Black magic

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Black magic has traditionally referred to the use of supernatural powers or magic for evil and selfish purposes. [1]

Contents

The links and interaction between black magic and religion are many and varied. Beyond black magic's historical persecution by Christianity and its inquisitions, there are links between religious and black magic rituals. For example, 17th-century priest Étienne Guibourg is said to have performed a series of Black Mass rituals with alleged witch Catherine Monvoisin for Madame de Montespan. [2] During his period of scholarship, A. E. Waite provided a comprehensive account of black magic practices, rituals and traditions in The Book of Ceremonial Magic (1911). [3]

The influence of popular culture has allowed other practices to be drawn in under the broad banner of black magic, including the concept of Satanism. While the invocation of demons or spirits is an accepted part of black magic, this practice is distinct from the worship or deification of such spiritual beings. [4] The two are usually combined in medieval beliefs about witchcraft.

History

The lowest depths of black mysticism are well-nigh
as difficult to plumb as it is arduous to scale
the heights of sanctity. The Grand Masters of
the witch covens are men of genius – a foul genius,
crooked, distorted, disturbed, and diseased.

Montague Summers
Witchcraft and Black Magic

Robert M. Place's 2009 book, Magic and Alchemy describes the origins of black magic as being like its counterpart white magic; traced to the primitive, ritualistic worship of spirits. [5] Unlike white magic, in which Place sees parallels with primitive shamanistic efforts to achieve closeness with spiritual beings, the rituals that developed into modern black magic were designed to evoke those same spirits to produce beneficial outcomes for the practitioner. Place also provides a broad modern definition of both black and white magic, preferring instead to refer to them as "high magic" (white) and "low magic" (black) based primarily on intentions of the practitioner employing them. He acknowledges, though, that this broader definition (of "high" and "low") suffers from prejudices because good-intentioned folk magic may be considered "low" while ceremonial magic involving expensive or exclusive components may be considered by some as "high magic", regardless of intent. [6]

During the Renaissance, many magical practices and rituals were considered evil or irreligious and by extension, black magic in the broad sense. Witchcraft and non-mainstream esoteric study were prohibited and targeted by the Inquisition. [7] As a result, natural magic developed as a way for thinkers and intellectuals, like Marsilio Ficino, abbot Johannes Trithemius and Heinrich Cornelius Agrippa, to advance esoteric and ritualistic study (though still often in secret) without significant persecution. [7]

Malleus Maleficarum, 1669 edition Sprenger - Malleus maleficarum, 1669 - BEIC 9477645.tiff
Malleus Maleficarum , 1669 edition

While "natural magic" became popular among the educated and upper classes of the 16th and 17th century, ritualistic magic and folk magic remained subject to persecution. Twentieth-century writer Montague Summers generally rejects the definitions of "white" and "black" magic as "contradictory", though he highlights the extent to which magic in general, regardless of intent, was considered "black" and cites William Perkins posthumous 1608 instructions in that regard:

All witches "convicted by the Magistrate" should be executed. He allows no exception and under this condemnation fall "all Diviners, Charmers, Jugglers, all Wizards, commonly called wise men or wise women". All those purported "good Witches which do not hurt but good, which do not spoil and destroy, but save and deliver" should come under the extreme sentence. [8]

In particular, though, the term was most commonly reserved for those accused of invoking demons and other evil spirits, those hexing or cursing their neighbours, those using magic to destroy crops, and those capable of leaving their earthly bodies and travelling great distances in spirit (to which the Malleus Maleficarum "devotes one long and important chapter"), usually to engage in devil-worship. Summers also highlights the etymological development of the term nigromancer, in common use from 1200 to approximately 1500, (Latin : niger, black; Greek : μαντεία, divination), broadly "one skilled in the black arts". [8]

In a modern context, the line between white magic and black magic is somewhat clearer and most modern definitions focus on intent rather than practice. [5] There is also an extent to which many modern Wicca and witchcraft practitioners have sought to distance themselves from those intent on practising black magic. Those who seek to do harm or evil are less likely to be accepted into mainstream Wiccan circles or covens in an era where benevolent magic is increasingly associated with new-age beliefs and practices, and self-help spiritualism. [4]

artes prohibitae and artes magicae

Seven artes prohibitae or artes magicae were arts prohibited by canon law as expounded by Johannes Hartlieb in 1456. Their sevenfold partition reflecting that of the artes liberales and artes mechanicae. [9] While the term nigromancy broadly construed includes the six associated divinatory practices, it more specifically refers to the demonic magic of the Late Middle Ages. Demonic magic was performed in groups surrounding a leader in possession of a grimoire. Practitioners were typically members of the educated elite, as most grimoires were written in Latin. One such case in 1444, Inquisitor Gaspare Sighicelli took action against a group active in Bologna. Marco Mattei of Gesso and friar Jacopo of Viterbo confessed to taking part in magical practices. Nigromancy may include, but is not a synonym for, necromancy ("death magic"). [10]

Voodoo

A Voodoo doll Vudu.jpg
A Voodoo doll

Voodoo has been associated with modern black magic; drawn together in popular culture and fiction. However, while hexing or cursing may be accepted black magic practices, Voodoo has its own distinct history and traditions. [11] [4]

Voodoo tradition makes its own distinction between black and white magic, with sorcerers like the Bokor known for using magic and rituals of both. But practitioners' penchant for magic associated with curses, poisons and zombies means they, and Voodoo in general, are regularly associated with black magic. [12]

Concepts related to black magic or described as black magic are a regular feature of books, films and other popular culture. Examples include:

See also

Related Research Articles

Witchcraft, as most commonly understood in both historical and present-day communities, is the use of alleged supernatural powers of magic. A witch is a practitioner of witchcraft. Traditionally, "witchcraft" means the use of magic or supernatural powers to inflict harm or misfortune on others, and this remains the most common and widespread meaning. According to Encyclopedia Britannica, "Witchcraft thus defined exists more in the imagination of contemporaries than in any objective reality. Yet this stereotype has a long history and has constituted for many cultures a viable explanation of evil in the world". The belief in witchcraft has been found in a great number of societies worldwide. Anthropologists have applied the English term "witchcraft" to similar beliefs in occult practices in many different cultures, and societies that have adopted the English language have often internalised the term.

<span class="mw-page-title-main">Magic (supernatural)</span> Practice of supernatural beings and forces

Magic is an ancient practice rooted in rituals, spiritual divinations, and/or cultural lineage—with an intention to invoke, manipulate, or otherwise manifest supernatural forces, beings, or entities in the natural world. It is a categorical yet often ambiguous term which has been used to refer to a wide variety of beliefs and practices, frequently considered separate from both religion and science.

<span class="mw-page-title-main">Necromancy</span> Magic involving communication with the deceased

Necromancy is the practice of magic involving communication with the dead by summoning their spirits as apparitions or visions for the purpose of divination; imparting the means to foretell future events and discover hidden knowledge. Sometimes categorized under death magic, the term is occasionally also used in a more general sense to refer to black magic or witchcraft as a whole. In fictional settings such as Dungeons & Dragons, or fantasy video games, it is associated with the reanimation of corpses often meant to be used as weapons.

Christian views on magic vary widely among Christian denominations and among individuals. Many Christians actively condemn magic as satanic, holding that it opens the way for demonic possession. Some Christians simply view it as entertainment. Conversely, some branches of esoteric Christianity actively engage in magical practices.

<span class="mw-page-title-main">Witches' Sabbath</span> Gathering of those believed to practice witchcraft

A Witches' Sabbath is a purported gathering of those believed to practice witchcraft and other rituals. The phrase became especially popular in the 20th century.

<span class="mw-page-title-main">Familiar</span> Spiritual entity in European folklore

In European folklore of the medieval and early modern periods, familiars were believed to be supernatural entities or spiritual guardians that would protect or assist witches and cunning folk in their practice of magic. According to records of the time, those alleging to have had contact with familiar spirits reported that they could manifest as numerous forms, usually as an animal, but sometimes as a human or humanoid figure, and were described as "clearly defined, three-dimensional... forms, vivid with colour and animated with movement and sound", as opposed to descriptions of ghosts with their "smoky, undefined form[s]".

<span class="mw-page-title-main">Cunning folk in Britain</span> Practitioners of folk magic

The cunning folk were professional or semi-professional practitioners of magic in Europe from the medieval period through the early 20th century. In Britain they were known by a variety of names in different regions of the country, including wise men and wise women, pellars, wizards, dyn hysbys, and sometimes white witches.

<i>Daemonologie</i> Book by King James VI/I of Scotland/England about demons

Daemonologie—in full Daemonologie, In Forme of a Dialogue, Divided into three Books: By the High and Mighty Prince, James &c.—was first published in 1597 by King James VI of Scotland as a philosophical dissertation on contemporary necromancy and the historical relationships between the various methods of divination used from ancient black magic. It was reprinted again in 1603 when James took the throne of England. The widespread consensus is that King James wrote Daemonologie in response to sceptical publications such as Reginald Scot's The Discoverie of Witchcraft.

<span class="mw-page-title-main">Witchcraft in the Philippines</span> Users of black magic in Philippine folklore

Witchcraft has been present throughout the Philippines even before Spanish colonization, and is associated with indigenous Philippine folk religions. Its practice involves black magic, specifically a malevolent use of sympathetic magic. Today, practices are said to be centered in Siquijor, Cebu, Davao, Talalora, Western Samar, and Sorsogon, where many of the country's faith healers reside. Witchcraft also exists in many of the hinterlands, especially in Samar and Leyte; however, witchcraft is known and occurs anywhere in the country.

<span class="mw-page-title-main">Asian witchcraft</span> Various types of witchcraft practices across Asia

Asian witchcraft encompasses various types of witchcraft practices across Asia. In ancient times, magic played a significant role in societies such as ancient Egypt and Babylonia, as evidenced by historical records. In the Middle East, references to magic can be found in the Torah and the Quran, where witchcraft is condemned due to its association with belief in magic, as it is within other Abrahamic religions.

<span class="mw-page-title-main">Voodoo doll</span> Effigy into which pins are inserted

The term Voodoo doll commonly refers to an effigy that is typically used for the insertion of pins. Such practices are found in various forms in the magical traditions of many cultures around the world.

Andrew D. Chumbley was an English practitioner and theorist of magic, and a writer, poet and artist. He was Magister of the UK-based magical group Cultus Sabbati.

Witchcraft in Latin America, known in Spanish as brujería, is a complex blend of indigenous, African, and European influences. Indigenous cultures had spiritual practices centered around nature and healing, while the arrival of Africans brought syncretic religions like Santería and Candomblé. European witchcraft beliefs merged with local traditions during colonization, contributing to the region's magical tapestry. Practices vary across countries, with accusations historically intertwined with social dynamics. A male practitioner is called a brujo, a female practitioner is a bruja.

<span class="mw-page-title-main">European witchcraft</span> Belief in witchcraft in Europe

European witchcraft is a multifaceted historical and cultural phenomenon that unfolded over centuries, leaving a mark on the continent's social, religious, and legal landscapes. The roots of European witchcraft trace back to classical antiquity when concepts of magic and religion were closely related, and society closely integrated magic and supernatural beliefs. Ancient Rome, then a pagan society, had laws against harmful magic. In the Middle Ages, accusations of heresy and devil worship grew more prevalent. By the early modern period, major witch hunts began to take place, partly fueled by religious tensions, societal anxieties, and economic upheaval. Witches were often viewed as dangerous sorceresses or sorcerers in a pact with the Devil, capable of causing harm through black magic. A feminist interpretation of the witch trials is that misogynist views of women led to the association of women and malevolent witchcraft.

<span class="mw-page-title-main">Witch (word)</span>

Witch, from the Old English wiċċe, is a term rooted in European folklore and superstition for a practitioner of witchcraft, magic or sorcery. Traditionally associated with malevolent magic, with those accused of witchcraft being the target of witch-hunts, in the modern era the term has taken on different meanings. In literature, a 'witch' can now simply refer to an alluring women capable of 'bewitching' others. In neopagan religions such as Wicca the term has meanwhile been adopted as the female term for an adherent.

White magic has traditionally referred to the use of supernatural powers or magic for selfless purposes. Practitioners of white magic have been given titles such as wise men or women, healers, white witches or wizards. Many of these people claimed to have the ability to do such things because of knowledge or power that was passed on to them through hereditary lines, or by some event later in their lives. White magic was practiced through healing, blessing, charms, incantations, prayers, and songs. White magic is the benevolent counterpart of malicious black magic.

<span class="mw-page-title-main">Cunning folk</span> Practitioner of folk magic in Europe

Cunning folk, also known as folk healers or wise folk, were practitioners of folk medicine, helpful folk magic and divination in Europe from the Middle Ages until the 20th century. Their practices were known as the cunning craft. Their services also included thwarting witchcraft. Although some cunning folk were denounced as witches themselves, they made up a minority of those accused, and the common people generally made a distinction between the two. The name 'cunning folk' originally referred to folk-healers and magic-workers in Britain, but the name is now applied as an umbrella term for similar people in other parts of Europe.

<span class="mw-page-title-main">Medieval European magic</span> Magic as understood during the Middle Ages

During the Middle Ages, magic took on many forms. Instead of being able to identify one type of magic user, there were many who practiced several types of magic in these times, including monks, priests, physicians, surgeons, midwives, folk healers, and diviners. The practice of magic often consisted of using medicinal herbs for healing purposes. Classical medicine entailed magical elements. They would use charms or potions in hopes of driving out a sickness. People had strongly differing opinions as to what magic was, and because of this, it is important to understand all aspects of magic at this time.

Voodoo in popular culture encompasses various representations of practices associated with different forms of voodoo, including Haitian Vodou and Louisiana Voodoo, and other elements attributed to African diaspora religions, with such representations often deviating substantially from any actual voodoo practices or beliefs. Tropes regarding voodoo appear most often in supernatural fantasy or horror films, with common themes including the activity of witch doctors, the summoning or control of dark spirits, use of voodoo dolls to inflict pain on people remotely, and the creation of zombies.

Sorcery (<i>goetia</i>) Magical practice involving evocation of demons

Goetia is a type of European sorcery, often referred to as witchcraft, that has been transmitted through grimoires—books containing instructions for performing magical practices. The term "goetia" finds its origins in the Greek word "goes", which originally denoted diviners, magicians, healers, and seers. Initially, it held a connotation of low magic, implying fraudulent or deceptive mageia as opposed to theurgy, which was regarded as divine magic. Grimoires, also known as "books of spells" or "spellbooks," serve as instructional manuals for various magical endeavors. They cover crafting magical objects, casting spells, performing divination, and summoning supernatural entities like angels, spirits, deities, and demons. Although the term "grimoire" originates from Europe, similar magical texts have been found in diverse cultures across the world.

References

Citations

Works cited

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Further reading