Dagr (Old Norse 'day') [1] is the divine personification of the day in Norse mythology. He appears in the Poetic Edda , compiled in the 13th century from earlier traditional sources, and the Prose Edda , written in the 13th century by Snorri Sturluson. In both sources, Dagr is stated to be the son of the god Dellingr and is associated with the bright-maned horse Skinfaxi, who "draw[s] day to mankind". Depending on manuscript variation, the Prose Edda adds that Dagr is either Dellingr's son by Nótt, the personified night, or Jörð, the personified Earth. Otherwise, Dagr appears as a common noun simply meaning "day" throughout Old Norse works. Connections have been proposed between Dagr and other similarly named figures in Germanic mythology.
Dagr is mentioned in stanzas 12 and 25 of the poem Vafþrúðnismál . In stanza 24, the god Odin (disguised as "Gagnráðr") asks the jötunn Vafþrúðnir from where the day comes, and the night and its tides. In stanza 25, Vafþrúðnir responds:
- Delling hight he who the day's father is,
- but night was of Nörvi born;
- the new and waning moons the beneficent powers created,
- to count the years for men. [2]
In stanza 12, the horse Skinfaxi, his mane gleaming, is stated by Vafþrúðnir as "drawing day to mankind". [3]
In Sigrdrífumál , after the valkyrie Sigrdrífa is woken from her sleep curse by the hero Sigurd, Sigurd asks her name, and she gives him a "memory-drink" of a drinking horn full of mead, and then Sigrdrifa says a prayer. The first verse of this prayer features a reference to the "sons of Dagr" and the "female relative" ( nipt , "niece" or "daughter") of Nótt.
In the poem Hrafnagaldr Óðins , the appearance of Dagr and his horse and chariot are described:
- The son of Delling
- urged on his horse
- adorned with
- precious jewels.
- Over Mannheim shines
- the horse's mane,
- the steed Dvalin's deluder
- dew in his chariot. [4]
In the Prose Edda book Gylfaginning , Dagr is again personified. In chapter 10, the enthroned figure of High states that Dagr is the son of the couple of Dellingr of the Æsir and his wife Nótt ("night"). Dagr is described as "as bright and beautiful as his father's people". Odin took Dagr and his mother Nótt, gave them each a chariot and a horse — Dagr receiving the horse Skinfaxi, whose mane illuminates all the sky and the Earth — and placed them in the sky to ride around the Earth every 24 hours. [5]
Dagr is again personified in chapter 24 of the Prose Edda book Skáldskaparmál , where he is stated as a brother of Jörð. [6] As a common noun, Dagr appears in chapter 58, where "Skinfaxi or Glad" is stated as pulling forth the day, [6] and chapter 64, where Dagr is stated as one of various words for time. [7]
However, scholar Haukur Thorgeirsson points out that the four manuscripts of Gylfaginning vary in their descriptions of the family relations between Nótt, Jörð, Dagr, and Dellingr. In other words, depending on the manuscript, either Jörð or Nótt is the mother of Dagr and partner of Dellingr. Haukur details that "the oldest manuscript, U, offers a version where Jǫrð is the wife of Dellingr and the mother of Dagr while the other manuscripts, R, W and T, cast Nótt in the role of Dellingr's wife and Dagr's mother", and argues that "the version in U came about accidentally when the writer of U or its antecedent shortened a text similar to that in RWT. The results of this accident made their way into the Icelandic poetic tradition". [8]
Otto Höfler theorized that Dagr may be related to (or may be the same figure as) the hero Svipdagr (whose name means "the suddenly dawning day") who is attested in various texts. Among other sources, this figure is found in two poems compiled together and known as Svipdagsmál in the Poetic Edda, the Prologue to the Prose Edda, and by the name Swæfdæg in the mythical genealogies of the Anglian houses of Anglo-Saxon England. Otto Höfler also proposed that Svipdagr may have been a "Dagr of the Suebi", and because of the names of his family members, Sólbjartr ("the sun-light", indicating a potential god of the skies) and Gróa ("growth", indicating a possible goddess of growth), and his wooing of Menglöð (often identified with the goddess Freyja), he further suggested that Svipdagr may have been a fertility god. [9]
In Norse mythology, Bifröst, also called Bilröst, is a burning rainbow bridge that reaches between Midgard (Earth) and Asgard, the realm of the gods. The bridge is attested as Bilröst in the Poetic Edda, compiled in the 13th century from earlier traditional sources; as Bifröst in the Prose Edda, written in the 13th century by Snorri Sturluson; and in the poetry of skalds. Both the Poetic Edda and the Prose Edda alternately refer to the bridge as Ásbrú.
In Norse mythology, Heimdall is a god. He is the son of Odin and nine mothers. Heimdall keeps watch for invaders and the onset of Ragnarök from his dwelling Himinbjörg, where the burning rainbow bridge Bifröst meets the sky. He is attested as possessing foreknowledge and keen senses, particularly eyesight and hearing. The god and his possessions are described in enigmatic manners. For example, Heimdall is golden-toothed, "the head is called his sword," and he is "the whitest of the gods."
Vafþrúðnir is a wise jötunn in Norse mythology. His name comes from Vaf, which means weave or entangle, and thrudnir, which means strong or mighty. Some interpret it to mean "mighty in riddles". It may be anglicized Vafthruthnir or Vafthrudnir. In the Poetic Edda poem Vafþrúðnismál, Vafþrúðnir acts as Odin's host and opponent in a deadly battle of wits that results in Vafþrúðnir's defeat.
Bestla is a jötunn in Norse mythology, and the mother of the gods Odin, Vili and Vé. She is also the sister of an unnamed man who assisted Odin, and the daughter of the jötunn Bölþorn. Odin is frequently called "Bestla's son" in both skaldic verses and the Poetic Edda.
In Norse mythology, Dellingr is a god. Dellingr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and in the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, Dellingr is described as the father of Dagr, the personified day. The Prose Edda adds that, depending on manuscript variation, he is either the third husband of Nótt, the personified night, or the husband of Jörð, the personified earth. Dellingr is also attested in the legendary saga Hervarar saga ok Heiðreks. Scholars have proposed that Dellingr is the personified dawn and his name may appear both in an English surname and place name.
In Norse mythology, Nótt is personification of the night. In both the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, composed in the 13th century, Nótt is listed as the daughter of a figure by the name of Nörvi and is associated with the horse Hrímfaxi, while the Prose Edda features information about Nótt's ancestry, including her three marriages. Nótt's third marriage was to the god Dellingr and this resulted in their son Dagr, the personified day. As a proper noun, the word nótt appears throughout Old Norse literature.
In Norse mythology, Fólkvangr is a meadow or field ruled over by the goddess Freyja where half of those that die in combat go upon death, whilst the other half go to the god Odin in Valhalla. Others were also brought to Fólkvangr after their death; Egils Saga, for example, has a world-weary female character declare that she will never taste food again until she dines with Freyja. Fólkvangr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. According to the Prose Edda, within Fólkvangr is Freyja's hall Sessrúmnir. Scholarly theories have been proposed about the implications of the location.
In Norse mythology, Vígríðr or Óskópnir is a large field foretold to host a battle between the forces of the gods and the forces of Surtr as part of the events of Ragnarök. The field is attested in the Poetic Edda, compiled in the 13th century from earlier traditional material, and in the Prose Edda, written by Snorri Sturluson in the 13th century. The Poetic Edda briefly mentions the field as where the two forces will battle, whereas the Prose Edda features a fuller account, foretelling that it is the location of the future death of several deities before the world is engulfed in flames and reborn.
Jörð is the personification of earth and a goddess in Norse mythology. She is the mother of the thunder god Thor and a sexual partner of Odin. Jörð is attested in Danish history Gesta Danorum, composed in the 12th century by Danish historian Saxo Grammaticus; the Poetic Edda, compiled in the 13th century by an unknown individual or individuals; and the Prose Edda, also composed in the 13th century. Her name is often employed in skaldic poetry and kennings as a poetic term for land or earth.
Urðarbrunnr is a spring or well in Norse mythology. Urðarbrunnr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, the wellspring lies beneath the world tree Yggdrasil, and is associated with a trio of norns. In the Prose Edda, Urðarbrunnr is cited as one of three wellsprings existing beneath three roots of Yggdrasil that reach into three distant, different lands; the other two wellsprings being Hvergelmir, located beneath a root in Niflheim, and Mímisbrunnr, located beneath a root near the home of the frost jötnar. Scholarly theory and speculation surrounds the wellspring.
Máni is the Moon personified in Germanic mythology. Máni, personified, is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. Both sources state that he is the brother of the personified sun, Sól, and the son of Mundilfari, while the Prose Edda adds that he is followed by the children Hjúki and Bil through the heavens. As a proper noun, Máni appears throughout Old Norse literature. Scholars have proposed theories about Máni's potential connection to the Northern European notion of the Man in the Moon, and a potentially otherwise unattested story regarding Máni through skaldic kennings.
Norse cosmology is the account of the universe and its laws by the ancient North Germanic peoples. The topic encompasses concepts from Norse mythology, such as notations of time and space, cosmogony, personifications, anthropogeny, and eschatology. Like other aspects of Norse mythology, these concepts are primarily recorded from earlier oral sources in the Poetic Edda, a collection of poems compiled in the 13th century, and the Prose Edda, authored by Icelander Snorri Sturluson in the 13th century. Together these sources depict an image of Nine Worlds around a cosmic tree, Yggdrasil.
Sól or Sunna is the Sun personified in Germanic mythology. One of the two Old High German Merseburg Incantations, written in the 9th or 10th century CE, attests that Sunna is the sister of Sinthgunt. In Norse mythology, Sól is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson.
In Norse mythology, Auðr is the son of the personified night, Nótt, fathered by Naglfari, and uncle of Thor. Auðr is attested in the Prose Edda, written in the 13th century by Snorri Sturluson, and in the poetry of skalds.
In Norse mythology, Himinbjörg is the home of the god Heimdallr. Himinbjörg is attested in the Poetic Edda, compiled from earlier traditional sources, and the Prose Edda and Heimskringla, both written in the 13th century by Snorri Sturluson. Himinbjörg is associated with Heimdallr in all sources. According to the Poetic Edda, Heimdallr dwells there as watchman for the gods and there drinks fine mead, whereas in the Prose Edda Himinbjörg is detailed as located where the burning rainbow bridge Bifröst meets heaven. Scholars have commented on the differences between the two attestations and linked the name of the mythical location to various place names.
In Norse mythology, Mímisbrunnr is a spring or well associated with the being Mímir, located beneath the world tree Yggdrasil. Mímisbrunnr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. The wellspring is located beneath one of three roots of the world tree Yggdrasil, a root that passes into the Jötunheimr where the primordial plane of Ginnungagap once existed. In addition, the Prose Edda relates that the water of the wellspring contains much wisdom, and that Odin sacrificed one of his eyes to the wellspring in exchange for a drink. In the Prose Edda, Mímisbrunnr is mentioned as one of three wellsprings existing beneath three roots of Yggdrasil, the other two being Hvergelmir, located beneath a root in Niflheim, and Urðarbrunnr.
In Norse mythology, Sága is a goddess associated with the location Sökkvabekkr. At Sökkvabekkr, Sága and the god Odin merrily drink as cool waves flow. Both Sága and Sökkvabekkr are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and in the Prose Edda, written in the 13th century by Snorri Sturluson. Scholars have proposed theories about the implications of the goddess and her associated location, including that the location may be connected to the goddess Frigg's fen residence Fensalir and that Sága may be another name for Frigg.
The Horses of the Æsir are horses present in Norse mythology which are ridden by the Æsir. Their main purpose is to be ridden daily to Yggdrasil in order for their riders to pass judgements. They are said to cross Bifröst along their journey. Among them is the famous Sleipnir which is the strongest one. They are mentioned in the Poetic Edda and the Prose Edda.
Ím is a jötunn in Norse mythology, and the son of Vafthrudnir.
In Norse mythology, Sumarr and Vetr are personified seasons. Sumarr and Vetr, personified, are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both, the two are given genealogies, while in the Prose Edda the two figure into a number of kennings used by various skalds.