Prose Edda

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Title page of a late manuscript of the Prose Edda written by Snorri Sturluson (13th century), showing the Ancient Norse Gods Odin, Heimdallr, Sleipnir, and other figures from Norse mythology Edda.jpg
Title page of a late manuscript of the Prose Edda written by Snorri Sturluson (13th century), showing the Ancient Norse Gods Odin, Heimdallr, Sleipnir, and other figures from Norse mythology

The Prose Edda, also known as the Younger Edda, Snorri's Edda (Icelandic : Snorra Edda) or, historically, simply as Edda, is an Old Norse textbook written in Iceland during the early 13th century. The work is often considered to have been to some extent written, or at least compiled, by the Icelandic scholar, lawspeaker, and historian Snorri Sturluson c. 1220. It is considered the fullest and most detailed source for modern knowledge of Norse mythology, the body of myths of the North Germanic peoples, and draws from a wide variety of sources, including versions of poems that survive into today in a collection known as the Poetic Edda .

Contents

The Prose Edda consists of four sections: The Prologue, a euhemerized account of the Norse gods; Gylfaginning , which provides a question and answer format that details aspects of Norse mythology (consisting of approximately 20,000 words), Skáldskaparmál , which continues this format before providing lists of kennings and heiti (approximately 50,000 words); and Háttatal , which discusses the composition of traditional skaldic poetry (approximately 20,000 words).

Dating from c. 1300 to 1600, seven manuscripts of the Prose Edda differ from one another in notable ways, which provides researchers with independent textual value for analysis. The Prose Edda appears to have functioned similarly to a contemporary textbook, with the goal of assisting Icelandic poets and readers in understanding the subtleties of alliterative verse, and to grasp the meaning behind the many kennings used in skaldic poetry.

Originally known to scholars simply as Edda, the Prose Edda gained its contemporary name in order to differentiate it from the Poetic Edda. Early scholars of the Prose Edda suspected that there once existed a collection of entire poems, a theory confirmed with the rediscovery of manuscripts of the Poetic Edda. [1]

Naming

The etymology of "Edda" remains uncertain; there are many hypotheses about its meaning and development, yet little agreement. Some argue that the word derives from the name of Oddi, a town in the south of Iceland where Snorri was raised. Edda could therefore mean "book of Oddi." However, this assumption is generally rejected. Anthony Faulkes in his English translation of the Prose Edda comments that this is "unlikely, both in terms of linguistics and history" [2] since Snorri was no longer living at Oddi when he composed his work.

Another connection was made with the word óðr , which means 'poetry or inspiration' in Old Norse. [2] According to Faulkes, though such a connection is plausible semantically, it is unlikely that "Edda" could have been coined in the 13th century on the basis of "óðr", because such a development "would have had to have taken place gradually", and Edda in the sense of 'poetics' is not likely to have existed in the preliterary period. [3]

Edda also means 'great-grandparent', a word that appears in Skáldskaparmál, which occurs as the name of a figure in the eddic poem Rigsthula and in other medieval texts.

A final hypothesis is derived from the Latin edo, meaning "I write". It relies on the fact that the word "kredda" (meaning "belief") is certified and comes from the Latin "credo", meaning 'I believe'. Edda in this case could be translated as "Poetic Art". This is the meaning that the word was then given in the medieval period. [2]

The now uncommonly used name Sæmundar Edda was given by the Bishop Brynjólfur Sveinsson to the collection of poems contained in the Codex Regius, many of which are quoted by Snorri. Brynjólfur, along with many others of his time incorrectly believed that they were collected by Sæmundr fróði [4] (therefore before the drafting of the Edda of Snorri), and so the Poetic Edda is also known as the Elder Edda.

Manuscripts

Seven manuscripts of the Prose Edda have survived into the present day: Six copies from the medieval period and another dating to the 1600s. No one manuscript is complete, and each has variations. In addition to three fragments, the four main manuscripts are Codex Regius, Codex Wormianus, Codex Trajectinus, and the Codex Upsaliensis: [5]

NameCurrent locationDatingNotes
Codex Upsaliensis (DG 11) University of Uppsala library, Sweden First quarter of the 14th century. [6] Provides some variants not found in any of the three other major manuscripts, such as the name Gylfaginning.
Codex Regius (GKS 2367 4°) Árni Magnússon Institute for Icelandic Studies, Reykjavík, Iceland First half of the 14th century. [6] It is the most comprehensive of the four manuscripts, and is received by scholars to be closest to an original manuscript. This is why it is the basis for editions and translations of the Prose Edda. Its name is derived from its conservation in the Royal Library of Denmark for several centuries. From 1973 to 1997, hundreds of ancient Icelandic manuscripts were returned from Denmark to Iceland, including, in 1985, the Codex Regius, which is now preserved by the Árni Magnússon Institute for Icelandic Studies.
Codex Wormianus (AM 242 fol) Arnamagnæan Manuscript Collection, Copenhagen, Denmark Mid-14th century. [6] None
Codex Trajectinus (MSS 1374) University of Utrecht library, Netherlands Written c. 1600. [6] A copy of a manuscript that was made in the second half of the 13th century.
The likely stemma of Snorra Edda, considering only the main source of each manuscript. Snorra edda stemma.svg
The likely stemma of Snorra Edda, considering only the main source of each manuscript.

The other three manuscripts are AM 748; AM 757 a 4to; and AM 738 II 4to, AM le ß fol. Although some scholars have doubted whether a sound stemma of the manuscripts can be created, due to the possibility of scribes drawing on multiple exemplars or from memory, recent work has found that the main sources of each manuscript can be fairly readily ascertained. [8] The Prose Edda' remained fairly unknown outside of Iceland until the publication of the Edda Islandorum in 1665. [9]

Authorship

The text is generally considered to have been written or at least compiled by Snorri Sturluson. This identification is largely based on the following paragraph from a portion of Codex Upsaliensis, an early 14th-century manuscript containing the Edda:

Scholars have noted that this attribution, along with that of other primary manuscripts, is not clear whether or not Snorri is more than the compiler of the work and the author of Háttatal or if he is the author of the entire Edda. [11] Faulkes summarizes the matter of scholarly discourse around the authorship of the Prose Edda as follows:

Snorri's authorship of the Prose Edda was upheld by the renaissance scholar Arngrímur Jónsson (1568–1648), and since his time it has generally been accepted without question. But the surviving manuscripts, which were all written more than half a century after Snorri's death, differ from each other considerably and it is not likely that any of them preserves the work quite as he wrote it. A number of passages in Skáldskaparmál especially have been thought to be interpolations, and this section of the work has clearly been subject to various kinds of revision in most manuscripts. It has also been argued that the prologue and the first paragraph and part of the last paragraph of Gylfaginning are not by Snorri, at least in their surviving forms. [12]

Whatever the case, the mention of Snorri in the manuscripts has been influential in a common acceptance of Snorri as the author or at least one of the authors of the Edda. [11]

Contents

Prologue

The Prologue is the first section of four books of the Prose Edda, consisting of a euhemerized Christian account of the origins of Norse mythology: the Nordic gods are described as human Trojan warriors who left Troy after the fall of that city (an origin which parallels Virgil's Aeneid ).

Gylfaginning

Gylfi and High, Just-as-High, and Third. Manuscript SAM 66 (Iceland, 1765-1766), Reykjavik, Arni Magnusson Institute for Icelandic Studies. Manuscript Gylfi.jpg
Gylfi and High, Just-as-High, and Third. Manuscript SAM 66 (Iceland, 1765–1766), Reykjavík, Árni Magnússon Institute for Icelandic Studies.

Gylfaginning (Old Icelandic 'the tricking of Gylfi') [13] follows the Prologue in the Prose Edda. Gylfaginning deals with the creation and destruction of the world of the Nordic gods, and many other aspects of Norse mythology. The section is written in prose interspersed with quotes from eddic poetry.

Skáldskaparmál

Thjazi and Loki. Beginning of the myth of the abduction of Idunn, attested in Skaldskaparmal. Manuscript NKS 1867 4to (Iceland, 1760), Copenhagen, Royal Library Treated NKS haustlong.jpg
Thjazi and Loki. Beginning of the myth of the abduction of Iðunn, attested in Skáldskaparmál. Manuscript NKS 1867 4to (Iceland, 1760), Copenhagen, Royal Library

Skáldskaparmál (Old Icelandic 'the language of poetry' [14] ) is the third section of Edda, and consists of a dialogue between Ægir, a jötunn who is one of various personifications of the sea, and Bragi, a skaldic god, in which both Norse mythology and discourse on the nature of poetry are intertwined. The origin of a number of kennings are given and Bragi then delivers a systematic list of kennings for various people, places, and things. Bragi then goes on to discuss poetic language in some detail, in particular heiti , the concept of poetical words which are non-periphrastic, for example "steed" for "horse", and again systematises these. This section contains numerous quotes from skaldic poetry.

Háttatal

Háttatal (Old Icelandic "list of verse-forms" [15] ) is the last section of Prose Edda. The section is composed by the Icelandic poet, politician, and historian Snorri Sturluson. Primarily using his own compositions, it exemplifies the types of verse forms used in Old Norse poetry. Snorri took a prescriptive as well as descriptive approach; he has systematized the material, often noting that the older poets did not always follow his rules.

Translations

The Prose Edda has been the subject of numerous translations. The most recent ones into English have been by Jesse Byock (2006), Anthony Faulkes (1987 / 2nd ed. 1995), Jean Young (1954), and Arthur Gilchrist Brodeur (1916). Many of these translations are abridged; the technical nature of the Háttatal means it is frequently excluded, and the Skáldskaparmál often has its more Old Norse thesaurus aspects abridged as well. [16] [17]

Translations into English

Translations into other languages

Old Norse editions

See also

Notes

  1. Faulkes (1982: XI).
  2. 1 2 3 Faulkes (1982).
  3. Faulkes (1977: 32-39).
  4. Gísli (1999: xiii).
  5. Wanner (2008: 97).
  6. 1 2 3 4 Ross (2011:151).
  7. Based on Haukur (2017: 49–70, esp. p.58)
  8. Haukur (2017:49–70).
  9. Gylfi (2019: 73-86).
  10. 1 2 Faulkes 2005:XIII.
  11. 1 2 Byock (2006: XII).
  12. Faulkes (2005: XIV).
  13. Faulkes (1982: 7).
  14. Faulkes (1982: 59).
  15. Faulkes (1982: 165).
  16. Byock 2006: Notes on the Translation
  17. Hopkins 2019

Related Research Articles

"Edda" is an Old Norse term that has been applied by modern scholars to the collective of two Medieval Icelandic literary works: what is now known as the Prose Edda and an older collection of poems now known as the Poetic Edda. The term historically referred only to the Prose Edda, but this usage has fallen out of favour because of confusion with the other work. Both works were recorded in Iceland during the 13th century in Icelandic, although they contain material from earlier traditional sources, reaching back into the Viking Age. The books provide the main sources for medieval skaldic tradition in Iceland and for Norse mythology.

<span class="mw-page-title-main">Hlín</span> Norse deity

In Norse mythology, Hlín is a goddess associated with the goddess Frigg. Hlín appears in a poem in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, and in kennings found in skaldic poetry. Scholars have debated whether the stanza referring to her in the Prose Edda refers to Frigg. Hlín serves as a given name in Iceland, and Hlín receives veneration in the modern era in Germanic paganism's modern extension, Heathenry.

In Norse mythology, Vör is a goddess associated with wisdom. Vör is attested in the Prose Edda, written in the 13th century by Snorri Sturluson; and twice in kennings employed in skaldic poetry. Scholars have proposed theories about the implications of the goddess.

In Norse mythology, Níðhöggr is a Serpent who gnaws at the roots of the world tree, Yggdrasil. In historical Viking society, níð was a term for a social stigma, implying the loss of honor and the status of a villain. Thus, its name might refer to its role as a horrific monster in its action of chewing the corpses of the inhabitants of Náströnd: those guilty of murder, adultery, and oath-breaking.

In Norse mythology, Vár or Vór is a goddess associated with oaths and agreements. Vár is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources; the Prose Edda, written in the 13th century by Snorri Sturluson; and kennings found in skaldic poetry and a runic inscription. Scholars have proposed theories about the implications of the goddess.

<span class="mw-page-title-main">Búri</span> Norse mythical character

In Norse mythology, Búri is a god and 'producer, father' of all other gods. An early ancestor of the Æsir gods, the principal pantheon in Old Norse religion. Búri was licked free from salty rime stones by the primeval cow Auðumbla over the course of three days. Búri's background beyond this point is unattested and he had a son, Borr, by way of an unknown process. Búri is attested in the Prose Edda, composed in the 13th century by Icelander Snorri Sturluson. The Prose Edda includes a quote from a 12th-century poem by skald Þórvaldr Blönduskáld that mentions the figure. Búri's mysterious origins are the subject of scholarly commentary and interpretation.

<span class="mw-page-title-main">Dagr</span> Personification of day in Norse mythology

Dagr is the divine personification of the day in Norse mythology. He appears in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, Dagr is stated to be the son of the god Dellingr and is associated with the bright-maned horse Skinfaxi, who "draw[s] day to mankind". Depending on manuscript variation, the Prose Edda adds that Dagr is either Dellingr's son by Nótt, the personified night, or Jörð, the personified Earth. Otherwise, Dagr appears as a common noun simply meaning "day" throughout Old Norse works. Connections have been proposed between Dagr and other similarly named figures in Germanic mythology.

In Norse mythology, Lofn is a goddess. Lofn is attested in the Prose Edda, written in the 13th century by Snorri Sturluson and in kennings found in skaldic poetry. In the Prose Edda, Lofn is described as gentle in manner and as an arranger of marriages, even when they have been forbidden. Scholars have proposed theories about the implications of the goddess.

In Norse mythology, Syn is a goddess associated with defensive refusal. Syn is attested in the Prose Edda, written in the 13th century by Snorri Sturluson; and in kennings employed in skaldic poetry. Scholars have proposed theories about the implications of the goddess.

<span class="mw-page-title-main">Máni</span> Moon personified in Germanic mythology

Máni is the Moon personified in Germanic mythology. Máni, personified, is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. Both sources state that he is the brother of the personified sun, Sól, and the son of Mundilfari, while the Prose Edda adds that he is followed by the children Hjúki and Bil through the heavens. As a proper noun, Máni appears throughout Old Norse literature. Scholars have proposed theories about Máni's potential connection to the Northern European notion of the Man in the Moon, and a potentially otherwise unattested story regarding Máni through skaldic kennings.

In Norse mythology, Sjöfn is a goddess associated with love. Sjöfn is attested in the Prose Edda, written in the 13th century by Snorri Sturluson; and in three kennings employed in skaldic poetry. Scholars have proposed theories about the implications of the goddess.

In Norse mythology, Auðr is the son of the personified night, Nótt, fathered by Naglfari, and uncle of Thor. Auðr is attested in the Prose Edda, written in the 13th century by Snorri Sturluson, and in the poetry of skalds.

<span class="mw-page-title-main">Hyrrokkin</span> Figure in Nordic mythology

Hyrrokkin is a female jötunn in Norse mythology. According to 13th-century poet Snorri Sturluson, she launched the largest of all ships at Baldr's funeral after the Æsir gods were unable to budge the vessel.

In Norse mythology, Barri is the place where Freyr and Gerðr are to consummate their union, as stated in the Skírnismál:

In Norse mythology, Sindri is the name of both a dwarf and a hall that will serve as a dwelling place for the souls of the virtuous after the events of Ragnarök. Sindri is also referred to as Eitri, the brother of Brokkr.

Glaðr is a horse in Nordic mythology. It is listed as among the horses of the Æsir ridden to Yggdrasil each morning in the Poetic Edda. The Prose Edda specifically refers to it as one of the horses of the Day, along with Skinfaxi.

<span class="mw-page-title-main">Hnoss</span> Norse deity

Hnoss is one of the daughters of Freyja and Óðr in Norse mythology.

Laufás-Edda is a 17th-century redaction of the Snorra Edda, which survives in numerous Icelandic manuscripts.

<span class="mw-page-title-main">High, Just-as-High, and Third</span> Mysterious characters from the Prose Edda

Hár, Jafnhár, and Þriði are three men on thrones who appear in the Prose Edda in the Gylfaginning, one of the oldest and most important sources on Norse mythology. Their names translate as High, Just-as-High, and Third in Old Norse, respectively. In the story, King Gylfi, calling himself Gangleri, engages in a test of wisdom with the three, asking them detailed questions about the Æsir, their deeds, and their future. The three respond until the final segment, in which the three men and the great hall suddenly disappear.

<i>Skáldskaparmál</i> Second section of the Prose Edda

Skáldskaparmál is the second part of the Prose Edda, compiled by Snorri Sturluson. It consists of a dialogue between Ægir, the divine personification of the sea, and Bragi, the god of poetry, in which both stories of the Æsir and discourse on the nature of poetry are intertwined. The work additionally includes tales of human heroes and kings. The overarching mythological setup gradually fades and the work becomes more of an early form of a poetic thesaurus of Old Norse, presumably intended for usage by skalds. Much of the work is focused on poetic phrases and descriptors. The origin of these kennings is given; Bragi delivers a systematic list of kennings for various Æsir, people, places, and things. He then goes on to discuss poetic language in some detail, in particular heiti, essentially poetic synonyms or alternate words. For example, the simple hestr, "horse", might be replaced by jór, "steed".

References