Lady Bertilak (or Lady Hautdesert) are names given by some modern critics to a character in the medieval poem Sir Gawain and the Green Knight (14th century), though the poem itself only ever calls her "the lady". [1] She is ordered by her husband, Sir Bertilak de Hautdesert, alias the Green Knight, to test Sir Gawain's purity.
The lady of the house, Lady Hautdesert (whose actual name is never given in the poem), is one of the most prominent characters in the poem Sir Gawain and the Green Knight. In company, she always appears with a crone beside her (who later turns out to be Gawain's aunt, Morgan le Fay). The two women bracket feminine vulnerability and strength, in youth and age, and they are always together. The lord of the manor, Sir Bertilak de Hautdesert, insists that Gawain socialize freely and sit between the two women at their dinners, and Gawain finds them most hospitable.
However, she comes alone to Gawain's chambers on three mornings in a row, each time in a more alluring form, with her last appearance being in a simple gown, her hair uncovered, and without cosmetics. Each time, she comes to Gawain's bed around dawn, when Gawain is sleeping, and she plays elaborately witty games of courtship and seduction with him. She is not what would generally be expected from a lady of a household. Her “active sexual role is hardly more representative of romance heroines than of real medieval women.” [2] Claiming one hundred and twenty two lines [3] of speech, she plays a quintessential role in testing Sir Gawain's honour, loyalty, and most importantly his honesty through her sexual innuendoes, where she becomes “a potent threat to the exclusively masculine code of knightly behaviour.” [4] Most interesting about these scenes is the dilemma Sir Gawain faces, where he must be courteous to Lady Bertilak (Knightly Code), and at the same time loyal to his host. The twist occurs when Sir Gawain realizes that Lady Bertilak has been used as a tool of seduction, by her husband, in order to test Sir Gawain. This betrayal leads Sir Gawain to a twenty-one line [5] “attack of all women for their deceptiveness and treachery.” [6] Her character proves to have an imperative role in the poem, for "a full understanding of the temptation scenes" is important for a full understanding "of the entire poem." [7] It is also from Lady Bertilak that Gawain receives the green girdle (sash) with the power to protect its wearer "against anyone who seeks to strike him." [8] In taking that girdle, though, Gawain betrays his deal with the lady's husband, and Gawain vows to keep the girdle forever to remind him of his sin of cowardice.
Lady Bertilak's role throughout the poem is very important due to her efforts to test Sir Gawain's loyalty to Sir Bertilak de Hautdesert while staying in his home and under his rule. Lady Bertilak, along with Sir Bertilak de Hautdesert and Morgan La Fey, tests Sir Gawain's loyalty in the face of sexual advances, ones that are "not nearly as reserved and what some would call honorable" as said by Emily Spangler. [9] Lady Bertilak approaches Sir Gawain three times during his stay, as her desires for him become more blatant and even forceful every time she stays with him. Despite Sir Gawain's attempts to remain reserved, he indulges in Lady Bertilak's advances which results in his slight injury from the Green Knight's axe later on. Lady Bertilak had succeeded in her plot, as directed by her husband, and because of the lack of malice towards him had been able to make Sir Gawain admit to his imperfections and faults in the end. [10]
In the poem Sir Gawain and the Green Knight, greed and temptation are two characteristics that guide Lady Bertilak to trick Gawain. She continuously tempts Gawain to take her belongings by telling him they will protect him. One of the most significant offerings from Lady Bertilak was the ring. Gawain easily refuses this offer even though it is protective, because of its value of wealth. [11] Lady Bertilak schemingly makes another offer to Gawain of less value: a green girdle that has protective powers. It is here that Gawain succumbs to her offer, because of the girdle's lesser value. [12] Lady Bertilak is aware of Gawain's promise with the lord to hand him anything he receives each day. She plays upon this promise to tempt Gawain with her offerings, because she knows he will not report it to Lord Bertilak, as he will keep the girdle for his battle with the Green Knight.
Sir Gawain and the Green Knight is a late 14th-century chivalric romance in Middle English alliterative verse. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel, it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest that tests his prowess. It remains popular in modern English renderings from J. R. R. Tolkien, Simon Armitage, and others, as well as through film and stage adaptations.
Gawain, also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and one of the premier Knights of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian tales in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the Middle English poem Sir Gawain and the Green Knight. Other works featuring Gawain as their central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, Le Livre d'Artus, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.
Lancelot du Lac, alternatively written as Launcelot and other variants, is a popular character in Arthurian legend's chivalric romance tradition. He is typically depicted as King Arthur's close companion and one of the greatest Knights of the Round Table, as well as a secret lover of Arthur's wife, Guinevere.
The Knights of the Round Table are the legendary knights of the fellowship of King Arthur that first appeared in the Matter of Britain literature in the mid-12th century. The Knights are a chivalric order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.
Morgan le Fay, alternatively known as Morgan[n]a, Morgain[a/e], Morgant[e], Morg[a]ne, Morgayn[e], Morgein[e], and Morgue[in] among other names and spellings, is a powerful and ambiguous enchantress from the legend of King Arthur, in which most often she and he are siblings. Early appearances of Morgan in Arthurian literature do not elaborate her character beyond her role as a goddess, a fay, a witch, or a sorceress, generally benevolent and connected to Arthur as his magical saviour and protector. Her prominence increased as the legend of Arthur developed over time, as did her moral ambivalence, and in some texts there is an evolutionary transformation of her to an antagonist, particularly as portrayed in cyclical prose such as the Lancelot-Grail and the Post-Vulgate Cycle. A significant aspect in many of Morgan's medieval and later iterations is the unpredictable duality of her nature, with potential for both good and evil.
Gareth is a Knight of the Round Table in Arthurian legend. He is the youngest son of King Lot and Queen Morgause, King Arthur's half-sister, thus making him Arthur's nephew, as well as brother to Gawain, Agravain and Gaheris, and either a brother or half-brother of Mordred. Gareth is particularly notable in Le Morte d'Arthur, where one of its eight books is named after and largely dedicated to him, and in which he is also known by his nickname Beaumains.
The Green Knight is a heroic character of the Matter of Britain, originating in the 14th-century poem Sir Gawain and the Green Knight and the related medieval work The Greene Knight. His true name is revealed to be Bertilak de Hautdesert in Sir Gawain, while The Greene Knight names him "Bredbeddle". The Green Knight later features as one of Arthur's greatest champions in the fragmentary ballad King Arthur and King Cornwall, again with the name "Bredbeddle".
Agravain is a Knight of the Round Table in Arthurian legend, whose first known appearance is in the works of Chrétien de Troyes. He is the second eldest son of King Lot of Orkney with one of King Arthur's sisters known as Anna or Morgause, thus nephew of King Arthur, and brother to Sir Gawain, Gaheris, and Gareth, as well as half-brother to Mordred. Agravain secretly makes attempts on the life of his hated brother Gaheris starting in the Vulgate Cycle, participates in the slayings of Lamorak and Palamedes in the Post-Vulgate Cycle, and murders Dinadan in the Prose Tristan. In the French prose cycle tradition included in Thomas Malory's Le Morte d'Arthur, together with Mordred, he then plays a leading role by exposing his aunt Guinevere's affair with Lancelot, which leads to his death at Lancelot's hand.
Jessie Laidlay Weston was an English independent scholar, medievalist and folklorist, working mainly on mediaeval Arthurian texts.
Perceval, the Story of the Grail is the unfinished fifth verse romance by Chrétien de Troyes, written by him in Old French in the late 12th century. Later authors added 54,000 more lines to the original 9,000 in what are known collectively as the Four Continuations, as well as other related texts. Perceval is the earliest recorded account of what was to become the Quest for the Holy Grail but describes only a golden grail in the central scene, does not call it "holy" and treats a lance, appearing at the same time, as equally significant. Besides the eponymous tale of the grail and the young knight Perceval, the poem and its continuations also tell of the adventures of Gawain and some other knights of King Arthur.
In Arthurian legend, Ywain, also known as Yvain and Owain among other spellings, is a Knight of the Round Table. Tradition often portrays him as the son of King Urien of Gorre and of either the enchantress Modron or the sorceress Morgan le Fay. The historical Owain mab Urien, the basis of the literary character, ruled as the king of Rheged in Britain during the late-6th century.
Sword of the Valiant: The Legend of Sir Gawain and the Green Knight is a 1984 dramatic fantasy film directed by Stephen Weeks and starring Miles O'Keeffe, Trevor Howard, Lila Kedrova, Cyrielle Clair, Leigh Lawson, Peter Cushing, and Sean Connery. The film is loosely based on the poem Sir Gawain and the Green Knight, written in the late 14th century, but the narrative differs substantially. It was the second time Weeks had adapted the traditional tale into a film. His first effort was Gawain and the Green Knight (1973).
The Wedding of Sir Gawain and Dame Ragnelle is a 15th-century English poem, one of several versions of the "loathly lady" story popular during the Middle Ages. An earlier version of the story appears as "The Wyfe of Bayths Tale" in Geoffrey Chaucer's The Canterbury Tales, and the later ballad "The Marriage of Sir Gawain" is essentially a retelling, though its relationship to the medieval poem is uncertain. The author's name is not known, but similarities to Le Morte d'Arthur have led to the suggestion that the poem may have been written by Sir Thomas Malory.
Sir Gawain and the Carle of Carlisle is a Middle English tail-rhyme romance of 660 lines, composed in about 1400. A similar story is told in a 17th-century minstrel piece found in the Percy Folio and known as The Carle of Carlisle. These are two of a number of early English poems that feature the Arthurian hero Sir Gawain, the nephew of King Arthur, in his English role as a knight of the Round Table renowned for his valour and, particularly, for his courtesy.
Sir Perceval of Galles is a Middle English Arthurian verse romance whose protagonist, Sir Perceval (Percival), first appeared in medieval literature in Chrétien de Troyes' final poem, the 12th-century Old French Conte del Graal, well over one hundred years before the composition of this work. Sir Perceval of Galles was probably written in the northeast Midlands of England in the early 14th century, and tells a markedly different story to either Chretien's tale or to Robert de Boron's early 13th-century Perceval. Found in only a single manuscript, and told with a comic liveliness, it omits any mention of a graal or a Grail.
The Knightly Tale of Gologras and Gawain is a Middle Scots Arthurian romance written in alliterative verse of 1362 lines, known solely from a printed edition of 1508 in the possession of the National Library of Scotland. No manuscript copy of this lively and exciting tale has survived.
The Knight with the Sword, in French Le Chevalier à l'épée, is an Old French romance dating to the earlier 13th century. It survives in only one manuscript. It is the earliest extant romance to focus specifically on the Arthurian knight Sir Gawain and its plot is in some important respects similar to that of Sir Gawain and the Green Knight. The poem presents a satirical or cynical take on ideas of chivalry.
The Green Knight is a 2021 epic medieval fantasy adventure film written, produced, directed and edited by David Lowery that is an adaptation from the 14th-century poem Sir Gawain and the Green Knight. The film stars Dev Patel as Gawain, who sets out on a journey to test his courage and face the Green Knight. It also stars Alicia Vikander, Joel Edgerton, Sarita Choudhury, Sean Harris, and Ralph Ineson.
The beheading game is a literary trope found in Irish mythology and medieval chivalric romance. The trope consists of a stranger who arrives at a royal court and challenges a hero to an exchange of blows: the hero may decapitate the stranger, but the stranger may then inflict the same wound upon the hero. The supernatural nature of the stranger, which makes this possible, is only revealed when he retrieves his severed head. When the hero submits himself to the return blow, he is rewarded for his valour and is left with only a minor wound. The hero is seen as coming of age by undergoing the exchange of blows, and his symbolic death and rebirth is represented by the feigned return blow.
Sir Gawain and the Green Knight is a British children's novel written by Michael Morpurgo, and illustrated by Michael Foreman. It was originally published in the United Kingdom by Walker Books, and released in October 2004. The book is largely a translation and condensed version of the late 14th century Arthurian romance, Sir Gawain and the Green Knight.
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