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Hávamál is presented as a single poem in the Codex Regius, a collection of Old Norse poems from the Viking age. The poem, itself a combination of numerous shorter poems, is largely gnomic, presenting advice for living, proper conduct and wisdom. It is considered an important source of Old Norse philosophy.
The Poetic Edda is the modern name for an untitled collection of Old Norse anonymous narrative poems. It is distinct from the Prose Edda written by Snorri Sturluson, although both works are seminal to the study of Old Norse poetry. Several versions of the Poetic Edda exist: especially notable is the medieval Icelandic manuscript Codex Regius, which contains 31 poems. The Codex Regius is arguably the most important extant source on Norse mythology and Germanic heroic legends. Since the early 19th century, it has had a powerful influence on Scandinavian literature, not only through its stories, but also through the visionary force and the dramatic quality of many of the poems. It has also been an inspiration for later innovations in poetic meter, particularly in Nordic languages, with its use of terse, stress-based metrical schemes that lack final rhymes, instead focusing on alliterative devices and strongly concentrated imagery. Poets who have acknowledged their debt to the Codex Regius include Vilhelm Ekelund, August Strindberg, J. R. R. Tolkien, Ezra Pound, Jorge Luis Borges, and Karin Boye.
Vafþrúðnir is a wise jötunn in Norse mythology. His name comes from Vaf, which means weave or entangle, and thrudnir, which means strong or mighty. Some interpret it to mean "mighty in riddles". It may be anglicized Vafthruthnir or Vafthrudnir. In the Poetic Edda poem Vafþrúðnismál, Vafþrúðnir acts as Odin's host and opponent in a deadly battle of wits that results in Vafþrúðnir's defeat.
Bestla is a jötunn in Norse mythology, and the mother of the gods Odin, Vili and Vé. She is also the sister of an unnamed man who assisted Odin, and the daughter of the jötunn Bölþorn. Odin is frequently called "Bestla's son" in both skaldic verses and the Poetic Edda.
Dagr is the divine personification of the day in Norse mythology. He appears in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, Dagr is stated to be the son of the god Dellingr and is associated with the bright-maned horse Skinfaxi, who "draw[s] day to mankind". Depending on manuscript variation, the Prose Edda adds that Dagr is either Dellingr's son by Nótt, the personified night, or Jörð, the personified Earth. Otherwise, Dagr appears as a common noun simply meaning "day" throughout Old Norse works. Connections have been proposed between Dagr and other similarly named figures in Germanic mythology.
In Norse mythology, Nótt is personification of the night. In both the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, composed in the 13th century, Nótt is listed as the daughter of a figure by the name of Nörvi and is associated with the horse Hrímfaxi, while the Prose Edda features information about Nótt's ancestry, including her three marriages. Nótt's third marriage was to the god Dellingr and this resulted in their son Dagr, the personified day. As a proper noun, the word nótt appears throughout Old Norse literature.
In Norse mythology, Dvalinn is a dwarf (Hjort) who appears in several Old Norse tales and kennings. The name translates as "the dormant one" or "the one slumbering". Dvalinn is listed as one of the four stags of Yggdrasill in both Grímnismál from the Poetic Edda and Gylfaginning from the Prose Edda.
In Norse mythology, Fólkvangr is a meadow or field ruled over by the goddess Freyja where half of those that die in combat go upon death, whilst the other half go to the god Odin in Valhalla. Others were also brought to Fólkvangr after their death; Egils Saga, for example, has a world-weary female character declare that she will never taste food again until she dines with Freya. Fólkvangr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. According to the Prose Edda, within Fólkvangr is Freyja's hall Sessrúmnir. Scholarly theories have been proposed about the implications of the location.
Jörð is the personification of earth and a goddess in Norse mythology. She is the mother of the thunder god Thor and a sexual partner of Odin. Jörð is attested in Danish historian Gesta Danorum, composed in the 12th century by Danish historian Saxo Grammaticus; the Poetic Edda, compiled in the 13th century by an unknown individual or individuals; and the Prose Edda, also composed in the 13th century. Her name is often employed in skaldic poetry and kennings as a poetic term for land or earth.
Máni is the Moon personified in Germanic mythology. Máni, personified, is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. Both sources state that he is the brother of the personified sun, Sól, and the son of Mundilfari, while the Prose Edda adds that he is followed by the children Hjúki and Bil through the heavens. As a proper noun, Máni appears throughout Old Norse literature. Scholars have proposed theories about Máni's potential connection to the Northern European notion of the Man in the Moon, and a potentially otherwise unattested story regarding Máni through skaldic kennings.
Norse cosmology is the account of the universe and its laws by the ancient North Germanic peoples. The topic encompasses concepts from Norse mythology, such as notions of time and space, cosmogony, personifications, anthropogeny, and eschatology. Like other aspects of Norse mythology, these concepts are primarily recorded in the Poetic Edda, a collection of poems compiled in the 13th century, and the Prose Edda, authored by Icelander Snorri Sturluson in the 13th century, who drew from earlier traditional sources. Together these sources depict an image of Nine Worlds around a cosmic tree, Yggdrasil.
Hervarar saga ok Heiðreks is a legendary saga from the 13th century combining matter from several older sagas in Germanic heroic legend. It tells of wars between the Goths and the Huns during the 4th century. The final part of the saga, which was likely composed separately from and later than the rest, is a source for Swedish medieval history.
Sól or Sunna is the Sun personified in Germanic mythology. One of the two Old High German Merseburg Incantations, written in the 9th or 10th century CE, attests that Sunna is the sister of Sinthgunt. In Norse mythology, Sól is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson.
Narfi, also Nörfi, Nari or Nörr, is a jötunn in Norse mythology, and the father of Nótt, the personified night.
In Norse mythology, Himinbjörg is the home of the god Heimdallr. Himinbjörg is attested in the Poetic Edda, compiled from earlier traditional sources, and the Prose Edda and Heimskringla, both written in the 13th century by Snorri Sturluson. Himinbjörg is associated with Heimdallr in all sources. According to the Poetic Edda, Heimdallr dwells there as watchman for the gods and there drinks fine mead, whereas in the Prose Edda Himinbjörg is detailed as located where the burning rainbow bridge Bifröst meets heaven. Scholars have commented on the differences between the two attestations and linked the name of the mythical location to various place names.
In Norse mythology, Durinn is a dwarf according to stanza 10 of the poem Völuspá from the Poetic Edda, and repeated in Gylfaginning from the Prose Edda. He was the second created after the first and foremost dwarf Mótsognir.
In Norse mythology, Sága is a goddess associated with the location Sökkvabekkr. At Sökkvabekkr, Sága and the god Odin merrily drink as cool waves flow. Both Sága and Sökkvabekkr are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and in the Prose Edda, written in the 13th century by Snorri Sturluson. Scholars have proposed theories about the implications of the goddess and her associated location, including that the location may be connected to the goddess Frigg's fen residence Fensalir and that Sága may be another name for Frigg.
Death in Norse paganism was associated with diverse customs and beliefs that varied with time, location and social group, and did not form a structured, uniform system. After the funeral, the individual could go to a range of afterlives including Valhalla, Hel and living on physically in the landscape. These afterlives show blurred boundaries and exist alongside a number of minor afterlives that may have been significant in Nordic paganism. The dead were also seen as being able to bestow land fertility, often in return for votive offerings, and knowledge, either willingly or after coercion. Many of these beliefs and practices continued in altered forms after the Christianisation of the Germanic peoples in folk belief.
Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities.
The riddles of Hervarar saga ok Heiðreks, also known as Gátur Gestumblinda and Heiðreks gátur, are a group of around thirty-seven Old Icelandic verse riddles that constitute the main evidence for medieval Scandinavian riddling. They appear in Hervarar saga ok Heiðreks as part of a riddle-contest in which the god Óðinn, disguised as a man called Gestumblindi, propounds riddles to the saga's protagonist, Heiðrekr. In the estimation of Jeffrey Scott Love in 2013, they 'have received more scholarly attention than any other passage in the text'.
References
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