The snake-woman motif possibly came from Indian folklore.[2] In the earliest versions the white snake was depicted as an evil demon. Over the centuries,however,the legend has evolved from a horror tale to a romance story about forbidden love.
"Li Huang"
The Tang-dynasty story collection Boyi zhi (博異志;"Vast Records of the Strange"),from the early 9th century,contains a chuanqi tale about a man named Li Huang (李黃) meeting an attractive woman clad in white (whose aunt is clothed in blue-green). After mating with the beauty at her residence,he returns home and falls ill,his body dissolving into water. His family searches for the woman and discovers that she is a giant white snake.[2]
"The Three Pagodas of West Lake"
In the Ming dynasty,some time before 1547,a collection of early huaben tales was printed by Hong Pian (洪楩);in it was "The Three Pagodas of West Lake" (西湖三塔記),likely the first work to set the legend in the Southern Song capital Lin'an Prefecture,or modern Hangzhou. In this story,a man named Xi Xuanzan (奚宣贊) meets a girl,her mother,and her grandmother;he falls in love with the mother —who is dressed in white —but the girl warns him that her mother has killed all her previous lovers. A Daoist exorcist exposes the mother as a white snake;her daughter is a black chicken and the grandmother an otter. He builds three stone pagodas in the West Lake and subjugates the creatures beneath them. Xi Xuanzan becomes a religious layman.[3]
"Madam White Is Kept Forever Under the Thunder Peak Tower"
The story "Madam White Is Kept Forever Under the Thunder Peak Tower" (白娘子永鎭雷峰塔) in Feng Menglong's influential 1624 collection Stories to Caution the World began to portray the White Snake in a sympathetic perspective.[4] Xi Xuanzan had become Xu Xuan (許宣),the Taoist exorcist had become a Buddhist monk named Fahai,and the White Snake now has a maid-servant (clothed in blue-green) named Qingqing (青青),who is a fish spirit. In this tale the White Snake tries to enrich her husband,but unwittingly turns him into a crime suspect;when he tries to leave her,she threatens him with a flood. The story ends with the righteous monk Fahai trapping the demons under the Leifeng Pagoda ("Thunder Peak Tower").[4]
An illustration from The Righteous Demons (1869 print).
Qing dynasty texts
The Qing dynasty saw major transformations of the legend thanks to Chinese opera and quyi (storytelling performances). While Huang Tubi (黃圖珌)'s 1738 chuanqi play Leifeng Pagoda is considered similar to Feng Menglong's version,a major shift seemed to have occurred in texts from the late eighteenth and early nineteenth century. Three long- or medium-length works from this period are:Fang Chengpei's (方成培) chuanqi play Leifeng Pagoda (1777);a thirteen-chapter novel (also Leifeng Pagoda,1806) by Yushan Zhuren (玉山主人,"Master of the Jade Mountain"),and The Righteous Demons (義妖傳,preface dated 1809),a transcribed tanci text by Chen Yuqian (陳遇乾). In all of them,White Snake is presented as endearing and devoted;while Fahai's portrayal is more negative.[5]
A white snake and a blue-green snake from Mount Emei transform themselves into two young women called Bai Suzhen and Xiaoqing, respectively. They become best friends and travel to Lin'an Prefecture (or Hangzhou), where they meet a young man named Xu Xian on a ferry-boat in West Lake. Xu Xian lends them his umbrella because it is raining. Xu Xian and Bai Suzhen fall in love instantly and are eventually married. They open a medicine shop.
Fahai, the abbot of Jinshan Temple in Zhenjiang, approaches Xu Xian and tells him that his wife is a snake. Xu Xian brushes him off, so Fahai tells him that he should have her drink realgar wine during the Dragon Boat Festival. Bai Suzhen unsuspectingly drinks the wine and reveals her true form as a large white snake. Xu Xian dies of shock after seeing that his wife is not human.
Bai Suzhen travels to Kunlun, where she braves danger to steal a magical herb guarded by disciples of the Old Man of the South Pole. The herb restores Xu Xian to life.
After coming back to life, Xu Xian is still fearful of his wife. He travels alone to Jinshan Temple, where Fahai imprisons him, telling him that he must live in the temple in order to save himself from the snake demons. Bai Suzhen and Xiaoqing fight with Fahai to rescue Xu Xian. During the battle, Fahai calls on guardian deities like Skanda and Sangharama to help him. Bai Suzhen uses her powers to flood the temple, causing collateral damage in the process. However, her powers are limited because she is already pregnant with Xu Xian's child, so she fails to save her husband. Xiaoqing helps her escape back to Hangzhou.
Meanwhile, Xu Xian realizes that his wife's love for him is genuine and that he no longer cares if she is a snake. He manages to escape after persuading a sympathetic young monk to release him. When he reunites with his battered wife on Broken Bridge, where they first met, Xiaoqing is so furious at him that she intends to kill him, but Bai Suzhen stops her. Xu Xian expresses his regret, and both Bai Suzhen and Xiaoqing forgive him, Xiaoqing more reluctantly.
Bai Suzhen gives birth to their son, Xu Mengjiao (in some versions Xu Shilin). Fahai tracks them down, defeats Bai Suzhen and imprisons her under Leifeng Pagoda, despite pleadings from Xu Xian. Xiaoqing flees, vowing vengeance.
Subplots and spin-offs
Prequel
Lü Dongbin, one of the Eight Immortals, disguises himself as a tangyuan vendor at the Broken Bridge. A boy called Xu Xian buys some tangyuan from Lü Dongbin without knowing that they are actually immortality pills. After eating them, he does not feel hungry for the next three days so he goes back to ask the vendor why. Lü Dongbin laughs and carries Xu Xian to the bridge, where he flips him upside-down and causes him to vomit the tangyuan into the lake. In the lake dwells a white snake spirit who has been practicing Taoist magical arts. She eats the pills and gains 500 years' worth of magical powers. She, therefore, feels grateful to Xu Xian, and their fates become intertwined. There is another terrapin (or tortoise) spirit also training in the lake who did not manage to consume any of the pills; he is very jealous of the white snake. One day, the white snake sees a beggar on the bridge who has caught a green snake and wants to dig out the snake's gall and sell it. The white snake transforms into a woman and buys the green snake from the beggar, thus saving the green snake's life. The green snake is grateful to the white snake and she regards the white snake as an elder sister. In the meantime, the terrapin spirit has accumulated enough powers to take on human form, so he transforms into a Buddhist monk called Fahai.
Sequel
Twenty years after his mother is buried under the pagoda, Xu Mengjiao earns the position of zhuangyuan (top scholar) in the imperial examination and returns home in glory to visit his parents. At the same time, Xiaoqing, who had spent the intervening years refining her powers, goes to the Jinshan Temple to confront Fahai and defeats him. Bai Suzhen is freed from Leifeng Pagoda and reunited with her husband and son, while Fahai flees.
In a version Fahai hides inside the stomach of a crab. There is a saying that a crab's internal fat is orange because it resembles the color of Fahai's kasaya.
Modifications and alternate versions
The legend has been presented in a number of major Chinese operas, films, and television series.
The white snake was simply known as the "White Lady" or "White Maiden" (白娘子) in the original tale in Feng Menglong's Stories to Caution the World. The name "Bai Suzhen" was created in a later era.
Some adaptations of the legend in theater, film, television and other media have made extensive modifications to the original story, including the following:
The green snake (Xiaoqing) is portrayed as a treacherous antagonist who betrays the white snake, as opposed to the traditional depiction of her as the white snake's close friend and confidant.
Alternatively, the green snake (Xiaoqing) is less evolved, less well-trained compared to the white snake (Bai Suzhen), and thus less cognisant of what it means to be human. She is more animalistic and therefore sometimes at odds with Bai Suzhen, thus explaining their differences both in character and actions.
Fahai is portrayed in a more sympathetic light as opposed to the traditional depiction of him as a vindictive and jealous villain: rigid and authoritarian, yet well-intentioned. His background story is also different in some adaptations.
Bai Suzhen is freed from Leifeng Pagoda because her son's filial piety moved Heaven.
A retcon or revisionist version of the story relates that Xu Xian and Bai Suzhen were actually immortals who fell in love and were banished from Heaven because celestial laws forbade their romance. They are reincarnated as a male human and a female white snake spirit respectively and their story begins.
Lü Dongbin is a legendary Chinese scholar and poet who lived during the Tang dynasty whose lifetime supposedly spanned two hundred and twenty years. Elevated to the status of an immortal in the Chinese cultural sphere by Daoists, he is one of the most widely known of the group of deities known as the Eight Immortals. Lü is also a historical figure and mentioned in the official history book History of Song. He is widely considered to be one of the earliest masters of neidan, or internal alchemy. He is also depicted in art dressed as a scholar carrying a sword to dispel evil spirits.
Yaoguai represent a broad and diverse class of ambiguous creatures in Chinese folklore and mythology defined by the possession of supernatural powers and by having attributes that partake of the quality of the weird, the strange or the unnatural. They are especially associated with transformation and enchantment. They often dwell in remote areas or on the fringes of civilization where they produce all manner of unexplainable phenomena and mischief. They often have predatory or malevolent tendencies.
Madam White Snake is a wuxia TV drama series jointly produced by MediaCorp and Taiwanese producer Young Pei-pei's Workshop. It was aired in 2001.
Green Snake is a 1993 Hong Kong fantasy drama film written, directed and produced by Tsui Hark. The film is based on the novel of the same title by Lilian Lee, itself based on the Chinese folk tale Legend of the White Snake, which depicts the love story between the female snake spirit Bai Suzhen, named White Snake is the film, and the male Human Xu Xian, named Hsui Xien in the film. Green Snake depicts the romance between the two, but features both White Snake and her sister Green Snake, originally a supporting character in the folk tale, as the two main characters.
The White Snake Enchantress is a Japanese animated fantasy film. It is the first color anime feature film and Toei Animation's first theatrical feature film, released in 1958. It was one of the first three anime films to be released in America, under the title Panda and the Magic Serpent, premiering in 1961, the month after Magic Boy. It is also known variously as The Great White Snake and The Tale of the White Serpent. In April 2019, a restored version of the film was selected to be shown in the Cannes Classics section at the 2019 Cannes Film Festival.
Leifeng Pagoda is a five story tall tower with eight sides, located on Sunset Hill south of the West Lake in Hangzhou, Zhejiang, China. Originally constructed in the year AD 975, it collapsed in 1924 but was rebuilt in 2002. Since then, it has become a popular tourist attraction. As a protected cultural heritage unit, the Ten Views of West Lake - Leifeng Sunset consists of the Sunset Hill, Leifeng Pagoda, the Imperial Monument and the courtyard and other buildings.
The Legend of the White Serpent is a 1956 romantic fantasy film directed by Shirō Toyoda, with special effects by Eiji Tsuburaya. The film is based on the Chinese fairy tale Pai-she Chuan and the stories Story of a White Snake and White Woman's Magic by Fusao Hayashi.
New Legend of Madame White Snake is a 1992 TV series starring Angie Chiu and Cecilia Yip. It is based on the Chinese folk legend Legend of the White Snake. First shown on Taiwan Television in 1992, the series was broadcast on China Central Television in 1993 and became a major hit. It remained popular for more than 20 years, and was still one of the most replayed TV series in 2016.
Xu Xian, courtesy name Hanwen (漢文), is a main character of the Legend of the White Snake, one of China's four great folk tales. In some versions of the legend he is a scholar, while in others he is a physician. In earlier works such as Feng Menglong's Stories to Caution the World, he is known as Xu Xuan.
The Sorcerer and the White Snake, previously known as It's Love and Madame White Snake, is a 2011 action fantasy film directed by Ching Siu-tung and starring Jet Li. It is based on the Chinese legend, Legend of the White Snake. The film was filmed in 3-D and was shown out of competition at the 68th Venice International Film Festival on 3 September 2011. It was released in mainland China on 28 September 2011 and in Hong Kong on 29 September.
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The Legend of the White Snake is a 2019 streaming television series starring Ju Jingyi and Yu Menglong. It is based on the Chinese folk legend Legend of the White Snake and a remake of 1992 Taiwanese television series New Legend of Madame White Snake. The series airs on iQiyi starting April 3, 2019.
White Snake is a 2019 Chinese–American adult animated fantasy film directed by Amp Wong and Zhao Ji, with animation production by Light Chaser Animation. The film was inspired by the Chinese folktale Legend of the White Snake and was released in China on January 11, 2019. A sequel, Green Snake, was announced in 2020, and was released on July 23, 2021.
Chuanqi is a form of fictional short story or novella in Classical Chinese first formed in the Tang dynasty. The term often refers specifically to fictions written in the Tang dynasty, in which case the fictions are also called Tang chuanqi or chuanqi wen. Chuanqi originated from the zhiguai xiaoshuo of the Six Dynasties, was first formed in Early Tang dynasty, became popular in Middle Tang and dwindled in the Song dynasty. Chuanqi has four main themes: love, gods and demons, xiayi and history.
Bai Suzhen, also known as Lady Bai, is a one-thousand-year-old white snake spirit and the title character of the Legend of the White Snake, one of China's "four great folktales". The legend has been adapted into several Chinese operas, films, television series and other media. In some versions of the legend, Bai Suzhen becomes a goddess; her worshippers refer to her as Madam White Snake.
Xiaoqing or Qingqing is a green or blue snake spirit and one of the protagonists of the Legend of the White Snake, one of China's "four great folktales".
Green Snake, known in China as White Snake 2: The Tribulation of the Green Snake, is a 2021 Chinese adult computer animation fantasy film directed by Amp Wong, with animation production by Light Chaser Animation, Alibaba Pictures, Tianjin Maoyan Weiying Culture Media and Bilibili. It is the sequel to 2019's White Snake. The film was inspired by the Chinese folktale Legend of the White Snake and was released in China on 23 July 2021.
Xu Shilin (許士林), known as Xu Mengjiao (许梦蛟) in some versions, is a Chinese mythological figure, son of the white snake spirit Bai Suzhen and Xu Xian. He is a major character in the Legend of the White Snake, one of four great Chinese folk tales. The story has been adapted many times, including into Chinese operas, films, television series and other media.
Fahai is a fictional Buddhist monk and a major character of the Legend of the White Snake, one of China's "four great folktales". Serving as the abbot of Zhenjiang's Jinshan Temple, Fahai possesses magic powers and he is determined to destroy the marriage between the snake Bai Suzhen and her mortal husband Xu Xian. Following a fierce battle against Bai Suzhen and her companion Xiaoqing which resulted in the flooding of Jinshan Temple, Fahai successfully entraps Bai Suzhen under the Leifeng Pagoda in Hangzhou.
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