Psalm 8 | |
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"O LORD, our Lord, how excellent is thy name in all the earth!" | |
Other name |
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Text | by David |
Language | Hebrew (original) |
Psalm 8 is the eighth psalm of the Book of Psalms, beginning and ending in English in the King James Version (KJV): "O LORD, our Lord, how excellent is thy name in all the earth!". In Latin, it is known as "Domine Dominus noster". [1] Its authorship is traditionally assigned to King David. Like Psalms 81 and 84, this psalm opens with a direction to the chief musician to perform upon the gittith , which either refers to a musical instrument, a style of performance, or alludes to persons and places in biblical history.
Commentator Cyril Rodd describes this as a "well-known and greatly loved psalm ... usually classified as a hymn". [2] It forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has often been set to music, and has inspired hymns such as "For the Beauty of the Earth" and "How Great Thou Art".
Like Psalms 81 and 84, Psalm 8 opens with a direction to the chief musician to perform upon the gittit (Hebrew : גתית). The New King James Version calls it "the instrument of Gath". [3] The Hebrew root gat (גת) refers to a winepress, indicating that these are joyful psalms. The word may also refer to the biblical city of Gath, where a similar song was sung or a musical instrument was created; or to a song of Obed-Edom the Gittite, in whose home the Ark of the Covenant rested for three months (II Samuel 6:11); or to a song over Goliath, who was from Gath. [4]
Charles Spurgeon called this psalm "the song of the Astronomer", as gazing at the heavens (verse 3 in KJV) inspires the psalmist to meditate on God's creation and man's place in it. Spurgeon further interpreted the "babes and sucklings" to whom the Lord gives strength (verse 2 in KJV) as referring variously to man, David, Jesus, the apostles, and all "who fight under Christ's banner". [4]
According to the Midrash Tehillim, verses 5 through 10 in the Hebrew contain questions that the angels asked God as God was creating the world, referring to the righteous men of Israel:
Psalm 8 manifests a prevailing theme of man in creation, serving as a precursor to a sequential arrangement of acrostic Psalms 9 and 10. O Palmer Robertson, in his work "The Flow of the Psalms," identifies three analogous instances of creation-themed acrostics in Book 1 of Psalms, specifically: [6]
The following table shows the Hebrew text [7] [8] of the Psalm with vowels alongside an English translation based upon the JPS 1917 translation (now in the public domain).
Verse | Hebrew | English translation (JPS 1917) |
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1 | לַמְנַצֵּ֥חַ עַֽל־הַגִּתִּ֗ית מִזְמ֥וֹר לְדָוִֽד׃ | For the Leader; upon the Gittith. A Psalm of David. |
2 | יְהֹוָ֤ה אֲדֹנֵ֗ינוּ מָֽה־אַדִּ֣יר שִׁ֭מְךָ בְּכׇל־הָאָ֑רֶץ אֲשֶׁ֥ר תְּנָ֥ה ה֝וֹדְךָ֗ עַל־הַשָּׁמָֽיִם׃ | O LORD, our Lord, How glorious is Thy name in all the earth! Whose majesty is rehearsed above the heavens. |
3 | מִפִּ֤י עוֹלְלִ֨ים ׀ וְֽיֹנְקִים֮ יִסַּ֢דְתָּ֫ עֹ֥ז לְמַ֥עַן צוֹרְרֶ֑יךָ לְהַשְׁבִּ֥ית א֝וֹיֵ֗ב וּמִתְנַקֵּֽם׃ | Out of the mouth of babes and sucklings hast Thou founded strength, Because of Thine adversaries; That Thou mightest still the enemy and the avenger. |
4 | כִּֽי־אֶרְאֶ֣ה שָׁ֭מֶיךָ מַעֲשֵׂ֣ה אֶצְבְּעֹתֶ֑יךָ יָרֵ֥חַ וְ֝כוֹכָבִ֗ים אֲשֶׁ֣ר כּוֹנָֽנְתָּה׃ | When I behold Thy heavens, the work of Thy fingers, The moon and the stars, which Thou hast established; |
5 | מָה־אֱנ֥וֹשׁ כִּֽי־תִזְכְּרֶ֑נּוּ וּבֶן־אָ֝דָ֗ם כִּ֣י תִפְקְדֶֽנּוּ׃ | What is man, that Thou art mindful of him? And the son of man, that Thou thinkest of him? |
6 | וַתְּחַסְּרֵ֣הוּ מְּ֭עַט מֵאֱלֹהִ֑ים וְכָב֖וֹד וְהָדָ֣ר תְּעַטְּרֵֽהוּ׃ | Yet Thou hast made him but little lower than the angels, And hast crowned him with glory and honour. |
7 | תַּ֭מְשִׁילֵהוּ בְּמַעֲשֵׂ֣י יָדֶ֑יךָ כֹּ֝֗ל שַׁ֣תָּה תַֽחַת־רַגְלָֽיו׃ | Thou hast made him to have dominion over the works of Thy hands; Thou hast put all things under His feet: |
8 | צֹנֶ֣ה וַאֲלָפִ֣ים כֻּלָּ֑ם וְ֝גַ֗ם בַּהֲמ֥וֹת שָׂדָֽי׃ | Sheep and oxen, all of them, Yea, and the beasts of the field; |
9 | צִפּ֣וֹר שָׁ֭מַיִם וּדְגֵ֣י הַיָּ֑ם עֹ֝בֵ֗ר אׇרְח֥וֹת יַמִּֽים׃ | The fowl of the air, and the fish of the sea; Whatsoever passeth through the paths of the seas. |
10 | יְהֹוָ֥ה אֲדֹנֵ֑ינוּ מָה־אַדִּ֥יר שִׁ֝מְךָ֗ בְּכׇל־הָאָֽרֶץ׃ | O LORD, our Lord, How glorious is Thy name in all the earth! |
Psalm 8 is said during Yom Kippur Katan. In the Gra siddur, Psalm 8 is the Song of the Day for Simchat Torah in the Diaspora. In the Siddur Avodas Yisrael, this psalm is said after Aleinu during the weekday evening prayer. [9]
The first half of verse 2 (in the Hebrew) is recited by Ashkenazim during the Kedushah of Mussaf on Jewish holidays. [9] [10] This verse also appears in the Hoshanot on Sukkot. [9] [11]
Verse 10 (in the Hebrew) appears as the corresponding verse for the second mention of the name "Adonai" in the Priestly Blessing. [9]
Some verses of Psalm 8 are referenced in the New Testament:
According to the Rule of Saint Benedict , Psalm 8 is to be sung or recited by monks and nuns on Tuesday at the office of prime. [13]
In the Roman Rite the psalm is recited twice a month as part of the Liturgy of the Hours, at Lauds on Saturday of weeks two and four. [14] Additionally, it is also frequently used as the responsorial psalm at Mass: on Trinity Sunday, in the Easter Octave, on the first Tuesday of Ordinary Time, the 5th Tuesday of Ordinary Time, and on the 28th Saturday in Ordinary Time.
Pope Paul VI cited this psalm in his message on the Apollo 11 goodwill disk. [15]
In the Church of England's Book of Common Prayer , Psalm 8 is appointed to be read on the evening of the first day of the month, [16] as well as at Mattins on Ascension Day. [17]
Psalm 8 inspired hymn lyrics such as Folliott Sandford Pierpoint's "For the Beauty of the Earth" which first appeared in 1864 and "How Great Thou Art", based on a Swedish poem written by Carl Boberg in 1885.
Heinrich Schütz wrote a setting of a paraphrase in German, "Mit Dank wir sollen loben", SWV 104, for the Becker Psalter , published first in 1628.Michel Richard Delalande, composer of King Louis XIV, wrote an extended Latin motet setting this psalm, which was performed at the Royal Chapel of Versailles for royal offices. Marc-Antoine Charpentier compose around 1670s one "Domine Deus noster" for 3 voices, 2 treble instruments, and continuo, H.163.
Gospel singer Richard Smallwood set a version to music in 1990. In 2019, Seth Pinnock & A New Thing recorded a song entitled Psalms 8 which is featured as the first track on the Album: “Seth Pinnock & A New Thing Live”.
The question "What is man?" from Psalm 8 may have inspired the reflection "What a piece of work is a man" in Shakespeare's Hamlet . Peter Moore contends that Shakespeare was inspired by a paraphrase of Psalm 8 composed by Henry Howard, Earl of Surrey, as he awaited execution in the Tower of London in late 1546 or early 1547. [18] The question also appears as the title of Mark Twain's essay What Is Man? , published anonymously in 1906. [19] The title of a 1974 science fiction short story by American writer Isaac Asimov, ". . . That Thou Art Mindful of Him", is also taken from Psalm 8. [20]
During his return to Earth from the first human landing on the Moon, astronaut Buzz Aldrin recited verses 4-5. [21] Pope Paul VI quote from Psalm 8 in the Apollo 11 goodwill messages.
Psalm 104 is the 104th psalm of the Book of Psalms, beginning in Hebrew "ברכי נפשי" ; in English in the King James Version: "Bless the LORD, O my soul. O LORD my God, thou art very great". In the slightly different numbering system used in the Greek Septuagint and the Latin Vulgate version of the Bible, this psalm is Psalm 103. In Latin, it is known as "Benedic anima mea Domino".
Psalm 89 is the 89th psalm of the Book of Psalms, beginning in English in the King James Version: "I will sing of the mercies of the LORD for ever". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 88. In Latin, it is known as "Misericordias Domini in aeternum cantabo". It is described as a maschil or "contemplation".
Psalm 145 is the 145th psalm of the Book of Psalms, generally known in English by its first verse, in the King James Version, "I will extol thee, my God, O king; and I will bless thy name for ever and ever". In Latin, it is known as "Exaltabo te Deus meus rex". It is the last psalm in the final Davidic collection of psalms, comprising Psalms 138 to 145, which are specifically attributed to David in their opening verses.
Psalm 9 is the ninth psalm of the Book of Psalms, beginning in English in the King James Version: "I will praise thee, O LORD, with my whole heart; I will shew forth all thy marvellous works." In Latin, it is known as "Confitebor tibi, Domine". The topic of the psalm is that the success of evil is only temporary, and in the end, the righteous will endure. Psalm 10 is considered part of Psalm 9 in the Greek Septuagint and in most pre-Reformation Christian Bibles. These two consecutive psalms have the form of a single acrostic Hebrew poem.
Psalm 90 is the 90th psalm of the Book of Psalms, beginning in English in the King James Version: "Lord, thou hast been our dwelling place in all generations". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 89. In Latin, it is known as "Domine refugium tu factus es nobis in generatione et generatione". It is the opening psalm of Book 4 of the psalms. Uniquely among the Psalms, it is attributed to Moses. It is well known for its reference in verse 10 to human life expectancy being 70 or 80 : it is believed that this verse was the influence for the opening words of Abraham Lincoln's Gettysburg Address.
Psalm 74 is the 74th psalm of the Book of Psalms, beginning in English in the King James Version: "O God, why hast thou cast us off for ever?". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 73. In Latin, it is known as "Ut quid Deus reppulisti in finem iratus". Subheaded a maschil or contemplation, and a community lament, it expresses the pleas of the Jewish community in the Babylonian captivity. It is attributed to Asaph.
Psalm 69 is the 69th psalm of the Book of Psalms, beginning in English in the King James Version: "Save me, O God; for the waters are come in unto my soul". It is subtitled: "To the chief musician, upon Shoshannim, a Psalm of David". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint version of the Bible and in the Latin Vulgate, this psalm is Psalm 68. In Latin, it is known as "Salvum me fac Deus". It has 36 verses.
Psalm 30 is the 30th psalm of the Book of Psalms, beginning in English in the King James Version: "I will extol thee, O LORD; for thou hast lifted me up". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint version of the Bible and in the Latin Vulgate, this psalm is Psalm 29. In Latin, it is known as "Exaltabo te Domine". It is a psalm of thanksgiving, traditionally ascribed to David upon the building of his own royal palace.
Psalm 24 is the 24th psalm of the Book of Psalms, beginning in English in the King James Version: "The earth is the LORD's, and the fulness thereof". In the slightly different numbering system used in the Greek Septuagint version of the Bible and the Latin Vulgate, this psalm is Psalm 23. In Latin, it is known as "Domini est terra et plenitudo eius orbis terrarum". The psalm is marked as a Psalm of David.
Psalm 10 is the tenth psalm of the Book of Psalms, beginning in English in the King James Version: "Why standest thou afar off, O LORD? why hidest thou thyself in times of trouble?" In the Greek Septuagint and the Latin Vulgate, it is not an individual psalm but the second part of psalm 9, "Ut quid Domine recessisti". These two consecutive psalms have the form of a single acrostic Hebrew poem. Compared to Psalm 9, Psalm 10 is focused more on the individual than the collective human condition.
Psalm 19 is the 19th psalm in the Book of Psalms, beginning in English in the King James Version: "The heavens declare the almighty of God; and the firmament sheweth his handywork." In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 18. The Latin version begins "Caeli enarrant gloriam Dei". The psalm is attributed to David.
Psalm 25 is the 25th psalm of the Book of Psalms, beginning in English in the King James Version: "Unto thee, O LORD, do I lift up my soul.". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 24. In Latin, it is known as "Ad te Domine levavi animam meam". The psalm, attributed to David, has the form of an acrostic Hebrew poem.
Psalm 31 is the 31st psalm of the Book of Psalms, beginning in English in the King James Version: "In thee, O LORD, do I put my trust". In Latin, it is known as "In te Domine speravi". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint version of the Bible, and in its Latin translation, the Vulgate, this psalm is Psalm 30. The first verse in the Hebrew text indicates that it was composed by David.
Psalm 40 is the 40th psalm of the Book of Psalms, beginning in English in the King James Version: "I waited patiently for the LORD". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 39. In Latin, it is known by the incipit, "Expectans expectavi Dominum". It is described by the Jerusalem Bible as a "song of praise and prayer for help".
Psalm 44 is the 44th psalm of the Book of Psalms, beginning in English in the King James Version: "We have heard with our ears, O God, our fathers have told us". In the slightly different numbering system used in the Greek Septuagint version of the bible, and generally in its Latin translations, this psalm is Psalm 43. In the Vulgate, it begins "Deus auribus nostris audivimus patres nostri adnuntiaverunt". The psalm was composed by the sons of Korah and is classified in the series of lamentations of the people.
Psalm 71 is the 71st psalm of the Book of Psalms, beginning in English in the King James Version: "In thee, O LORD, do I put my trust: let me never be put to confusion". It has no title in the Hebrew version. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 70. In Latin, it is known as "In te Domine speravi".
Psalm 85 is the 85th psalm of the Book of Psalms, one of a series of psalms attributed to the sons of Korah. In the English of the King James Version, this psalm begins: "LORD, thou hast been favourable unto thy land". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 84. In Latin, it is known as "Benedixisti Domine terram tuam". In Judaism, it is called "a psalm of returned exiles". The Jerusalem Bible describes it as a "prayer for peace".
Psalm 94 is the 94th psalm of the Book of Psalms, beginning in English in the King James Version: "O LORD God, to whom vengeance belongeth". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 93. In Latin, it is known as "Deus ultionum". This psalm is referred to as one of the Royal Psalms, Psalms 93–99, praising God as the King of His people, although as Gordon Churchyard notes, God is referred to here as judge rather than king.
Psalm 102 is the 102nd psalm of the Book of Psalms, beginning in English in the King James Version: "Hear my prayer, O LORD, and let my cry come unto thee." In Latin, it is known as "Domine exaudi orationem meam".
Psalm 115 is the 115th psalm of the Book of Psalms, beginning in English in the King James Version: "Not unto us, O LORD, not unto us, but unto thy name give glory". It is part of the Egyptian Hallel sequence in the fifth division of the Book of Psalms.