire that is critical of nuclear power. Nanohana was critically acclaimed upon its release, with Hagio winning a Lifetime Achievement Award at the Sense of Gender Awards for the series in 2012. A theatrical adaptation of the series was staged in 2019.
Sandra Annett is a Canadian film academic. She published the book Anime Fan Communities: Transcultural Flows and Frictions (2014) and is co-editor of the academic journal Mechademia. She is Associate Professor of Film Studies at Wilfrid Laurier University.
Nancy Lunning is an American academic who specializes in anime. She is a Professor Emeritus in Liberal Arts at the Minneapolis College of Art and Design.