The term chapel perilous first appeared in Sir Thomas Malory's Le Morte d'Arthur (1485) [1] as the setting for an adventure in which sorceress Hellawes unsuccessfully attempts to seduce Sir Lancelot. T. S. Eliot used it symbolically in The Waste Land (1922). Dorothy Hewett took The Chapel Perilous as the title for her autobiographical play, in which she uses "the framework of the Arthurian legend, Sir Lancelot, to create a theatrical quest of romantic and epic proportions." [2]
The term as used in literature is explicated in detail by Jessie L. Weston in her 1920 book From Ritual to Romance . [3] It is defined by Thomas C. Foster as "the dangerous enclosure that is known in the study of traditional quest romances." [4] He cites the plot of the 1966 book Crying of Lot 49 as an example. This term is also used by Eleanore M. Jewett in her 1946 book The Hidden Treasure of Glaston.
"Chapel perilous" is also a term referring to a psychological state in which an individual is uncertain whether some course of events was affected by a supernatural force, or was a product of their own imagination. It was used by writer and philosopher Robert Anton Wilson in his 1977 book Cosmic Trigger . According to Wilson, being in this state leads the subject to become either paranoid or an agnostic. [5] In his opinion there is no third way. [5]
The term "chapel perilous" was used by Antero Alli, in his 1986 book, Angel Tech: A Modern Shaman's Guide to Reality Selection which is based on Timothy Leary's eight-circuit model of consciousness. In Alli's book chapel perilous is a rite of passage, when moving between the four lower circuits of consciousness to the higher circuits.
Excalibur is the mythical sword of King Arthur that may possess magical powers or be associated with the rightful sovereignty of Britain. Traditionally, the sword in the stone that is the proof of Arthur's lineage and the sword given to him by a Lady of the Lake are not the same weapon, even as in some versions of the legend both of them share the name of Excalibur. Several similar swords and other weapons also appear within Arthurian texts, as well as in other legends.
Sir Thomas Malory was an English writer, the author of Le Morte d'Arthur, the classic English-language chronicle of the Arthurian legend, compiled and in most cases translated from French sources. The most popular version of Le Morte d'Arthur was published by the famed London printer William Caxton in 1485. Much of Malory's life history is obscure, but he identified himself as a "knight prisoner", apparently reflecting that he was either a criminal, a prisoner-of-war, or suffering some other type of confinement. Malory's identity has never been confirmed. Since modern scholars began researching his identity the most widely accepted candidate has been Sir Thomas Malory of Newbold Revel in Warwickshire, who was imprisoned at various times for criminal acts and possibly also for political reasons during the Wars of the Roses. Recent work by Cecelia Lampp Linton, however, presents new evidence in support of Thomas Malory of Hutton Conyers, Yorkshire.
Guinevere, also often written in Modern English as Guenevere or Guenever, was, according to Arthurian legend, an early-medieval queen of Great Britain and the wife of King Arthur. First mentioned in popular literature in the early 12th century, nearly 700 years after the purported times of Arthur, Guinevere has since been portrayed as everything from a fatally flawed, villainous and opportunistic traitor to a noble and virtuous lady. Many records of the legend also feature the variably recounted story of her abduction and rescue as a major part of the tale.
Gawain, also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and one of the premier Knights of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian tales in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the Middle English poem Sir Gawain and the Green Knight. Other works featuring Gawain as their central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, Le Livre d'Artus, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.
Galahad, sometimes referred to as Galeas or Galath, among other versions of his name, is a knight of King Arthur's Round Table and one of the three achievers of the Holy Grail in Arthurian legend. He is the illegitimate son of Sir Lancelot du Lac and Lady Elaine of Corbenic and is renowned for his gallantry and purity as the most perfect of all knights. Emerging quite late in the medieval Arthurian tradition, Sir Galahad first appears in the Lancelot–Grail cycle, and his story is taken up in later works, such as the Post-Vulgate Cycle, and Sir Thomas Malory's Le Morte d'Arthur. In Arthurian literature, he replaced Percival as the hero in the quest for the Holy Grail.
Tristan, also known as Tristram, Tristyn or Tristain and similar names, is the folk hero of the legend of Tristan and Iseult. In the legend, his objective is escorting the Irish princess Iseult to wed Tristan's uncle, King Mark of Cornwall. Tristan and Iseult accidentally drink a love potion during the journey and fall in love, beginning an adulterous relationship that eventually leads to Tristan's banishment and death. The character's first recorded appearance is in retellings of British mythology from the 12th century by Thomas of Britain and Gottfried von Strassburg, and later in the Prose Tristan. He is featured in Arthurian legends, including the seminal text Le Morte d'Arthur, as a skilled knight and a friend of Lancelot. He is also a Knight of the Round Table.
The Knights of the Round Table are the legendary knights of the fellowship of King Arthur that first appeared in the Matter of Britain literature in the mid-12th century. The Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.
Le Morte d'Arthur is a 15th-century Middle English prose reworking by Sir Thomas Malory of tales about the legendary King Arthur, Guinevere, Lancelot, Merlin and the Knights of the Round Table, along with their respective folklore. In order to tell a "complete" story of Arthur from his conception to his death, Malory compiled, rearranged, interpreted and modified material from various French and English sources. Today, this is one of the best-known works of Arthurian literature. Many authors since the 19th-century revival of the legend have used Malory as their principal source.
Elaine is a name shared by several female characters in Arthurian legend, where they can also appear under different names depending on the source. They include Elaine of Astolat and Elaine of Corbenic among others.
In Arthurian legend, the Siege Perilous is a vacant seat at the Round Table reserved by Merlin for the knight who would one day be successful in the quest for the Holy Grail.
Elaine of Astolat, also known as Elayne of Ascolat and other variants of the name, is a figure in Arthurian legend. She is a lady from the castle of Astolat who dies of her unrequited love for Sir Lancelot. Well-known versions of her story appear in Sir Thomas Malory's 1485 book Le Morte d'Arthur, Alfred, Lord Tennyson's mid-19th-century Idylls of the King, and Tennyson's poem "The Lady of Shalott". She should not be confused with Elaine of Corbenic, the mother of Galahad by Lancelot.
Balinthe Savage, also known as the Knight with the Two Swords, is a character in the Arthurian legend. Like Galahad, Balin is a late addition to the medieval Arthurian world. His story, as told by Thomas Malory in Le Morte d'Arthur, is based upon that told in the continuation of the second book of the Post-Vulgate cycle of legend, the Suite du Merlin.
Astolat is a legendary castle and town of Great Britain named in Arthurian legends. It is the home of Elaine, "the lily maid of Astolat", as well of her father Sir Bernard and her brothers Lavaine and Tirre. It is known as Shalott in many modern cultural references, derived from Alfred Lord Tennyson's poem "The Lady of Shalott". In the Lancelot-Grail it was said to be upstream of Camelot.
Dinadan is a Cornish knight of the Round Table in the Arthurian legend's chivalric romance tradition of the Prose Tristan and its adaptations, including a part of Le Morte d'Arthur. Best known for his humor and pragmatism, he is a close friend of the protagonist Tristan. Dinadan is the subject of several often comedic episodes until his murder by Mordred and Agravain.
Elaine or Elizabeth, also known as Amite, and identified as the "Grail Maiden" or the "Grail Bearer", is a character from Arthurian legend. In the Arthurian chivalric romance tradition from the Vulgate Cycle, she is the daughter of the Fisher King, King Pelles of Corbenic, and the mother of Galahad by Lancelot, whose repeated rape by her results in his descent into madness. She should not be confused with Elaine of Astolat, a different woman who too fell in love with Lancelot.
The Boy's King Arthur was an abridged version of Sir Thomas Malory's Le Morte d'Arthur edited by Sidney Lanier and published in 1880. It was intended as a children's edition, alongside Lanier's other "Boy's" works. The original title, including its subtitle, was The Boy's King Arthur being Sir Thomas Malory's History of King Arther and his Knights of the Round Table. It was republished in 1950 under the title King Arthur and his Knights of the Round Table.
Ector, sometimes Hector, Antor, or Ectorius, is the father of Kay and the adoptive father of King Arthur in the Matter of Britain. Sometimes portrayed as a king instead of merely a lord, he has an estate in the country as well as properties in London.
The StanzaicMorte Arthur is an anonymous 14th-century Middle English poem in 3,969 lines, about the adulterous affair between Lancelot and Guinevere, and Lancelot's tragic dissension with King Arthur. The poem is usually called the Stanzaic Morte Arthur or Stanzaic Morte to distinguish it from another Middle English poem, the Alliterative Morte Arthure. It exercised enough influence on Thomas Malory's Le Morte d'Arthur to have, in the words of one recent scholar, "played a decisive though largely unacknowledged role in the way succeeding generations have read the Arthurian legend".
Hellawes the sorceress is a character in Thomas Malory's 15th-century Arthurian legend compilation Le Morte d'Arthur. She is lady of the Castle Nygurmous, associated with the chapel perilous episode in one of the quests of Lancelot.
Guiomar is the best known name of a character appearing in many medieval texts relating to the Arthurian legend, often in relationship with Morgan le Fay or a similar fairy queen type character.
