Snakes (also known as serpents) are an important motif in Chinese mythology. There are various myths, legends, and folk tales about snakes. Chinese mythology refers to these and other myths found in the historical geographic area(s) of China. These myths include Chinese and other languages, as transmitted by Han Chinese as well as other ethnic groups (of which fifty-six are officially recognized by the current administration of China). [1]
Snakes often appear in myth, religion, legend, or tales as fantastic beings unlike any possible real snake, often having a mix of snake with other body parts, such as having a human head, or magical abilities, such as shape-shifting. One famous snake that was able to transform back and forth between a snake and a human being was Madam White Snake in the Legend of the White Snake.
Other snakes or snake-like beings sometimes include deities, such as Fuxi and Nüwa and Gong Gong. Sometimes, Fuxi and Nuwa are described as snakes with human heads and sometimes as humans with dragon or serpent tails.
In the study of historical Chinese culture, many of the stories that have been told regarding characters and events which have been written or told of the distant past have a double tradition: one tradition which presents a more historicized and one which presents a more mythological version. [2]
In ancient China, some of the river gods which were worshiped were depicted in the form of some sort of snake or snake-like being: [3]
In the ancient China of the Han dynasty (206 BCE – 220 CE), worship of Four Directional deities developed, the directions were east, south, west, and north. With the direction of the middle, there were five major directions, each associated with a divine being or beings, a season, and a color (with the "middle direction" being associated with the emperor and the color yellow). This set of correlations of five whatevers included many more than mentioned here, in the elaborated philosophical system of Wǔ Xíng (五行), although some of the basics related to directional deities was much older.
The north was associated with a pair of divine beings, the Dark Warrior (Xuán Wǔ, 玄武), a tortoise-and-snake creature, with the season of winter, and with the color black [4] (also often considered to be a deepish shade of blue). Each of the directions was also associated with one of the wǔ xíng, or five "elements" (sometimes also translated as "phases" or "materials"): that of the north was water.
According to Anthony Christie, the tortoise-and-snake combination was known as the Black Warrior. And, that although the worship of the other directions was an ancient practice, the worship of the north was usually avoided because the north was considered the dwelling place of a destructive deity of the ocean wind. However, the worship of the north was practiced, with sacrificial ceremonies to the Black Warrior, by the rulers of the Han dynasty, which claimed to rule with the protection of water and the north. [5] Although the Black Warrior is generally depicted as a snake entwining around a turtle, sometimes, they are viewed as two separable generals. [6]
Bai Suzhen and Xiaoqing became deities from snakes. [7]
In Chinese culture, mythologized snakes and snake-like beings have various roles, including the calendar system, poetry, and literature.
In Chinese culture, years of the Snake are sixth in the cycle, following the Dragon Years, and recur every twelfth year. The Chinese New Year does not fall on a specific date, so it is essential to check the calendar to find the exact date on which each Snake Year actually begins. Snake years include: 1905, 1917, 1929, 1941, 1953, 1965, 1977, 1989, 2001, 2013, and 2025. The 12 "zodiacal" (that is, yearly) animals recur in a cycle of sixty years, with each animal occurring five times within the 60-year cycle, but with different aspects each of those 5 times. Thus, 2013 is a year of the yin water Snake, and actually starts on February 10, 2013 and lasts through January 30, 2014. The previous year of the yin water Snake was 1953. [8]
In Thai culture, the year of the Snake is instead the year of the little Snake, and the year of the Dragon is the year of the big Snake.
According to one mythical legend, there is a reason for the order of the 12 animals in the 12-year cycle. The story goes that a race was held to cross a great river, and the order of the animals in the cycle was based upon their order in finishing the race. In this story, the Snake compensated for not being the best swimmer by hitching a hidden ride on the Horse's hoof, and when the Horse was just about to cross the finish line, jumping out, scaring the Horse, and thus edging it out for sixth place.[ citation needed ]
The same 12 animals are also used to symbolize the cycle of hours in the day, each being associated with a two-hour time period. The "hour" of the Snake is 9:00 to 11:00 a.m., the time when the sun warms up the earth, and Snakes slither out of their holes.
The reason the animal signs are referred to as "zodiacal" is because a person's personality is said to be influenced by the animal sign(s) ruling the time of birth, together with elemental aspect of that animal sign within the sexegenary (60 year) cycle. Similarly, the year governed by a particular animal sign is supposed to be characterized by it, with the effects particularly strong for people who were born in a year governed by the same animal sign. [8]
The usual and general Chinese word and character for Snake is shé (Chinese :蛇; pinyin :shé; lit.' Snake or Snakes '). As a zodiacal sign, the Snake is associated with Chinese :巳; pinyin :sì, a proper noun referring to the 6th of the 12 Earthly Branches, or to the double-hour of 9-00-11:00 a.m.
On the fifth day of the fifth month of the Chinese calendar is the festival of the Double Fifth (Duanwu). Many of the activities traditional on this holiday involve expelling various sources of potential evil influences. One of these involves driving away the Five Noxious Creatures (wu du), of which the Snake is one. [9]
Some reports of fantastic snakes may belong more properly to the field of cryptozoology, legend, or folktale, rather than mythology or religion.
An example of this, is the "sudden striker" snake of Sunzi's Art of War that was supposed to be able to fight with both head and tail, and was used as a simile for how a general who is expert at military deployment does so. The Sudden Striker snake supposedly lived on "Mount Ch'ang": (Roger T. Ames believes this to have been Mount Heng, but written with a different character to avoid a naming taboo on the given name of Han Wendi). [10]
Other members of certain types of Chinese dragon are considered especially snake-like, such as the Teng, which is sometimes known as the "flying snake-dragon". Some reptilians are not at all snake-like, such as the Ao. [11]
The serpent, or snake, is one of the oldest and most widespread mythological symbols. The word is derived from Latin serpens, a crawling animal or snake. Snakes have been associated with some of the oldest rituals known to humankind and represent dual expression of good and evil.
The Chinese dragon, also loong, is a legendary creature in Chinese mythology, Chinese folklore, and Chinese culture at large. Chinese dragons have many animal-like forms such as turtles and fish, but are most commonly depicted as snake-like with four legs. Academicians have identified four reliable theories on the origin of the Chinese dragon: snakes, Chinese alligators, thunder worship and nature worship. They traditionally symbolize potent and auspicious powers, particularly control over water.
Chinese mythology is mythology that has been passed down in oral form or recorded in literature throughout the area now known as Greater China. Chinese mythology encompasses a diverse array of myths derived from regional and cultural traditions. Populated with engaging narratives featuring extraordinary individuals and beings endowed with magical powers, these stories often unfold in fantastical mythological realms or historical epochs. Similar to numerous other mythologies, Chinese mythology has historically been regarded, at least partially, as a factual record of the past.
Fuxi or Fu Hsi (伏羲) is a culture hero in Chinese mythology, credited along with his sister and wife Nüwa with creating humanity and the invention of music, hunting, fishing, domestication, and cooking, as well as the Cangjie system of writing Chinese characters around 2900 BC or 2000 BC. Fuxi was counted as the first mythical emperor of China, "a divine being with a serpent's body" who was miraculously born, a Taoist deity, and/or a member of the Three Sovereigns at the beginning of the Chinese dynastic period.
The snake is the sixth of the twelve-year cycle of animals which appear in the Chinese zodiac related to the Chinese calendar. The Year of the Snake is associated with the Earthly Branch symbol 巳.
The Ox is the second of the 12-year periodic sequence (cycle) of animals which appear in the Chinese zodiac related to the Chinese calendar, and also appears in related calendar systems. The Chinese term translated here as ox is in Chinese niú , a word generally referring to cows, bulls, or neutered types of the bovine family, such as common cattle or water buffalo. The zodiacal ox may be construed as male, female, neutered, intersex, and either singular or plural. The Year of the Ox is also denoted by the Earthly Branch symbol chǒu. The term "zodiac" ultimately derives from an Ancient Greek term referring to a "circle of little animals". There are also a yearly month of the ox and a daily hour of the ox. Years of the oxen (cows) are cyclically differentiated by correlation to the Heavenly Stems cycle, resulting in a repeating cycle of five years of the ox/cow, each ox/cow year also being associated with one of the Chinese wǔxíng, also known as the "five elements", or "phases": the "Five Phases" being Fire, Water, Wood, Metal, and Earth. The Year of the Ox follows after the Year of the Rat which happened in 2020 and is then followed by the Year of the Tiger, which happened in 2022.
Yinglong is a winged dragon and rain deity in ancient Chinese mythology.
The Yellow Dragon is the zoomorphic incarnation of the Yellow Emperor of the center of the universe in Chinese religion and mythology.
Hong or jiang is a Chinese dragon with two heads on each end in Chinese mythology, comparable with Rainbow Serpent legends in various cultures and mythologies.
Zhulong or Zhuyin, also known in English as the Torch Dragon, was a giant red solar dragon and god in Chinese mythology. It supposedly had a human's face and snake's body, created day and night by opening and closing its eyes, and created seasonal winds by breathing.
Teng or Tengshe is a flying dragon in Chinese mythology.
The Chinese zodiac is a traditional classification scheme based on the Chinese calendar that assigns an animal and its reputed attributes to each year in a repeating twelve-year cycle. In traditional Chinese culture, the Chinese zodiac is very important and exists as a reflection of Chinese philosophy and culture. Chinese folkways held that one's personality is related to the attributes of their zodiac animal. Originating from China, the zodiac and its variations remain popular in many East Asian and Southeast Asian countries, such as Japan, South Korea, Vietnam, Singapore, Nepal, Bhutan, Cambodia, and Thailand.
The Kunlun or Kunlun Shan is a mountain or mountain range in Chinese mythology, an important symbol representing the axis mundi and divinity.
Agriculture is an important theme in Chinese mythology. There are many myths about the invention of agriculture that have been told or written about in China. Chinese mythology refers to those myths found in the historical geographic area of China. This includes myths in Chinese and other languages, as transmitted by Han Chinese as well as other ethnic groups. Many of the myths about agriculture involve its invention by such deities or cultural heroes such as Shennong, Houji, Houtu, and Shujun: of these Shennong is the most famous, according to Lihui Yang. There are also many other myths. Myths related to agriculture include how humans learned the use of fire, cooking, animal husbandry and the use of draft animals, inventions of various agricultural tools and implements, the domestication of various species of plants such as ginger and radishes, the evaluation and uses of various types of soil, irrigation by digging wells, and the invention of farmers markets. Other myths include events which made agriculture possible by destroying an excessive number of suns in the sky or ending the Great Flood.
Dogs are an important motif in Chinese mythology. These motifs include a particular dog which accompanies a hero, the dog as one of the twelve totem creatures for which years are named, a dog giving first provision of grain which allowed current agriculture, and claims of having a magical dog as an original ancestor in the case of certain ethnic groups.
Horses are an important motif in Chinese mythology. There are many myths about horses or horse-like beings, including the pony. Chinese mythology refers to those myths found in the historical geographic area of China. This includes myths in Chinese and other languages, as transmitted by Han Chinese as well as other ethnic groups. There are various motifs of horses in Chinese mythology. In some cases the focus is on a horse or horses as the protagonist of the action, in other cases they appear in a supporting role, sometimes as the locomotive power propelling a chariot and its occupant(s). According to a cyclical Chinese calendar system, the time period of 31 January 2014 - 18 February 2015 falls under the category of the (yang) Wood Horse.
The Yellow River Map, Scheme, or Diagram, also known by its Chinese name as the Hetu, is an ancient Chinese diagram that appears in myths concerning the invention of writing by Cangjie and other culture heroes. It is usually paired with the Luoshu Square—named in reference to the Yellow River's Luo tributary—and used with the Luoshu in various contexts involving Chinese geomancy, numerology, philosophy, and early natural science.
Chinese gods and immortals are beings in various Chinese religions seen in a variety of ways and mythological contexts.
The Wǔfāng Shàngdì, or simply Wǔdì or Wǔshén are, in Chinese canonical texts and common Chinese religion, the fivefold manifestation of the supreme God of Heaven. This theology dates back at least to the Shang dynasty. Described as the "five changeable faces of Heaven", they represent Heaven's cosmic activity which shapes worlds as tán 壇, "altars", imitating its order which is visible in the starry vault, the north celestial pole and its spinning constellations. The Five Deities themselves represent these constellations. In accordance with the Three Powers they have a celestial, a terrestrial and a chthonic form. The Han Chinese identify themselves as the descendants of the Red and Yellow Deities.