In Norse mythology, Freyja is a goddess associated with love, beauty, fertility, sex, war, gold, and seiðr. Freyja is the owner of the necklace Brísingamen, rides a chariot pulled by two cats, is accompanied by the boar Hildisvíni, and possesses a cloak of falcon feathers. By her husband Óðr, she is the mother of two daughters, Hnoss and Gersemi. Along with her twin brother Freyr, her father Njörðr, and her mother, she is a member of the Vanir. Stemming from Old Norse Freyja, modern forms of the name include Freya, Freyia, and Freja.
In Norse mythology, Geri and Freki are two wolves which are said to accompany the god Odin. They are attested in the Poetic Edda, a collection of epic poetry compiled in the 13th century from earlier traditional sources, in the Prose Edda, written in the 13th century by Snorri Sturluson, and in the poetry of skalds. The pair has been compared to similar figures found in Greek, Roman and Vedic mythology, and may also be connected to beliefs surrounding the Germanic "wolf-warrior bands", the Úlfhéðnar.
Ragnar Lodbrok, according to legends, was a Viking hero and a Swedish and Danish king.
Harald Fairhair was a Norwegian king. According to traditions current in Norway and Iceland in the eleventh and twelfth centuries, he reigned from c. 872 to 930 and was the first King of Norway. Supposedly, two of his sons, Eric Bloodaxe and Haakon the Good, succeeded Harald to become kings after his death.
In Norse mythology, a valkyrie is one of a host of female figures who guide souls of the dead to the god Odin's hall Valhalla. There, the deceased warriors become einherjar. When the einherjar are not preparing for the cataclysmic events of Ragnarök, the valkyries bear them mead. Valkyries also appear as lovers of heroes and other mortals, where they are sometimes described as the daughters of royalty, sometimes accompanied by ravens and sometimes connected to swans or horses.
A skald, or skáld is one of the often named poets who composed skaldic poetry, one of the two kinds of Old Norse poetry in alliterative verse, the other being Eddic poetry. Skaldic poems were traditionally composed to honor kings, but were sometimes ex tempore. They include both extended works and single verses (lausavísur). They are characteristically more ornate in form and diction than eddic poems, employing many kennings, which require some knowledge of Norse mythology, and heiti, which are formal nouns used in place of more prosaic synonyms. Dróttkvætt metre is a type of skaldic verse form that most often use internal rhyme and alliteration.
Rognvald Eysteinsson was the founding Jarl of Møre in Norway, and a close relative and ally of Harald Fairhair, the earliest known King of Norway. In the Norse language he is known as Rǫgnvaldr Eysteinsson (Mǿrajarl) and in modern Norwegian as Ragnvald Mørejarl. He is sometimes referred to with bynames that may be translated into modern English as "Rognvald the Wise" or "Rognvald the Powerful".
Bödvar Bjarki, meaning 'Warlike Little-Bear', is the hero appearing in tales of Hrólfr Kraki in the Hrólfs saga kraka, in the Latin epitome to the lost Skjöldunga saga, and as Biarco in Saxo Grammaticus' Gesta Danorum. He is often depicted with the ability to shapeshift into a bear.
Berserker, also known as Berserker: Hell's Warrior, is a fantasy-action-horror film based on Norse mythology. It was written, directed and produced by Paul Matthews and had its main release in 2004.
Horned helmets were worn by many people around the world. Headpieces mounted with animal horns or replicas were also worn since ancient history, as in the Mesolithic Star Carr Frontlets. These were probably used for religious ceremonial or ritual purposes, as horns tend to be impractical on a combat helmet. Much of the evidence for these helmets and headpieces comes from depictions rather than the items themselves.
Knowledge about military technology of the Viking Age is based on relatively sparse archaeological finds, pictorial representations, and to some extent on the accounts in the Norse sagas and laws recorded in the 12th–14th centuries.
The Harii were, according to a single brief remark by the 1st century CE Roman historian Tacitus, a Germanic people the most powerful of the Lugian group of states (civitates), who in turn dominated a large part of the Suebian part of Germania in an area north of the Sudeten and Carpathian Mountains, in the region of present day Poland and eastern Germany.
Einarr Rognvaldarson, often referred to by his byname Torf-Einarr, was one of the Norse earls of Orkney. The son of the Norse jarl Rognvald Eysteinsson and a concubine, his rise to power is related in sagas which apparently draw on verses of Einarr's own composition for inspiration. After battling for control of the Northern Isles of Scotland and a struggle with Norwegian royalty, Einarr founded a dynasty which retained control of the islands for centuries after his death.
The Norse mythology, preserved ancient Icelandic texts such as the Poetic Edda, the Prose Edda, and other lays and sagas, was little known outside Scandinavia until the 19th century. With the widespread publication of Norse myths and legends at this time, references to the Norse gods and heroes spread into European literary culture, especially in Scandinavia, Germany, and Britain. In the later 20th century, references to Norse mythology became common in science fiction and fantasy literature, role-playing games, and eventually other cultural products such as Japanese animation. Storytelling was an important aspect of Norse mythology and centuries later, with the rediscovery of the myth, Norse mythology once again relies on the impacts of storytelling to spread its agenda.
The raven banner was a flag, possibly totemic in nature, flown by various Viking chieftains and other Scandinavian rulers during the 9th, 10th and 11th centuries. Period description simply describes it as a war banner with a raven mark on it, although no complete visual description or depiction of the raven banner is known from the time. Norse and European period artwork, however, depicts war banners as roughly triangular, with a rounded outside edge on which there hung a series of tabs or tassels, some with a resemblance to ornately carved "weather-vanes" used aboard Viking longships, indicating that some raven banners may have been constructed in a similar manner.
Ulf Bjalfason was a renowned hersir and landowner in ninth century Sogn, Norway. He is a main character in the early chapters of Egils saga and appears in the Landnámabók and other Icelandic sources. Kveldulf is described as an ulfhéðinn, a shape-shifter (hamrammr), or a berserker.
Odin is a widely revered god in Germanic paganism. Norse mythology, the source of most surviving information about him, associates him with wisdom, healing, death, royalty, the gallows, knowledge, war, battle, victory, sorcery, poetry, frenzy, and the runic alphabet, and depicts him as the husband of the goddess Frigg. In wider Germanic mythology and paganism, the god was also known in Old English as Wōden, in Old Saxon as Uuôden, in Old Dutch as Wuodan, in Old Frisian as Wêda, and in Old High German as Wuotan, all ultimately stemming from the Proto-Germanic theonym *Wōðanaz, meaning 'lord of frenzy', or 'leader of the possessed'.
Halfdan Long-Leg was a Viking-Age warrior who lived in the latter half of the 9th century. He was the son of King Harald Fairhair and a Sami woman named Snæfrithr Svásadottir.
The Torslunda plates are four cast bronze dies found in the Torslunda parish on the Swedish island Öland. They display figures in relief, representing what are presumed to be traditional scenes from Germanic mythology. The plates are moulds designed for production rather than display; by placing thin sheets of foil against the scenes and hammering or otherwise applying pressure from the back, identical images could be quickly mass-produced. The resulting pressblech foils would be used to decorate rich helmets of the sort found at Vendel, Valsgärde, and Sutton Hoo. Two of the plates may have been made as casts of existing pressblech foils.
Germanic boar helmets or boar crested helmets are attested in archaeological finds from England, Denmark and Sweden, dating to Vendel and Anglo-Saxon periods, and Old English and Old Norse written sources. They consist of helmets decorated with either a boar crest or other boar imagery that was believed to offer protection in battle to the wearer. They have also been proposed to be a costume for the ritual transformation into a boar, similar to berserkers, and to be associated with Freyr.
