A troll is a being in Nordic folklore, including Norse mythology. In Old Norse sources, beings described as trolls dwell in isolated areas of rocks, mountains, or caves, live together in small family units, and are rarely helpful to human beings.
In later Scandinavian folklore, trolls became beings in their own right, where they live far from human habitation, are not Christianized, and are considered dangerous to human beings. Depending on the source, their appearance varies greatly; trolls may be ugly and slow-witted, or look and behave exactly like human beings, with no particularly grotesque characteristic about them.
Trolls are sometimes associated with particular landmarks in Scandinavian folklore, which at times may be explained as formed from a troll exposed to sunlight. Trolls are depicted in a variety of media in modern popular culture.
The Old Norse nouns troll and trǫll (variously meaning "fiend, demon, werewolf, jötunn") and Middle High German troll, trolle "fiend" (according to philologist Vladimir Orel likely borrowed from Old Norse), possibly developed from Proto-Germanic neuter noun *trullan, meaning "to tread, step on". The origin of the Proto-Germanic word is unknown. [1] Additionally, the Old Norse verb trylla 'to enchant, to turn into a troll' and the Middle High German verb trüllen "to flutter" both developed from the Proto-Germanic verb *trulljanan, a derivative of *trullan. [1]
In Norse mythology, troll, like thurs, is a term applied to jötnar and is mentioned throughout the Old Norse corpus. In Old Norse sources, trolls are said to dwell in isolated mountains, rocks, and caves, sometimes live together (usually as father-and-daughter or mother-and-son), and are rarely described as helpful or friendly. [2] The Prose Edda book Skáldskaparmál describes an encounter between an unnamed troll woman and the 9th-century skald Bragi Boddason. According to the section, Bragi was driving through "a certain forest" late one evening when a troll woman aggressively asked him who he was, in the process describing herself:
Anthony Faulkes translation:
- 'Trolls call me
- moon of dwelling-Rungnir,
- giant's wealth-sucker,
- storm-sun's bale,
- seeress's friendly companion,
- guardian of corpse-fiord,
- swallower of heaven-wheel;
- what is a troll other than that?' [4]
John Lindow translation:
Bragi responds in turn, describing himself and his abilities as a skillful skald, before the scenario ends. [4]
There is much confusion and overlap in the use of Old Norse terms jötunn, troll, þurs, and risi, which describe various beings. Lotte Motz theorized that these were originally four distinct classes of beings: lords of nature (jötunn), mythical magicians (troll), hostile monsters (þurs), and heroic and courtly beings (risi), the last class being the youngest addition. On the other hand, Ármann Jakobson is critical of Motz's interpretation and calls this theory "unsupported by any convincing evidence". [5] Ármann highlights that the term is used to denote various beings, such as a jötunn or mountain-dweller, a witch, an abnormally strong or large or ugly person, an evil spirit, a ghost, a blámaðr , a magical boar, a heathen demi-god, a demon, a brunnmigi, or a berserker. [6] [7]
Later in Scandinavian folklore, trolls become defined as a particular type of being. [8] Numerous tales are recorded about trolls in which they are frequently described as being extremely old, very strong, but slow and dim-witted, and are at times described as man-eaters and as turning to stone upon contact with sunlight. [9] However, trolls are also attested as looking much the same as human beings, without any particularly hideous appearance about them, but living far away from human habitation and generally having "some form of social organization"—unlike the rå and näck, who are attested as "solitary beings". According to John Lindow, what sets them apart is that they are not Christian, and those who encounter them do not know them. Therefore, trolls were in the end dangerous, regardless of how well they might get along with Christian society, and trolls display a habit of bergtagning ('kidnapping'; literally "mountain-taking") and overrunning a farm or estate. [10]
Lindow states that the etymology of the word "troll" remains uncertain, though he defines trolls in later Swedish folklore as "nature beings" and as "all-purpose otherworldly being[s], equivalent, for example, to fairies in Anglo-Celtic traditions". They "therefore appear in various migratory legends where collective nature-beings are called for". Lindow notes that trolls are sometimes swapped out for cats and "little people" in the folklore record. [10]
A Scandinavian folk belief that lightning frightens away trolls and jötnar appears in numerous Scandinavian folktales, and may be a late reflection of the god Thor's role in fighting such beings. In connection, the lack of trolls and jötnar in modern Scandinavia is sometimes explained as a result of the "accuracy and efficiency of the lightning strokes". [11] Additionally, the absence of trolls in regions of Scandinavia is described in folklore as being a "consequence of the constant din of the church-bells". This ringing caused the trolls to leave for other lands, although not without some resistance; numerous traditions relate how trolls destroyed a church under construction or hurled boulders and stones at completed churches. Large local stones are sometimes described as the product of a troll's toss. [12] Additionally, into the 20th century, the origins of particular Scandinavian landmarks, such as particular stones, are ascribed to trolls who may, for example, have turned to stone upon exposure to sunlight. [9]
Lindow compares the trolls of the Swedish folk tradition to Grendel, the supernatural mead hall invader in the Old English poem Beowulf , and notes that "just as the poem Beowulf emphasizes not the harrying of Grendel but the cleansing of the hall of Beowulf, so the modern tales stress the moment when the trolls are driven off." [10]
Smaller trolls are attested as living in burial mounds and in mountains in Scandinavian folk tradition. [13] In Denmark, these creatures are recorded as troldfolk ("troll-folk"), bjergtrolde ("mountain-trolls"), or bjergfolk ("mountain-folk") and in Norway also as trollfolk [14] ("troll-folk") and tusser. [13] Trolls may be described as small, human-like beings or as tall as men depending on the region of origin of the story. [15]
In Norwegian tradition, similar tales may be told about the larger trolls and the Huldrefolk ("hidden-folk"), yet a distinction is made between the two. The use of the word trow in Orkney and Shetland, to mean beings which are very like the Huldrefolk in Norway, may suggest a common origin for the terms. The word troll may have been used by pagan Norse settlers in Orkney and Shetland as a collective term for supernatural beings who should be respected and avoided rather than worshipped. Troll could later have become specialized as a description of the larger, more menacing Jötunn-kind whereas Huldrefolk may have developed as the term for smaller trolls. [16]
John Arnott MacCulloch posited a connection between the Old Norse vættir and trolls, suggesting that both concepts may derive from spirits of the dead. [17]
Troll, a Norwegian research station in Antarctica, is so named because of the rugged mountains which stand around that place like trolls. It includes a ground station which tracks satellites in polar orbit.
Trolls have appeared in many works of modern fiction, most often, in the fantasy genre, with classic examples being the portrayal of trolls in works such as in Tolkien's Middle-earth [18] or the Dungeons & Dragons roleplaying game. [19] [20]
Beginning in the 1950s, Troll dolls were a popular toy based on the folklore creature. Trolls based on the dolls appeared in the Hollywood animated movie Trolls (2016) and its subsequent sequels Trolls World Tour (2020), and Trolls Band Together (2023).
Troll [21] is the name, and main antagonist, of a 2022 Norwegian movie released by Netflix on December 1, 2022.
The Danish artist Thomas Dambo has created from recycled wood a series of monumental troll sculptures that can be seen in several botanic gardens and similar installations.
It has been hypothesized that the troll myth might have its origin in real-life interactions between anatomically modern humans and Neanderthals. [22] [23]
var henholdsvis trollkvinne og trollmann – i flertall omtalt som trollfolk.
Ægir, Hlér, or Gymir, is a jötunn and a personification of the sea in Norse mythology. In the Old Norse record, Ægir hosts the gods in his halls and is associated with brewing ale. Ægir is attested as married to a goddess, Rán, who also personifies the sea, and together the two produced daughters who personify waves, the Nine Daughters of Ægir and Rán, and Ægir's son is Snær, personified snow. Ægir may also be the father of the beautiful jötunn Gerðr, wife of the god Freyr, or these may be two separate figures who share the same name.
The draugr or draug is an undead creature from the sagas and Scandinavian folktales.
The terms Jötunheimr or Jötunheimar refer to either a land or multiple lands respectively in Nordic mythology inhabited by the jötnar.
In Germanic cosmology, Midgard is the name for Earth inhabited by and known to humans in early Germanic cosmology. The Old Norse form plays a notable role in Norse cosmology.
Æsir or ēse are gods in Germanic paganism. In Old Nordic religion and mythology, the precise meaning of the term "Æsir" is debated, as it can refer to both the gods in general or specifically to one of the main families of gods, in contrast to the Vanir, with whom they waged war, ultimately leading to a joining of the families. The term can further be used to describe local gods that were believed to live in specific features in the landscape such as fells. In the Old English Wið færstice, the Ēse are referred to, along with elves, as harmful beings that could cause a stabbing pain, although exactly how they were conceived of by the author of the text is unclear.
A dwarf is a type of supernatural being in Germanic folklore. Accounts of dwarfs vary significantly throughout history; however, they are commonly, but not exclusively, presented as living in mountains or stones and being skilled craftsmen. In early literary sources, only males are explicitly referred to as dwarfs. However, they are described as having sisters and daughters, while male and female dwarfs feature in later saga literature and folklore. Dwarfs are sometimes described as short; however, scholars have noted that this is neither explicit nor relevant to their roles in the earliest sources.
Grendel is a character in the Anglo-Saxon epic poem Beowulf. He is one of the poem's three antagonists, all aligned in opposition against the protagonist Beowulf. He is referred to as both an eoten and a þyrs, types of beings from wider Germanic mythology. He is also described as a descendant of the Biblical Cain and "a creature of darkness, exiled from happiness and accursed of God, the destroyer and devourer of our human kind." He is usually depicted as a monster or a giant, although his status as a monster, giant, or other form of supernatural being is not clearly described in the poem and thus remains the subject of scholarly debate. The character of Grendel and his role in the story of Beowulf have been subject to numerous reinterpretations and re-imaginings. Grendel is feared by all in Heorot but Beowulf, who kills both him and his mother.
Bölþorn is a jötunn in Norse mythology, and the father of Bestla, herself the mother of Odin, Vili and Vé.
A jötunn is a type of being in Germanic mythology. In Norse mythology, they are often contrasted with gods and other non-human figures, such as dwarfs and elves, although the groupings are not always mutually exclusive. The entities included in jötunn are referred to by several other terms, including risi, þurs and troll if male and gýgr or tröllkona if female. The jötnar typically dwell across boundaries from the gods and humans in lands such as Jötunheimr.
Angrboða is a jötunn in Norse mythology. She is the mate of Loki and the mother of monsters. She is only mentioned once in the Poetic Edda as the mother of Fenrir by Loki. The Prose Edda (Gylfaginning) describes her as "a giantess in Jötunheimar" and as the mother of three monsters: the wolf Fenrir, the Midgard serpent Jörmungandr, and the ruler of the dead Hel.
Thor is a prominent god in Germanic paganism. In Norse mythology, he is a hammer-wielding god associated with lightning, thunder, storms, sacred groves and trees, strength, the protection of humankind, hallowing, and fertility. Besides Old Norse Þórr, the deity occurs in Old English as Thunor, in Old Frisian as Thuner, in Old Saxon as Thunar, and in Old High German as Donar, all ultimately stemming from the Proto-Germanic theonym *Þun(a)raz, meaning 'Thunder'.
Nordic folklore is the folklore of Denmark, Norway, Sweden, Iceland and the Faroe Islands. It has common roots with, and has been under mutual influence with, folklore in England, Germany, the Low Countries, the Baltic countries, Finland and Sápmi. Folklore is a concept encompassing expressive traditions of a particular culture or group. The peoples of Scandinavia are heterogenous, as are the oral genres and material culture that has been common in their lands. However, there are some commonalities across Scandinavian folkloric traditions, among them a common ground in elements from Norse mythology as well as Christian conceptions of the world.
Germanic mythology consists of the body of myths native to the Germanic peoples, including Norse mythology, Anglo-Saxon mythology, and Continental Germanic mythology. It was a key element of Germanic paganism.
Máni is the Moon personified in Germanic mythology. Máni, personified, is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. Both sources state that he is the brother of the personified sun, Sól, and the son of Mundilfari, while the Prose Edda adds that he is followed by the children Hjúki and Bil through the heavens. As a proper noun, Máni appears throughout Old Norse literature. Scholars have proposed theories about Máni's potential connection to the Northern European notion of the Man in the Moon, and a potentially otherwise unattested story regarding Máni through skaldic kennings.
Norse cosmology is the account of the universe and its laws by the ancient North Germanic peoples. The topic encompasses concepts from Norse mythology and Old Norse religion such as notations of time and space, cosmogony, personifications, anthropogeny, and eschatology. Like other aspects of Norse mythology, these concepts are primarily recorded from earlier oral sources in the Poetic Edda, a collection of poems compiled in the 13th century, and the Prose Edda, authored by Icelander Snorri Sturluson in the 13th century. Together these sources depict an image of Nine Worlds around a cosmic tree, Yggdrasil.
Þjóðólfr ór Hvini, was a Norwegian skald, said to have been one of the court-poets of the Norwegian king Harald Fairhair. His name suggests that he was from the region of Hvinir (Kvinesdal). Two skaldic poems, Haustlǫng (Autumn-long) and Ynglingatal, are generally attributed to him.
Eggþér is a jötunn in Norse mythology. He is the herder of the female jötunn who lives in Járnviðr (Ironwood) and raises monstrous wolves. In the poem Völuspá, Eggþér is described as sitting on a mound and joyfully striking his harp while the red rooster Fjalarr begins to crow to herald the onset of Ragnarök.
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John Frederick Lindow is an American philologist who is Professor Emeritus of Old Norse and Folklore at University of California, Berkeley. He is a well known authority on Old Norse religion and literature.
Norse, Nordic, or Scandinavian mythology, is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia as the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities.
Media related to trolls at Wikimedia Commons