Magic ring

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The fictional "One Ring" from The Hobbit and The Lord of the Rings. In these works, the ring makes the wearer invisible. One Ring.png
The fictional "One Ring" from The Hobbit and The Lord of the Rings . In these works, the ring makes the wearer invisible.

A magic ring is a mythical, folkloric or fictional piece of jewelry, usually a finger ring, that is purported to have supernatural properties or powers. It appears frequently in fantasy and fairy tales. Magic rings are found in the folklore of every country where rings are worn. [1] Some magic rings can endow the wearer with a variety of abilities including invisibility and immortality. Others can grant wishes or spells such as neverending love and happiness. Sometimes, magic rings can be cursed, as in the mythical ring that was recovered by Sigurð from the hoard of the worm Fáfnir in Norse mythology [2] (pp 14,57–59) or the fictional ring that features in The Lord of the Rings . More often, however, they are featured as forces for good, or as a neutral tool whose value is dependent upon the wearer. [1]

Contents

A finger ring is a convenient choice for a magic item: It is ornamental, distinctive and often unique, a commonly worn item, of a shape that is often endowed with mystical properties (circular), can carry an enchanted stone, and is usually worn on a finger, which can be easily pointed at a target. [3]

History

Statue in Scheveningen, Netherlands, depicting a variation on the fairytale "The Fisherman and His Wife" Beelden aan zee scheveningen.jpg
Statue in Scheveningen, Netherlands, depicting a variation on the fairytale "The Fisherman and His Wife"

Early stories of magical rings date to classical antiquity. Plato, in the second book of The Republic, tells a story about the Ring of Gyges, which conferred invisibility on its wearer. [5] The shepherd Gyges, who found it in a cave, used its power to seduce the queen, kill the king and take his place. Earlier accounts of Gyges, however, who was king of Lydia, make no mention of a magic ring. Magic powers are not generally attributed to rings in ancient Greek legend, although many other magical objects are listed, particularly in the Perseus myth.

Josephus (8.2) repeats an anecdote of one Eleazar who used a magic ring to exorcise demons in the presence of Vespasian.

J.G. Frazer, in his study of magic and superstition in The Golden Bough , has speculated to the effect that rings can serve, in the "primitive mind", as devices to prevent the soul from leaving the body and to prevent demons from gaining entry. [6] A magic ring, therefore, might confer immortality by preventing the soul's departure and thwart the penetration of any harmful magic that might be directed against the wearer. These magical properties inhibiting egress of the soul may explain "an ancient Greek maxim, attributed to [the ancient philosopher and mystic] Pythagoras, which forbade people to wear rings". [6] (p 293)

Medieval demonology and alchemy

Traditional medieval Arabic and Hebraic demonology both cultivated the legend of the Ring of Solomon, used to control demons and / or djinn. For example, magic rings feature in Arabian Nights , where Judar bin Omar, a fisherman finds the ring of Al-Shamardal, the enchanter [7] and Ma'aruf, the cobbler discovers Shaddád ibn Aad's signet. [8] The powers of both magic rings come from the servant djinn who are magically confined in them. [lower-alpha 1] In the story of Aladdin and the Magic Lamp, Aladdin also summons a second djinn from a finger ring given to him by the Maghrabi Magician. [10] By the Renaissance era Solomon's ring had been adopted into Western magic, occultism, and alchemy.

Magic rings are known in medieval Jewish esoteric tradition; they are mentioned in the Talmud and Midrash. Solomon's magical ring had many properties in legend: making him all-knowing, conferring him with the ability to speak with animals, and bearing the special sigil that sealed genies into bottles. [3] A story about King Solomon and a ring is found in the Babylonian Talmud, [11] but rings are more fully discussed in Jewish mystical literature. The power of a ring is in the divine name with which it is inscribed; such rings are used to invoke and command various guardians of heavenly palaces and to gain entrance to those heavens. [lower-alpha 2] In the Zohar, God is thought to own and use a signet ring, or, at least, a signet. [13]

Germanic cultures

"Brynhild, Sigurd and the Rings" Faroe stamp depicting magical rings from Germanic mythology Faroe stamp 322 Brynhild, Sigurd and the Rings.jpg
"Brynhild, Sigurd and the Rings" Faroe stamp depicting magical rings from Germanic mythology

A small number of Anglo-Saxon finger rings dating to the Viking Age bearing runic inscriptions of apparently magical significance have been discovered in England, such as the Kingmoor Ring and the Bramham Moor Ring. Rings endowed with special properties were significant in pagan Scandinavia. A 10th century pagan Icelandic chieftain had a temple in which an arm ring rested upon a stalli ("altar"), and upon which all oaths in the district were to be sworn, according to the 13th-century Eyrbyggja Saga. [14]

A magical ring in Germanic mythology is the arm ring Draupnir, worn by the god Odin. Because its only reported function was to create more gold arm bands every nine days, Draupnir may have been a religious symbol which represented the increasing of wealth. The ring was placed onto Baldr's funeral pyre, but Baldr gave Draupnir back to Hermóðr and so the ring was returned to Odin from Hel. [15]

Andvarinaut is a central ring in Germanic works such as the Middle High German Nibelungenlied and the Icelandic Völsunga saga . It eventually becomes the property of the hero Siegfried or Sigurð. In the Völsunga saga, it is a gold ring that the dwarf Andvari cursed when Loki forcefully took it as weregild to pay to Hreiðmarr, the father of Fáfnir. [2] (pp 29,80–82) Upon owning the ring, Fáfnir became a worm, and was later killed by Sigurð, who took Andvarinaut, and so inherited its curse. How Andvarinaut came to be cursed is explained in detail in Völsunga saga, [2] as is the elaborate sequence of events of how the curse plays out for Sigurð, involving Sigurð changing shapes with his brother-in-law Gunnar. [16] However, what magical use Andvarinaut might have to make it desirable is never specifically given in the narrative: The curse on it is simply a source of disaster for every person who owns it; its principal characteristic in the story is that nearly everyone wants to get it, except Sigurð, who has got it, but does not understand what it is that he's got. [2]

Medieval romance

Sir Yvain is given a magic ring by a maiden in Chrétien de Troyes' 12th-century Arthurian romance The Knight of the Lion . This finger ring can be worn with the stone on the inside, facing the palm, and then it will make the wearer invisible. [17] The 14th century Middle English Arthurian romance Sir Perceval of Galles has the hero, Perceval, take a ring from the finger of a sleeping maiden in exchange for his own, and he then goes off on a series of adventures that includes defeating an entire Saracen army in a Land of Maidens. Only near the end of this romance does he learn that the ring he was wearing is a magic ring and that its wearer cannot be killed. [18]

Similar rings feature in the 14th century medieval romance Sir Eglamour of Artois and the 12th century Floris and Blancheflour , [19] [20] and in Thomas Malory's Tale of Sir Gareth of Orkney, in his 15th century epic Le Morte d'Arthur , in which Gareth is given a ring by a damsel who lives in Avalon that will render him invulnerable to losing any blood at a tournament. [21] [lower-alpha 3]

In the medieval collection of Welsh tales called the Mabinogion , one of the romances – Geraint ab Erbin – has the eponymous character find a ring that grants him the powers of invisibility when worn. [22] The Scottish ballads Hind Horn and Bonny Bee Hom both include a magic ring that turns pale when the person who received it has lost the person who gave it. [23]

Later literature

François Fénelon, Archbishop of Cambrai, developed the motif of a magical invisibility ring in his literary fable History of Rosimund and Braminth. [24] The tale was translated by Andrew Lang as The Enchanted Ring in his Green Fairy Book. [25] [26]

Folklore

In folkloristics, tale type ATU 560, "The Magic Ring", of the international Aarne-Thompson-Uther Index, was named after the magical object the hero receives in the tale. [27] [28]

Modern fiction

Magic rings occur in a myriad of modern fantasy stories as incidental objects, but many novels feature a ring as a central part of the plot. Like other magical objects in stories, magic rings can act as a plot device, but in two distinct ways. They may give magical abilities to a person who is otherwise lacking in them, or enhance the power of a wizard. Or alternatively, they may function as nothing more than MacGuffins, that is, objects for which it is the characters' desire to obtain them, rather than any innate power that they possess, that moves the story along. J.R.R. Tolkien's The Hobbit , for example, involves a magical ring which allows Bilbo Baggins to be instrumental in a quest, matching the abilities of the dwarves. [29]

The Ring of the Nibelung

In this scene from Gotterdammerung, Siegfried tells the Rhinemaidens: "If you threaten my life, hardly you'll win from my hand the ring". Wagner - Gotterdammerung - If you threaten my life, hardly you'll win from my hand the ring - Ferdinand Leeke - The Victrola book of the opera.jpg
In this scene from Götterdämmerung , Siegfried tells the Rhinemaidens: "If you threaten my life, hardly you'll win from my hand the ring".

The composer Richard Wagner wrote a series of four operas titled Der Ring des Nibelungen which present his version of the story told in The Nibelungenlied and in Volsunga Saga, as well as the Prose Edda. The operas are more often called The Wagner Ring Cycle in English. In this cycle, the ring of the Nibelung ultimately brings about the downfall of the old gods as Brünnhilde returns the ring, which confers power, back to the Rhinemaidens from whom its gold was stolen in the first place. [3] [30]

The Oz books and other books by L. Frank Baum and followers

There are several magic rings in Baum's opus. One is in Sky Island , a ring which makes the wearer invisible except when another living creature is touching them. Another is in The Sea Fairies in which a mermaid gives Trot a ring which enables her to call on the mermaids for assistance when necessary. In Glinda of Oz , Glinda equips Dorothy with a magic ring with which she can call to Glinda from long distances, for assistance or rescue. In Ruth Plumly Thompson's sequel The Cowardly Lion of Oz one character has a magic ring which binds a messenger to fulfill his assignment, and turns him blue and stops him from being able to move, if he betrays the owner. (Unlike many magic rings, this one is activated when the owner takes it off.) In Merry-Go-Round in Oz , a brass ring which a rider of a merry-go-round can grab is also one of the three Circlets of the Kingdom of Halidom, which endows the people of that kingdom with dexterity and skill, when worn by a member of the Kingdom's royal family.

The Hobbit and The Lord of the Rings

J. R. R. Tolkien's fantasy novel The Hobbit was written as children's fiction, but as the story grew into The Lord of the Rings the matter expanded, borrowing from Germanic and Norse mythology for many of its themes, creatures, and names. Of twenty magical Rings of Power, four are described in some detail: The extremely powerful and dangerous "One Ring" around which the plot revolves; and three rings worn by Gandalf the wizard and the elves Elrond and Galadriel.

Seven Rings of Power were given to the dwarves in an only slightly successful attempt to corrupt them. Humans prove to be more susceptible; each of the nine Nazgûl were once great lords of men who were turned to terrifying wraiths and servants of the Dark Lord Sauron by their respective rings. The sixteen rings ultimately given to dwarves and men were created in a joint effort by the elves and Sauron. The three rings kept by the elves were forged by the elves alone, and Sauron had no direct hand in their creation. Sauron forged the One Ring in secret, with the intention that it would be a "master ring" and give him control over all the other rings, but was not completely successful in this aim.

Only the One Ring makes any appearance in The Hobbit, and then it is only known as a magic ring which makes the wearer invisible; its much larger and darker significance is not revealed until The Lord of the Rings. The history of the Rings of Power is described in its known entirety in The Silmarillion , in "Of the Rings of Power and the Third Age".

The Rose and the Ring

William Makepeace Thackeray's satirical novel The Rose and the Ring features a ring that has the power to make whoever owns it beautiful; its passage from person to person in the novel is an important element of the story. [31] (p 69)

The Chronicles of Narnia

In The Magician's Nephew , from C.S. Lewis' The Chronicles of Narnia series, two magic rings, which take people to the Wood between the Worlds, a linking room between parallel universes, are central to the story; a yellow ring, when touched, sends a person to the Wood Between the Worlds, while a green ring is used from there to bring that person into a world of their choosing. These rings were created by the magician "Uncle Andrew" by the use of magical dust from Atlantis.

Harry Potter series

The Harry Potter series, by author J. K. Rowling, features a magic ring bearing a coat of arms linked to the Peverell brothers, Harry Potter and Lord Voldemort's ancestors. It becomes one of the most important objects in Harry Potter's world because it contains a fragment of Voldemort's soul, and before it was pried apart by Dumbledore, it held one of the three Deathly Hallows: the Resurrection Stone, which can summon the deceased.

Doctor Who first series

In the longest-running science-fiction series Doctor Who , the First Doctor sometimes used a ring with strange powers, which first appeared in The Web Planet where he used it to control a Zarbi. In Doctor Who's 20th anniversary story The Five Doctors the ring of Rassilon, the legendary founder of Time Lord society, is said to confer immortality. Apparently this is how Rassilon has remained alive. However, when the renegade Time Lord Borusa puts the ring on he is turned to stone, as were others before him. This was a trap by Rassilon for renegade Time Lords.

Others

Video games

Magical rings frequently appear in video games as items, typically granting special abilities or effects such as stat bonuses.

Footnotes

  1. The two djinn are called, respectively, Al-Ra’ad al-Kasif (“Ear-deafening Thunder”) and Abú al-Sa’ádát (“the Father of Prosperities”). Based on their talismanic nature, both are “astral” demons. Their bonds are magical names from the repertoire of the “Solomonic Art”. [9]
  2. For the use of such rings in halakhic literature see ref [12]
  3. This ring also confers upon Sir Gareth the ability to disguise himself, the damsel explains, since "The vertu of my rynge is this: That that is grene woll turne to rede [red], and that that is rede woll turne in lyknesse to grene, and that that is blewe woll turne to whyghte and that that is whyght woll turne in lyknesse to blew; and so hit woll do of all maner of coloures; also who that beryth this rynge shall lose no bloode. [21]

Related Research Articles

The Rings of Power are magical artefacts in J. R. R. Tolkien's legendarium, most prominently in his high fantasy novel The Lord of the Rings. The One Ring first appeared as a plot device, a magic ring in Tolkien's children's fantasy novel, The Hobbit; Tolkien later gave it a backstory and much greater power. He added nineteen other Great Rings, also conferring powers such as invisibility, that it could control, including the Three Rings of the Elves, Seven Rings for the Dwarves, and Nine for Men. He stated that there were in addition many lesser rings with minor powers. A key story element in The Lord of the Rings is the addictive power of the One Ring, made secretly by the Dark Lord Sauron; the Nine Rings enslave their bearers as the Nazgûl (Ringwraiths), Sauron's most deadly servants.

<span class="mw-page-title-main">Völsunga saga</span> 13th century Icelandic saga

The Völsunga saga is a legendary saga, a late 13th-century prose rendition in Old Norse of the origin and decline of the Völsung clan. It is one of the most famous legendary sagas and an example of a "heroic saga" that deals with Germanic heroic legend.

<span class="mw-page-title-main">Brunhild</span> Character in Norse mythology

Brunhild, also known as Brunhilda or Brynhild, is a female character from Germanic heroic legend. She may have her origins in the Visigothic princess and queen Brunhilda of Austrasia.

In Norse mythology, Hreiðmarr is a sorcerer. He is featured in the Völsunga saga and in Snorri Sturluson's Prose Edda.

<span class="mw-page-title-main">Fáfnir</span> Figure in Germanic heroic legend

In Germanic heroic legend and folklore, Fáfnir is a worm or dragon slain by a member of the Völsung family, typically Sigurð. In Nordic mythology, he is the son of Hreiðmarr, and brother of Regin and Ótr and is attested throughout the Völsung Cycle, where, Fáfnir slays his father out of greed, taking the ring and hoard of the dwarf Andvari and becoming a worm or dragon. Fáfnir's brother Regin later assisted Sigurð in obtaining the sword Gram, by which Fáfnir is killed. He has been identified with an unnamed dragon killed by a Völsung in other Germanic works including Beowulf, the Nibelunglied and a number of skaldic poems. Fáfnir and his killing by Sigurð are further represented in numerous medieval carvings from the British Isles and Scandinavia, and a single axe head in a Scandinavian style found in Russia. The story of Fáfnir has continued to have influence in the modern period, such as in the works of J.R.R Tolkien, who drew inspiration from the tale of Fáfnir in his portrayals of Smaug and Gollum.

Völsung is a figure in Germanic mythology, where he is the eponymous ancestor of the Völsung family, which includes the hero Sigurð. In Nordic mythology, he is the son of Rerir and was murdered by the Geatish king Siggeir. He was later avenged by one of his sons, Sigmund, and his daughter Signy, who was married to Siggeir.

In Norse mythology, Borghild was the first wife of Sigmund. They had two sons, Hamund and Helgi.

<span class="mw-page-title-main">Gram (mythology)</span> Legendary sword owned by Sigurd

In Norse mythology, Gram, also known as Balmung or Nothung, is the sword that Sigurd used to kill the dragon Fafnir. It is primarily used by the Völsungs in the Volsunga Saga. However, it is also seen in other legends, such as the Thidrekssaga in which it is wielded by Hildebrand.

<span class="mw-page-title-main">Language of the birds</span> Mythical communication of divine knowledge through birds to humans

In Abrahamic and European mythology, medieval literature and occultism, the language of the birds is postulated as a mystical, perfect divine language, Adamic language, Enochian, angelic language or a mythical or magical language used by birds to communicate with the initiated.

<span class="mw-page-title-main">Ring (jewellery)</span> Round band worn as ornamental jewellery

A ring is a round band, usually made of metal, worn as ornamental jewelry. The term "ring" by itself always denotes jewellery worn on the finger; when worn as an ornament elsewhere, the body part is specified within the term, e.g., earrings, neck rings, arm rings, and toe rings. Rings always fit snugly around or in the part of the body they ornament, so bands worn loosely, like a bracelet, are not rings. Rings may be made of almost any hard material: wood, bone, stone, metal, glass, gemstone or plastic. They may be set with gemstones or with other types of stone or glass.

<span class="mw-page-title-main">Sigurd</span> Fictional character in Germanic and Norse mythology

Siegfried or Sigurd is a legendary hero of Germanic heroic legend, who killed a dragon—known in some Old Norse sources as Fáfnir—and who was later murdered. It is possible he was inspired by one or more figures from the Frankish Merovingian dynasty, with Sigebert I being the most popular contender. Older scholarship sometimes connected him with Arminius, victor of the Battle of the Teutoburg Forest. He may also have a purely mythological origin. Sigurd's story is first attested on a series of carvings, including runestones from Sweden and stone crosses from the British Isles, dating from the 11th century.

<span class="mw-page-title-main">One Ring</span> Magical ring in The Lord of the Rings

The One Ring, also called the Ruling Ring and Isildur's Bane, is a central plot element in J. R. R. Tolkien's The Lord of the Rings (1954–55). It first appeared in the earlier story The Hobbit (1937) as a magic ring that grants the wearer invisibility. Tolkien changed it into a malevolent Ring of Power and re-wrote parts of The Hobbit to fit in with the expanded narrative. The Lord of the Rings describes the hobbit Frodo Baggins's quest to destroy the Ring.

<i>The Story of Sigurd the Volsung and the Fall of the Niblungs</i> Poem by William Morris

The Story of Sigurd the Volsung and the Fall of the Niblungs (1876) is an epic poem of over 10,000 lines by William Morris that tells the tragic story, drawn from the Volsunga Saga and the Elder Edda, of the Norse hero Sigmund, his son Sigurd and Sigurd's wife Gudrun. It sprang from a fascination with the Volsung legend that extended back twenty years to the author's youth, and had already resulted in several other literary and scholarly treatments of the story. It was Morris's own favorite of his poems, and was enthusiastically praised both by contemporary critics and by such figures as T. E. Lawrence and George Bernard Shaw. In recent years it has been rated very highly by many William Morris scholars, but has never succeeded in finding a wide readership on account of its great length and archaic diction. It has been seen as an influence on such fantasy writers as Andrew Lang. The Story of Sigurd is available in modern reprints, both in its original form and in a cut-down version, but there is no critical edition.

<span class="mw-page-title-main">Germanic heroic legend</span> Heroic literary traditions of the Germanic-speaking peoples

Germanic heroic legend is the heroic literary tradition of the Germanic-speaking peoples, most of which originates or is set in the Migration Period. Stories from this time period, to which others were added later, were transmitted orally, traveled widely among the Germanic speaking peoples, and were known in many variants. These legends typically reworked historical events or personages in the manner of oral poetry, forming a heroic age. Heroes in these legends often display a heroic ethos emphasizing honor, glory, and loyalty above other concerns. Like Germanic mythology, heroic legend is a genre of Germanic folklore.

<span class="mw-page-title-main">Helm of Awe</span> Object in Norse mythology and modern magical stave

The Helm of Awe or Helm of Terror is an object in Norse mythology relating to the hoard protected by the worm Fáfnir and subsequently the name of a modern Icelandic magical stave.

<span class="mw-page-title-main">Naming of weapons in Middle-earth</span> Named weapons in Tolkiens Middle-earth

The naming of weapons in Middle-earth is the giving of names to swords and other powerful weapons in J. R. R. Tolkien's legendarium. He derived the naming of weapons from his knowledge of Medieval times; the practice is found in Norse mythology and in the Old English poem Beowulf. Among the many weapons named by Tolkien are Orcrist and Glamdring in The Hobbit, and Narsil / Andúril in The Lord of the Rings. Such weapons carry powerful symbolism, embodying the identity and ancestry of their owners.

<span class="mw-page-title-main">Rings in early Germanic cultures</span> Rings in early Germanic cultures

A prominent position is held by rings in early Germanic cultures, appearing both in archaeology throughout areas settled by Germanic peoples, and in textual sources discussing their practices and beliefs. They are notably associated with the related aspects of wealth, being used as forms of currency in the Early Medieval Period, and swearing sacred oaths, often dedicated to, or witnessed by, the gods. The sacrality of rings is reflected in Germanic mythology and ring bestowal held a central role in maintaining functional relationships between rulers and their retinues. The cultural roles of rings continued to varying extents during and after the Christianisation of the Germanic peoples, such as in gift-bestowal and oath-swearing.

<span class="mw-page-title-main">Tolkien and the Norse</span> Theme in Tolkiens Middle-earth writings

Tolkien derived the characters, stories, places, and languages of Middle-earth from many sources. Among these are Norse mythology, seen in his Dwarves, Wargs, Trolls, Beorn and the barrow-wight, places such as Mirkwood, characters including the Wizards Gandalf and Saruman and the Dark Lords Morgoth and Sauron derived from the Norse god Odin, magical artefacts like the One Ring and Aragorn's sword Andúril, and the quality that Tolkien called "Northern courage". The powerful Valar, too, somewhat resemble the pantheon of Norse gods, the Æsir.

References

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  13. Zohar 1:29a, although this is certainly metaphorical.
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  20. Kooper, Erik, ed. (2006). "Introduction to TEAMS Middle English text Floris and Blancheflour". Sentimental and Humorous Romances. Kalamazoo, Michigan: Medieval Institute Publications.
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  29. Shippey, Tom (November 2017) [8 April 2014]. The Road to Middle-earth (revised & enlarged ed.). Mariner Books. p. 77. ISBN   978-0-618-25760-7.
  30. von Westerman, Gerhart (1973) [1964]. "Richard Wagner". Opera Guide (reprint ed.). pp. 200–253.
  31. 1 2 Prickett, Stephen (January 1979). Victorian Fantasy (1st ed.). Indiana University. pp. 69, 233. ISBN   0-253-17461-9.

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