| Turan | |
|---|---|
Goddess of Love, Beauty, Health, Vitality and Patroness of Velch. | |
 Balsamarium possibly depicting Turan, or perhaps one of the Lasas (Walters Art Museum) | |
| Abode | Velch, Northern Latium Italy |
| Symbol | Dove, Swan, and anything relating to Beauty. |
| Consort | Atunis |
| Equivalents | |
| Greek equivalent | Aphrodite |
| Roman equivalent | Venus |
Turan was the Etruscan goddess of love, fertility and vitality and patroness of the city of Velch.
In art, Turan was usually depicted as a young winged girl. [1] Turan appears in toilette scenes of Etruscan bronze mirrors. She is richly robed and jeweled in early and late depictions, but appears nude under the influence of Hellenistic art in the 3rd and 2nd centuries BCE. [2] She is paired with her young lover Atunis (Adonis) and figures in the episode of the Judgement of Paris.
Turan was commonly associated with birds such as the dove, goose and above all the swan, [3] Tusna, "the swan of Turan". [4] Her retinue were called Lasas. Turan may be quite ancient but does not appear on the Piacenza list nor in Martianus list of Etruscan deities. The Etruscan month of July was named after her, although we only know the Latin word for it, Traneus. [5]
Turan was seen as the equivalent to the Roman Venus and the Greek Aphrodite. Her name is the pre-Hellenic root of "Turannos" (absolute ruler, see tyrant), [6] so Turan can be viewed as “Mistress".
Turan had a sanctuary in the Greek-influenced Gravisca, the port for Tarquinia, where votive gifts inscribed with her name have been found. One inscription calls her Turan ati, "Mother Turan" which has been interpreted as connecting her to Venus Genetrix, Venus the mother of Aeneas and progenitor of the Julio-Claudian lineage.
Turan is one of the few Etruscan goddesses who has survived into Italian folklore from Romagna. Called "Turanna", she is said to be a fairy, a spirit of love and happiness, who helps lovers. [7]
Media related to Turan (dea) at Wikimedia Commons| International | |
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Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture.
Aita, also spelled Eita, is an epithet of the Etruscan chthonic fire god Śuri as god of the underworld, roughly equivalent to the Greek god Hades.
In Etruscan mythology, Charun acted as one of the psychopompoi of the underworld. He is often portrayed with Vanth, a winged figure also associated with the underworld.
In Etruscan religion, Fufluns or Puphluns was a god of plant life, happiness, wine, health, and growth in all things. He is mentioned twice among the gods listed in the inscriptions of the Liver of Piacenza, being listed among the 16 gods that rule the Etruscan astrological houses. He is the 9th of those 16 gods. He is the son of Semla and the god Tinia. He was worshipped at Populonia and is the namesake of that town.
Menrva was an Etruscan goddess of war, art, wisdom, and medicine. She contributed much of her character to the Roman Minerva. She was the child of Uni and Tinia.
Nortia is the Latinized name of the Etruscan goddess Nurtia, whose sphere of influence was time, fate, destiny, and chance.
Tages was claimed as a founding prophet of Etruscan religion who is known from reports by Latin authors of the late Roman Republic and Roman Empire. He revealed a cosmic view of divinity and correct methods of ascertaining divine will concerning events of public interest. Such divination was undertaken in Roman society by priestly officials called haruspices.
In Etruscan religion and myth, Thalna was a divine figure usually regarded as a goddess of childbirth. Determinate gender, however, is not necessarily a characteristic of Etruscan deities, and Thalna is also either depicted as male, or seems to be identified as a male figure because of the placement of names around a scene. Her other functions include friendship and prophecy. Her name may mean "growth, bloom." She appears in Etruscan art in the company of Turan, Tinia, and Menrva.
In Etruscan mythology, Tuchulcha was a chthonic daemon with pointed ears, hair made of snakes and a beak. Tuchulcha lived in the underworld known as Aita.
In Etruscan religion, Hercle, the son of Tinia and Uni, was a version of the Greek Heracles, depicted as a muscular figure often carrying a club and wearing a lionskin. He is a popular subject in Etruscan art, particularly bronze mirrors, which show him engaged in adventures not known from the Greek myths of Heracles or the Roman and later classical myths of Hercules.
Neptune is the Roman god of freshwater and the sea in Roman religion. He is the counterpart of the Greek god Poseidon. In the Greek-inspired tradition, he is a brother of Jupiter and Pluto; the brothers preside over the realms of heaven, the earthly world, and the seas. Salacia is his wife.
Uni is the ancient goddess of marriage, fertility, family, and women in Etruscan religion and myth, and was the patron goddess of Perugia. She is identified as the Etruscan equivalent of Juno in Roman mythology, and Hera in Greek mythology. As the supreme goddess of the Etruscan pantheon, she is part of the Etruscan trinity, an original precursor to the Capitoline Triad, made up of her husband Tinia, the god of the sky, and daughter Menrva, the goddess of wisdom.
Nancy Thomson de Grummond is the M. Lynette Thompson Professor of Classics and Distinguished Research Professor at Florida State University. She specializes in Etruscan, Hellenistic and Roman archaeology. She serves as the director of archaeological excavations at Cetamura del Chianti in Tuscany, Italy. Her current research relates to Etruscan and Roman religion, myth and iconography.
Usil is the Etruscan god of the sun, shown to be identified with Apulu (Apollo). His iconic depiction features Usil rising out of the sea, with a fireball in either outstretched hand, on an engraved Etruscan bronze mirror in late Archaic style, formerly on the Roman antiquities market. On Etruscan mirrors in the Classical style, Usil appears with an aureole.
Cel was the Etruscan goddess of the earth. On the Etruscan calendar, the month of Celi (September) is likely named for her. Her Greek counterpart is Gaia and her Roman is Tellus.
Catha is a female Etruscan lunar or solar deity, who may also be connected to childbirth, and has a connection to the underworld. Catha is also the goddess of the south sanctuary at Pyrgi, Italy.
Leinth is an Etruscan deity. Within Etruscan iconography, it is difficult to distinguish mortals from divine figures without inscriptions. Inscriptions to the god Leinth have only been identified on two bronze mirrors and a single fragment of ceramic, found within an artisan’s zone on an Etruscan site in Italy. It is difficult, with such little evidence, to determine what may seem to be even the most rudimentary qualities of the deity, because the Etruscans did not consistently assign specific genders or attributes to their gods. Leinth appears both as a male and a female on two different bronze mirrors, and aside from the inscription, there seem to be no distinguishing traits to connect the figures.
Apulu, also syncopated as Aplu, is an epithet of the Etruscan fire god Śuri as chthonic sky god, roughly equivalent to the Greco-Roman god Apollo. Their names are associated on Pyrgi inscriptions too. The name Apulu or Aplu did not come directly from Greece but via a Latin center, probably Palestrina.
Śuri, later latinized as Soranus, was an ancient Etruscan deity, also venerated by other populations of central Italy and later adopted into ancient Roman religion.
