Pseudo-Hebrew is the artistic use of symbols meant to appear like Hebrew script but that are not in fact Hebrew letters. [1] [2] [3] The related phenomenon of the use of actual Hebrew letters in ways that do not represent actual language may be called "nonsense Hebrew". [1] Gary Schwartz, an art historian, notes that the use of pseudo-Hebrew in 15th-century art is not distinctive, as other works of the time also contain pseudo-Greek, Hebrew, and Latin. [4]
An alphabet is a standard set of letters written to represent particular sounds in a spoken language. Specifically, letters largely correspond to phonemes as the smallest sound segments that can distinguish one word from another in a given language. Not all writing systems represent language in this way: a syllabary assigns symbols to spoken syllables, while logographies assign symbols to words, morphemes, or other semantic units.
An abjad, also abgad, is a writing system in which only consonants are represented, leaving the vowel sounds to be inferred by the reader. This contrasts with alphabets, which provide graphemes for both consonants and vowels. The term was introduced in 1990 by Peter T. Daniels. Other terms for the same concept include partial phonemic script, segmentally linear defective phonographic script, consonantary, consonant writing, and consonantal alphabet.
The ancient Aramaic alphabet was used to write the Aramaic languages spoken by ancient Aramean pre-Christian tribes throughout the Fertile Crescent. It was also adopted by other peoples as their own alphabet when empires and their subjects underwent linguistic Aramaization during a language shift for governing purposes — a precursor to Arabization centuries later — including among the Assyrians and Babylonians who permanently replaced their Akkadian language and its cuneiform script with Aramaic and its script, and among Jews, but not Samaritans, who adopted the Aramaic language as their vernacular and started using the Aramaic alphabet, which they call "Square Script", even for writing Hebrew, displacing the former Paleo-Hebrew alphabet. The modern Hebrew alphabet derives from the Aramaic alphabet, in contrast to the modern Samaritan alphabet, which derives from Paleo-Hebrew.
Antisemitism or Jew-hatred is hostility to, prejudice towards, or discrimination against, Jews. This sentiment is a form of racism, and a person who harbours it is called an antisemite. Primarily, antisemitic tendencies may be motivated by negative sentiment towards Jews as a people or by negative sentiment towards Jews with regard to Judaism. In the former case, usually presented as racial antisemitism, a person's hostility is driven by the belief that Jews constitute a distinct race with inherent traits or characteristics that are repulsive or inferior to the preferred traits or characteristics within that person's society. In the latter case, known as religious antisemitism, a person's hostility is driven by their religion's perception of Jews and Judaism, typically encompassing doctrines of supersession that expect or demand Jews to turn away from Judaism and submit to the religion presenting itself as Judaism's successor faith—this is a common theme within the other Abrahamic religions. The development of racial and religious antisemitism has historically been encouraged by the concept of anti-Judaism, which is distinct from antisemitism itself.
Aramaic is a Northwest Semitic language that originated in the ancient region of Syria and quickly spread to Mesopotamia, the southern Levant, southeastern Anatolia, Eastern Arabia and the Sinai Peninsula, where it has been continually written and spoken in different varieties for over three thousand years.
The Glagolitic script is the oldest known Slavic alphabet. It is generally agreed that it was created in the 9th century for the purpose of translating liturgical texts into Old Church Slavonic by Saint Cyril, a monk from Thessalonica. He and his brother Saint Methodius were sent by the Byzantine Emperor Michael III in 863 to Great Moravia to spread Christianity there. After the deaths of Cyril and Methodius, their disciples were expelled and they moved to the First Bulgarian Empire instead. The Early Cyrillic alphabet, which developed gradually in the Preslav Literary School by Greek alphabet scribes who incorporated some Glagolitic letters, gradually replaced Glagolitic in that region. Glagolitic remained in use alongside Latin in the Kingdom of Croatia and alongside Cyrillic until the 14th century in the Second Bulgarian Empire and the Serbian Empire, and later mainly for cryptographic purposes.
The Hebrew alphabet, known variously by scholars as the Ktav Ashuri, Jewish script, square script and block script, is traditionally an abjad script used in the writing of the Hebrew language and other Jewish languages, most notably Yiddish, Ladino, Judeo-Arabic, and Judeo-Persian. In modern Hebrew, vowels are increasingly introduced. It is also used informally in Israel to write Levantine Arabic, especially among Druze. It is an offshoot of the Imperial Aramaic alphabet, which flourished during the Achaemenid Empire and which itself derives from the Phoenician alphabet.
Numerology is the belief in an occult, divine or mystical relationship between a number and one or more coinciding events. It is also the study of the numerical value, via an alphanumeric system, of the letters in words and names. When numerology is applied to a person's name, it is a form of onomancy. It is often associated with astrology and other divinatory arts.
Semitic people or Semites is an obsolete term for an ethnic, cultural or racial group associated with people of the Middle East, including Arabs, Jews, Akkadians, and Phoenicians. The terminology is now largely unused outside the grouping "Semitic languages" in linguistics. First used in the 1770s by members of the Göttingen school of history, this biblical terminology for race was derived from Shem, one of the three sons of Noah in the Book of Genesis, together with the parallel terms Hamites and Japhetites.
The Phoenician alphabet is an abjad used across the Mediterranean civilization of Phoenicia for most of the 1st millennium BC. It was one of the first alphabets, and attested in Canaanite and Aramaic inscriptions found across the Mediterranean region. In the history of writing systems, the Phoenician script also marked the first to have a fixed writing direction—while previous systems were multi-directional, Phoenician was written horizontally, from right to left. It developed directly from the Proto-Sinaitic script used during the Late Bronze Age, which was derived in turn from Egyptian hieroglyphs.
Knaanic is a tentative name for a number of West Slavic dialects or registers formerly spoken by the Jews in the lands of the Western Slavs, notably the Czech lands, but also the lands of modern Poland, Lusatia, and other Sorbian regions. They became extinct in the Late Middle Ages. Very little is known about their difference from the surrounding Slavic languages. The largest number of samples of Knaanic written in Hebrew script are in Czech; therefore, most commonly Knaanic is associated with Old Czech.
Pseudepigrapha are falsely attributed works, texts whose claimed author is not the true author, or a work whose real author attributed it to a figure of the past. The name of the author to whom the work is falsely attributed is often prefixed with the particle "pseudo-", such as for example "pseudo-Aristotle" or "pseudo-Dionysius": these terms refer to the anonymous authors of works falsely attributed to Aristotle and Dionysius the Areopagite, respectively.
The Greek alphabet has been used to write the Greek language since the late 9th or early 8th century BC. It is derived from the earlier Phoenician alphabet, and was the earliest known alphabetic script to have distinct letters for vowels as well as consonants. In Archaic and early Classical times, the Greek alphabet existed in many local variants, but, by the end of the 4th century BC, the Euclidean alphabet, with 24 letters, ordered from alpha to omega, had become standard and it is this version that is still used for Greek writing today.
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy. It is known in Arabic as khatt Arabi, which translates into Arabic line, design, or construction.
Bosnian Cyrillic, widely known as Bosančica, is a variant of the Cyrillic alphabet that originated in medieval Bosnia. The term was coined at the end of the 19th century by Ćiro Truhelka. It was widely used in modern-day Bosnia and Herzegovina and the bordering areas of modern-day Croatia. Its name in Serbo-Croatian is Bosančica and Bosanica the latter of which might be translated as Bosnian script. Serb scholars call it Serbian script, Serbian–Bosnian script, Bosnian–Serb Cyrillic, as part of variant of Serbian Cyrillic and deem the term "bosančica" Austro-Hungarian propaganda. Croat scholars also call it Croatian script, Croatian–Bosnian script, Bosnian–Croat Cyrillic, harvacko pismo, arvatica or Western Cyrillic. For other names of Bosnian Cyrillic, see below.
The Paleo-Hebrew script, also Palaeo-Hebrew, Proto-Hebrew or Old Hebrew, is the writing system found in Canaanite and Aramaic inscriptions, including pre-Biblical and Biblical Hebrew, from southern Canaan, also known as the biblical kingdoms of Israel (Samaria) and Judah. It is considered to be the script used to record the original texts of the Bible due to its similarity to the Samaritan script; the Talmud states that the Samaritans still used this script. The Talmud described it as the "Livonaʾa script", translated by some as "Lebanon script". However, it has also been suggested that the name is a corrupted form of "Neapolitan", i.e. of Nablus. Use of the term "Paleo-Hebrew alphabet" is due to a 1954 suggestion by Solomon Birnbaum, who argued that "[t]o apply the term Phoenician [from Northern Canaan, today's Lebanon] to the script of the Hebrews [from Southern Canaan, today's Israel-Palestine] is hardly suitable". The Paleo-Hebrew and Phoenician alphabets are two slight regional variants of the same script.
The Alexander Romance, once described as "antiquity's most successful novel", is an account of the life and exploits of Alexander the Great. The Romance describes Alexander the Great from his birth, to his succession of the throne of Macedon, his conquests including that of the Persian Empire, and finally his death. Although constructed around an historical core, the romance is mostly fantastical, including many miraculous tales and encounters with mythical creatures such as sirens or centaurs. In this context, the term Romance refers not to the meaning of the word in modern times but in the Old French sense of a novel or roman, a "lengthy prose narrative of a complex and fictional character".
The Byblos script, also known as the Byblos syllabary, Pseudo-hieroglyphic script, Proto-Byblian, Proto-Byblic, or Byblic, is an undeciphered writing system, known from ten inscriptions found in Byblos, a coastal city in Lebanon. The inscriptions are engraved on bronze plates and spatulas, and carved in stone. They were excavated by Maurice Dunand, from 1928 to 1932, and published in 1945 in his monograph Byblia Grammata. The inscriptions are conventionally dated to the second millennium BC, probably between the 18th and 15th centuries BC.
Pseudo-Kufic, or Kufesque, also sometimes pseudo-Arabic, is a style of decoration used during the Middle Ages and the Renaissance, consisting of imitations of the Arabic script, especially Kufic, made in a non-Arabic context: "Imitations of Arabic in European art are often described as pseudo-Kufic, borrowing the term for an Arabic script that emphasizes straight and angular strokes, and is most commonly used in Islamic architectural decoration". Pseudo-Kufic appears especially often in Renaissance art in depictions of people from the Holy Land, particularly the Virgin Mary. It is an example of Islamic influences on Western art.
Islamic influences on Western art refers to the stylistic and formal influence of Islamic art, defined as the artistic production of the territories ruled by Muslims from the 7th century onward, on European Christian art. Western European Christians interacted with Muslims in Europe, Africa, and the Middle East and formed a relationship based on shared ideas and artistic methods. Islamic art includes a wide variety of media including calligraphy, illustrated manuscripts, textiles, ceramics, metalwork, and glass, and because the Islamic world encompassed people of diverse religious backgrounds, artists and craftsmen were not always Muslim, and came from a wide variety of different backgrounds. Glass production, for example, remained a Jewish speciality throughout the period. Christian art in Islamic lands, such as that produced in Coptic Egypt or by Armenian communities in Iran, continued to develop under Islamic rulers.