Penitential psalm

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David is depicted giving a penitential psalm in this 1860 woodcut by Julius Schnorr von Karolsfeld Schnorr von Carolsfeld Bibel in Bildern 1860 135.png
David is depicted giving a penitential psalm in this 1860 woodcut by Julius Schnorr von Karolsfeld

The Penitential Psalms or Psalms of Confession, so named in Cassiodorus's commentary of the 6th century AD, are the Psalms 6, 31, 37, 50, 101, 129, and 142 (6, 32, 38, 51, 102, 130, and 143 in the Hebrew numbering).

Contents

These psalms are expressive of sorrow for sin. Four were known as 'penitential psalms' by St. Augustine of Hippo in the early 5th century. The fiftieth Psalm (Miserere) was recited at the close of daily morning service in the early Church. Translations of the penitential psalms were undertaken by some of the greatest poets in Renaissance England, including Sir Thomas Wyatt, Henry Howard, Earl of Surrey, and Sir Philip Sidney. Before the suppression of the minor orders and tonsure in 1972 by Paul VI, the seven penitential psalms were assigned to new clerics after having been tonsured. [1]

Indulgence

With the bull Supremi omnipotentis Dei of 11 March 1572, Pope Saint Pius V granted an indulgence of 50 days for those who recite the penitential psalms. [2]

The 2004 Enchiridion Indulgentiarum granted a partial indulgence to those who pray the penitential psalms in preparation for the Sacrament of Penance. [3]

Musical settings

Perhaps the most famous musical setting of all seven is by Orlande de Lassus, with his Psalmi Davidis poenitentiales of 1584. There are also settings by Andrea Gabrieli and by Giovanni Croce. The Croce pieces are unique in being settings of Italian sonnet-form translations of the Psalms by Francesco Bembo. These were widely distributed; they were translated into English and published in London as Musica Sacra; and were even translated (back) into Latin and published in Nürnberg as Septem Psalmi poenitentiales. William Byrd set all seven Psalms in English versions for three voices in his Songs of Sundrie Natures (1589). Settings of individual penitential psalms have been written by many composers. Well-known settings of the Miserere (Psalm 50/51) include those by Gregorio Allegri and Josquin des Prez; yet another is by Bach. Settings of the De profundis (Psalm 129/130) include two in the Renaissance by Josquin.

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Psalm 143 is the 143rd psalm of the Book of Psalms, beginning in English in the King James Version: "Hear my prayer, O LORD". In the slightly different numbering system used in the Greek Septuagint version of the Bible, and the Latin Vulgate, this psalm is Psalm 142. In Latin, it is known as "Domine exaudi orationem meam". It is part of the final Davidic collection of psalms, comprising Psalms 138 to 145, which are specifically attributed to David in their opening verses. It is one of the seven Penitential Psalms. The New King James Version calls it "An Earnest Appeal for Guidance and Deliverance". The psalm has two equal sections, verses 1-6 and 7-12, separated by a Selah.

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Psalm 86 is the 86th psalm of the Book of Psalms, beginning in English in the King James Version: "Bow down thine ear, O Lord, hear me: for I am poor and needy". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 85. In Latin, it is known as "Inclina Domine". It is attributed to David.

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References

  1. Ordinations, Alleluia Press, 1962. See also the Pontificalia Romanum.
  2. Canzani Amedeo (1826). Breve istruzione sopra le ecclesiatiche indulgenze in generale e sopra il giubbileo [Brief instruction on ecclesiastical indulgences in general and on the jubilee] (in Italian). typografia Andreola editrice. p. 67.
  3. Enchiridion Indulgentiarum. quarto editur, Concessiones 9 2°.