Ramsey Abbey was a Benedictine abbey in Ramsey, Huntingdonshire, England. It was founded about AD 969 and dissolved in 1539.
The Book of Cerne is an early ninth-century Insular or Anglo-Saxon Latin personal prayer book with Old English components. It belongs to a group of four such early prayer books, the others being the Royal Prayerbook, the Harleian prayerbook, and the Book of Nunnaminster. It is now commonly believed to have been produced sometime between ca. 820 and 840 AD in the Southumbrian/Mercian region of England. The original book contains a collection of several different texts, including New Testament Gospel excerpts, a selection of prayers and hymns with a version of the Lorica of Laidcenn, an abbreviated or Breviate Psalter, and a text of the Harrowing of Hell liturgical drama, which were combined to provide a source used for private devotion and contemplation. Based on stylistic and palaeographical features, the Book of Cerne has been included within the Canterbury or Tiberius group of manuscripts that were manufactured in southern England in the 8th and 9th centuries AD associated with the Mercian hegemony in Anglo-Saxon England. This Anglo-Saxon manuscript is considered to be the most sophisticated and elaborate of this group. The Book of Cerne exhibits various Irish/Celtic, Anglo-Saxon, Continental, and Mediterranean influences in its texts, ornamentation, and embellishment.
The Hereford Gospels is an 8th-century illuminated manuscript gospel book in insular script (minuscule), with large illuminated initials in the Insular style. This is a very late Anglo-Saxon gospel book, which shares a distinctive style with the Caligula Troper. An added text suggests this was in the diocese of Hereford in the 11th century.
A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the emergence of the book of hours in the Late Middle Ages, psalters were the books most widely owned by wealthy lay persons. They were commonly used for learning to read. Many Psalters were richly illuminated, and they include some of the most spectacular surviving examples of medieval book art.
The Vespasian Psalter is an Anglo-Saxon illuminated psalter decorated in a partly Insular style produced in the second or third quarter of the 8th century. It contains an interlinear gloss in Old English which is the oldest extant English translation of any portion of the Bible. It was produced in southern England, perhaps in St. Augustine's Abbey or Christ Church, Canterbury or Minster-in-Thanet, and is the earliest illuminated manuscript produced in "Southumbria" to survive.
The Benedictional of St Æthelwold is a 10th-century illuminated benedictional, the most important surviving work of the Anglo-Saxon Winchester School of illumination. It contains the various pontifical blessings used during Mass on the differing days of the ecclesiastical year, along with a form for blessing the candles used during the Feast of the Purification. The manuscript was written by the monk Godeman at the request of Æthelwold, Bishop of Winchester.
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose sophisticated art was influential in much of northern Europe. The two periods of outstanding achievement were the 7th and 8th centuries, with the metalwork and jewellery from Sutton Hoo and a series of magnificent illuminated manuscripts, and the final period after about 950, when there was a revival of English culture after the end of the Viking invasions. By the time of the Conquest the move to the Romanesque style is nearly complete. The important artistic centres, in so far as these can be established, were concentrated in the extremities of England, in Northumbria, especially in the early period, and Wessex and Kent near the south coast.
Oswald of Worcester was Archbishop of York from 972 to his death in 992. He was of Danish ancestry, but brought up by his uncle, Oda, who sent him to France to the abbey of Fleury to become a monk. After a number of years at Fleury, Oswald returned to England at the request of his uncle, who died before Oswald returned. With his uncle's death, Oswald needed a patron and turned to another kinsman, Oskytel, who had recently become Archbishop of York. His activity for Oskytel attracted the notice of Archbishop Dunstan who had Oswald consecrated as Bishop of Worcester in 961. In 972, Oswald was promoted to the see of York, although he continued to hold Worcester also.
The Utrecht Psalter is a ninth-century illuminated psalter which is a key masterpiece of Carolingian art; it is probably the most valuable manuscript in the Netherlands. It is famous for its 166 lively pen illustrations, with one accompanying each psalm and the other texts in the manuscript. The precise purpose of these illustrations, and the extent of their dependence on earlier models, have been matters of art-historical controversy. The psalter spent the period between about 1000 to 1640 in England, where it had a profound influence on Anglo-Saxon art, giving rise to what is known as the "Utrecht style". It was copied at least three times in the Middle Ages. A complete facsimile edition of the psalter was made in 1875, and another in 1984 (Graz).
The Stowe Psalter is a psalter from the "2nd or 3rd quarter of the 11th century", at the end of Anglo-Saxon art. The text includes the Gallican version of the Psalms, followed by the Canticles with an interlinear Old English gloss.
The Athelstan Gospels, or British Library, Cotton MS Tiberius A. ii is a late 9th or early 10th-century Ottonian illuminated Gospel book which entered England as a gift to King Athelstan, who in turn offered it to Christ Church, Canterbury. It is also referred to as the Coronation Gospels on account of an early modern tradition that it had been used as an oath-book at English coronations.
Eadnoth the Younger or Eadnoth I was a medieval monk and prelate, successively Abbot of Ramsey and Bishop of Dorchester. From a prominent family of priests in the Fens, he was related to Oswald, Bishop of Worcester, Archbishop of York and founder of Ramsey Abbey. Following in the footsteps of his illustrious kinsman, he initially became a monk at Worcester. He is found at Ramsey supervising construction works in the 980s, and around 992 actually became Abbot of Ramsey. As abbot, he founded two daughter houses in what is now Cambridgeshire, namely, a monastery at St Ives and a nunnery at Chatteris. At some point between 1007 and 1009, he became Bishop of Dorchester, a see that encompassed much of the eastern Danelaw. He died at the Battle of Assandun in 1016, fighting Cnut the Great.
The Harley Psalter is an illuminated manuscript of the second and third decades of the 11th century, with some later additions. It is a Latin psalter on vellum, measures 380 x 310 mm and was probably produced at Christ Church, Canterbury. The most likely patron of such a costly work would have been the Archbishop of Canterbury at the time, possibly Æthelnoth, who was consecrated in 1020 and remained at Canterbury until 1038.
The Harleian Library, Harley Collection, Harleian Collection and other variants is one of the main "closed" collections of the British Library in London, formerly the library of the British Museum.
The Westminster Psalter, British Library, MS Royal 2 A XXII, is an English illuminated psalter of about 1200, with some extra sheets with tinted drawings added around 1250. It is the oldest surviving psalter used at Westminster Abbey, and is presumed to have left Westminster after the Dissolution of the Monasteries. It joined the Old Royal Library as part of the collection of John Theyer, bought by Charles II of England in 1678. Both campaigns of decoration, both the illuminations of the original and the interpolated full-page drawings, are important examples of English manuscript painting from their respective periods.
Germanus was a medieval English abbot and Benedictine monk. He travelled to Rome in about 957 and became a monk at Fleury Abbey in France. Back in England by 964 he served as a monastic official before being named abbot of Winchcombe Abbey in about 970, a position he was removed from in 975. Germanus may have become abbot of Cholsey Abbey in 992.
Beatus vir are the first words in the Latin Vulgate Bible of both Psalm 1 and Psalm 112. In each case, the words are used to refer to frequent and significant uses of these psalms in art, although the two psalms are prominent in different fields, art in the case of Psalm 1 and music in the case of Psalm 112. In psalter manuscripts, the initial letter B of Beatus is often rendered prominently as a Beatus initial.
The English Benedictine Reform or Monastic Reform of the English church in the late tenth century was a religious and intellectual movement in the later Anglo-Saxon period. In the mid-tenth century almost all monasteries were staffed by secular clergy, who were often married. The reformers sought to replace them with celibate contemplative monks following the Rule of Saint Benedict. The movement was inspired by Continental monastic reforms, and the leading figures were Dunstan, Archbishop of Canterbury, Æthelwold, Bishop of Winchester, and Oswald, Archbishop of York.
The Tiberius Psalter is one of at least four surviving Gallican psalters produced at New Minster, Winchester in the years around the Norman conquest of England. The manuscript can now be seen fully online at the British Library website.
Derek Howard Turner was an English museum curator and art historian who specialised in liturgical studies and illuminated manuscripts. He worked at the British Museum and the British Library from 1956 until his death, focusing on exhibitions, scholarship, and loans.
