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Gerbrand van den Eeckhout was a Dutch Golden Age painter and a favourite student of Rembrandt. He was also an etcher, an amateur poet, a collector and an adviser on art.
Saskia van Uylenburgh was the wife of painter Rembrandt van Rijn. In the course of her life, she was his model for some of his paintings, drawings and etchings. She was the daughter of Rombertus Uylenburg, the mayor as well as the justice of the Court of Friesland.
Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history. It is estimated Rembrandt produced a total of about three hundred paintings, three hundred etchings and two thousand drawings.
Frederik Johannes "Frits" Lugt, was a self-taught collector and connoisseur of Dutch drawings and prints and a selfless and tireless compiler of essential reference tools documenting Northern European prints and drawings, collectors' stamps and sale catalogues. An authority on Rembrandt's drawings, he collected all of the known etchings made by Rembrandt during his career.
Jan Six was an important cultural figure in the Dutch Golden Age.
Joan or Johan Huydecoper van Maarsseveen, knighted lord of Maarsseveen, was an important merchant, financial expert, property developer active in Amsterdam and a director of the Dutch East India Company during the Dutch Golden Age. The republican minded Huydecoper was an influential member of the Dutch States Party, diplomat and six times mayor of Amsterdam. He was together with Cornelis de Graeff one of the initiators of the construction of the new town hall of Amsterdam and was a prominent patron of the arts and art collector. Beside Maarsseveen he held the feudal titles of Neerdijk, Thamen and Blockland. Huydecoper is representative of the love of art, political influence and welfare in the Golden Age.
Cornelis van der Voort or van der Voorde was a Dutch Golden Age portrait painter from the early 17th century.
The Rembrandt Research Project (RRP) was an initiative of the Nederlandse Organisatie voor Wetenschappelijk Onderzoek (NWO), which is the Netherlands Organization for Scientific Research. Its purpose was to organize and categorize research on Rembrandt van Rijn, with the aim of discovering new facts about this Dutch Golden Age painter and his studio. The project started in 1968 and was sponsored by NWO until 1998. Research continued until 2014. It was the authority on Rembrandt and had the final say in whether a painting is genuine. The documentation generated by the project was transferred to the Netherlands Institute for Art History and renamed the Rembrandt Database.
The Return of the Prodigal Son is an oil painting by Rembrandt, part of the collection of the Hermitage Museum in St. Petersburg. It is among the Dutch master's final works, likely completed within two years of his death in 1669. Depicting the moment of the prodigal son's return to his father in the Biblical parable, it is a renowned work described by art historian Kenneth Clark as "a picture which those who have seen the original in St. Petersburg may be forgiven for claiming as the greatest picture ever painted".
Joseph and Potiphar's Wife is a 1634 etching by Rembrandt. It depicts a story from the Bible, wherein Potiphar's Wife attempts to seduce Joseph. It is signed and dated "Rembrandt f. 1634", and exists in two states.
The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject or the artist, or the definition of a portrait.
Rembrandt Harmenszoon van Rijn's The Abduction of Europa (1632) is one of his rare mythological subject paintings. The work is oil on a single oak panel and now located in the J. Paul Getty Museum. The inspiration for the painting is Ovid's Metamorphoses, part of which tells the tale of Zeus's seduction and capture of Europa. The painting shows a coastal scene with Europa being carried away in rough waters by a bull while her friends remain on shore with expressions of horror. Rembrandt combined his knowledge of classical literature with the interests of the patron in order to create this allegorical work. The use of an ancient myth to impart a contemporary thought and his portrayal of the scene using the High Baroque style are two strong aspects of the work.
Bob Haak was a Dutch art expert known mostly as one of the founders of the Rembrandt Research Project.
Pieter J.J. van Thiel (1928–2012) was a Dutch art historian known mostly as one of the founders of the Rembrandt Research Project.
Egbert Haverkamp-BegemannOON was a Dutch American art historian and professor.
Samson Threatening His Father-In-Law is a 1635 oil-on-canvas painting by Rembrandt, now in the Gemäldegalerie, Berlin. It depicts the Biblical story of Samson, who has returned home after an absence to find that his father-in-law has given away Samson's Philistine wife to another man. Samson's reaction was to set fire to the crops in the Philistines' fields.
In printmaking, surface tone, or surface-tone, is produced by deliberately or accidentally not wiping all the ink off the surface of the printing plate, so that parts of the image have a light tone from the film of ink left. Tone in printmaking meaning areas of continuous colour, as opposed to the linear marks made by an engraved or drawn line. The technique can be used with all the intaglio printmaking techniques, of which the most important are engraving, etching, drypoint, mezzotint and aquatint. It requires individual attention on the press before each impression is printed, and is mostly used by artists who print their own plates, such as Rembrandt, "the first master of this art", who made great use of it.
References
- ↑ "Curriculum vitae – Gary Schwartz Art Historian".
- ↑ Gary Schwartz, Dictionary of Art Historians. Accessed May 5, 2022.
- ↑ Brenson, Michael. "An Idiosyncratic Expert Redraws Rembrandt", The New York Times , February 28, 1987. Accessed May 5, 2022. "Gary Schwartz was born in Brooklyn in 1940. His mother was Hungarian; his father, who worked in and eventually took over his father's sweater factory, was of Polish origin. The family moved to Far Rockaway when he was 12."
- ↑ http://www.nicoleborgenicht.com/uploads/Fine_Art_Connoisseur__Gary_Schwartz.pdf Archived 2016-02-25 at the Wayback Machine [ bare URL PDF ]
- ↑ "Home". codart.nl.
