The Sixth and Seventh Books of Moses is an 18th- or 19th-century magical text allegedly written by Moses, and passed down as hidden (or lost) books of the Hebrew Bible. Self-described as "the wonderful arts of the old Hebrews, taken from the Mosaic books of the Kabbalah and the Talmud", it is actually a grimoire, or text of magical incantations and seals, that purports to instruct the reader in the spells used to create some of the miracles portrayed in the Bible as well as to grant other forms of good fortune and good health. The work contains reputed Talmudic magic names, words, and ideograms, some written in Hebrew and some with letters from the Latin alphabet. It contains "Seals" or magical drawings accompanied by instructions intended to help the user perform various tasks, from controlling weather or people to contacting the dead or Biblical religious figures.
Copies have been traced to 18th-century German pamphlets, but an 1849 printing, aided by the appearance of the popular press in the 19th century, spread the text through Germany and Northern Europe to German Americans and eventually helped popularize the texts among African Americans in the United States, the Caribbean, and Anglophone West Africa. It influenced European Occult Spiritualism as well as African American hoodoo folk magic, and magical-spiritual practices in the Caribbean, and West Africa. [1]
An older magical text, a fourth-century Greek papyrus entitled Eighth Book of Moses otherwise unrelated to the Sixth and Seventh Books, was found in Thebes in the 19th century and published as part of the Greek Magical Papyri. [2]
No first version of this work has been established, but early versions began to appear as inexpensive pamphlets in Germany in the 18th century. [1] Elements of the "Seventh Book", such as "The Seven Semiphoras of Adam" and "The Seven Semiphoras of Moses" appear to have come from the seventh book of the earlier European copies of the Sefer Raziel HaMalakh . [3] The work came to wide prominence when published as volume 6 of Das Kloster (The Cloister) in 1849 in Stuttgart by antiquarian Johann Scheible.
Historian Owen Davies traces copies of the work from the 18th century in Germany. [1] After circulating there, the work was popularized in the United States first in the communities of the Pennsylvania Dutch. [1]
In the early 19th-century, European or European-American grimoires were popular among immigrants and in rural communities where the folk traditions of Europe, intertwined with European religious mysticism, survived. One of the earliest American grimoires is John George Hohman's Pow-Wows; or, Long Lost Friend , a collection of magical spells originally published in 1820 for Pennsylvania Dutch spiritualists known as "hexmeisters". [4]
While versions of The Sixth and Seventh Books were likely passed around German immigrant communities from the late 18th century, the 1849 Leipzig copy was followed by a New York printing, in German, in 1865, and an English translation in 1880. The growth of inexpensive paperback publication in the 19th century, like those of Chicago occult publisher L. W. de Laurence, helped the work gain popularity outside German communities.
Its prominence as a source of popular rural Pennsylvanian [5] and Appalachian "folk magic" spells has been recorded as late as the mid-20th century. [6]
The boom in inexpensive publishing, and the interest in Spiritualism helped the work gain popularity in the African-American population of the United States, and from there, the Anglophone parts of the Caribbean.
From 1936 through 1972, the folklorist Harry Middleton Hyatt interviewed 1,600 African-American Christian root doctors and home practitioners of hoodoo, and many of them made reference to using this book and other seal-bearing grimoires of the era, such as the Key of Solomon. When Hyatt asked his informants where such books were purchased, he was told that they could be had by mail order from hoodoo suppliers in Chicago, Memphis, or Baltimore. [7]
In the West Indies, the book became one of the central texts of Jamaican obeah and was counted among the founding works of the "Zion Revivalist" Christian movement and the Rastafari movement of the early 20th century. [1] The influential Jamaican musical group Toots and the Maytals, for instance, released in 1963 the song "Six And Seven Books Of Moses": its lyrics list the accepted books of the Old Testament, ending in "... the Sixth and the Seventh books, they wrote them all." [8] [9]
In early 20th-century British West Africa and Liberia, The Sixth and Seventh Books was adopted widely. It served as a source for "Christian Magic", both by West African spiritualist Christian cults and "assimilated" Africans. In colonial Gold Coast and Nigeria, it was seen as a "western" form of magic that might be used by educated Africans seeking access to Britain or its power, much like Masonic ritual or Rosicrucianism. The Nigerian press in the 1920s regularly featured advertisements for copies of The Sixth and Seventh Books and other Christian occult books. [10]
It was also influential in Christian occult movements in Anglophone West Africa, [1] and West African religious movements which blended Christianity and traditional magic made use of the work. Josiah Olunowo Ositelu's seals and mystical written incantations, used in the Nigerian Church of the Lord (Aladura) were likely derived from the Sixth and Seventh Books. [10]
Versions of this work circulated throughout Scandinavia and Central Europe. In Sweden and Finland these books are compiled and published under the titles Den Svarta Bibeln and Musta Raamattu, respectively, meaning "The Black Bible". [11] [12]
The printed texts of The Sixth and Seven Books of Moses (from 1849) combine two purportedly lost short Biblical texts with several contemporary essays and half a dozen purported writings of those who kept this knowledge and practiced its use through history, dated from Biblical times to the 17th century. These works attempt to paint a portrait of secret knowledge which Moses was given by God, and then handed down father to son until King Solomon, when it was handed to Priests, and finally, Talmudic scholars. In Christian circles, the text appealed to the same authority as did Biblical apocrypha: Biblical texts outside the current Biblical canon.
Containing numerous allegedly magical spells used to summon spirits to do the will of the conjurer, the books are attributed to works in which Moses sets forth the magic which enabled him to defeat the magicians of Egypt, part the Red Sea, and perform the acts attributed to him in the Old Testament. [13] Although these are allegedly Kabbalistic in nature, there is very little or no influence of Kabbala within the pages. Most texts are reputed to be Hebrew, passed to the editors through European Talmudic scholars or Christian Medieval ecclesiastics who were privy to secret Biblical texts. Some of the texts are allegedly translated from a text written by Canaanite magicians and keepers of the Samaritan Pentateuch in the "Cuthan-Samaritan language", a language considered extinct since the 12th century.
No complete manuscripts older than Scheible's 1849 printing are extant, and the claimed origin must be regarded pseudepigraphic and spurious. It is rather of a school of European Medieval and Enlightenment grimoires, such as The Key of Solomon, The Red Dragon, Petit Albert and others. [1] Elements appear directly reprinted from Three Books of Occult Philosophy by Heinrich Cornelius Agrippa (1531) and an 18th-century German translation by Gottfried Selig of the Hebrew Sepher Schimmush Tehillim (The magical uses of the Psalms). [14]
The vast majority of the printed works of 1849, a New York German printing of 1865, and the first English public printing of 1880 are additions to the reputed biblical books. In the 1880 edition, for instance, "the Sixth Book of Moses" and "the Seventh Book of Moses" run only from page 6 to 28, making up 23 of the 190 pages. The vast majority of the work is appendices, restatements of similar seals and incantations, reputedly from those Kabbala teachers to whom this knowledge was passed. Finally, there are sections including lists of the powers associated with each of the Hebrew "Names of God", the powers and use of reciting each of the Psalms and each Hebrew letter. [15]
Scheible also inserted an introduction, "The Magic of the Israelites", taken from Joseph Ennemoser's 1844 Geschichte der Magie. [14] The introduction to the 1880 New York edition explains the genesis of the books.
These two Books were revealed by God, the Almighty, to his faithful servant Moses, on Mount Sinai, intervale lucis, and in this manner they also came into the hands of Aaron, Caleb, Joshua, and finally to David and his son Solomon and their high priest Sadock. Therefore, they are Bibliis arcanum arcanorum, which means, Mystery of all Mysteries.
— 1880 New York printing, Vol. I, p.6
The Sixth Book includes an introduction along with seven chapters, known as "The Mystery of the First Seal" through "The Mystery of the Seventh Seal". The included pictures of the "seals" consist of various stylized symbols surrounded by pseudo-Hebrew and pseudo-Latin phrases and letters. Each "Seal" or "Table" (in the Seventh Book) is paired with an incantation (reputedly Hebrew) and a very brief description of its powers.
The seventh book is much the same: taking the events of the Biblical narrative of Moses' life (and other Biblical and unknown stories) and gives a reputed pairing of an incantation and a drawn magical object, here called "Tables". There are twelve tables, each said to control powers associated with certain Angels, elements, or astronomical symbols:
In the New York Edition this is followed by "The Magic of the Israelites", used in the 1849 version as the introduction.
The second volume of the work collects a series of works claimed to be "in the tradition of" the original two books. In the New York edition, this begins with "Formulas of the Magical Kabala of the Sixth and Seventh Books of Moses", which again demonstrates seals and incantations, these said to be the Magic used by Moses himself at various points in the Biblical stories, such as how to turn his staff into a snake or conjure the pillar of fire. They include other incantations, such as the one labeled "These words are terrible, and will assemble devils or spirits, or they will cause the dead to appear." This is followed by works of only a dozen or so pages, all giving similar "Seals" and incantations (often with identical titles, such as "the Breastplate of Moses"). These include "Extract from the True Clavicula of Solomon and of the Girdle of Aaron" (a version of the Key of Solomon grimoire), the "Biblia Arcana Magica Alexander, According to the Tradition of the Sixth and Seventh Books of Moses, Besides Magical Laws", and the "Citation of the Seven Great Princes in the Tradition of the Sixth and Seventh Books of Moses" which contains similar seals and incantations with more or less Biblical connotations.
These are followed by a long section reputing to explain the powers associated with each of the Hebrew "Names of God", other seals which are to be used with these incantations, the Schemhamphoras of King Solomon (The Semiphoras and Schemhamphorash a 1686 occult book attributed to King Solomon printed by Andreas Luppius), and the powers and use of reciting each of the Psalms and each Hebrew letter. For example:
Psalm 123.—If your servant or journeyman has run away from you, write this Psalm, together with his name, on a leaden or tin plate, when he will return to you.
— 1880 New York edition, Vol II, p. 107.
Finally there are sections "Astrological Influence Upon Man and Magical Cures of the Old Hebrews. From Dr. Gideon Brechee's work: The Transcendental, Magic and Magical Healing Art in the Talmud. Vienna: 1850". This is a likely bowdlerizing of Gideon Brecher's Das Transcendetale, Magie, und Magische Heilertarten im Talmud (Vienna: Klopf und Eurich, 1850). This work was one of a school of Wissenschaft des Judentums ("The science of Judaism" in German), a 19th-century movement of critical investigations of Jewish literature and culture, including rabbinic literature, using more or less scientific methods.
After a long treatise on Astrology, a further section lists cures, spells and amulets, and gives a source preceding each, such as
Rabbi Jochanan said: A chief among witches told me: If you meet witches you should utter the following charm: "Hot dirt, in perforated baskets, in your mouths, ye enchanting women. May your heads become bald; may the wind blow away your breadcrumbs; may it scatter your spices; may the fresh saffron which ye have in your hands fly away. Witches ! so long as men were gracious to me, and I was careful, I came not in your midst; now I did, and you are not agreeable to me."
— 1880 New York edition, Vol II, p. 124.
A grimoire is a textbook of magic, typically including instructions on how to create magical objects like talismans and amulets, how to perform magical spells, charms, and divination, and how to summon or invoke supernatural entities such as angels, spirits, deities, and demons. In many cases, the books themselves are believed to be imbued with magical powers. The only contents found in a grimoire would be information on spells, rituals, the preparation of magical tools, and lists of ingredients and their magical correspondences. In this manner, while all books on magic could be thought of as grimoires, not all magical books should be thought of as grimoires.
Powwow, also called Brauche, Brauchau, or Braucherei in the Pennsylvania Dutch language, is a vernacular system of North American traditional medicine and folk magic originating in the culture of the Pennsylvania Dutch. Blending aspects of folk religion with healing charms, "powwowing" includes a wide range of healing rituals used primarily for treating ailments in humans and livestock, as well as securing physical and spiritual protection, and good luck in everyday affairs. Although the word "powwow" is Native American, these ritual traditions are of European origin and were brought to colonial Pennsylvania in the transatlantic migrations of German-speaking people from Central Europe in the seventeenth and eighteenth centuries. A practitioner is sometimes referred to as a "Powwower" or Braucher, but terminology varies by region. These folk traditions continue to the present day in both rural and urban settings, and have spread across North America.
A pentacle is a talisman that is used in magical evocation, and is usually made of parchment, paper, cloth, or metal, upon which a magical design is drawn. Symbols may also be included, a common one being the six-point form of the Seal of Solomon.
The Lesser Key of Solomon, also known by its Latin title Lemegeton Clavicula Salomonis or simply the Lemegeton, is an anonymously authored grimoire on sorcery, mysticism and magic. It was compiled in the mid-17th century, mostly from materials several centuries older. It is divided into five books: the Ars Goetia, Ars Theurgia-Goetia, Ars Paulina, Ars Almadel, and Ars Notoria. It is based on the Testament of Solomon and the ring mentioned within it that he used to seal demons.
The Key of Solomon, also known as the Greater Key of Solomon, is a pseudepigraphical grimoire attributed to King Solomon. It probably dates back to the 14th or 15th century Italian Renaissance. It presents a typical example of Renaissance magic.
There have been various attempts at the classification of demons within the contexts of classical mythology, demonology, occultism, and Renaissance magic. These classifications may be for purposes of traditional medicine, exorcisms, ceremonial magic, witch-hunts, lessons in morality, folklore, religious ritual, or combinations thereof. Classifications might be according to astrological connections, elemental forms, noble titles, or parallels to the angelic hierarchy; or by association with particular sins, diseases, and other calamities; or by what angel or saint opposes them.
The Sworn Book of Honorius is a medieval grimoire purportedly written by Honorius of Thebes. The Latin word juratus, which is typically translated "sworn", is intended to mean "oathbound". It was allegedly the grimoire of Pope Honorius I, hence its name.
The Seal of Solomon or Ring of Solomon is the legendary signet ring attributed to the Israelite king Solomon in medieval mystical traditions, from which it developed in parallel within Jewish mysticism, Islamic mysticism and Western occultism.
The Book of Abramelin tells the story of an Egyptian mage named Abraham, or Abra-Melin, who taught a system of magic to Abraham of Worms, a Jew from Worms, Germany, presumed to have lived from c. 1362 to c. 1458. The system of magic from this book regained popularity in the 19th and 20th centuries partly due to Samuel Liddell MacGregor Mathers' translation, The Book of the Sacred Magic of Abramelin the Mage.
The angel Jophiel, also called Iophiel, Iofiel, Jofiel, Yofiel, Youfiel, Zophiel and Zuriel, is an archangel in Christian and Jewish angelology. Jophiel is associated with beauty, art, and wisdom.
The Simon Necronomicon is a grimoire attributed to "Simon", allegedly a pseudonym of writer Peter Levenda. Materials presented in the book are a blend of ancient Middle Eastern elements, with allusions to the writings of H. P. Lovecraft and Aleister Crowley, woven together with a story about a man known as the "Mad Arab".
The Arbatel De Magia Veterum is a Latin grimoire of Renaissance ceremonial magic published in 1575 in Switzerland.
Shem HaMephorash, meaning "the explicit name," was originally a Tannaitic term for the Tetragrammaton. In Kabbalah, it may refer to a name of God composed of either 4, 12, 22, 42, or 72 letters, the latter version being the most common.
Semiphoras and Schemhamphorash is the title of an occult or magic text of Jewish provenance, published in German by Andreas Luppius in 1686. It was based on the earlier Latin text, Liber Semiphoras attributed to Solomon, which Luppius augmented heavily with passages from Agrippa De occulta philosophia and other sources.
The Secret Lore of Magic is a book by Idries Shah on the subject of magical texts. First published in 1957, it includes several major source-books of magical arts, translated from French, Latin, Hebrew and other tongues, annotated and fully illustrated with numerous diagrams, signs and characters. Together with Oriental Magic, which appeared in the preceding year, it provided an important literary-anthropological survey of magical literature and is a comprehensive reference for psychologists, ethnologists and others interested in the rise and development of human beliefs.
Frederick Hockley was a British occultist and scryer who was a London-based Freemason and a member of the Societas Rosicruciana in Anglia.
The Magical Treatise of Solomon, also known as the Hygromanteia or Solomonikê, is a collection of late Byzantine-era grimoires written in medieval Greek. A pseudepigraphon, the book purports to contain Solomon's instructions to his son Rehoboam on various magical techniques and tools to summon and control different spirits and their powers, astrological beliefs, select charms, different means of divination, and the magical uses of herbs. The Magical Treatise survives in fragments from a number of manuscripts dating from the 15th century CE. The book has been important for the history of European magic, serving as a link between the earlier Greek magical practices and the later grimoires of Western Europe. During the early modern period, the book begun to be translated in Latin, becoming the source for future European grimoires, most notably the Key of Solomon.
The Grand Albert is a grimoire that has often been attributed to Albertus Magnus. Begun perhaps around 1245, it received its definitive form in Latin around 1493, a French translation in 1500, and its most expansive and well-known French edition in 1703. Its original Latin title, Liber secretorum Alberti Magni de virtutibus herbarum, lapidum et animalium quorumdam, translates to English as "the book of secrets of Albert the Great on the virtues of herbs, stones and certain animals". It is also known under the names of The Secrets of Albert, Secreta Alberti, and Experimenta Alberti.
Goetia is a type of European sorcery, often referred to as witchcraft, that has been transmitted through grimoires—books containing instructions for performing magical practices. The term "goetia" finds its origins in the Greek word "goes", which originally denoted diviners, magicians, healers, and seers. Initially, it held a connotation of low magic, implying fraudulent or deceptive mageia as opposed to theurgy, which was regarded as divine magic. Grimoires, also known as "books of spells" or "spellbooks", serve as instructional manuals for various magical endeavors. They cover crafting magical objects, casting spells, performing divination, and summoning supernatural entities, such as angels, spirits, deities, and demons. Although the term "grimoire" originates from Europe, similar magical texts have been found in diverse cultures across the world.
The Sixth and Seventh Books of Moses, which for some reason in Finland has long carried the title Musta raamattu, the "Black Bible."
Ruotsissa teos tunnettiin nimellä Sjätte och Sjunde Moseboken, kunnes se vuoden 1972 käännöksessä sai lisänimen Svarta Bibeln.