Silly Billy was a type of clown common at fairs in England during the 19th century. They were also common in London as street entertainers, along with the similar clown, Billy Barlow. [1] The act included playing the part of a fool or idiot, impersonating a child and singing comic songs. [2] The role was typically played as a stooge to another clown. [3]
The name is popular because of its nice rhyme [4] and was used as a generic nickname for foolish people, especially those named William such as Prince William Frederick [5] and King William IV. [6] [7] The nickname was popularised in the 1970s by impressionist Mike Yarwood, putting it in the mouth of the chancellor, Denis Healey, who took the catchphrase up and used it as his own. [8]
In 1850, the costume of a Silly Billy was short, white trousers with a long white pinafore, white shoes with a strap around the ankle, red sleeves, a ruff around the neck, and a boy's cap. The hair or wig was arranged to stick out behind the ears. Red makeup was daubed to emphasise the nose with two smears of black for the eyebrows. Multiple pairs of white trousers were needed because women liked to tease the clown by smearing gingerbread or sticking pins into his legs so that they bled. [9]
Comic routines included a mesmerism act in which Silly Billy was hypnotised, a parody of a preacher giving a sermon, and a parody of a temperance campaign. [9] Comic songs included O'ive getten a Soft Pleace i' my Yead and Dolly and the Swill Tub. [10]
The wages of a Silly Billy at the time were about two or three half-crowns per day, averaging about a pound a week, over the year. About a dozen performers made their living in this way in the London area. [9]
A clown is a person who performs physical comedy and arts in an open-ended fashion, typically while wearing distinct makeup or costuming and reversing folkway-norms. The art of performing as a clown is known as clowning or buffoonery, and the term "clown" may be used synonymously with predecessors like jester, buffoon, joker, fool, or harlequin. Clowns have a diverse tradition with significant variations in costume and performance. The most recognisable clowns are those that commonly perform in the circus, characterized by colorful wigs, red noses, and oversized shoes. However, clowns have also played roles in theater and folklore, like the court jesters of the Middle Ages and the jesters and ritual clowns of various indigenous cultures. Their performances can elicit a range of emotions, from humor and laughter to fear and discomfort, reflecting complex societal and psychological dimensions. Through the centuries, clowns have continued to play significant roles in society, evolving alongside changing cultural norms and artistic expressions.
Harlequin is the best-known of the comic servant characters (Zanni) from the Italian commedia dell'arte, associated with the city of Bergamo. The role is traditionally believed to have been introduced by the Italian actor-manager Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630.
Low comedy, also known as lowbrow humor, in association to comedy, is a dramatic form of popular entertainment without any primary purpose other than to create laughter through boasting, boisterous jokes, drunkenness, scolding, fighting, buffoonery and other riotous activity. It is also characterized by "horseplay", slapstick or farce. Examples include the throwing of a custard pie into another's face. This definition has also expanded to include types of comedy that rely on obvious physical jokes, such as, the wedgie.
A jester, court jester, fool or joker was a member of the household of a nobleman or a monarch employed to entertain guests during royal court. Jesters were also traveling performers who entertained common folk at fairs and town markets, and the discipline continues into the modern day, where jesters perform at historical-themed events.
William Kempe, commonly referred to as Will Kemp, was an English actor and dancer who specialised in comic roles. He was best known as one of the original stage actors in early dramas by William Shakespeare, and roles associated with his name may have included the comic creation Falstaff. His contemporaries considered him to be a successor to the great clown of the previous generation, Richard Tarlton.
Harlequinade is an English comic theatrical genre, defined by the Oxford English Dictionary as "that part of a pantomime in which the harlequin and clown play the principal parts". It developed in England between the 17th and mid-19th centuries. It was originally a slapstick adaptation or variant of the commedia dell'arte, which originated in Italy and reached its apogee there in the 16th and 17th centuries. The story of the Harlequinade revolves around a comic incident in the lives of its five main characters: Harlequin, who loves Columbine; Columbine's greedy and foolish father Pantaloon, who tries to separate the lovers in league with the mischievous Clown; and the servant, Pierrot, usually involving chaotic chase scenes with a bumbling policeman.
The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white actors wearing blackface makeup for the purpose of comically portraying racial stereotypes of African Americans. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows stereotyped blacks as dimwitted, lazy, buffoonish, cowardly, superstitious, and happy-go-lucky. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent.
Robert Armin was an English actor, and member of the Lord Chamberlain's Men. He became the leading comedy actor with the troupe associated with William Shakespeare following the departure of Will Kempe around 1600. Also a popular comic author, he wrote a comedy, The History of the Two Maids of More-clacke, as well as Foole upon Foole, A Nest of Ninnies (1608) and The Italian Taylor and his Boy.
George Wild Galvin, better known by the stage name Dan Leno, was a leading English music hall comedian and musical theatre actor during the late Victorian era. He was best known, aside from his music hall act, for his dame roles in the annual pantomimes that were popular at London's Theatre Royal, Drury Lane, from 1888 to 1904.
Circus clowns are a sub-genre of clowns. They typically perform at circuses and are meant to amuse, entertain and make guests laugh.
Pantomime is a type of musical comedy stage production designed for family entertainment. It was developed in England and is performed throughout the United Kingdom, Ireland and in other English-speaking countries, especially during the Christmas and New Year season. Modern pantomime includes songs, gags, slapstick comedy and dancing. It generally combines gender-crossing actors and topical humour with a story more or less based on a well-known fairy tale, fable or folk tale. Pantomime is a participatory form of theatre, in which the audience is encouraged and expected to sing along with certain parts of the music and shout out phrases to the performers.
Clown society is a term used in anthropology and sociology for an organization of comedic entertainers who have a formalized role in a culture or society.
Pink Cadillac is a 1989 American action comedy film directed by Buddy Van Horn, about a bounty hunter and a group of white supremacists chasing after an innocent woman who tries to outrun everyone in her husband's prized pink Cadillac. The film stars Clint Eastwood and Bernadette Peters and also has small cameo appearances by Jim Carrey and Bryan Adams. Pink Cadillac marks the third and final collaboration between Eastwood and director Buddy Van Horn, following Any Which Way You Can (1980) and The Dead Pool (1988), as well as Van Horn's final film as a director and Eastwood's final comedy film.
William Hooper Frank John Dainty was a British comedian, dancer, physical comedian and pantomime and television star.
The Shakespearean fool is a recurring character type in the works of William Shakespeare.
Ella Shields was a music hall singer and male-impersonator. Her famous signature song, "Burlington Bertie from Bow", a parody of Vesta Tilley's "Burlington Bertie", written by her third husband, William Hargreaves, was an immediate hit. Though American-born, Shields achieved her greatest success in England.
Gents Without Cents is a 1944 short subject directed by Jules White and starring American slapstick comedy team The Three Stooges. It is the 81st entry in the series released by Columbia Pictures starring the comedians, who released 190 shorts for the studio between 1934 and 1959.
In theatres, beginning in Elizabethan London, a jig was a short comic drama that immediately followed a full-length play. This phenomenon added an additional comic or light-hearted offering at the end of a performance. A jig might include songs sung to popular tunes of the day, and it might feature dance, stage fighting, cross-dressing, disguisings, asides, masks, and elements of pantomime.
Nellie Wallace was a British music hall star, actress, comedienne, dancer and songwriter who became one of the most famous and best loved music hall performers. She became known as "The Essence of Eccentricity". She dressed in ultra-tight skirts — so tight in fact, that she would lie down on the stage and shuffle back and forth on her back to pick up whatever she had contrived to drop. Her hat sported a lone daisy, feather, or fish bone, and once even a lit candle — supposedly, so she could see where she was going and where she had been.
The fairground Silly Billy was a comedian's stooge, underdog to his clowning, played as a juvenile part.
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(help)the general opinion was that he was rather a fool – 'Silly Billy' was the inevitable nickname