In Norse mythology, Fensalir (Old Norse "Fen Halls" [1] ) is a location where the goddess Frigg dwells. Fensalir is attested in the Poetic Edda , compiled in the 13th century from earlier traditional sources, and the Prose Edda , written in the 13th century by Snorri Sturluson. Scholars have proposed theories about the implications of the location, including that the location may have some connection to religious practices involving springs, bogs, or swamps in Norse paganism, and that it may be connected to the goddess Sága's watery location Sökkvabekkr.
In the Poetic Edda poem Völuspá , Frigg is described as weeping over her son Baldr's death in Fensalir. This stanza is absent in the Hauksbók manuscript of the poem. [2] The portion of the stanza mentioning Fensalir foretells that vengeance will come for the death of Baldr and that:
- while Frigg wept
- in Fen Halls
- for Valhǫll's woe. [3]
In chapter 35 of the Prose Edda book Gylfaginning , High tells Gangleri (described as king Gylfi in disguise) that Frigg is the highest among the ásynjur or Aesir, and that "she has a dwelling called Fensalir and it is very splendid." [4] In chapter 49, High says that when Loki witnessed that Baldr had gained invincibility due to the oath all things took not to harm him, Loki went to Fensalir appearing as a woman. In his disguise, Loki there asked Frigg why Baldr was not harmed by the objects. Frigg revealed that it is due to the oath they have taken. The disguised Loki asks if nothing can hurt Baldr, and Frigg reveals that only mistletoe can, for it seemed to her too young to demand an oath from. After this, Loki immediately disappears, and subsequently engineers the death of Baldr with a mistletoe projectile. [5]
In the Prose Edda book Skáldskaparmál , Fensalir receives a third and final mention. In chapter 19, ways to refer to Frigg are provided, including that Frigg may be referred to as "queen of Æsir and Asyniur, of Fulla and falcon form and Fensalir." [6]
In 1882, the German scholar Anton Edzardi proposed that Fensalir may point to religious practices involving springs. [7] John Lindow comments that "I have no idea why Frigg should live in a boggy place, despite the old argument that there is an association with a cult situated at a spring." [2] Rudolf Simek comments that Edzardi's theory "must remain unanswered." [8] In addition, Edzardi theorized a connection between Fensalir and a belief in folklore that particular swamps act as an entrance to the realm of Holda, whom he connects with Frigg. [9]
In a 19th-century work, Paul Henri Mallet and Walter Scott write that the "fen" element of Fensalir "may also be made to sig[nify] the watery deep, or the sea." [10] This etymology has resulted in theories that the name Fensalir may mean "Sea Halls" rather than "Fen Halls." In his 19th-century translation of the Poetic Edda, Henry Adams Bellows comments that "some scholars have regarded [Frigg] as a solar myth, calling her the sun-goddess, and pointing out that her home in Fensalir ("the sea-halls") symbolizes the daily setting of the sun beneath the ocean horizon." [11]
John Lindow says that due to similarity between the goddess Sága's Sökkvabekkr and Fensalir, the open drinking between Sága and Odin, and the potential etymological basis for Sága being a seeress "have led most scholars to understand Sága as another name for Frigg." [12] Stephan Grundy states that Sága and Sökkvabekkr may be by-forms of Frigg and Fensalir used for the purpose of composing alliterative verse. [13]
Britt-Mari Näsström theorizes that "Frigg's role as a fertility goddess is revealed in the name of her abode, Fensalir [...]", that Frigg is the same as Sága, and that both the names Fensalir and Sökkvabekkr "imply a goddes [ sic ] living in the water and recall the fertility goddess Nerthus." [14]
In Norse mythology, Freyja is a goddess associated with love, beauty, fertility, sex, war, gold, and seiðr. Freyja is the owner of the necklace Brísingamen, rides a chariot pulled by two cats, is accompanied by the boar Hildisvíni, and possesses a cloak of falcon feathers. By her husband Óðr, she is the mother of two daughters, Hnoss and Gersemi. Along with her twin brother Freyr, her father Njörðr, and her mother, she is a member of the Vanir. Stemming from Old Norse Freyja, modern forms of the name include Freya, Freyia, and Freja.
Frigg is a goddess, one of the Æsir, in Germanic mythology. In Norse mythology, the source of most surviving information about her, she is associated with marriage, prophecy, clairvoyance and motherhood, and dwells in the wetland halls of Fensalir. In wider Germanic mythology, she is known in Old High German as Frīja, in Langobardic as Frēa, in Old English as Frīg, in Old Frisian as Frīa, and in Old Saxon as Frī, all ultimately stemming from the Proto-Germanic theonym *Frijjō. Nearly all sources portray her as the wife of the god Odin.
In Norse mythology, Heimdall is a god. He is the son of Odin and nine mothers. Heimdall keeps watch for invaders and the onset of Ragnarök from his dwelling Himinbjörg, where the burning rainbow bridge Bifröst meets the sky. He is attested as possessing foreknowledge and keen senses, particularly eyesight and hearing. The god and his possessions are described in enigmatic manners. For example, Heimdall is golden-toothed, "the head is called his sword," and he is "the whitest of the gods."
Hel is a female being in Norse mythology who is said to preside over an underworld realm of the same name, where she receives a portion of the dead. Hel is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century. In addition, she is mentioned in poems recorded in Heimskringla and Egils saga that date from the 9th and 10th centuries, respectively. An episode in the Latin work Gesta Danorum, written in the 12th century by Saxo Grammaticus, is generally considered to refer to Hel, and Hel may appear on various Migration Period bracteates.
In Norse mythology, Njörðr is a god among the Vanir. Njörðr, father of the deities Freyr and Freyja by his unnamed sister, was in an ill-fated marriage with the goddess Skaði, lives in Nóatún and is associated with the sea, seafaring, wind, fishing, wealth, and crop fertility.
In Norse mythology, Rán is a goddess and a personification of the sea. Rán and her husband Ægir, a jötunn who also personifies the sea, have nine daughters, who personify waves. The goddess is frequently associated with a net, which she uses to capture sea-goers. According to the prose introduction to a poem in the Poetic Edda and in Völsunga saga, Rán once loaned her net to the god Loki.
In Norse mythology, Sleipnir is an eight-legged horse ridden by Odin. Sleipnir is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, Sleipnir is Odin's steed, is the child of Loki and Svaðilfari, is described as the best of all horses, and is sometimes ridden to the location of Hel. The Prose Edda contains extended information regarding the circumstances of Sleipnir's birth, and details that he is grey in color.
In Norse mythology, the Vanir are a group of gods associated with fertility, wisdom, and the ability to see the future. The Vanir are one of two groups of gods and are the namesake of the location Vanaheimr. After the Æsir–Vanir War, the Vanir became a subgroup of the Æsir. Subsequently, members of the Vanir are sometimes also referred to as members of the Æsir.
Fulla or Volla is a goddess in Germanic mythology. In Norse mythology, Fulla is described as wearing a golden band and as tending to the ashen box and the footwear owned by the goddess Frigg, and, in addition, Frigg confides in Fulla her secrets. Fulla is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources; the Prose Edda, written in the 13th century by Snorri Sturluson; and in skaldic poetry. Volla (Folla) is attested in the "Horse Cure" Merseburg Incantation, recorded anonymously in the 10th century in Old High German, in which she assists in healing the wounded foal of Phol and is referred to as Frigg's sister. Scholars have proposed theories about the implications of the goddess.
In Norse mythology, Hlín is a goddess associated with the goddess Frigg. Hlín appears in a poem in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, and in kennings found in skaldic poetry. Scholars have debated whether the stanza referring to her in the Prose Edda refers to Frigg. Hlín serves as a given name in Iceland, and Hlín receives veneration in the modern era in Germanic paganism's modern extension, Heathenry.
Lokasenna is one of the poems of the Poetic Edda. The poem presents flyting between the gods and Loki. It is written in the ljóðaháttr metre, typical for wisdom verse. Lokasenna is believed to be a 10th-century poem.
In Norse mythology, Vár or Vór is a goddess associated with oaths and agreements. Vár is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources; the Prose Edda, written in the 13th century by Snorri Sturluson; and kennings found in skaldic poetry and a runic inscription. Scholars have proposed theories about the implications of the goddess.
In Norse mythology, Fólkvangr is a meadow or field ruled over by the goddess Freyja where half of those that die in combat go upon death, whilst the other half go to the god Odin in Valhalla. Others were also brought to Fólkvangr after their death; Egils Saga, for example, has a world-weary female character declare that she will never taste food again until she dines with Freyja. Fólkvangr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. According to the Prose Edda, within Fólkvangr is Freyja's hall Sessrúmnir. Scholarly theories have been proposed about the implications of the location.
Jörð is the personification of earth and a goddess in Norse mythology. She is the mother of the thunder god Thor and a sexual partner of Odin. Jörð is attested in Danish history Gesta Danorum, composed in the 12th century by Danish historian Saxo Grammaticus; the Poetic Edda, compiled in the 13th century by an unknown individual or individuals; and the Prose Edda, also composed in the 13th century. Her name is often employed in skaldic poetry and kennings as a poetic term for land or earth.
In Norse mythology, Óðr or Óð, sometimes anglicized as Odr or Od, is a figure associated with the major goddess Freyja. The Prose Edda and Heimskringla, written in the 13th century by Snorri Sturluson, both describe Óðr as Freyja's husband and father of her daughter Hnoss. Heimskringla adds that the couple produced another daughter, Gersemi. A number of theories have been proposed about Óðr, generally that he is a hypostasis of the deity Odin due to their similarities.
In Norse mythology, Himinbjörg is the home of the god Heimdallr. Himinbjörg is attested in the Poetic Edda, compiled from earlier traditional sources, and the Prose Edda and Heimskringla, both written in the 13th century by Snorri Sturluson. Himinbjörg is associated with Heimdallr in all sources. According to the Poetic Edda, Heimdallr dwells there as watchman for the gods and there drinks fine mead, whereas in the Prose Edda Himinbjörg is detailed as located where the burning rainbow bridge Bifröst meets heaven. Scholars have commented on the differences between the two attestations and linked the name of the mythical location to various place names.
In Norse mythology, Sága is a goddess associated with the location Sökkvabekkr. At Sökkvabekkr, Sága and the god Odin merrily drink as cool waves flow. Both Sága and Sökkvabekkr are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and in the Prose Edda, written in the 13th century by Snorri Sturluson. Scholars have proposed theories about the implications of the goddess and her associated location, including that the location may be connected to the goddess Frigg's fen residence Fensalir and that Sága may be another name for Frigg.
In Norse mythology, the Æsir–Vanir War was a conflict between two groups of deities that ultimately resulted in the unification of the Æsir and the Vanir into a single pantheon. The war is an important event in Norse mythology, and the implications for the potential historicity surrounding accounts of the war are a matter of scholarly debate and discourse.
Norse, Nordic, or Scandinavian mythology, is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities.
In Norse mythology, Gefjon is a goddess associated with ploughing, the Danish island of Zealand, the legendary Swedish king Gylfi, the legendary Danish king Skjöldr, foreknowledge, her oxen children, and virginity. Gefjon is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources; the Prose Edda and Heimskringla, written in the 13th century by Snorri Sturluson; in the works of skalds; and appears as a gloss for various Greco-Roman goddesses in some Old Norse translations of Latin works.