Anime and manga or animanga [lower-alpha 1] for short are forms of mass media produced by the content industry of Japan. [2] [3] [4]
The anime and manga industry forms an integral part of Japan's soft power as one of its most prominent cultural exports. [4] Anime are Japanese animated shows with a distinctive artstyle. Anime storylines can include fantasy or real life. They are famous for elements like vivid graphics and character expressions. In contrast, manga is strictly paper drawings, with comic book style drawings. Usually, animes are adaptations of manga but some of the animes with original stories adapted into manga form. [5]
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In Japanese, the word " subculture " (サブカルチャー, sabukaruchā) does not have the same connotation of oppositional culture as it does in English, so it is frequently used in situations where "fandom" might be preferred by Westerners instead. [6]
In Japan, most works start out as manga, with the most successful titles receiving an anime adaptation (アニメ化, anime-ka). However, for overseas fans their first encounter with the subculture is typically through broadcast anime. It is common for a work to be distributed overseas via fansubs and scanlations, or unauthorized fanmade translations of anime and manga, respectively, before official translations become available. Typically, overseas fans will first translate the work into English, French, and Chinese, and then into other languages using those as an intermediary. [7] The legality of ethics of these fanmade translations has been hotly debated. Many of those involved refuse to profit from their translations out of principle, and destroy the copies once officially licensed versions become available. Some industry participants in both Japan and the United States have expressed tacit acceptance of fanmade translations, seeing them as a trial run for the American market. [8]
Other types of media such as light novels [6] and video games [4] are frequently associated with and considered part of the anime and manga subculture.
The explosive growth in Japan's soft power began in the 1970s, when it changed from a net importer to a net exporter of information. [7] Prior to the late 1990s, the primary export of Japan's content industry was video games. However, beginning in 2000, the Ministry of Education, Culture, Sports, Science and Technology recognized anime and manga as part of "traditional" Japanese culture, and the government began to promote them as part of its Cool Japan strategy, passing the Content Industry Promotion Law in June 2004. [4] The value of the anime and manga industry is estimated at US$5 billion as of 2008. [9]
Anime and manga were not widely marketed in the United States before the mid-1990s, with only a few titles available on network television. The rapid growth of the genre in the United States has led some commentators to deem it an American import rather than a Japanese export. Due to anime and manga's increased popularity overseas, various companies have begun catering to foreign audiences such as Kadokawa Corporation which has adopted the "Overseas first" policy. [10]
In April 2023, the Japan Business Federation laid out a proposal aiming to spur the economic growth of Japan by further promoting the contents industry abroad, primarily anime, manga and video games, for measures to invite industry experts from abroad to come to Japan to work, and to link with the tourism sector to help foreign fans of manga and anime visit sites across the country associated with particular manga stories. The federation seeks on quadrupling the sales of Japanese content in overseas markets within the upcoming 10 years. [11] [12]
In 2021, the Association of Japanese Animations valued the country's anime market at $19.2 billion. [13] Precedence Research, a research company for market insights, projects that the anime market will increase from $24.5 billion to $47.14 billion by 2028. [14]
In China, dongman (traditional Chinese :動漫; simplified Chinese :动漫; pinyin :dòngmàn) is a portmanteau of donghua and manhua, used as an umbrella term for animation and comics. [15] The term "dongman" is often mistakenly used to exclusively refer to the animation; in fact, the term should include both the donghua and the manhua. When video games are included, the term used is ACG (traditional Chinese :動漫遊戲; simplified Chinese :动漫游戏; pinyin :dòngmànyóuxì), short for "animation, comics, and games". A further extension which includes light novels is ACGN, or "animation, comics, games, and novels". Another term for the genre as a whole is erciyuan (Chinese :二次元; pinyin :èrcìyuán), meaning "two-dimensional space". One of the most popular websites for ACGN content is bilibili.
Anime is hand-drawn and computer-generated animation originating from Japan. Outside Japan and in English, anime refers specifically to animation produced in Japan. However, in Japan and Japanese, anime describes all animated works, regardless of style or origin. Many works of animation with a similar style to Japanese animation are also produced outside Japan. Video games sometimes also feature themes and art styles that are sometimes labelled as anime.
Manga are comics or graphic novels originating from Japan. Most manga conform to a style developed in Japan in the late 19th century, and the form has a long history in earlier Japanese art. The term manga is used in Japan to refer to both comics and cartooning. Outside of Japan, the word is typically used to refer to comics originally published in Japan.
Otaku is a Japanese word that describes people with consuming interests, particularly in anime, manga, video games, or computers. Its contemporary use originated with a 1983 essay by Akio Nakamori in Manga Burikko.
Manhwa is the general Korean term for comics and print cartoons. Outside Korea, the term usually refers to Korean comics. Manhwa is directly influenced by Japanese Manga comics. Modern Manhwa has extended its reach to many other countries. These comics have branched outside of Korea by access to Webtoons and have created an impact that has resulted in some movie, drama and television show adaptations.
Manhua are Chinese-language comics produced in Greater China. Chinese comics and narrated illustrations have existed in China throughout its history.
Chinese animation refers to animation made in China. In Chinese, donghua describes all animated works, regardless of style or origin. However, outside of China and in English, donghua is colloquial for Chinese animation and refers specifically to animation produced in China.
Webtoons (Korean: 웹툰) are a type of episodic digital comic that originated in South Korea usually meant to be read on smartphones.
Manga, or comics, have appeared in translation in many different languages in different countries. France represents about 40% of the European comic market and in 2011, manga represented 40% of the comics being published in the country. In 2007, 70% of the comics sold in Germany were manga. In the United States, manga comprises a small industry, especially when compared to the inroads that Japanese animation or Japanese video games have made in the USA. One example of a manga publisher in the United States, VIZ Media, functions as the American affiliate of the Japanese publishers Shogakukan and Shueisha. Though the United Kingdom has fewer manga publishers than the U.S., most manga sold in the United Kingdom are published by U.S. publishing companies like Viz Media and Kodansha Comics which are in turn owned by their Japanese counterparts. Alongside the United Kingdom, the U.S. manga publishers also sell their English translated manga in other English speaking nations like Canada, Australia and New Zealand with manga being quite popular in Australia compared to other English speaking countries.
Hong Kong comics are comics originally produced in Hong Kong.
A-CLUB, short for Anime-club, was a popular magazine in Hong Kong in the 1980s. Its main topic include Japanese anime, manga and the Japanese video game industry. It also covered some aspect of Hong Kong manhua, and eventually US comics in the later years. It ceased publications in 2001.
There is significant awareness of Japanese popular culture in the United States. The flow of Japanese animation, fashion, films, manga comics, martial arts, television shows and video games to the United States has increased American awareness of Japanese pop culture, which has had a significant influence on American pop culture, including sequential media and entertainment into the 21st century.
Toon Express International Limited is a former operating division of Infoport Management Limited, which was headquartered in Kwun Tong, Kowloon, Hong Kong. Before Toon Express became a part of Imagi Animation Studios, Soh Szu Wei was the head of Toon Express. After the buyout he became the CEO and executive director of Imagi.
ACG is a term used in some subcultures of Greater China and East Asia. Because there is a strong economic and cultural interlinkage that exists between anime, manga, and games in Japanese and East Asian culture at large, the term ACG is used to describe this phenomenon in relative fields. The term refers in particular to Japanese anime, manga, and video games. The term is not normally translated into Chinese; if the meaning needs to be translated, it is usually "two-dimensional space"
Alpha Group Co., Ltd. is a Chinese multinational conglomerate with animation, toy, mass media asset and entertainment company headquartered created by Cai Dongqing in 1993. In 2016, it changed its name from Alpha Animation. The company has a Chinese webcomics site, U17, and also an American film company, Alpha Pictures, and has announced the creation of an animation division also based in the United States.
Rainbow Ruby is a CGI animated television series aimed at children, produced by 38 °C Animation Studio and CJ E&M Corporation in South Korea and China Entertainment Corporation in China, and distributed by WildBrain.
The Zhudong Animation and Comic Creative Park is a theme park in Zhudong Township, Hsinchu County, Taiwan.
Ultramarine Magmell is a Chinese manhua series written and illustrated by Dainenbyo. A Japanese anime television series adaptation by Studio Signpost aired from April 7 to June 30, 2019.
The King's Avatar is a Chinese donghua web series aired in 2017, based on the web novel of the same name written by Hu Dielan. The series depicted the fictional esports scene in China where the story revolves around a multiplayer online video game called Glory. The series was produced by Chinese internet company Tencent. A three-episode sequel premiered in 2018, and a prequel film, The King's Avatar: For the Glory, had a 2019 release. The long delayed second season aired in 2020, and the third season aired in 2024.
Fox Spirit Matchmaker is a Chinese romance manhua work painted by Tuo Xiaoxin (庹小新) and colored by Pansi Daxian (盘丝大仙). It was originally published on the magazine Manhua Show (漫画SHOW) since 2012 until the magazine's cancellation but continued on Tencent Animation & Comics. On June 26, 2015, it was animated in Tencent Video. Today it has been broadcast more than 120 episodes. In Tencent Animation 2nd PV competition it passed the group stage and in the final with 35,838 votes to win the first. In July 2018 it was temporarily removed after Bilibili was named and criticised by CCTV. In 2017, It was praised by People's Daily as the first donghua which gets such the highly recognition in Chinese state official newspaper.
Biao Ren or Blades of the Guardians (镖人), is a Chinese manhua that was written and illustrated by Xianzhe Xu. It was first serialized in the new comics app in July 2015. The manhua quickly attracted a large number of readers and was well received. Since its first publication, Biao Ren has been serialized on online platforms including Tencent Comics. As of March 2022, Beijing United Publishing Company has released eleven bound volumes.