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A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the emergence of the book of hours in the Late Middle Ages, psalters were the books most widely owned by wealthy lay persons. They were commonly used for learning to read. Many Psalters were richly illuminated, and they include some of the most spectacular surviving examples of medieval book art.
The English term (Old English psaltere, saltere) derives from Church Latin. The source term is Latin : psalterium, which is simply the name of the Book of Psalms (in secular Latin, it is the term for a stringed instrument, from Ancient Greek : ψαλτήριονpsalterion). The Book of Psalms contains the bulk of the Divine Office of the Roman Catholic Church. The other books associated with it were the Lectionary, the Antiphonary, and Responsoriale, and the Hymnary. [1] In Late Modern English, psalter has mostly ceased to refer to the Book of Psalms (as the text of a book of the Bible) and mostly refers to the dedicated physical volumes containing this text.
Dedicated psalters, as distinct from copies of the Psalms in other formats, e.g. as part of a full edition of the Old Testament, were first developed in the Latin West in the 6th century in Ireland and from about 700 on the continent.
The extensively illustrated Utrecht Psalter is one of the most important surviving Carolingian manuscripts and exercised a major influence on the later development of Anglo-Saxon art. [2] In the Middle Ages psalters were among the most popular types of illuminated manuscripts, rivaled only by the Gospel Books, from which they gradually took over as the type of manuscript chosen for lavish illumination. From the late 11th century onwards they became particularly widespread - Psalms were recited by the clergy at various points in the liturgy, so psalters were a key part of the liturgical equipment in major churches.
Various different schemes existed for the arrangement of the Psalms into groups (see Latin Psalters). As well as the 150 Psalms, medieval psalters often included a calendar, a litany of saints, canticles from the Old and New Testaments, and other devotional texts. The selection of saints mentioned in the calendar and litany varied greatly and can often give clues as to the original ownership of the manuscript, since monasteries and private patrons alike would choose those saints that had particular significance for them.
Many psalters were lavishly illuminated with full-page miniatures as well as decorated initials. Of the initials the most important is normally the so-called "Beatus initial", based on the "B" of the words Beatus vir... ("Blessed is the man...") at the start of Psalm 1. This was usually given the most elaborate decoration in an illuminated psalter, often taking a whole page for the initial letter or first two words. Historiated initials or full-page illuminations were used to mark the beginnings of the major divisions of the Psalms, or the various daily readings, and may have helped users navigate to the relevant part of the text, as medieval books almost never had page numbers.
Many psalters, particularly from the 12th century onwards, included a richly decorated "prefatory cycle" &ndash. A series of full-page illuminations preceding the Psalms, usually illustrating the Passion story, though some also featured Old Testament narratives. Such images helped to enhance the book's status, and served as aids to contemplation in the practice of personal devotions.
The psalter is also a part of either the Horologion or the breviary, used to say the Liturgy of the Hours in the Eastern and Western Christian worlds respectively.
Non-illuminated psalters written in Coptic include some of the earliest surviving codices (bound books) altogether. The earliest Coptic psalter predates the earliest Western (Irish) one by more than a century. The Mudil Psalter, the oldest complete Coptic psalter, dates to the 5th century. It was found in the Al-Mudil Coptic cemetery in a small town near Beni Suef, Egypt. The codex was in the grave of a young girl, open, with her head resting on it. [3] Scholar John Gee has argued that this represents a cultural continuation of the ancient Egyptian tradition of placing the Book of the Dead in tombs and sarcophagi. [4]
The Pahlavi Psalter is a fragment of a Middle Persian translation of a Syriac version of the Book of Psalms, dated to the 6th or 7th century. In Orthodox Christianity, the Book of Psalms for liturgical purposes is divided into 20 kathismata or "sittings", for reading at Vespers and Matins. Kathisma means sitting, since the people normally sit during the reading of the psalms. Each kathisma is divided into three stases, from stasis, to stand, because each stasis ends with Glory to the Father..., at which everyone stands.
The reading of the kathismata are arranged so that the entire psalter is read through in the course of a week. During Great Lent it is read through twice in a week. During Bright Week (Easter Week) there is no reading from the Psalms. Orthodox psalters usually contain the Biblical canticles, which are read at the canon of Matins during Great Lent.
The established Orthodox tradition of Christian burial has included reading the Psalms in the church throughout the vigil, where the deceased remains the night before the funeral, a reflection of the vigil of Holy Friday. Some Orthodox psalters also contain special prayers for the departed for this purpose. While the full tradition is showing signs of diminishing in practice, the psalter is still sometimes used during a wake. [5]
See also Category:Illuminated psalters
See also Category:Psalters
The Book of PsalmsSAH(L)MZ, SAW(L)MZ; Biblical Hebrew: תְּהִלִּים, romanized: Tehillīm, lit. 'praises'; Ancient Greek: Ψαλμός, romanized: Psalmós; Latin: Liber Psalmorum; Arabic: زَبُورُ, romanized: Zabūr), also known as the Psalms, or the Psalter, is the first book of the third section of the Tanakh called Ketuvim ('Writings'), and a book of the Old Testament.
Song of Ascents is a title given to fifteen of the Psalms, 120–134, each starting with the superscription "Shir Hama'aloth", or, in the case of Psalm 121, Shir Lama'aloth. They are also variously called Gradual Psalms, Fifteen Psalms, Songs of Degrees, Songs of Steps, songs for going up to worship or Pilgrim Songs.
Vespers is a liturgy of evening prayer, one of the canonical hours in Catholic, Eastern Orthodox, Oriental Orthodox, and Lutheran liturgies. The word for this prayer time comes from the Latin vesper, meaning "evening".
In the practice of Christianity, canonical hours mark the divisions of the day in terms of fixed times of prayer at regular intervals. A book of hours, chiefly a breviary, normally contains a version of, or selection from, such prayers.
Psalm 151 is a short psalm found in most copies of the Septuagint (LXX), but not in the Masoretic Text of the Hebrew Bible. The title given to the psalm in the Septuagint indicates that it is supernumerary, as no number is affixed to it. The psalm is ascribed to David. It is also included in some manuscripts of the Peshitta. The psalm concerns the story of David and Goliath.
Orthros or útrenya in the Byzantine Rite of the Eastern Orthodox Church and the Eastern Catholic Churches, is the last of the four night offices, the other three being vespers, compline, and midnight office. Traditionally, in monasteries it is held daily so as to end immediately following sunrise, in contrast to parishes where it is held only on Sundays and feast days. It is often called matins after the office it most nearly corresponds to in Western Christian churches.
Prime, or the First Hour, is one of the canonical hours of the Divine Office, said at the first hour of daylight, between the dawn hour of Lauds and the 9 a.m. hour of Terce. It remains part of the Christian liturgies of Eastern Christianity, but suppressed within the Roman rite by the Second Vatican Council. In the Coptic Church, a denomination of Oriental Orthodox Christianity, the office of Prime is prayed at 6 am in eastward direction of prayer by all members in this denomination, both clergy and laity, being one of the seven fixed prayer times. Roman Catholic clergy under obligation to celebrate the Liturgy of the Hours may still fulfil their obligation by using the edition of the Roman Breviary promulgated by Pope John XXIII in 1962, which contains Prime. Like all the liturgical hours, except the Office of Readings, it consists mainly of Psalms. It is one of the Little Hours.
Nones, also known as None ("Ninth"), the Ninth Hour, or the Midafternoon Prayer, is a fixed time of prayer of the Divine Office of almost all the traditional Christian liturgies. It consists mainly of psalms and is said around 3 pm (15:00), about the ninth hour after dawn.
The Tickhill Psalter is a fourteenth-century English Gothic illuminated manuscript. The psalter is an intricately illustrated but unfinished book meant for use in Augustinian worship. It is decorated with various biblical scenes, many from the life of King David, and is now kept in the New York Public Library.
Acolouthia in the Eastern Orthodox and Eastern Catholic churches, signifies the arrangement of the Divine Services, perhaps because the parts are closely connected and follow in order. In a more restricted sense, the term "acolouth" refers to the fixed portion of the Office. The portions of the Office that are variable are called the Sequences. While the structure and history of the various forms of the Divine Office in the numerous ancient Christian rites is exceedingly rich, the following article will restrict itself to the practice as it evolved in the Eastern Roman (Byzantine) Empire.
The Utrecht Psalter is a ninth-century illuminated psalter which is a key masterpiece of Carolingian art; it is probably the most valuable manuscript in the Netherlands. It is famous for its 166 lively pen illustrations, with one accompanying each psalm and the other texts in the manuscript. The precise purpose of these illustrations, and the extent of their dependence on earlier models, have been matters of art-historical controversy. The psalter spent the period between about 1000 to 1640 in England, where it had a profound influence on Anglo-Saxon art, giving rise to what is known as the "Utrecht style". It was copied at least three times in the Middle Ages. A complete facsimile edition of the psalter was made in 1875, and another in 1984 (Graz).
There exist a number of translations of the Book of Psalms into the Latin language. They are a resource used in the Liturgy of the Hours and other forms of the canonical hours in the Latin liturgical rites of the Catholic Church.
A kathisma, literally, "seat", is a division of the Psalter, used in the Eastern Orthodox and Byzantine Rite Catholic churches. The word may also describe a hymn sung at Matins, a seat used in monastic churches, or a type of monastic establishment.
A liturgical book, or service book, is a book published by the authority of a church body that contains the text and directions for the liturgy of its official religious services.
The Gorleston Psalter is a 14th-century manuscript notable for containing early music instruction and for its humorous marginalia. It is named for the town of Gorleston in Norfolk.
Beatus vir are the first words in the Latin Vulgate Bible of both Psalm 1 and Psalm 112. In each case, the words are used to refer to frequent and significant uses of these psalms in art, although the two psalms are prominent in different fields, art in the case of Psalm 1 and music in the case of Psalm 112. In psalter manuscripts, the initial letter B of Beatus is often rendered prominently as a Beatus initial.
The Sankt Florian Psalter or Saint Florian Psalter is a brightly illuminated trilingual manuscript psalter, written between late 14th and early 15th centuries in Latin, Polish and German. The Polish text is the oldest known translation of the Book of Psalms into that language. Its author, first owners, and place of origin are still not certain. It was named after St. Florian Monastery in Sankt Florian, a town in Austria, where it was discovered.
A breviary is a liturgical book used in Christianity for praying the canonical hours, usually recited at seven fixed prayer times.
The Psalter of Charlemagne is an 8th-century Latin manuscript containing the Gallican Psalter with litanies, collects and a tonary.
MS Ham. 78.A.5 dates to late twelfth-century Italy. The manuscript features nearly two hundred figurative illuminations that accompany the Gallican psalms, canticles, commentaries, a litany, and prayers. The illuminations are rendered primarily in vibrant red, green, yellow, and blue with black detailing. The manuscript is a unique survival with an unknown provenance before the early nineteenth century, during which it entered the collection of Alexander Hamilton. The Berlin Kupferstichkabinett acquired the Psalter from Hamilton's collection in 1882.