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Floris and Blancheflour is the name of a popular romantic story that was told in the Middle Ages in many different vernacular languages and versions. [1] It first appears in Europe around 1160 in "aristocratic" French. Roughly between the period 1200 and 1350 it was one of the most popular of all the romantic plots.
The following synopsis is from the original Old French "aristocratic" version (Floire et Blancheflor) of the late 12th century. The Middle English version of the poem derives from it, but differs somewhat in details. For instance, the opening section concerning how the two are born is missing from the English versions. It dates to around 1250 and was called Floris and Blanchefleur.
Felix, King of Al-Andalus (Muslim Spain), on one of his ventures into Galicia in northwestern Spain attacks a band of Christian pilgrims en route on the Way of St James to the famous medieval pilgrimage shrine of Santiago de Compostela. Among the pilgrims are a French knight and his recently widowed daughter, who has chosen to dedicate the rest of her life to the sanctuary. The knight is killed, and his daughter is taken prisoner to Naples, where she is made lady-in-waiting to Felix's wife. Both women are pregnant, and the children are born on the same day, Palm Sunday: Floris, a son, to the Muslim Queen, and Blanchefleur, a daughter, to her lady-in-waiting.
Floris ("belonging to the flower") and Blanchefleur ("white flower") are raised together at the court and grow close. King Felix fears his son may desire to marry the "pagan" girl and decides that she must be killed. However, he cannot bring himself to do the act and instead sends Floris away to school, then sells Blanchefleur to merchants traveling on the way to Cairo (called Babylon in the story), where she is then sold to the emir. Felix constructs an elaborate tomb for Blanchefleur and tells Floris she has died. Floris's reaction is so severe that Felix tells him the truth. Distraught but encouraged she is still alive, Floris sets out to find her.
Floris eventually arrives outside Cairo where he meets the bridge warden named Daire who tells him about the emir's tower of maidens. Each year the emir selects a new bride from his tower and kills his old wife. Rumour has it that Blanchefleur is soon to be his next chosen bride. To gain access to the tower, Daire advises Floris to play chess with the tower watchman, returning all winnings to him until the watchman is forced to return the favor by allowing him entrance to the tower. Floris outplays the watchmen at chess, and according to plan, Floris is smuggled in to the tower in a basket of flowers, but is mistakenly placed in the room of Blanchefleur's friend Claris. Claris arranges a reunion between the two, but they are discovered two weeks later by the emir.
The emir holds off killing them on the spot until he holds a council of advisers. So impressed are the advisers at the willingness of the young lovers to die for one another that they persuade the emir to spare their lives. Floris is then knighted, he and Blanchefleur are married, and Claris marries the emir (who promises Claris she will be his last and only wife, forever). Soon after, news of Felix's death reaches Cairo and Floris and Blanchefleur depart for home where they inherit the kingdom, embrace Christianity, and convert their subjects as well.
The poem tells of the troubles of the two eponymous lovers. Blancheflour ("white flower") is a Christian princess abducted by Saracens and raised with the pagan prince Flores ("belonging to the flower"). The two fall in love and separate. Blancheflour gives Flores a ring that will reflect her state, so that it will tarnish if she is in danger.
Blancheflour is in a different caliphate from Flores, and there she is accused falsely and sent as a slave to a Tower of Maidens. The Emir has within his garden a "Tree of Love" that determines a new wife for him every year. Its flower will fall on the destined maiden from the harem, and yet he can also magically manipulate the tree to cast its flower upon a favorite. He has decided to make it fall on Blancheflour, for she is the loveliest virgin in the harem. Flores, knowing that Blancheflour is about to be taken by the Emir as a wife, comes to rescue her from her peril. The reunited lovers are found in bed (though they were chastely together) by the Emir the next morning. When he hears their whole tale of chaste love and long promises to one another, he demands proof of her virginity by having her put her hands in a water that will stain if she has been with a man. She is proven pure, he pardons both lovers, and all is well.
The story contains elements of both older heroic sagas and romance. Unlike the usually bloody and martial Romances earlier in the period (e.g. Havelok the Dane ), this Romance is, indeed, romantic. The older original "aristocratic" version does not contain knightly combat but the "popular" French version that would come later does contain some elements. The story contains themes of conflict between paganism and Christianity. Additionally, unlike other Romances, each section of the story is dependent strictly upon the previous section, so this poem has a linear plot. The poem also emphasizes the power of romantic love (rather than courtly love or divine favor) over force of arms to preserve life and ensure a good end.
The Middle English version of the poem derives from an Old French "aristocratic" version (Floire et Blancheflor) of the tale. "Floris is an oriental tale with all the indispensable wonders of the East: a garden with a magical spring and tree, a harem, eunuchs, an emir who marries a different maiden every year, and the like." [2] The story has analogs in Indian literature, particularly the Jatakas of the early fifth century. Many of the details, such as the Tower of Maidens (i.e. harem), eunuch guards, and the odalisques derive from material carried to the west via The Arabian Nights . The tale could be originally French, or possibly of Oriental origins, or a synthesis of motifs.
Boccaccio wrote a version of the same tale in his "Filocolo", in 1336, while he was in Naples. The tale has been a popular subject for later retellings, and it was treated by Swedish poet Oskar Levertin in the romantic ballad "Flores och Blanzeflor" in the collection Legender och visor (Legends and Songs) in 1891.
Not a complete list.
Its continuing popularity is demonstrated by an allusion to it in the romance Emaré, where Floris and Blancheflour are one of the pairs of lovers embroidered on a robe, along with Tristan and Isolt, and Amadas and Idoine. [3]
"Blanziflor [Blancheflour] et Helena" is one of the songs in Carl Orff's scenic cantata Carmina Burana, coming just before a reprise of O Fortuna.
"Florez och Blanzeflor", Op. 3, is a setting of the Oscar Levertin poem for baritone and orchestra by Swedish composer Wilhelm Stenhammar.
“Florez och Blanzeflor”, Op. 12, is a symphonic poem for orchestra (1913) by the Swedish composer Oskar Lindberg.
Marie de France was a poet, possibly born in what is now France, who lived in England during the late 12th century. She lived and wrote at an unknown court, but she and her work were almost certainly known at the royal court of King Henry II of England. Virtually nothing is known of her life; both her given name and its geographical specification come from manuscripts containing her works. However, one written description of her work and popularity from her own era still exists. She is considered by scholars to be the first woman known to write francophone verse.
Mélusine or Melusine or Melusina is a figure of European folklore, a female spirit of fresh water in a holy well or river. She is usually depicted as a woman who is a serpent or fish from the waist down. She is also sometimes illustrated with wings, two tails, or both. Her legends are especially connected with the northern and western areas of France, Luxembourg, and the Low Countries.
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The Eve of St. Agnes is a Romantic narrative poem of 42 Spenserian stanzas set in the Middle Ages. It was written by John Keats in 1819 and published in 1820. The poem was considered by many of Keats's contemporaries and the succeeding Victorians to be one of his finest and was influential in 19th-century literature.
Tristan and Iseult, also known as Tristan and Isolde and other names, is a medieval chivalric romance told in numerous variations since the 12th century. Based on a Celtic legend and possibly other sources, the tale is a tragedy about the illicit love between the Cornish knight Tristan and the Irish princess Iseult. It depicts Tristan's mission to escort Iseult from Ireland to marry his uncle, King Mark of Cornwall. On the journey, Tristan and Iseult ingest a love potion, instigating a forbidden love affair between them.
Lalla Rookh is an Oriental romance by Irish poet Thomas Moore, published in 1817. The title is taken from the name of the heroine of the frame tale, the (fictional) daughter of the 17th-century Mughal emperor Aurangzeb. The work consists of four narrative poems with the connecting tale in prose.
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Emaré is a Middle English Breton lai, a form of mediaeval romance poem, told in 1035 lines. The author of Emaré is unknown and it exists in only one manuscript, Cotton Caligula A. ii, which contains ten metrical narratives. Emaré seems to date from the late fourteenth century, possibly written in the North East Midlands. The iambic pattern is rather rough.
The Squire of Low Degree, also known as The Squyr of Lowe Degre, The Sqyr of Lowe Degre or The Sqyr of Lowe Degree, is an anonymous late Middle English or early Modern English verse romance. There is little doubt that it was intended to be enjoyed by the masses rather than the wealthy or aristocratic sections of society, and, perhaps in consequence of this, it was one of the better-known of the English romances during the Elizabethan and Jacobean eras, and again in the 19th century. There are three texts of the poem: it was printed by Wynkyn de Worde c. 1520 under the title Undo Youre Dore, though only fragments totalling 180 lines survive of this book; around 1555 or 1560 another edition in 1132 lines was produced by William Copland; and a much shorter version, thought to have been orally transmitted, was copied into Bishop Percy's Folio Manuscript around the middle of the 17th century. The precise date of the poem is unknown, estimates varying from 1440 to 1520, but Henry Bradley's date of c. 1475 has been quite widely adopted. Standing as it does at the very end of the English Middle Ages it has been called "a swan song of the romance".
Ipomadon is a Middle English translation of Hugh of Rhuddlan's Anglo-Norman romance Ipomedon composed in tail-rhyme verse, possibly in the last decade of the fourteenth century. It is one of three Middle English renditions of Hugh's work: the other two are a shorter verse Lyfe of Ipomydon and the prose Ipomedon, both of the fifteenth century. Each version is derived independently from the Anglo-Norman Ipomedon, which Hugh wrote 'not long after 1180', possibly in Herefordshire. It is included in a list of the popular English romances by Richard Hyrde in the 1520s.
Sir Eglamour of Artois is a Middle English verse romance that was written sometime around 1350. It is a narrative poem of about 1300 lines, a tail-rhyme romance that was quite popular in its day, judging from the number of copies that have survived – four manuscripts from the 15th century or earlier and a manuscript and five printed editions from the 16th century. The poem tells a story that is constructed from a large number of elements found in other medieval romances. Modern scholarly opinion has been critical of it because of this, describing it as unimaginative and of poor quality. Medieval romance as a genre, however, concerns the reworking of "the archetypal images of romance" and if this poem is viewed from a 15th-century perspective as well as from a modern standpoint – and it was obviously once very popular, even being adapted into a play in 1444 – one might find a "romance [that] is carefully structured, the action highly unified, the narration lively."
Sir Perceval of Galles is a Middle English Arthurian verse romance whose protagonist, Sir Perceval (Percival), first appeared in medieval literature in Chrétien de Troyes' final poem, the 12th-century Old French Conte del Graal, well over one hundred years before the composition of this work. Sir Perceval of Galles was probably written in the northeast Midlands of England in the early 14th century, and tells a markedly different story to either Chretien's tale or to Robert de Boron's early 13th-century Perceval. Found in only a single manuscript, and told with a comic liveliness, it omits any mention of a graal or a Grail.
The Eufemiavisorna are a group of three medieval romances translated into medieval Swedish: Herr Ivan lejonriddaren (1303), Hertig Fredrik av Normandie, and Flores och Blanzeflor. They are known in Swedish as the Eufemiavisorna, 'the Euphemia poems' or, less commonly, Eufemiaromanerna, 'the Euphemia romances'; they are known in Norwegian (bokmål) as the Eufemiavisene and in Danish as Eufemiaviserne. The romances are an early example of the poetic form known as Knittelvers; are the first known Scandinavian renderings of Continental European chivalric romance in verse; and are among the first major works of literature in Swedish.
The Land of Maidens is a motif in Irish mythology and medieval literature, especially in the chivalric romance genre. The latter often also features a castle instead of an island, sometimes known as the Castle of Maidens.
Flóres saga ok Blankiflúr is a medieval Icelandic romance saga.
