"Edda" is an Old Norse term that has been applied by modern scholars to the collective of two Medieval Icelandic literary works: what is now known as the Prose Edda and an older collection of poems now known as the Poetic Edda. The term historically referred only to the Prose Edda, but this usage has fallen out of favour because of confusion with the other work. Both works were written down in Iceland during the 13th century in Icelandic, although they contain material from earlier traditional sources, reaching back into the Viking Age. The books provide the main sources for medieval skaldic tradition in Iceland and for Norse mythology.
In Norse mythology, Hlín is a goddess associated with the goddess Frigg. Hlín appears in a poem in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, and in kennings found in skaldic poetry. Scholars have debated whether the stanza referring to her in the Prose Edda refers to Frigg. Hlín serves as a given name in Iceland, and Hlín receives veneration in the modern era in Germanic paganism's modern extension, Heathenry.
In Norse mythology, Vör is a goddess associated with wisdom. Vör is attested in the Prose Edda, written in the 13th century by Snorri Sturluson; and twice in kennings employed in skaldic poetry. Scholars have proposed theories about the implications of the goddess.
In Norse mythology, Níðhöggr is a dragon who gnaws at a root of the world tree, Yggdrasil. In historical Viking society, níð was a term for a social stigma, implying the loss of honor and the status of a villain. Thus, its name might refer to its role as a horrific monster in its action of chewing the corpses of the inhabitants of Náströnd: those guilty of murder, adultery, and oath-breaking.
In Norse mythology, Vár or Vór is a goddess associated with oaths and agreements. Vár is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources; the Prose Edda, written in the 13th century by Snorri Sturluson; and kennings found in skaldic poetry and a runic inscription. Scholars have proposed theories about the implications of the goddess.
In Norse mythology, Búri, is a divinity god 'producer, father' of all other gods, and an early ancestor of the Æsir gods of the principal pantheon in Norse religion. Búri was licked free from salty rime stones by the primeval cow Auðumbla over the course of three days. Búri's background beyond this point is unattested, and he had a son, Borr, by way of an unknown process. Búri is attested in the Prose Edda, composed in the 13th century by Icelander Snorri Sturluson. The Prose Edda includes a quote from a 12th-century poem by skald Þórvaldr Blönduskáld that mentions the figure. Búri's mysterious origins are the subject of scholarly commentary and interpretation.
Dagr is the divine personification of the day in Norse mythology. He appears in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, Dagr is stated to be the son of the god Dellingr and is associated with the bright-maned horse Skinfaxi, who "draw[s] day to mankind". Depending on manuscript variation, the Prose Edda adds that Dagr is either Dellingr's son by Nótt, the personified night, or Jörð, the personified Earth. Otherwise, Dagr appears as a common noun simply meaning "day" throughout Old Norse works. Connections have been proposed between Dagr and other similarly named figures in Germanic mythology.
In Norse mythology, Lofn is a goddess. Lofn is attested in the Prose Edda, written in the 13th century by Snorri Sturluson and in kennings found in skaldic poetry. In the Prose Edda, Lofn is described as gentle in manner and as an arranger of marriages, even when they have been forbidden. Scholars have proposed theories about the implications of the goddess.
In Norse mythology, Syn is a goddess associated with defensive refusal. Syn is attested in the Prose Edda, written in the 13th century by Snorri Sturluson; and in kennings employed in skaldic poetry. Scholars have proposed theories about the implications of the goddess.
Urðarbrunnr is a well in Norse mythology. Urðarbrunnr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, the well lies beneath the world tree Yggdrasil, and is associated with a trio of norns. In the Prose Edda, Urðarbrunnr is cited as one of three wells existing beneath three roots of Yggdrasil that reach into three distant, different lands; the other two wells being Hvergelmir, located beneath a root in Niflheim, and Mímisbrunnr, located beneath a root near the home of the frost jötnar. Scholarly theory and speculation surrounds the well.
Máni is the Moon personified in Germanic mythology. Máni, personified, is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. Both sources state that he is the brother of the personified sun, Sól, and the son of Mundilfari, while the Prose Edda adds that he is followed by the children Hjúki and Bil through the heavens. As a proper noun, Máni appears throughout Old Norse literature. Scholars have proposed theories about Máni's potential connection to the Northern European notion of the Man in the Moon, and a potentially otherwise unattested story regarding Máni through skaldic kennings.
In Norse mythology, Sjöfn is a goddess associated with love. Sjöfn is attested in the Prose Edda, written in the 13th century by Snorri Sturluson; and in three kennings employed in skaldic poetry. Scholars have proposed theories about the implications of the goddess.
In Norse mythology, Auðr is the son of the personified night, Nótt, fathered by Naglfari, and uncle of Thor. Auðr is attested in the Prose Edda, written in the 13th century by Snorri Sturluson, and in the poetry of skalds.
Nafnaþulur is a subsection of the Prose Edda, the last part of the Skáldskaparmál. It is a listing in verse of names that may be used in poetry for various items, such as gods, jötnar, people, animals, and weapons.
Hyrrokkin is a female jötunn in Norse mythology. According to 13th-century poet Snorri Sturluson, she launched the largest of all ships at Baldr's funeral after the Æsir gods were unable to budge the vessel.
In Norse mythology, Barri is the place where Freyr and Gerðr are to consummate their union, as stated in the Skírnismál:
In Norse mythology, Sindri is the name of both a dwarf and a hall that will serve as a dwelling place for the souls of the virtuous after the events of Ragnarök. Sindri is also referred to as Eitri, the brother of Brokkr.
Laufás-Edda is a 17th-century redaction of the Snorra Edda, which survives in numerous Icelandic manuscripts.
Hár, Jafnhár, and Þriði are three men on thrones who appear in the Prose Edda in the Gylfaginning, one of the oldest and most important sources on Norse mythology. Their names translate as High, Just-as-High, and Third in Old Norse, respectively. In the story, King Gylfi, calling himself Gangleri, engages in a test of wisdom with the three, asking them detailed questions about the Æsir, their deeds, and their future. The three respond until the final segment, in which the three men and the great hall suddenly disappear.
Skáldskaparmál is the second part of the Prose Edda, compiled by Snorri Sturluson. It consists of a dialogue between Ægir, the divine personification of the sea, and Bragi, the god of poetry, in which both stories of the Æsir and discourse on the nature of poetry are intertwined. The work additionally includes tales of human heroes and kings. The overarching mythological setup gradually fades and the work becomes more of an early form of a poetic thesaurus of Old Norse, presumably intended for usage by skalds. Much of the work is focused on poetic phrases and descriptors. The origin of these kennings is given; Bragi delivers a systematic list of kennings for various Æsir, people, places, and things. He then goes on to discuss poetic language in some detail, in particular heiti, essentially poetic synonyms or alternate words. For example, the simple hestr, "horse", might be replaced by jór, "steed".
