Apsaras are a member of a class of celestial beings in Hindu and Buddhist culture. They were originally a type of female spirit of the clouds and waters, but, later play the role of a "nymph" or "fairy". They figure prominently in the sculptures, dance, literature and paintings of many South Asian and Southeast Asian cultures.
A gandharva is a member of a class of celestial beings in Indian religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas.
Tianlong is a flying dragon in Chinese mythology, a star in Chinese astrology, and a proper name.
Ceres, Celestial Legend, known in Japan as Ayashi no Seresu (妖しのセレス), is a Japanese manga series written and illustrated by Yuu Watase. It was originally serialized in Shōgakukan's magazine Shōjo Comic from May 1996 to March 2000, with its chapters collected in 14 tankōbon volumes. The manga was licensed for English release in North America by Viz Media. The series focuses on Aya Mikage, who learns on her sixteenth birthday that she is the reincarnation of an ancient and supremely powerful celestial maiden or angel (tennyo) named Ceres, and her twin brother Aki the reincarnation of Ceres' former husband, Mikagi, the progenitor of the Mikage family, who had stolen Ceres' robe. Ceres' spirit begins manifesting in Aya, and to save her brother she must find Ceres' long-lost celestial robe, while avoiding being killed or captured by family members who want to use Ceres's supreme celestial abilities for their own personal gain.
Vaiśravaṇa or Vessavaṇa, is one of the Four Heavenly Kings, and is considered an important figure in Buddhism. He is the god of warfare and usually portrayed as a warrior-king.
The Four Heavenly Kings are four Buddhist gods or devas, each of whom is believed to watch over one cardinal direction of the world. The Hall of Four Heavenly Kings is a standard component of Chinese Buddhist temples.
Buddhism includes a wide array of divine beings that are venerated in various ritual and popular contexts. Initially they included mainly Indian figures such as devas, asuras and yakshas, but later came to include other Asian spirits and local gods. They range from enlightened Buddhas to regional spirits adopted by Buddhists or practiced on the margins of the religion.
Deva means 'shiny', 'exalted', 'heavenly being', 'divine being', 'anything of excellence', and is also one of the Sanskrit terms used to indicate a deity in Hinduism. Deva is a masculine term; the feminine equivalent is Devi. The word is a cognate with Latin deus ('god') and Greek Zeus.
Feather cloaks have been used by several cultures. It constituted noble and royal attire in § Hawaii and other Polynesian regions. It is a mythical bird-skin object that imparts power of flight upon the Gods in § Germanic mythology and legend, including the § Swan maidens account. In medieval Ireland, the chief poet was entitled to wear a feather cloak.
Śakra is the ruler of the Trāyastriṃśa Heaven according to Buddhist cosmology. He is also referred to by the title "Śakra, Lord of the Devas". The name Śakra ("powerful") as an epithet of Indra is found in several verses of the Rigveda.
The Trāyastriṃśa heaven is an important world of the devas in the Buddhist cosmology. The word trāyastriṃśa is an adjective formed from the numeral trayastriṃśat, "33" and can be translated in English as "belonging to the thirty-three [devas]". It is primarily the name of the second in the six heavens of the desire realm in Buddhist cosmology, and secondarily used of the devas who dwell there. Trāyastriṃśa is ruled by Śakra, also known as Indra.
Devata are smaller and more focused Devas (Deities) in Indian religions, such as Hinduism and Buddhism. The term "devata" itself can also mean deva. They can be either male or female. Every human activity has its devata, its spiritual counterpart or aspect.
A Deva in Buddhism is a type of celestial being or god who shares the god-like characteristics of being more powerful, longer-lived, and, in general, much happier than humans, although the same level of veneration is not paid to them as to Buddhas.
Miho no Matsubara is a scenic area on the Miho Peninsula in Shimizu Ward of Shizuoka City, Japan. Its seven-kilometre seashore is lined with pine trees. It is the location of the legend upon which the Noh drama Hagoromo is based; on the second Saturday and Sunday of October, the city of Shizuoka holds a Hagoromo Festival and a performance of the Noh drama takes place near the pine tree of the legend.
Hagoromo is among the most-performed Japanese Noh plays. It is an example of the traditional swan maiden motif.
This is the glossary of Shinto, including major terms on the subject. Words followed by an asterisk (*) are illustrated by an image in one of the photo galleries.
The Japanese Buddhist pantheon designates the multitude of various Buddhas, Bodhisattvas and lesser deities and eminent religious masters in Buddhism. A Buddhist Pantheon exists to a certain extent in Mahāyāna. Still it is especially characteristic of Vajrayana Esoteric Buddhism, including Tibetan Buddhism and especially Japanese Shingon Buddhism, which formalized it to a great extent. In the ancient Japanese Buddhist pantheon, more than 3,000 Buddhas or deities have been counted, although now most temples focus on one Buddha and a few Bodhisattvas.
Dhṛtarāṣṭra is a major deity in Buddhism and one of the Four Heavenly Kings. His name means "Upholder of the Nation."
Virūḍhaka is a major deity in Buddhism. He is one of the Four Heavenly Kings and a dharmapala.
The Twenty-Four Protective Deities or the Twenty-Four Devas, sometimes reduced to the Twenty Protective Deities or the Twenty Devas, are a group of dharmapalas in Chinese Buddhism who are venerated as defenders of the Buddhist dharma. The group consists of devas, naga kings, vajra-holders and other beings, mostly borrowed from Hinduism with some borrowed from Taoism.
