Hellawes the sorceress is a character in Thomas Malory's 15th-century Arthurian legend compilation Le Morte d'Arthur . She is lady of the Castle Nygurmous ("of necromancy"), associated with the chapel perilous episode in one of the quests of Lancelot. [1]
Hellawes is a treacherous enchantress whom Sir Lancelot encounters in his pursuit of a holy sword and special cloth to heal his wounded liegeman, Sir Meliot of Logres. Hellawes is the widow of Sir Gilbert the Bastard, recently slain by Meliot, and she had magically cursed Meliot so his wounds from the fight would not heal. [2] In the story, she manages to lure the questing knight into her fearsome chapel perilous but Lancelot—who has been the object of her obsessive and unrequited love for seven years—successfully escapes with the items he needed to heal Meliot:
Lancelot braved the chapel to retrieve a sword and discovered that its terrifying properties were simply illusions. Hellawes appeared before him and asked him for a kiss in exchange for the sword, but Lancelot refused. It turned out that Lancelot would have perished from the kiss had he consented. Hellawes had tendencies toward necrophilia, and she would have rather had Lancelot as a dead lover than to have lived without him. Lancelot hurried away, and Hellawes died a few weeks later from sorrow. [Christopher W. Bruce, "The Arthurian Name Dictionary," 1999] [3]
A similarly named but different character, also appearing in Malory's Le Morte d'Arthur, is Lady Annowre of Perilous Forest. Annowre is an evil sorceress who plotted to kill Arthur out of her love of him after being scorned. [4]
The motif for her enchanted chapel (complete with the name, Chapelle Perilleuse) originates in Perlesvaus. [5] The character of Hellawes appears to be connected to that of Lady Helaes of Perilous Forest (Helaes de la Forest Perilleuse), also known as Helaes the Beautiful, Gawain's one-night lover from the Lancelot-Grail (Vulgate Cycle), [6] [7] whose name seems to be also an echo of Héloïse. [8]
Excalibur is the legendary sword of King Arthur, sometimes also attributed with magical powers or associated with the rightful sovereignty of Britain. It was associated with the Arthurian legend very early on. Excalibur and the Sword in the Stone are in some versions said to be different, though in other incarnations they are either the same or at least share their name. In Welsh, it is called Caledfwlch; in Cornish, Calesvol ; in Breton, Kaledvoulc'h; and in Latin, Caliburnus. Several similar swords and other weapons also appear in this and other legends.
Guinevere, also often written in Modern English as Guenevere or Guenever, was, according to Arthurian legend, an early-medieval queen of Great Britain and the wife of King Arthur. Her first mention in popular literature came in early 12th century, nearly 700 years after the purported times of Arthur. Guinevere has since been portrayed as everything from a villainous and opportunistic traitor to a fatally flawed but noble and virtuous lady. A notably recurring aspect of many records of the legend are the also variably told stories of her abduction.
Gawain, also known as Gawaine or Gauwaine, among other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and a Knight of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian stories in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the famous Middle English poem Sir Gawain and the Green Knight. Other tales featuring Gawain as the central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.
Lancelot du Lac, also written as Launcelot and other variants, is a character in some versions of Arthurian legend, where he is typically depicted as King Arthur's close companion and one of the greatest Knights of the Round Table. In the French-inspired Arthurian chivalric romance tradition, Lancelot is the orphaned son of King Ban of the lost kingdom of Benwick, raised in the fairy realm by the Lady of the Lake. A hero of many battles, quests and tournaments, and famed as a nearly unrivalled swordsman and jouster, Lancelot becomes the lord of the castle Joyous Gard and personal champion of Arthur's wife Queen Guinevere. But when his adulterous affair with Guinevere is discovered, it causes a civil war that is exploited by Mordred to end Arthur's kingdom.
The Lady of the Lake is a name or a title used by several fairy-like enchantresses in the Matter of Britain, the body of medieval literature and mythology associated with the legend of King Arthur. They play pivotal roles in many stories, including providing Arthur with the sword Excalibur, eliminating Merlin, raising Lancelot after the death of his father, and helping to take the dying Arthur to Avalon. Different sorceresses known as the Lady of the Lake appear concurrently as separate characters in some versions of the legend since at least the Post-Vulgate Cycle and consequently the seminal Le Morte d'Arthur, with the latter describing them as a hierarchical group, while some texts also give this title to either Morgan or her sister.
The Knights of the Round Table are the knights of the fellowship of King Arthur in the literary cycle of the Matter of Britain. First appearing in literature in the mid-12th century, the Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.
Morgan le Fay, alternatively known as Morgan[n]a, Morgain[a/e], Morg[a]ne, Morgant[e], Morge[i]n, and Morgue[in] among other names and spellings, is a powerful and ambiguous enchantress from the legend of King Arthur, in which most often she and he are siblings. Early appearances of Morgan in Arthurian literature do not elaborate her character beyond her role as a goddess, a fay, a witch, or a sorceress, generally benevolent and connected to Arthur as his magical saviour and protector. Her prominence increased as legends developed over time, as did her moral ambivalence, and in some texts there is an evolutionary transformation of her to an antagonist, particularly as portrayed in cyclical prose such as the Lancelot-Grail and the Post-Vulgate Cycle. A significant aspect in many of Morgan's medieval and later iterations is the unpredictable duality of her nature, with potential for both good and evil.
The Queen of Orkney, today best known as Morgause and also known as Morgawse and other spellings and names, is a character in later Arthurian traditions. In some versions of the legend, including the seminal text Le Morte d'Arthur, she is the mother of Gawain and Mordred, both key players in the story of King Arthur and his downfall. Mordred is the offspring of Arthur's accidental incest with Morgause, the king's estranged half-sister. She is furthermore a sister of Morgan le Fay and the wife of King Lot of Orkney, as well as the mother of Gareth, Agravain, and Gaheris, the last of whom murders her.
Constantine was a 6th-century king of Dumnonia in sub-Roman Britain, who was remembered in later British tradition as a legendary King of Britain. The only contemporary information about him comes from Gildas, who castigated him for various sins, including the murder of two "royal youths" inside a church. The historical Constantine is also known from the genealogies of the Dumnonian kings, and possibly inspired the tradition of Saint Constantine, a king-turned-monk venerated in Southwest Britain and elsewhere.
Gaheris is a knight of the Round Table in the chivalric romance tradition of Arthurian legend. A nephew of King Arthur, Gaheris is the third son of Arthur's sister or half-sister Morgause and her husband Lot, King of Orkney and Lothian. He is the younger brother of Gawain and Agravain, the older brother of Gareth, and half-brother of Mordred.
Sir Agravain is a Knight of the Round Table in Arthurian legend, whose first known appearance is in the works of Chrétien de Troyes. He is the second eldest son of King Lot of Orkney with one of King Arthur's sisters known as Anna or Morgause, thus nephew of King Arthur, and brother to Sir Gawain, Gaheris, and Gareth, as well as half-brother to Mordred. Agravain secretly makes attempts on the life of his hated brother Gaheris since the Vulgate Cycle, participates in the slayings of Lamorak and Palamedes in the Post-Vulgate Cycle, and murders Dinadan in the Prose Tristan. In the French prose cycle tradition included in Thomas Malory's Le Morte d'Arthur, together with Mordred, he then plays a leading role by exposing his aunt Guinevere's affair with Lancelot, which leads to his death at the hands of Lancelot.
Sir Ywain, also known as Yvain, Owain, Uwain(e), Ewaine, Iwain, Iwein, Ivain, Ivan, etc., is a Knight of the Round Table in Arthurian legend, wherein he is often the son of King Urien of Gorre and the sorceress Morgan le Fay. The historical Owain mab Urien, on whom the literary character is based, was the king of Rheged in Great Britain during the late 6th century.
Perlesvaus, also called Li Hauz Livres du Graal, is an Old French Arthurian romance dating to the first decade of the 13th century. It purports to be a continuation of Chrétien de Troyes' unfinished Perceval, the Story of the Grail, but it has been called the least canonical Arthurian tale because of its striking differences from other versions.
The term chapel perilous first appeared in Sir Thomas Malory's Le Morte d'Arthur (1485) as the setting for an adventure in which sorceress Hellawes unsuccessfully attempts to seduce Sir Lancelot. T. S. Eliot used it symbolically in The Waste Land (1922). Dorothy Hewett took The Chapel Perilous as the title for her autobiographical play, in which she uses "the framework of the Arthurian legend, Sir Lancelot, to create a theatrical quest of romantic and epic proportions."
Elaine (Helaine) or Elizabeth, also known as Amite, and identified as the "Grail Maiden" or the "Grail Bearer", is a character from Arthurian legend. In the Arthurian chivalric romance tradition, she is the daughter of the Fisher King, King Pelles of Corbenic, and the mother of Galahad from her rape of Lancelot. She should not be confused with Elaine of Astolat, a different woman who too fell in love with Lancelot.
The Sword and the Circle, King Arthur and the Knights of the Round Table is a children's novel written by Rosemary Sutcliff and was first published in 1981. The story is a retelling of the story of King Arthur and his Knights of the Round Table. According to her own statements in the introduction, The Sword and the Circle follows the myths and folktales of King Arthur, crediting inspiration primarily from Sir Thomas Malory's Le Morte d'Arthur; other sources include Geoffrey of Monmouth's Historia Regum Britanniae, English ballads, and Irish folktales. She contrasts this telling of the King Arthur story with her previous novels, The Lantern Bearers and Sword at Sunset, which were more an attempt to connect with a concrete historical figure behind the folktales.
The StanzaicMorte Arthur is an anonymous 14th-century Middle English poem in 3,969 lines, about the adulterous affair between Lancelot and Guinevere, and Lancelot's tragic dissension with King Arthur. The poem is usually called the Stanzaic Morte Arthur or Stanzaic Morte to distinguish it from another Middle English poem, the Alliterative Morte Arthure. It exercised enough influence on Thomas Malory's Le Morte d'Arthur to have, in the words of one recent scholar, "played a decisive though largely unacknowledged role in the way succeeding generations have read the Arthurian legend".
Sebile, alternatively written as Sedile, Sebille, Sibilla, Sibyl, Sybilla, and other similar names, is a mythical medieval queen or princess who is frequently portrayed as a fairy or an enchantress in the Arthurian legends and Italian folklore. She appears in a variety of roles, from the most faithful and noble lady to a wicked seductress, often in relation with or substituting for the character of Morgan le Fay. Some tales feature her as a wife of either King Charlemagne or Prince Lancelot, and even as an ancestor of King Arthur.
Annowre (Anouwre) is an evil enchantress who desires King Arthur in Thomas Malory's Le Morte d' Arthur. Malory based her on a nameless character from the earlier Prose Tristan, who was named as Elergia in the Italian La Tavola Ritonda.
Guiomar is the best known name of a character appearing in many medieval texts relating to the Arthurian legend, often in relationship with Morgan le Fay or a similar fairy queen type character.
